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1000 tulosta hakusanalla Carson McCullers

Carson McCullers

Carson McCullers

UNIVERSITY OF MINNESOTA PRESS
1969
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Carson McCullers was first published in 1969. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Carson Mccullers: Stories, Plays & Other Writings

Carson Mccullers: Stories, Plays & Other Writings

Carson McCullers

The Library of America
2017
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Celebrated worldwide for her masterly novels, Carson McCullers was equally accomplished, and equally moving, when writing in shorter forms. This Library of America volume brings together for the first time her twenty extraordinary stories, along with plays, essays, memoirs, and poems. Here are the indelible tales "Madame Zilensky and the King of Finland" and "A Tree. A Rock. A Cloud." as well as her previously uncollected story about the civil rights movement, "The March"; her award- winning Broadway play The Member of the Wedding and the unpublished teleplay The Sojourner; twenty-two essays; and the revealing unfinished memoir Illumination and Night Glare. This wide-ranging gathering of shorter works reveals new depths and dimensions of the writer whom V. S. Pritchett praised for her "courageous imagination--one that is bold enough to consider the terrible in human nature without loss of nerve, calm, dignity, or love." LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
Carson McCullers: Complete Novels (Loa #128): The Heart Is a Lonely Hunter / Reflections in a Golden Eye / The Ballad of the Sad Café / The Member of
When The Heart Is a Lonely Hunter was published in 1940, Carson McCullers was instantly recognized as one of the most promising writers of her generation. The novels that followed established her as a master of Southern Gothic. This Library of America volume collects McCullers's complete novels for the first time in a single-volume edition that reveals the power and breadth of her haunting vision. "McCullers's gift," writes Joyce Carol Oates, "was to evoke, through an accumulation of images and musically repeated phrases, the singularity of experience, not to pass judgment on it." McCullers effortlessly conveyed the raw anguish of her characters and the weird beauty of their perceptions. Set in small Georgia towns that are at once precisely observed and mythically resonant, McCullers's novels explore the strange, sometimes grotesque inner lives of characters who are often marginal and misunderstood. Above all, McCullers possessed an unmatched ability to capture the bewilderment and fragile wonder of adolescence. In The Heart Is a Lonely Hunter (1940), one of the most extraordinary debuts in modern American literature, an enigmatic deaf-mute draws out the haunted confessions of an itinerant worker, a young girl, a doctor, and a widowed owner of a small-town caf . The disfiguring violence of desire is explored with shocking intensity in two shorter works, Reflections in a Golden Eye (1941) and The Ballad of the Sad Caf (1943). The Member of the Wedding (1946), thought by many to be McCullers's masterpiece, hauntingly depicts a young girl's fascination with her brother's wedding. In 13-year-old Frankie Addams, confused, easily wounded, yet determined to survive, McCullers created her most indelible protagonist. Clock Without Hands (1960), her final novel, was completed against great odds in the midst of tremendous physical suffering. Set against the background of court-ordered school integration, it contains some of McCullers's most forceful social criticism. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
Cuentos de Carson McCullers / The Short Stories of Carson McCullers
Uno de los m s importantes exponentes, junto con William Faulkner, de la narrativa del sur de Estados Unidos. Adem s de ser autora de varias novelas, obras de teatro, ensayos, poemas y una autobiograf a, Carson McCullers (Columbus, Georgia, 1917 - Nueva York, 1967) public veinte relatos breves, nueve de los cuales, valorados entre sus m s logradas creaciones, conforman esta selecci n, que incorpora algunas de sus primeras piezas, como Sucker , El aliento del cielo o Wunderkind , y otras de m s tard a escritura, como Un rbol. Una roca. Una nube , El transe nte o Qui n ha visto el viento? . Encumbrada al pante n de escritores sure os norteamericanos junto a autores como William Faulkner, Flannery O'Connor o Truman Capote, McCullers sobresali en su iluminadora capacidad de retratar personajes solitarios en busca de un lugar en el mundo y de capturar con toda la intensidad emocional el universo ntimo de sus turbulencias a trav s de una prosa tan sencilla como poderosa. ENGLISH DESCRIPTION One of the most important voices--alongside William Faulkner--in Southern U.S. literature. In addition to writing several novels, plays, essays, poems, and an autobiography, Carson McCullers (Columbus, Georgia, 1917 - New York, 1967) published twenty short stories, nine of which--considered among her finest--are featured in this selection. It includes early works such as "Sucker," "Breath from the Sky," and "Wunderkind," as well as later pieces like "A Tree. A Rock. A Cloud," "The Wanderer," and "Who Has Seen the Wind?" Celebrated among the great Southern American writers alongside William Faulkner, Flannery O'Connor, and Truman Capote, McCullers stood out for her luminous ability to portray lonely characters searching for their place in the world, capturing the emotional intensity of their inner lives through prose that is both simple and powerful.
Illumination and Night Glare: The Unfinished Autobiography of Carson McCullers

Illumination and Night Glare: The Unfinished Autobiography of Carson McCullers

Carson McCullers; C. L. Barney Dews; Carlos L. Dews

UNIVERSITY OF WISCONSIN PRESS
1999
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More than thirty years after it was written, the autobiography of Carson McCullers, Illumination and Night Glare, will be published for the first time. McCullers, one of the most gifted writers of her generation--the author of Member of the Wedding, Reflections in a Golden Eye, and The Ballad of Sad Cafe--died of a stroke at the age of fifty before finishing this, her last manuscript. Editor Carlos L. Dews has faithfully brought her story back to life, complete with never-before-published letters between McCullers and her husband Reeves, and an outline of her most famous novel, The Heart Is a Lonely Hunter. Looking back over her life from a precocious childhood in Georgia to her painful decline from a series of crippling strokes, McCullers offers poignant and unabashed remembrances of her early writing success, her family attachments, a troubled marriage to a failed writer, and friendships with literary and film luminaries (Gypsy Rose Lee, Richard Wright, Isak Dinesen, John Huston, Marilyn Monroe), and the intense relationships of the important women in her life.
Carson McCullers: A Life

Carson McCullers: A Life

Mary V. Dearborn

Knopf Publishing Group
2024
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The first major biography in more than twenty years of one of America's greatest writers, based on newly available letters and journals V. S. Pritchett called her "a genius." Gore Vidal described her as a "beloved novelist of singular brilliance . . . Of all the Southern writers, she is the most apt to endure . . ." And Tennessee Williams said, "The only real writer the South ever turned out, was Carson." She was born Lula Carson Smith in Columbus, Georgia. Her dream was to become a concert pianist, though she'd been writing since she was sixteen and the influence of music was evident throughout her work. As a child, she said she'd been "born a man." At twenty, she married Reeves McCullers, a fellow southerner, ex-soldier, and aspiring writer ("He was the best-looking man I had ever seen"). They had a fraught, tumultuous marriage lasting twelve years and ending with his suicide in 1953. Reeves was devoted to her and to her writing, and he envied her talent; she yearned for attention, mostly from women who admired her but rebuffed her sexually. Her first novel--The Heart Is a Lonely Hunter--was published in 1940, when she was twenty-three, and overnight, Carson McCullers became the most widely talked about writer of the time. While McCullers's literary stature continues to endure, her private life has remained enigmatic and largely unexamined. Now, with unprecedented access to the cache of materials that has surfaced in the past decade, Mary Dearborn gives us the first full picture of this brilliant, complex artist who was decades ahead of her time, a writer who understood--and captured--the heart and longing of the outcast.
Carson McCullers in the Twenty-First Century

Carson McCullers in the Twenty-First Century

Springer International Publishing AG
2016
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The contributors to this volume use diverse critical techniques to identify how Carson McCullers’ writing engages with and critiques modern social structures and how her work resonates with a twenty-first century audience. The collection includes chapters about McCullers’ fiction, autobiographical writing, and dramatic works, and is groundbreaking because it includes the first detailed scholarly examination of new archival material donated to Columbus State University after the 2013 death of Dr. Mary Mercer, McCullers’ psychiatrist and friend, including transcripts of the psychiatric sessions that took place between McCullers and Mercer in 1958. Further, the collection covers the scope of McCullers’ canon of work, such as The Heart Is a Lonely Hunter (1940), The Member of the Wedding (1946), and Ballad of the Sad Café (1943), through lenses that are of growing interest in contemporary literary studies, including comparative transatlantic readings, queer theory, disability studies, and critical animal theory, among others.
Carson McCullers in the Twenty-First Century

Carson McCullers in the Twenty-First Century

Springer International Publishing AG
2018
nidottu
The contributors to this volume use diverse critical techniques to identify how Carson McCullers’ writing engages with and critiques modern social structures and how her work resonates with a twenty-first century audience. The collection includes chapters about McCullers’ fiction, autobiographical writing, and dramatic works, and is groundbreaking because it includes the first detailed scholarly examination of new archival material donated to Columbus State University after the 2013 death of Dr. Mary Mercer, McCullers’ psychiatrist and friend, including transcripts of the psychiatric sessions that took place between McCullers and Mercer in 1958. Further, the collection covers the scope of McCullers’ canon of work, such as The Heart Is a Lonely Hunter (1940), The Member of the Wedding (1946), and Ballad of the Sad Café (1943), through lenses that are of growing interest in contemporary literary studies, including comparative transatlantic readings, queer theory, disability studies, and critical animal theory, among others.
Understanding Carson McCullers

Understanding Carson McCullers

Virginia Spencer Carr

University of South Carolina Press
2005
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The definitive introduction to the complex author of ""The Heart Is a Lonely Hunter."" Updated with a discussion of recent scholarship, ""Understanding Carson McCullers"" provides a balanced introductory study of the Georgia-born novelist's major fiction and the reasons for her extraordinary and lasting acclaim. Carson McCullers was deemed the ""find of the decade"" when she appeared on the literary scene at the age of twenty-three and is best remembered for her celebrated novels ""The Heart Is a Lonely Hunter"" and ""The Member of the Wedding."" Through Virginia Spencer Carr's insightful discussion and lucid analysis of these and lesser-known works, McCullers is shown here as more than a southern writer, more than a lesbian novelist. McCullers emerges as a complex and multifaceted artist not yet fully comprehended and deserving of more contemplative study and thoughtful understanding.
My Autobiography of Carson McCullers

My Autobiography of Carson McCullers

Jenn Shapland

Virago Press Ltd
2021
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FINALIST FOR THE NATIONAL BOOK AWARDLonglisted for the Andrew Carnegie Medal for Excellence in Non-fictionHow do you tell the real story of someone misremembered - an icon and idol - alongside your own? Jenn Shapland's celebrated debut is both question and answer: an immersive, surprising exploration of one of America's most beloved writers, alongside a genre-defying examination of identity, queerness, memory, obsession, and love.Shapland is a graduate student when she first uncovers letters written to Carson McCullers by a woman named Annemarie. Though Shapland recognizes herself in the letters, which are intimate and unabashed in their feelings, she does not see McCullers as history has portrayed her. Her curiosity gives way to fixation, not just with this newly discovered side of McCullers's life, but with how we tell queer love stories. Why, Shapland asks, are the stories of women paved over by others' narratives? What happens when constant revision is required of queer women trying to navigate and self-actualize in straight spaces? And what might the tracing of McCullers's life?her history, her secrets, her legacy?reveal to Shapland about herself?In smart, illuminating prose, Shapland interweaves her own story with McCullers's to create a vital new portrait of one of our nation's greatest literary treasures, and shows us how the writers we love and the stories we tell about ourselves make us who we are.