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LONGLISTED FOR THE BOOKER PRIZE'Cusk can pinpoint something profound with the merest detail.' Independent'A warning against idealism, brilliantly plotted and eloquently narrated.' Scotsman'This deft, haunting work compels on every page.' Daily Mail When eighteen-year-old Michael visits the Hanbury's remote family home he is captivated by their bohemian lifestyle. Years later, when he marries the strong-willed, beautiful Rebecca, he is secretly hoping to create his own version of that free-thinking family, but after the birth of their first child, their marriage begins to flounder. The chance to escape once more to his friend's country house comes as a welcome relief, until he discovers a family changed and his own romantic notions of country life disintegrating.

Truly one of a kind.' Justine Jordan, Guardian'A novel of deep insight and scarring honesty.' Martin Chilton, Independent'Re-sets the dial yet again.' Claire Harman, Evening Standard'Extraordinary .

WINNER OF THE 2024 GOLDSMITHS PRIZE'A brilliant, stark and unsettling feat.' Observer'Thoughtful and true ... Cusk is a disciple of the truth and she helps us to see.' Independent'Cusk's most formidable, radical and compelling novel yet.' The ConversationA path-breaking novel of art, womanhood and violence, from the author of the Outline trilogy.Midway through his life, an artist begins to paint upside down.In Paris, a woman is attacked by a stranger in the street.A mother dies. A man falls to his death. Couples seek escape in distant lands.The new novel from one of the most distinctive writers of the age, Parade sets loose a carousel of lives. It surges past the limits of identity, character, and plot, to tell a true story-about art, family, morality, gender, and how we compose ourselves.

A writer hides. A mother dies. A woman is attacked.In Parade, Rachel Cusk creates a new documentary voice that operates on the border between fiction and reality. It braids imagined characters with the actual, experience with the philosophical, to altering effect.

Midway through his life, an artist begins to paint upside down. In Paris, a woman is attacked by a stranger in the street. A mother dies. A man falls to his death. Couples seek escape in distant lands. The new novel from one of the most distinctive writers of the age, Parade sets loose a carousel of lives. It surges past the limits of identity, character, and plot, to tell a true story-about art, family, morality, gender, and how we compose ourselves.

National Bestseller - A Finalist for the Scotiabank Giller Prize - A Finalist for the Goldsmiths Prize - Long-listed for the International Dublin Literary Award - One of Time Magazine's Top 10 Fiction Books of the Year A New York Times Book Review Notable Book - Named a Best Book of the Year by The Guardian, Southern Living, NOW Magazine, Commonweal, The Washington Independent Review of Books, the San Francisco Chronicle, The Globe and Mail, BOMB Magazine, and The National Post (Canada) The Stunning Second Novel of a Trilogy That Began with Outline, One of New York Times Book Review's 10 Best Books of the YearIn the wake of her family's collapse, a writer and her two young sons move to London. The process of this upheaval is the catalyst for a number of transitions--personal, moral, artistic, and practical--as she endeavors to construct a new reality for herself and her children. In the city, she is made to confront aspects of living that she has, until now, avoided, and to consider questions of vulnerability and power, death and renewal, in what becomes her struggle to reattach herself to, and believe in, life. Filtered through the impersonal gaze of its keenly intelligent protagonist, Transit sees Rachel Cusk delve deeper into the themes first raised in her critically acclaimed novel Outline and offers up a penetrating and moving reflection on childhood and fate, the value of suffering, the moral problems of personal responsibility, and the mystery of change. In this second book of a precise and short yet epic cycle, Cusk describes the most elemental experiences, the liminal qualities of life. She captures with unsettling restraint and honesty the longing to both inhabit and flee one's life, and the wrenching ambivalence animating our desire to feel real.

New York Times Book Review 100 Notable Books of 2018 - Amazon Editors' Top 100 of 2018 Rachel Cusk, the award-winning and critically acclaimed author of Outline and Transit, completes the transcendent literary trilogy with Kudos, a novel of unsettling power. A woman writer visits a Europe in flux, where questions of personal and political identity are rising to the surface and the trauma of change is opening up new possibilities of loss and renewal. Within the rituals of literary culture, Faye finds the human story in disarray amid differing attitudes toward the public performance of the creative persona. She begins to identify among the people she meets a tension between truth and representation, a fissure that accrues great dramatic force as Kudos reaches a profound and beautiful climax. In this conclusion to her groundbreaking trilogy, Cusk unflinchingly explores the nature of family and art, justice and love, and the ultimate value of suffering. She is without question one of our most important living writers.

Winner of the Goldsmiths PrizeNamed a Best Book of the Year (So Far) by The New Yorker and Vulture From Rachel Cusk, author of the Outline trilogy, comes this startling, exhilarating novel that once again expands the notion of what fiction can be and do. Midway through his life, the artist G begins to paint upside down. Eventually, he paints his wife upside down. He also makes her ugly. The paintings are a great success. In Paris, a woman is attacked by a stranger in the street. Her attacker flees, but not before turning around to contemplate her victim, like an artist stepping back from a canvas. At the age of twenty-two, the painter G leaves home for a new life in another country, far from the disapproval of her parents. Her paintings attract the disapproval of the man she later marries. When a mother dies, her children confront her legacy: the stories she told, the roles she assigned to them, the ways she withheld her love. Her death is a kind of freedom. Parade is a novel that demolishes the conventions of storytelling. It surges past the limits of identity, character, and plot to tell the story of G, an artist whose life contains many lives. Rachel Cusk is a writer and visionary like no other, who turns language upside down to show us our world as it really is.

NPR's Favorite Books of 2019 Rachel Cusk redrew the boundaries of fiction with the Outline Trilogy, three "literary masterpieces" (The Washington Post) whose narrator, Faye, perceives the world with a glinting, unsparing intelligence while remaining opaque to the reader. Lauded for the precision of her prose and the quality of her insight, Cusk is a writer of uncommon brilliance. Now, in Coventry, she gathers a selection of her nonfiction writings that both offers new insights on the themes at the heart of her fiction and forges a startling critical voice on some of our most urgent personal, social, and artistic questions. Coventry encompasses memoir, cultural criticism, and writing about literature, with pieces on family life, gender, and politics, and on D. H. Lawrence, Fran oise Sagan, and Kazuo Ishiguro. Named for an essay Cusk published in Granta ("Every so often, for offences actual or hypothetical, my mother and father stop speaking to me. There's a funny phrase for this phenomenon in England: it's called being sent to Coventry"), this collection is pure Cusk and essential reading for our age: fearless, unrepentantly erudite, and dazzling to behold.

Rachel Cusk's second novel is a ruthless, surprising story of work, gender, and control. Ralph Loman is working in an unsatisfying job at a free London newspaper when Francine Snaith, a temporary secretary for a corporate finance firm, unexpectedly crosses his path at a party. Her beauty ignites a blaze of excitement in his troubled heart. But Francine is ravenous for attention, driven by a thirst for conquest, and when Ralph tries politely to extricate himself, he finds he is bound by chains of consequence from which it seems there is no escape. In The Temporary, Rachel Cusk paints a merciless portrait of the cut and thrust of modern romance, work, and life.

A New York Times Notable Book of the YearWinner of the Somerset Maugham Award The Country Life, Rachel Cusk's third novel, is a rich and subtle story about embarrassment, awkwardness, and being alone; about families, or the lack of them; and about love in some peculiar guises. "A brilliant oxymoron--a serious farce . . . Cusk's ability to keep us interested in innumerable human collisions is uncanny." --The New Yorker Stella Benson sets off for Hilltop, a tiny Sussex village housing a family that is somewhat larger-than-life. Her hopes for the Maddens may be high, but her station among them--as au pair to their irascible son, Martin--is undeniably low. What could possibly have driven her to leave her home, job, and life in London for such rural ignominy? Why has she severed all contact with her parents? And why is she so reluctant to talk about her past?

"Astonishing . . . The Bradshaw Variations is a timely, necessary story." --Elle Thomas Bradshaw and Tonie Swann are experiencing the classic symptoms of marriage in its middle years: comfortable house, happy-enough daughter, and an eerie sense that life might be happening elsewhere. Then Tonie accepts a big promotion at work and Thomas agrees to become a stay-at-home dad. While Thomas is suddenly faced with the daily silence of an empty house, Tonie finds herself alive to previously unimagined possibilities. And at the head of the family, the aging Bradshaw parents continue their marital dynamic of bickering and petty undermining. The seventh novel by the acclaimed author of the Outline trilogy, Rachel Cusk's The Bradshaw Variations is a lyrical, subversive tale of a marriage unraveling.

A new paperback edition of Rachel Cusk's debut novel, winner of the Whitbread First Novel Award. In Saving Agnes, Agnes Day--subeditor, suburbanite, failure extraordinaire--has discovered disconcerting gaps in her general understanding of the world. Terminally middle-class and incurably romantic, Agnes finds herself chronically confused by the most basic interactions. Life and love go on without her, but with a little facade she can pass herself off as a success. Beneath the fiction, however, the burden of truth becomes harder to bear.

Multi-award-winning author Rachel Cusk's honest memoir that captures the life-changing wonders of motherhood. Selected by The New York Times as one of the 50 Best Memoirs of the Past 50 Years "Funny and smart and refreshingly akin to a war diary--sort of Apocalypse Baby Now . . . A Life's Work is wholly original and unabashedly true." --The New York Times Book Review A Life's Work: On Becoming a Mother is Rachel Cusk's funny, moving, brutally honest account of her early experiences of motherhood. When it was published it 2001, it divided critics and readers. One famous columnist wrote a piece demanding that Cusk's children be taken into care, saying she was unfit to look after them, and Oprah Winfrey invited her on the show to defend herself. An education in babies, books, breast-feeding, toddler groups, broken nights, bad advice and never being alone, it is a landmark work, which has provoked acclaim and outrage in equal measure.

The much-praised new novel from award-winning author Rachel Cusk, who was one of Granta's Best of British writers.

For 50 years UEA's MA and MFA in Prose Fiction has brought together the best and brightest emerging writers from around the globe. The programme has produced such recent successes as Emma Healey, John Boyne, Naomi Alderman, Elizabeth Macneal, Tash Aw, Anappara Deepa and JY Neon Yang. The works found in this anthology did not bloom in isolation. Writing is a craft, a practice - it does not sneak up in the night and come to life as a perfect manuscript by morning. Anyone who believes that all writing emerges in solitude would do well to witness the thrill of ten authors clustered together as they pick apart a newborn story and pass its paragraphs hand to hand. UEA offers the joy of letting stories collide. The cohort is made up of people who live and breathe language, and this anthology offers you a glimpse into the work that is the culmination of thirty-three writers living and working together in constructive collaboration. With a foreword by Rachel Cusk and an introduction by Naomi Wood and Philip Langeskov, Bloom offers an iridescent array of diverse and intriguing insights into the latest in literature. You can safely say that you read it here first.