Kirjahaku

A landmark of literary recovery: the first major edition of 19th-century America's greatest woman writer In her lifetime Constance Fenimore Woolson (1840-1894) was considered with George Eliot one of the two greatest women writers of the English language. She wrote fiction of remarkable intellectual power that outsold those of her male contemporaries Henry James and Willian Dean Howells. James enshrined memories of his long, complicated friendship with Woolson in The Beast in the Jungle and The Wings of the Dove, and more recently Colm Tobin treated the relationship in his novel The Master. But Woolson's close association with James, and her likely suicide in Venice, have tended to overshadow her own literary accomplishments, pigeonholing her as a martyr to the male literary establishment. This volume, the most comprehensive gathering of Woolson's stories to date, represents the culmination of decades of recovery work done by scholars, and puts the focus back on the work, where it belongs. Set variously in the Great Lakes region, the post-Civil War South, and Europe, Woolson's short stories often concern outsiders of one kind or another--prophets and misfits living in remote landscapes, uneducated coal miners, impoverished spinsters, neglected nuns, a haunted caretaker of the dead, destitute southerners, and female artists driven to extreme behavior as they seek the admiration or approval of established (male) critics or writers. Woolson's minute realism captures both the social texture of her time and the inner emotional lives of these overlooked and marginalized characters. Most of all her writings startle us with their simmering intensity, their sensual descriptions of the environment, and refusal to smooth out the ambiguities and tensions that inevitably result from human efforts to communicate and connect. Her fiction is deeply human, resonating with a power across the centuries that makes them remarkably modern for today's readers.

Constance Fenimore Woolson (1840–1894), who contributed to Henry James’s conception of his heroine Isabelle Archer of The Portrait of a Lady, was one of the most accomplished American writers of the nineteenth century. The best known (and most misunderstood) facts of her life are her relationship with James and her suicide in Venice. Uncovering new sources, Anne Boyd Rioux provides a fuller picture of Woolson’s life, her fight against depression, her sources for her writing and her capacity for love and joy. As an expatriate in Europe, Woolson explored women’s thwarted ambitions while challenging the foremost male writers of her era. Rioux reveals an exceptional artist who pursued and received serious recognition despite the stigma attached to female authors.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Biographical background and sectional writings of an American authoress of the last century whose very genuine talents have been largely overlooked.

American writer and world traveler Constance Fenimore Woolson (1840–1894) was author of more than fifty short stories, four novels, a novella, and numerous poems and travel essays. During her lifetime, she achieved both popular and critical success, but much of her work is no longer available. This volume, as the first anthology to collect representative samples of her stories, travel sketches, poems, and correspondence, represents a major advance toward re-establishing her place in nineteenth-century literature and letters. As these pieces demonstrate, Woolson offered keen observations on the issues she cared most deeply about, namely the cultural and political transformation of the United States in the wake of the Civil War, the status of women writers and artists in the nineteenth century, and the growing implications of nationalism and imperialism. Woolson grew up in Cleveland, Ohio, and began her career writing regional travel stories about the closing of the American frontier in the old Northwest Territories (now known as the Great Lakes region). During the Civil War, she worked for a variety of Union causes and in 1873 moved to St. Augustine, Florida. Traveling throughout the South, she wrote stories and travel narratives that highlighted the wholesale changes facing Americans after the Civil War.In 1879, Woolson left the United States for Europe. There, she engaged her passion for nature and exercised her gift for social satire. In her European writings, she deplored the Americans’ slavish devotion to the ubiquitous guidebooks of the nineteenth century, and she chose instead to spend long periods of time in one place in order to better learn about it. Throughout her time in Europe (including visits to North Africa), Woolson often commented that she could not describe landscapes, only experience them. By the time of her death in Venice at age fifty-three, she had become convinced that the colonial agendas of the United States and Europe would transform landscapes and peoples in far-reaching and ultimately dangerous ways. This collection features selections from each of the three distinct periods of Woolson’s career and includes a chronology of her life and travels. Focusing primarily on Woolson’s short stories, editors Victoria Brehm and Sharon L. Dean also include a representative letter, poem, and travel sketch for each section. Victoria Brehm is associate professor of English at Grand Valley State University. She is editor of three anthologies, including “A Fully Accredited Ocean”: Essays on the Great Lakes and Sweetwater, Storms, and Spirits: Stories of the Great Lakes.Sharon L. Dean is professor of English at Rivier College and is author of Constance Fenimore Woolson: Homeward Bound and Constance Fenimore Woolson and Edith Wharton: Perspectives on Landscape and Art.

This seminal study reveals how Constance Fenimore Woolson participated in debates on nineteenth-century political topics considered the province of men. She commented on the most important issues of her time: monetary policy, post-Reconstruction legal decisions, racial justice and interracial marriage, women’s rights, religious hypocrisy, environmental destruction, destabilizing international developments, and the moral character of the nation. The innovative essays in this book introduce her techniques and the political concerns that inspired her complicated art, encouraging scholars to begin the process of rereading and reanalyzing Woolson’s oeuvre to understand the compelling allegories and satires she created. The oppositional, intertextual, and referential techniques she developed allowed her to enter contested political conversations about compelling nineteenth-century problems like few women of her century, sometimes making her work political commentary as much as fiction.

Sharon Dean has recompiled, dated, and, in many cases, physically reassembled all of Constance Fenimore Woolson’s extant correspondence from nearly forty sources. Dean's painstaking work presents the fullest picture we have of Woolson and functions as an important corrective to fictional portrayals.

In this gathering Anne Boyd Rioux has chosen fiction over the course of Constance Fenimore Woolson’s life. Woolson’s stories travel from the rural Midwest to the deep South and then across the Atlantic to Italy and Britain.

Castle Nowhere is Constance Woolson's collection of stories set for the most part in the Great Lakes, in particular northern Lake Michigan and Lake Huron near Detroit.Several themes inhabit Woolson's writing: an environmental consciousness and concern with landscapes; an awareness of the complexities of race; and an abidingly careful eye for the shallowness that sometimes accompanies wealth or social pretensions. She also had a unique perspective as a woman who pioneered the use of controversial subjects---such as unrequited or misplaced passion---and methods in fiction during a time that valorized domesticity.As Margot Livesey notes in her introduction, reading about thwarted love is only one of the pleasures to be found in Castle Nowhere. "The majority of these stories are set in remote areas on the shores of Lake Michigan, which Woolson evokes with great vividness and beauty while always remaining keenly aware that beauty in no way mitigates hardship. As a writer, she was nearly always looking over her shoulder, and many, if not all, of these stories were written at a time when she no longer visited the Lake and her beloved Mackinac Island."Contemporary readers will find a curiously modern atmosphere in Woolson's stories, as well as a distinct regional flavor in her careful renderings of the Great Lakes landscape. As such, Castle Nowhere represents a rare woman's voice in literature of its period and setting.Constance Fenimore Woolson (1840-1894) was born in New Hampshire and moved to Cleveland shortly thereafter. She spent time on Mackinac Island, Michigan, then traveled to Florida before moving to Europe. Much of her time there was spent in Italy. She died in Venice in 1894. Novelist Margot Livesey is the author of Eva Moves the Furniture and Homework.