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37 kirjaa tekijältä Hal Foster

Prince Valiant Vol. 14: 1963-1964

Prince Valiant Vol. 14: 1963-1964

Hal Foster

Fantagraphics
2016
sidottu
In the first story, King Arthur sends Val to North Wales to thwart an attack by King Cidwick, while back in Camelot, Mordred plans a scandal that will break the Fellowship of the Round Table. Fortunately, a battle-weary Val finds some minor respite in the melee known as the Spring tournament, and, for the first time since coming to Camelot, our hero is crowned Grand Champion The festivities are interrupted as an invading army of savage Saxons attack in the Battle of Baddon Hill, and the only one who can save King Arthur and the Knights of Camelot is Val's son, Prince Arn. This volume closes with Val returning to his homeland of Thule to rest only to find a guerilla war waging against his father, King Aguar.
Edgar Rice Burroughs' Tarzan: The Sunday Comics Volume 3 - 1935-1937
Hal Foster's legacy as one of the most celebrated comic creators of all time is cemented in this marvelous deluxe volume Collecting Foster's last two years of Tarzan Sunday strips, expertly restored and reproduced at giant size, this final volume in Dark Horse's comprehensive collections of Foster's Tarzan Sundays compiles dozens of strips in gorgeous color on archive quality paper, replicating their appearance when they were brand new, over seventy-five years ago This astonishing hardcover is a format that collectors should not miss
Prince Valiant Vol. 15: 1965-1966

Prince Valiant Vol. 15: 1965-1966

Hal Foster

Fantagraphics
2017
sidottu
After traveling the North Atlantic Ocean, shipwrecks and pirate attacks lead Prince Arn and his newly formed crew to the New World, where trade deals soon turn into hostage negotiations. When enemy tribes attack, Arn's band of Vikings teams up with the Algonquins to repel the invaders, leading to a long-overdue peace treaty and the discovery of the St. Lawrence seaway. Meanwhile, Mordrid plots his revenge and schemes another attack on Camelot when Val and his family are at their most vulnerable. Aleta stirs up gossip when she suffers a case of mistaken identity with a mermaid, the prized Singing Sword is recovered, and Prince Valiant goes on a sensitive mission to find a missing heir.
Prince Valiant Volumes 1-3 Gift Box Set
Hal Foster's Prince Valiant is one of the most magnificent adventure comics ever and Fantagraphics' reprinting is the loveliest treatment of the strip in the history of publishing. Despite being one of our most popular series, we have never produced a holiday gift box set until now, and this deluxe package includes the first three volumes of the series, collecting the first six years of Foster's run, from 1937 through 1942
Prince Valiant Vol. 17: 1969-1970

Prince Valiant Vol. 17: 1969-1970

Hal Foster

FANTAGRAPHICS
2018
sidottu
After his long sojourn in the Mediterranean, Prince Valiant is back in Britain, where he takes on a new, intricate mission on behalf of King Arthur. Here, Valiant finds himself in the middle of a conflict between Saxon settlers and violent Viking raiders. Gawain's return journey to Camelot is fraught with misadventure as he is beset by jealous romantic rivals, a marriage-minded widow and a thieving sorcerer. Young Galan goes on a hunt to capture the fabled unicorn, and Arn, after losing his horse in a Welsh bog, is enslaved and held for ransom.
Prince Valiant Vol. 18: 1971-1972

Prince Valiant Vol. 18: 1971-1972

Hal Foster

Fantagraphics
2018
sidottu
In Camelot, the troubled Zanedon reveals himself to be a runaway groom as the mischievous twins, Karen and Valeta, hide him in their stable. Prince Arn quenches a coup, Val ends a tyrant's reign with tough love, and domestic chaos runs amok when a poet with a wandering eye makes the Misty Isles his playground; this volume also boasts bonus material
The Art-Architecture Complex

The Art-Architecture Complex

Hal Foster

Verso Books
2013
nidottu
Hal Foster, author of the acclaimed Design and Crime, argues that a fusion of architecture and art is a defining feature of contemporary culture. He identifies a "global style" of architecture-as practiced by Norman Foster, Richard Rogers and Renzo Piano-analogous to the international style of Le Corbusier, Gropius and Mies.More than any art, today's global style conveys both the dreams and delusions of modernity. Foster demonstrates that a study of the "art-architecture complex" provides invaluable insight into broader social and economic trajectories in urgent need of analysis.
Bad New Days

Bad New Days

Hal Foster

Verso Books
2017
nidottu
Bad New Days examines the evolution of art and criticism in Western Europe and North America over the last twenty-five years, exploring their dynamic relation to the general condition of emergency instilled by neoliberalism and the war on terror.Considering the work of artists such as Thomas Hirschhorn, Tacita Dean, and Isa Genzken, and the writing of thinkers like Jacques Rancière, Bruno Latour, and Giorgio Agamben, Hal Foster shows the ways in which art has anticipated this condition, at times resisting the collapse of the social contract or gesturing toward its repair; at other times burlesquing it.Against the claim that art making has become so heterogeneous as to defy historical analysis, Foster argues that the critic must still articulate a clear account of the contemporary in all its complexity. To that end, he offers several paradigms for the art of recent years, which he terms "abject," "archival," "mimetic," and "precarious."
What Comes After Farce?

What Comes After Farce?

Hal Foster

Verso Books
2024
nidottu
If farce follows tragedy, what follows farce? Where does the double predicament of a post-truth and post-shame politics leave artists and critics on the left? How to demystify a hegemonic order that dismisses its own contradictions? How to belittle a political elite that cannot be embarrassed, or to mock party leaders who thrive on the absurd? How to out-dada President Ubu? And, in any event, why add outrage to a media economy that thrives on the same? What Comes After Farce? comments on shifts in art, criticism, and fiction in the face of the current regime of war, surveillance, extreme inequality, and media disruption. A first section focuses on the cultural politics of emergency since 9/11, including the use and abuse of trauma, paranoia, and kitsch. A second reviews the neoliberal makeover of art institutions during the same period. Finally, a third section surveys transformations in media as reflected in recent art, film, and fiction. Among the phenomena explored here are "machine vision" (images produced by machines for other machines without a human interface),"operational images" (images that do not represent the world so much as intervene in it), and the algorithmic scripting of information so pervasive in our everyday lives.
Design and Crime (And Other Diatribes)
In these diatribes on the marketing of culture and the branding of identity, the development of spectacle-architecture and the rise of global cities, Hal Foster surveys our new political economy of design. Written in a lively style, Design and Crime explores the historical relations of modern art and modern museum, the conceptual vicissitudes of art history and visual studies, the recent travails of art criticism, and the double aftermath of modernism and postmodernism in an attempt to illuminate the conditions for critical culture in the present.
Hardest Kind of Archetype: Reflections on Roy Lichetenstein

Hardest Kind of Archetype: Reflections on Roy Lichetenstein

Hal Foster

National Galleries of Scotland
2011
sidottu
Established following the 125th anniversary of the Chair of Fine Art at the University of Edinburgh and named after the painter Sir John Watson Gordon, the Watson Gordon Lectures Typify the long-standing positive collaboration between the University of Edinburgh and the National Galleries of Scotland: two partners in the Visual Arts Research Institute in Edinburgh. The fifth lecture was given by Hal Foster of Princeton University. Professor Foster is an acknowledged expert on modernist art and architecture, and has a particular fascination with Pop art. His wide-ranging lecture on Roy Lichtenstein is a gripping engagement with the multiple aspects of the artist's work: the conjunctions of art and technology, the satirical playing with previous modernist styles, and the sinister background of the military-industrial complex.
Prinssi Rohkea – Laulava miekka
Prinssi Rohkea on suuri amerikkalainen klassikko. Sarjakuva saadaan nyt ensi kerran suomeksi koko loistossaan, upeissa väreissä. Laulava miekka tempaa lukijansa mukaan heti alkusivuilta sumuisille rämeille, myrskyäville merille, taisteluiden melskeeseen ja tietenkin Camelotiin, kuningas Arthurin hoviin. Maanpaossa kasvaneen Thulen nuoren prinssi Rohkean kohtalona on kulkea seikkailusta seikkailuun. Rohkean nokkeluus ja taistelutaidot pelastavat hänet monesta pälkähästä, kuten Morgan Le Feyn kauhujen linnasta ja pohjanmiesten käsistä. Laulava miekka on myös kasvutarina ja rakkauskertomus. Prinssi Rohkean suurin toive on päästä ritariksi - onnistuuko hän tavoitteessaan? Teos on suomennettu huolella ja vanhahtavaa sävyä kunnioittaen, jotta alkuperäisen mukainen vivahteikas kerronta pääsee oikeuksiinsa. Kirjan seikkailut on ensimmäisen kerran julkaistu vuosina 1937-1939. Hal Fosterin verrattoman varma viiva, historiallisen seikkailun suuruus ja hurtti huumori tekevät tästä albumista ajattoman lukuelämyksen!
Prince Valiant Vol. 8: 1951-1952

Prince Valiant Vol. 8: 1951-1952

Hal Foster

Fantagraphics
2014
sidottu
You might think that birth of Prince Valiant (TM)s son Arn at the end of the previous volume would have slowed down Val (TM)s adventuring, but you would be wrong. In Prince Valiant Vol. 7, after the baby has been christened, Valiant and Gawain are dispatched to investigate reports of black magic in Wales, ending up in pitched battle at the aptly named Castle Illwynde. Then it (TM)s off to Scotland to battle the Picts, and then home yet again for Val to visit his growing boy. Valiant now enters the 1950s: The Thule winter is hard and bleak, and a prince who has designs on Aleta must be dealt with. Then it (TM)s another epic-length story, oeThe Missionaries,  in which Val and several of his fellow knights and crew travel to Rome on a quest for teachers who might bring Christianity to Thule. The story also features an escape through the Alps, far too many red-headed girls, and a tragic, life-changing event for the young squire Geoffrey (a.k.a. oeArf ). And Foster charmingly ends the book with oeThe Prince Arn Story,  a three-week sequence narrated by the toddler.
Bad New Days

Bad New Days

Hal Foster

Verso Books
2015
sidottu
Bad New Days looks back at the last 25 years of artistic practice in Western Europe and North America, positioning it in relation to a general condition of emergency that neoliberalism and the war of terror have brought with them. Foster argues that art has actually anticipated this condition, at times miming the collapse of the social contract, at other times resisting it, and at still other times exacerbating it critically. Against the assumption that art no longer heeds any model, he also offers several paradigms of practice over this period, which he terms "abject," "archival," "mimetic," and "precarious."