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1000 tulosta hakusanalla Benjamin Decasseres
Benjamin DeCasseres (1873-1945) was an Ironist, Critic, Poet, Epigrammist, Polemicist, God. He announced his candidacy for mayor of New York as a "Cubist Candidate" in 1913, vowing to "legalize human frailties," among other fine ideas. He was a comrade of H.L. Mencken, Charles Fort, James Huneker, George Sterling, Don Marquis and is a distant relative of Spinoza. His writing was published in a wide range of periodicals from Benjamin Tucker's radical anarchist Liberty, to the mainstream Life. He could be found in the pages of the New York Times, among other newspapers, and even on the radio. This is a collection of his writing solely focused on New York, but mostly about booze.Peggy Nadramia was born in the Hell's Kitchen neighborhood of Manhattan, was the editor of the award-winning horror publication GRUE Magazine, is one of the mixologists behind Cocktail Vultures, and also the current High Priestess of the Church of Satan.
Fantasia Impromptu & FINIS constitute Benjamin DeCasseres' (1873-1945) most private writing, but even then, they were intended for publication and posterity. The first is a diary-like collection of notes and reminiscences began in December 1925. The latter was professed to be "a summation of all my books, of my lifelong beliefs." Fantasia Impromptu was released as a series of booklets, six in total, that constitute his "intellectual, emotional and spiritual autobiography." They are filled with ruminations on daily life, aphorisms, esotericisms, and appeals to future readers. It is appropriately dedicated to: "The Thinkers, Poets, Satirists, Individualists, Dare-Devils, Egoists, Satanists and Godolepts of Posterity."FINIS is his final work, appropriately enough, and consists of three essays and a "hymn," all previously unpublished. The one focus of all of these pieces is Oblivion. Though he states in his introduction is was not necessarily meant to be his last work, he died before it was published, and his wife Bio prepared an introduction and included a poem of dedication. FINIS was released as a booklet the year of his death and has never been reprinted before.
Spinoza: Liberator of God and Man, 1632-1932
Benjamin Decasseres
Literary Licensing, LLC
2013
nidottu
Elbert Hubbard's The Philistine: A Periodical of Protest (1895 - 1915)
Benjamin Decasseres
Underworld Amusements
2018
nidottu
The Philistine was a spearhead of the Arts & Crafts movement in America. This magazine published the works of its editor Elbert Hubbard as well as Stephen Crane, Benjamin DeCasseres and others. W. W. Denslow, illustrator for The Wizard of Oz, was a regular contributor and designed the sea-horse mascot that graced the front covers. Publisher Hubbard also founded the Roycroft movement, and founded a working community of craftsman in East Aurora, NY that lives to this day. The journal was published from 1895 until Hubbard's death in 1915 aboard the RMS Lusitania. Bruce A. White's The Philistine: A Periodical of Protest is a unique chronicle of this American journal and its fascinating publisher. Previously published in limited quantities by an academic press, this new and expanded popular edition brings a fascinating history to a wider audience. Bruce A. White yanked out his New England roots in 1978 and moved to Maryland to start teaching at Gallaudet University. He has retired to coastal Delaware, where he volunteers for service organizations, rides bikes and kayaks, and enjoys simple pleasures with his beloved Barbara.
Benjamin DeCasseres (1873-1945) was one of America's most unruly men of letters-a journalist-polemicist-poet who moved with equal audacity through satire, aphorism, and metaphysics. A contemporary of the avant-garde and the mass press alike, he helped usher Nosferatu to its first U.S. release and, with theatrical bravado, was filmed taking the first legal drink after Prohibition. His poetry is where the full voltage lives: hymns of revolt and litanies of negation that fuse Symbolist decadence, American irreverence, and Nietzschean individualism. In these pages DeCasseres casts himself among mythic masks-Satan, Vulcan, the Anarch-only to puncture every pose with irony. This revised and expanded second edition triples the uncollected work from the first edition and restores a neglected American voice to its proper amplitude. It adds a new index of 1,000+ entries, substantially expanded paratexts, and poems translated during the author's lifetime (French, Romanian), alongside his previously published works: The Shadow-Eater, Anathema Litanies of Negation, and Black Suns.
Anathema!: Litanies of Negation
Kevin I. Slaughter; Benjamin Decasseres
Underworld Amusements
2013
nidottu
A long-form poem of negation and egoism, of scorn and cynical delight. Included is a URL for a free full audiobook read by Kevin I. Slaughter. Benjamin DeCasseres (is) the Pontius Pilate of America. -H.L. Mencken A passionate, erratic poet... strives to shake the foundation of the world. -The Saturday Review of Literature He occupies a niche that is all his own and asks space to stand for no other man . -The Nation DeCasseres is the most fiery and independent writer that I know of. -Remy de Gourmont There is but one Benjamin DeCasseres. And he is perhaps the one living wonder of the literary world. It is fortunate that such an one must be born, that he cannot be made; especially that he cannot be imitated, for if every one wrote like DeCasseres readers would go mad. That he can keep in any semblance of thought-order such whirls of words is something to marvel at. Yet to read him once, twice, is to experience the greatest mental exhilaration. -New York Times
The Individual Against Moloch
Benjamin de Casseres; Benjamin 1873-1945 De Casseres
Hassell Street Press
2021
nidottu
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
""The Love Letters of a Living Poet"" is a collection of letters written by Benjamin DeCasseres, a prolific writer and poet, to various women throughout his life. The letters are a testament to his passionate and romantic nature, as well as his unique and often controversial views on love, life, and art. DeCasseres' writing is deeply personal and introspective, exploring themes of desire, longing, and the search for meaning in a world that often seems chaotic and uncertain. The book offers a fascinating glimpse into the mind of a brilliant and complex artist, and is sure to appeal to anyone interested in the creative process, the nature of love, or the inner workings of the human psyche.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.
Mencken and Shaw: The Anatomy of America's Voltaire and England's Other John Bull
Benjamin De Casseres
Literary Licensing, LLC
2013
nidottu
The Mimic Stage; A Series of Dramas, Comedies, Burlesques, and Farces for Public Exhibitions and Private Theatricals
Benjamin De Casseres
Alpha Editions
2023
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And the Sphinx Spoke
Paul Eldridge; Benjamin De Casseres; Carlo (INT) De Fornaro
Kessinger Pub
2007
pokkari
Mencken and Shaw: the Anatomy of America's Voltaire and England's Other John Bull
Benjamin 1873-1945 De Casseres
Hassell Street Press
2021
sidottu
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Mencken and Shaw: the Anatomy of America's Voltaire and England's Other John Bull
Benjamin 1873-1945 De Casseres
Hassell Street Press
2021
nidottu
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Benjamin
University of Chicago Press
1989
nidottu
Walter Benjamin (1896-1940) has been called by Hannah Arendt the "greatest critic of the century." While an increasing number of Anglo-American literary critics draw upon Benjamin's writings in their own works, their colleagues in the philosophical community remain relatively unacquainted with his legacy. In the European intellectual world, by contrast, Benjamin's critical epistemological program, his philosophies of history and language, and his aesthetics have long since become part of philosophical discourse. The present collection of articles, many of which were contained in earlier versions in the Winter 1983 special issue of the journal The Philosophical Forum, initiates the project of establishing Benjamin's importance to philosophy. A balance of original work by Benjamin and important commentary on his works, this volume includes the crucial chapter from Benjamin's magnum opus The Arcades Project, his "Program of the Coming Philosophy," and "Central Park," as well as essays by leading scholars (including Theodor W. Adorno, Leo Lowenthal, and Rolf Tiedemann) that treat single philosophical themes and relate his ideas to those of other thinkers such as Gadamer, Goodmann, and Rosenzweig. Gary Smith's introduction to the volume provides an extremely useful and sophisticated entrée for readers unaccustomed to the breadth of Benjamin's philosophical allusions, as well as an informative summation of the contents of the volume. This book will be of interest to philosophers, literary theorists, art historians, anthropologists, and other social scientists.