Kirjahaku

Iconomy: Towards a Political Economy of Images argues that imagery of all kinds has become a definitive force in the shaping of contemporary life. While immersed in public politics and private imaginaries, such imagery also operates according to its own logic, potentialities, and limitations. This book explores viral imagery—the iconopolitics—of the pandemic, U.S. Presidents Trump and Biden, Black Lives Matter, as well as the rise of a “black aesthetic” in white artworlds. Having arrived at the term “iconomy” in the years just prior to 9/11, and tracking its growing relevance since then, Smith argues that its study does not require a discipline serving nation states and globalizing capitalism but, instead, a deconstructive interdiscipline that contributes to the politics of planetary world-making.

Iconomy: Towards a Political Economy of Images argues that imagery of all kinds has become a definitive force in the shaping of contemporary life. While immersed in public politics and private imaginaries, such imagery also operates according to its own logic, potentialities, and limitations. This book explores viral imagery—the iconopolitics—of the pandemic, U.S. Presidents Trump and Biden, Black Lives Matter, as well as the rise of a “black aesthetic” in white artworlds. Having arrived at the term “iconomy” in the years just prior to 9/11, and tracking its growing relevance since then, Smith argues that its study does not require a discipline serving nation states and globalizing capitalism but, instead, a deconstructive interdiscipline that contributes to the politics of planetary world-making.

Marketing theory is often developed in isolation not collaboration; theoretical perspectives sometimes are ignorant of the diversity of marketing practice. In “The roots and uses of marketing knowledge: a critical inquiry into the theory and practice of marketing”, the author engages with the vital conversation about how marketing knowledge is created, disseminated and consumed, looking beyond the traditional reification of practice in theory and verification of theory in practice. The ontology of this work is anchored in subjective individual meaning; the epistemological stance assumes that this meaning is socially constructed. Consequently, rich empirical data, grounded in the context of experiential evidence, is extracted from a comprehensive range of marketing constituencies: academics, practitioners, managers, consultants, authors, lecturers and students. In its examination of the polarities, hybridity and iterative flow of marketing knowledge creation and consumption, this text posits a cohesive argument for a theory/practice bipartite fusion not dichotomy, adding valuable insights into the textual, contextual and pedagogical representations of marketing knowledge. The history and future of marketing knowledge is examined with the aid of instructive illustrations and insightful first-hand experience. Drawing on extensive qualitative research from a broad range of influential producers and vital consumers, Dr. Smith presents a relevant, exciting marketing knowledge framework which will be a vital resource for academics, students and practitioners.

"Britain's most popular stockpicker" –Financial Times "Buffett 2.0" –Investors Chronicle Second edition of the celebrated guide to investing from renowned fund manager Terry Smith, with new content covering 2020–2025. Buy good companies. Don't overpay. Do nothing. Some people love to make successful investing seem more complicated than it really is. In Investing for Growth, an anthology of essays and letters written between 2010–25, leading fund manager Terry Smith delights in debunking the many myths of investing – and making the case for simply buying the best companies in the world. These are businesses that generate serious amounts of cash and know what to do with it. The result is a powerful compounding of returns that is almost impossible to beat. Even better, they aren't going anywhere. Most have survived the Great Depression and two world wars. With his trademark razor-sharp wit, Smith not only reveals what these high-quality companies really look like and where to find them (as well as how to discover impostors), but also: Why you should avoid companies that abuse the English language How share buybacks can destroy value How to spot quality businesses and why you should invest in them What investors can learn from the Tour de France Why leveraged ETFs are much riskier than most realise Why you should avoid investing in bank shares His ten golden rules for investment And much, much more. Backed up by the analytical rigour that made his name with the cult classic, Accounting for Growth (1992), this book is a hugely enjoyable and eye-opening tour through some of the most important topics in the world of investing – as well as a treasure trove of practical insights on how to make your money work for you. No investor's bookshelf is complete without it.

Finalist in the Business: Marketing & Advertising category of the Best Book Awards 2023 awarded by American Book FestFinalist in the Marketing - Branding category of the Goody Business Book Awards 2023 Brand Fusion: Purpose-driven brand strategy presents a compelling case for what consumers, customers, employees, and wider society are now demanding from companies – the development of brands that deliver profit with purpose, are sustainable, and create mutually beneficial meaning. It fuses theory-practice-application to purpose-driven brand strategies in order to develop a unique approach that has comprehensive theoretical underpinning as well as practical and thought-provoking lessons from industry. Data-driven case studies from a broad range of brands and contexts show the application of this learning–from micro-brands to corporates; charities to technology companies; retirement villages to aspiring high-growth start-ups. Brand Fusion: Purpose-driven brand strategy is an in-depth analysis of the philosophy and practice behind creating a purposeful brand.

In the early 1970s at Papunya, a remote settlement in the Central Australian desert, a group of Indigenous artists decided to communicate the sacred power of their traditional knowledge to the wider worlds beyond their own. Their exceptional, innovative efforts led to an outburst of creative energy across the continent that gave rise to the contemporary Aboriginal art movement that continues to this day. In their new book, anthropologist Fred Myers and art critic Terry Smith discuss six Papunya paintings featured in a 2022 exhibition in New York. They draw on several discourses that have developed around First Nations art-notably anthropology, art history, and curating as practiced by Indigenous and non-Indigenous interpreters. Their focus on six key paintings enables unusually close and intense insight into the works’ content and extraordinary innovation. Six Paintings from Papunya also includes a reflection by Indigenous curator and scholar Stephen Gilchrist, who considers the nature and significance of this rare transcultural conversation.

In the early 1970s at Papunya, a remote settlement in the Central Australian desert, a group of Indigenous artists decided to communicate the sacred power of their traditional knowledge to the wider worlds beyond their own. Their exceptional, innovative efforts led to an outburst of creative energy across the continent that gave rise to the contemporary Aboriginal art movement that continues to this day. In their new book, anthropologist Fred Myers and art critic Terry Smith discuss six Papunya paintings featured in a 2022 exhibition in New York. They draw on several discourses that have developed around First Nations art-notably anthropology, art history, and curating as practiced by Indigenous and non-Indigenous interpreters. Their focus on six key paintings enables unusually close and intense insight into the works’ content and extraordinary innovation. Six Paintings from Papunya also includes a reflection by Indigenous curator and scholar Stephen Gilchrist, who considers the nature and significance of this rare transcultural conversation.

Sidetracks - Painting in the Paramodern continuum Dette er en bok som undersøker det skildrende bildet og maleriet som et språk på lerretet. Forfatterne i boken er foruten Peter S. Meyer er professorene Morten Kyndrup, Terry Smith og Ph.D Øystein Sjåstad. Det har skjedd en forandring i måten vi oppfatter samtiden på og dette kan registreres i billedkunsten. Alle de 13 kunstnerne som er representert i boken har en relasjon til det skildrende bildet samtidig som de forhandler med maleriet som et språk på lerretet. Den "virkelige" verden er sett gjennom andres synsregimer. Det vil si at verden ikke lenger er sett med kunstnerens øyne. Den er sett gjennom andres måter å se og beskrive verden på. Kunstnere som er representert i denne flotte og interessante boken; Luc Tuymans, Toon Verhoef, Dag Erik Elgin, Hurvin Anderson, Marlene Dumas, Leonard Rickhard, Daniel Richter, Hurvin Anderson, Kaspar Bonnén, Matthias Weischer, Troels Wörsel, Toby Ziegler og Jesper Christiansen.