During the armistice proceedings and at the Peace Conference after World War I, French General Maxime Weygand served as chief aid to Marshal Foch. Called out of retirement in the late 1930s, Weygand again served his country during World War II, becoming commander in chief of the French Army. His call for enhanced French unity, military preparedness, and adaptation to a new kind of war dominated by tank mobility might have saved France the humiliating defeat in 1940 at the hand of the Nazis, had it been heeded. Weygand's recognition of the Nazi threat earned him the respect of Winston Churchill and Franklin Roosevelt. Weygand's Vichy Resistance led to his imprisonment from late 1942 through the end of the war. French archival sources, available oral testimony and Weygand's private papers contribute to a fascinating biography of one of World War II's unsung heroes.
Actress and sex symbol Brigitte Bardot had a stunning career in France and America in the mid-20th century. Since the 1970s, she has dedicated her life to the welfare and protection of animals, with much personal involvement. In this book the author makes the case that far from being a pretty face or a spotlight grabber, Bardot was an accomplished actress and has always been an intelligent, sensitive individual. Chapters acquaint readers with her Paris childhood and her rebellious coming of age in a Catholic bourgeois family, who disapproved when she appeared on the cover of Elle magazine and was offered a screen test. The book examines her years in film (with careful analysis of her films) and also covers her tumultuous personal life, including suicide attempts, and the beginnings of her interest in animal protection. Final chapters detail her efforts in worldwide animal welfare activism, including the work of her own international foundation.
This engaging, knowledgeable book traces the American path France has followed since resolving its searing Algerian conflict in 1962. Barnett Singer convincingly demolishes two pervasive clichés about modern France: first, that the country never has been fit to fight wars, including wars on terror; and second, that the French have always been and remain overwhelmingly anti-American. Drawing on a wealth of archival sources, Barnett Singer clearly demonstrates that a serious and organized France fought strongly until its own divisions, international pressures, and the actions of de Gaulle ended the conflict with tragic consequences. The outcome led to an important sea change, clearing the way for France to embrace American culture, especially rock 'n' roll, and more generally, an American-style emphasis on personal happiness. The author argues that today’s France, wounded by the loss of traditions and stability, is increasingly pro-American, clinging to trends from across the Atlantic as to a lifeline.
Examines the role of village notables in nineteenth-century France. Local priests, mayors, and schoolmasters have often been portrayed by French novelists as objects of ridicule. In reality, however, the village notables gave norms to the villagers in their communities and personified the community's values. The influence of village notables and the values they preached and personified ensure their importance in any view of French rural history. Their world was already in transition towards modernity, and they both guided and impeded the process. Village Notables in Nineteenth-Century France tells who these notables were, where they came from, what they thought, what influence they had in local society, how they competed with each other for village hegemony or enhanced status, and what problems they endured. The book is a lively account, solidly based on extensive archival research and other primary sources. It gives the reader a feel for the era and the milieu.
Bridging gaps between intellectual history, biography, and military/colonial history, Barnett Singer and John Langdon provide a challenging, readable interpretation of French imperialism and some of its leading figures from the early modern era through the Fifth Republic. They ask us to rethink and reevaluate, pulling away from the usual shoal of simplistic condemnation. In a series of finely-etched biographical studies, and with much detail on both imperial culture and wars (including World War I and II), they offer a balanced, deep, strong portrait of key makers and defenders of the French Empire, one that will surely stimulate much historical work in the field.
Merriam Press Memoir Series. "Turbulent Seas" takes the reader back to the rousing American high sea memoirs that began 180 years ago with Richard Henry Dana's "Two Years Before the Mast." From the mid-1960s until his retirement, Merchant Marine Captain Lance Orton led an adventurous life on ships that crossed the globe's oceans and served ports in wartime Vietnam, India, the old Soviet Union, Alaska, and beyond. Co-authors Orton and Professor Barnett Singer tell of Captain Orton's career in an engaging narrative that, at times, could serve as a script for an action-adventure movie. Readers will be entertained while learning fascinating details about a career in the U.S. Merchant Marine. This book will make an excellent gift to the family "history buff" and any of those who enjoy real-life adventures. -Michael Allen, Professor Emeritus, University of Washington, Tacoma. Co-author of the #1 Amazon.com and New York Times Bestseller, "A Patriot's History of the United States," 2014.
A remarkable bandleader, composer and clarinetist, Artie Shaw's popularity defined the American music scene from 1938 to 1945, the Swing Era. Shaw led a fascinating, tumultuous personal life, including a difficult childhood and marriages to starlets such as Lana Turner and Ava Gardner. This biography covers Shaw's life and career, and is based in part on interviews with Shaw conducted by the author during the 1970s and 1980s. Chapters cover the Swing Era, his time in the Navy during World War II and the Shaw Orchestra. Some analytic chapters dig deeper into the meaning behind his recordings, highlighting the growth within his music.
The Pacific Northwest--for the purposes of this book mostly Oregon and Washington--has sometimes been seen as lacking significant cultural history. Home to idyllic environmental wonders, the region has been plagued by the notion that the best and brightest often left in search of greater things, that the mainstream world was thousands of miles away--or at least as far south as California. This book describes the Pacific Northwest's search for a regional identity from the first Indian-European contacts through the late twentieth century, identifying those individuals and groups "who at least struggled to give meaning to the Northwest experience." It places particular emphasis on writers and other celebrated individuals in the arts, detailing how their lives and works both reflected the region and also enhanced its sense of self.
A practical guide for concerned parents who need support, effective ideas, and resources for dealing with their child's chronic illness. This invaluable book provides hope and help: Find a variety of resources for your child and family. Communicate with your child's physician. Educate yourself about your child's illness. Become and advocate for your child and family. Communicate with your child about his/her illness. Tailor your conversations with your child. Develop strategies to help your child cope at school. Identify key transition periods in your child's life. Recognize depression in your child. Recognize and accept coping methods. Have time for yourself, spouse, and other children. Avoid parent burn-out and depression.
Barnets bästa – tillgodoseendet av ett barns behov och intressen – ska vara ledstjärnan vid alla åtgärder som rör barn. Detta har slagits fast både i FN:s konvention om barnets rättigheter och i många olika svenska lagar. Men vad innebär egentligen barnets bästa som rättslig målsättning och hur ser vi på barn i rättsliga sammanhang?I Barnets bästa redogörs för barnets rättsliga ställning i familjen och hur barns rätt tillgodoses vid fastställande av föräldraskap och familjetillhörighet. Barns rätt till omsorg och försörjning samt tvister mellan föräldrar om barn behandlas. Vidare redogörs för socialnämndens ansvar för att barn och unga får växa upp under goda och trygga villkor, särskilt vad gäller barn i familjehem och barn som utsatts för brott. Boken innehåller också avsnitt som rör barn och unga som självständiga rättssubjekt; deras rätt att bestämma över sina egna angelägenheter. Barns rättsliga ställning inom hälso- och sjukvården berörs, likaså regler rörande unga lagöverträdare och barns skadeståndsskyldighet. Reglering som rör barns rättsliga ställning på olika sätt är kontinuerligt föremål för reformer. I denna 8:e upplaga har framställningen uppdaterats för att spegla senare års lagändringar och praxis.Barnets bästa kan användas som kunskapskälla i utbildningar till jurist, socionom, lärare och journalist. Boken är också av intresse för verksamma inom hälso- och sjukvården och för andra med ett yrkesmässigt eller privat intresse av frågor som rör barns rätt.
This book is a tool used to lead people to reading the greatest book in the history of literature, The Holy Bible. The Holy Bible is a fantastic work of art, however, its size intimidates those who aren't serious about reading it. "Sincerely, Brother Griff Volume 2" was written to introduce the incarcerated to Christianity, however, this book could be used for all types of outreach programs. From drug/substance abuse programs to homeless outreach to battered wives/spousal abuse programs, this book has something for everyone. It gives you a brief glimpse at many of the topics discussed in The Holy Bible in a much more condensed format. My desire is for this book to lead the reader to diving into The Holy Bible in order to gain a better understanding of Creation and the promise of Salvation offered by our Lord & Savior Jesus Christ
The definitive biography of a transformational American artist and the city that shaped himBarnett Newman (1905–1970), a founding member of the abstract expressionist movement, was a contemporary of such figures as Jackson Pollock, Willem de Kooning, Mark Rothko, and Clyfford Still. He left behind only 118 finished paintings, six sculptures, and 83 acknowledged drawings, yet is often regarded as the greatest painter to have emerged after the Second World War. Barnett Newman is the definitive biography of a charismatic New Yorker who by defying the rules created an art of the sublime.This landmark book features original research conducted over decades, using scores of interviews, oral histories, and previously unseen correspondence to paint a richly textured portrait of a creative sage who became an exemplar of the artist-citizen. Born in New York to Polish Jewish immigrant parents, he grandly aspired to involve himself in every detail of the city’s life. He was a crusader for the civil service, ran against La Guardia for mayor, worked as a teacher, wrote poetry, criticism, and manifestos, produced political plays, and promoted other artists—all before painting a mature work of his own in his early forties. Newman began with none of the qualities once considered indispensable for a master artist, such as training, apprenticeship, or natural facility. But he possessed a galvanizing intellect and a conviction that aesthetic expression is an ecstatic declaration of existence and an assertion of human dignity.Drawing on previously unpublished sources gleaned from full access to Newman’s archives, Amy Newman’s landmark account presents a portrait of a maverick whose works are among the most enduring of the twentieth century and whose influence continues to this day.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
I turn around quickly and ask like every little Black child asking 23 questions, "Mama Mama---" it's the early 1980's and i'm watching 'King Creole' my fave Elvis movie,"--Presley is cool---ain't he Mama?" Jackie's face darkens, her bottom lip frowns down, and she tells me she hated Elvis. She says she never liked Elvis Aaron Presley because he said somethin' about all Negro people can do for him, is shine his blue suede shoes. "He said that?", I'm all shook up for a nanosecond. I thought he was cool. I slowly turn back around to enjoy the rest of the movie on the Zombie T.V. cathode ray tube; Questioning everything, still bobbin' my big head to the SOULFUL jazzy sounds, skeptical of the dude that styled his hair with ROSE OIL and vaseline. The "Barnett Crossroads", is the signpost reminder that visitors SEE right before they cross The 'Long Poetic Bridge', also known as "The General Walter KING Wilson JR. Bridge.'
As a major member of the New York School, Barnett Newman is celebrated for his radical explorations of color and scale and, as a precursor to the Minimalist movement, for his significant contribution to the development of twentieth-century American art. But if his reputation and place in history have grown progressively more secure, the work he produced remains highly resistant to interpretation. His paintings are rigorously abstract, and his writings full of references to arcane metaphysical concepts. Frustrated over their inability to reconcile the works with what the artist said about them, some critics have dismissed the paintings as impenetrable. The art historian Yve-Alain Bois called Newman “the most difficult artist” he could name, and the philosopher Jean-François Lyotard declared that “there is almost nothing to ‘consume’ [in his work], or if there is, I do not know what it is.” In order to advance interpretation, this book investigates both Newman’s writings and paintings in light of ideas articulated by one of Germany’s most important and influential philosophers: Martin Heidegger. Many of the themes explored in Newman’s statements, and echoed in the titles of his paintings, betray numerous points of intersection with Heidegger’s philosophy: the question of origins, the distinctiveness of human presence, a person’s sense of place, the sensation of terror, the definition of freedom, the importance of mood to existence, the particularities of art and language, the impact of technology on modern life, the meaning of time, and the human being’s relationship to others and to the divine. When examined in the context of Heideggerian thought, these issues acquire greater concreteness, and, in turn, their relation to the artist’s paintings becomes clearer. It is the contention of this book that, at the intersection of art history and philosophy, an interdisciplinary framework emerges wherein the artist’s broader motivations and the specific meanings of his paintings prove more amenable to elucidation.
