Kirjahaku

Is Kierkegaard a phenomenologist? Much depends on what we take 'phenomenology' to mean, since the word has been stretched in all possible directions since Edmund Husserl wrote his major works. What have phenomenologists made of his writings? This question is easier to answer: he has been a constant reference point for many of them, although there is little agreement about his significance. This short book argues that he is a phenomenologist in the context of discovery, not justification. One finds attention to attunements in Kierkegaard, and one also finds modes of bracketing and reduction. Even so, his styles of thinking phenomenologically differ from those of most writers in this philosophical school. His phenomenology takes a theological path, one that leads from 'world' to 'kingdom,' and one that often turns on what he calls 'the moment.'

Is Kierkegaard a phenomenologist? Much depends on what we take 'phenomenology' to mean, since the word has been stretched in all possible directions since Edmund Husserl wrote his major works. What have phenomenologists made of his writings? This question is easier to answer: he has been a constant reference point for many of them, although there is little agreement about his significance. This short book argues that he is a phenomenologist in the context of discovery, not justification. One finds attention to attunements in Kierkegaard, and one also finds modes of bracketing and reduction. Even so, his styles of thinking phenomenologically differ from those of most writers in this philosophical school. His phenomenology takes a theological path, one that leads from 'world' to 'kingdom,' and one that often turns on what he calls 'the moment.'

Blanchot and his writings on three major poets, Mallarmé, Hölderlin, and Char, provide a decisive new point of departure for English language criticism of his philosophical writings on narrative in this study by leading Blanchot scholar, Kevin Hart.Connecting his work to later leading figures of 20th-century French philosophy, including Emmanuel Levinas, Simone Weil, and Jacques Derrida, Hart highlights the importance of Jewish philosophy and political thought to his overall conception of literature. Chapters on community and negation reveal Blanchot’s emphasis on the relationship between narrative and politics over the more commonly connected narrative and aesthetics. By fully discussing Blanchot’s elusive concept of “the Outside” for the first time, this book progresses scholarly understandings of his entire oeuvre further. This central concept engages Franz Rosenzweig’s work on Abrahamic faiths, enabling a reckoning on the role of suffering and literature in the wake of the Shoah, with significant implications for Jewish studies more generally.

Blanchot and his writings on three major poets, Mallarmé, Hölderlin, and Char, provide a decisive new point of departure for English language criticism of his philosophical writings on narrative in this study by leading Blanchot scholar, Kevin Hart.Connecting his work to later leading figures of 20th-century French philosophy, including Emmanuel Levinas, Simone Weil, and Jacques Derrida, Hart highlights the importance of Jewish philosophy and political thought to his overall conception of literature. Chapters on community and negation reveal Blanchot’s emphasis on the relationship between narrative and politics over the more commonly connected narrative and aesthetics. By fully discussing Blanchot’s elusive concept of “the Outside” for the first time, this book progresses scholarly understandings of his entire oeuvre further. This central concept engages Franz Rosenzweig’s work on Abrahamic faiths, enabling a reckoning on the role of suffering and literature in the wake of the Shoah, with significant implications for Jewish studies more generally.

Motivational memoir from the award-winning actor and comedian Kevin Hart, full of hilarious-yet-sincere advice for living your best life.

Religious poetry has often been regarded as minor poetry and dismissed in large part because poetry is taken to require direct experience; whereas religious poetry is taken to be based on faith, that is, on second or third hand experience. The best methods of thinking about "experience" are given to us by phenomenology. Poetry and Revelation is the first study of religious poetry through a phenomenological lens, one that works with the distinction between manifestation (in which everything is made manifest) and revelation (in which the mystery is re-veiled as well as revealed). Providing a phenomenological investigation of a wide range of “religious poems”, some medieval, some modern; some written in English, others written in European languages; some from America, some from Britain, and some from Australia, Kevin Hart provides a unique new way of thinking about religious poetry and the nature of revelation itself.

New York Times bestselling author, superstar comedian, and Hollywood box office star Kevin Hart turns his immense talent to the written word in this "hilarious but also heartfelt" (Elle) memoir on survival, success, and the importance of believing in yourself. The question you're probably asking yourself right now is: What does Kevin Hart have that a book also has? According to the three people who have seen Kevin Hart and a book in the same room, the answer is clear: A book is compact. Kevin Hart is compact. A book has a spine that holds it together. Kevin Hart has a spine that holds him together. A book has a beginning. Kevin Hart's life uniquely qualifies him to write this book by also having a beginning. It begins in North Philadelphia. He was born an accident, unwanted by his parents. His father was a drug addict who was in and out of jail. His brother was a crack dealer and petty thief. And his mother was overwhelmingly strict, beating him with belts, frying pans, and his own toys. The odds, in short, were stacked against our young hero. But Kevin Hart, like Ernest Hemingway, J.K. Rowling, and Chocolate Droppa before him, was able to defy the odds and turn it around. In his literary debut, he takes us on a journey through what his life was, what it is today, and how he's overcome each challenge to become the man he is today. And that man happens to be the biggest comedian in the world, with tours that sell out football stadiums and films that have collectively grossed over $3.5 billion. He achieved this not just through hard work, determination, and talent. "Hart is an incredibly magnetic storyteller, on the page as he is onstage, and that's what shines through in this] genial, entertaining guide to a life in comedy" (Kirkus Reviews).

This book rises out of Dr. Kevin Hart’s 2020 Aquinas Lecture at the University of Dallas. Contemplation and Kingdom seeks to retrieve aspects of Richard of St. Victor's treatment of contemplation, principally in De arca mystica, and does so by weighing Thomas Aquinas's reservations about this treatment in the Summa theologiæ. Is Aquinas right to object, as Augustine does in De Doctrina Christiana, that our contemplation should go directly to God and not be stalled in the consideration of the natural world? What relation is there between Jesus's preaching of the Kingdom and the contemplation of God? Is the contemplative life consistent with Jesus's injunction to love both God and neighbor? These are the principal questions considered in the book. This book is vintage Hart, erudite, well written, a treat for a wide readership. It is an example of how theology ought to be done, with a clarity and depth unsurpassed in today’s scholarly world. Its blend of anglo-saxon elegance and continental insights will be praised in the Academy and outside. – Jean-Yves Lacoste, Clare Hall, Cambridge In the light of great contemporary interest in contemplation, this brilliant and erudite work is a stunning example. The focus on Richard of St. Victor and Thomas Aquinas is especially appropriate. Theologians and philosophers will be especially thankful for Kevin Hart’s work on the actuality of contemplation. – David Tracy, University of Chicago Kevin Hart holds the Edwin B. Kyle Chair of Christian Theology at the University of Virginia where he is also Courtesy Professor of English and Courtesy Professor of French. In 2020 he was awarded the Aquinas Medal by the Department of Philosophy at the University of Dallas. His 2020 Étienne Gilson Lectures, given at L'Institut Catholique de Paris, offer a fresh approach to the theology of the imago dei in Augustine. His 2020 Gifford Lectures, given at Glasgow University, examine various questions to do with the theology of contemplation and propose a new "hermeneutics of contemplation." His most recent scholarly publications include Kingdoms of God and Poetry and Revelation, and his most recent collections of poetry are Wild Track: New and Selected Poems and Barefoot.

"A granular, meditative, and beautiful portrait of a fascinating life."--Booklist"Put this beautiful book on your shelf between Frank Conroy's Stop-Time and Tobias Wolff's This Boy's Life."--William Giraldi, author of The Hero's Body"Of all the memoirs and autobiographies I've ever read--literary or otherwise--Dark-Land is among the very best . . . A] genuinely astonishing achievement."--John Wilson, The Washington ExaminerNamed BOOK OF THE YEAR by First Things magazineThis powerful memoir from poet Kevin Hart traces his difficult childhood as a "backward boy" in a poor part of London, a disorienting move to tropical Australia, and the secrets he and his family kept from one another.Dark-Land is Kevin Hart's searing, yet at times hilarious, narrative of his first thirteen years. It is a story of survival and transformation, of deception and recovery, and it passes from a frightening childhood in the East-End of London to a new and bewildering life in sub-tropical Australia. Throughout, Hart draws on John Bunyan's evocation of "Dark-Land" in Pilgrim's Progress, the place Valiant-for-Truth leaves in order to seek the Celestial City. But Dark-Land is no allegory. We see Hart's hidden inner life, his family's penchant for keeping secrets, and their illusions about the nature of their shared past. We see Hart grow from being the despair of his teachers in a rough primary school to experiencing a "conversion" in a math class in Brisbane, Australia, which turned him into a Christian, a poet, and an academic.Written in elegant, lucid prose, without a trace of sentimentality, Dark-Land is a memoir of a working-class childhood, a narrative of a migrant, and the story of a convert to Christianity.

Adopting the role of tour guide, award-winning writer Kevin Hart leads the reader through the pitfalls, conundrums and complexities that characterize postmodernism, while providing an overview of the many different approaches (philosophical, cultural, literary…) to the subject. All the major thinkers are introduced – from Derrida to Blanchot, Irigaray to Foucault, and more besides – while the book is unique among introductory guides in its consideration of the role of religion in a postmodern world.

Religious poetry has often been regarded as minor poetry and dismissed in large part because poetry is taken to require direct experience; whereas religious poetry is taken to be based on faith, that is, on second or third hand experience. The best methods of thinking about "experience" are given to us by phenomenology. Poetry and Revelation is the first study of religious poetry through a phenomenological lens, one that works with the distinction between manifestation (in which everything is made manifest) and revelation (in which the mystery is re-veiled as well as revealed). Providing a phenomenological investigation of a wide range of “religious poems”, some medieval, some modern; some written in English, others written in European languages; some from America, some from Britain, and some from Australia, Kevin Hart provides a unique new way of thinking about religious poetry and the nature of revelation itself.