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1000 tulosta hakusanalla David Edgar

The Political Theatre of David Edgar

The Political Theatre of David Edgar

Janelle Reinelt; Gerald Hewitt

Cambridge University Press
2011
sidottu
David Edgar's writings address the most basic questions of how humans organize and govern themselves in modern societies. This study brings together the disciplines of political philosophy and theatre studies to approach the leading British playwright as a political writer and a public social critic. Edgar uses theatre as a powerful tool of public discourse, an aesthetic modality for engaging with and thinking/feeling through the most pressing social issues of the day. In this he is a supreme rationalist: he deploys character, plot and language to explore ideas, to make certain kinds of discursive cases and model hypothetical alternatives. Reinelt and Hewitt analyze twelve of Edgar's most important plays, including Maydays and Pentecost, and also provide detailed discussions of key performances and critical reception to illustrate the playwright's artistic achievement in relation to his contributions as a public figure in British cultural life.
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The Political Theatre of David Edgar

The Political Theatre of David Edgar

Janelle Reinelt; Gerald Hewitt

Cambridge University Press
2018
pokkari
David Edgar's writings address the most basic questions of how humans organize and govern themselves in modern societies. This study brings together the disciplines of political philosophy and theatre studies to approach the leading British playwright as a political writer and a public social critic. Edgar uses theatre as a powerful tool of public discourse, an aesthetic modality for engaging with and thinking/feeling through the most pressing social issues of the day. In this he is a supreme rationalist: he deploys character, plot and language to explore ideas, to make certain kinds of discursive cases and model hypothetical alternatives. Reinelt and Hewitt analyze twelve of Edgar's most important plays, including Maydays and Pentecost, and also provide detailed discussions of key performances and critical reception to illustrate the playwright's artistic achievement in relation to his contributions as a public figure in British cultural life.
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Edgar Plays: 1

Edgar Plays: 1

David Edgar

Methuen Drama
1997
nidottu
This volume contains the best of David Edgar's work from the seventies The Jail Diary of Albie Sachs is an adaptation of the famous South African writer's diaries and deals with solitary confinement and loneliness - "a remarkable, persuasive picture." (Observer); Mary Barnes is based in a commune in the sixties and focuses on schizophrenia "promulgating the theory that schizophrenia can be effectively treated through behaviourist methods alone"; Saigon Rose tackles venereal disease and is "intriguing and entertaining...Edgar handles his themes - loss of innocence and a sense of betrayal - in a bitty, playful style laced with black comedy" (Independent); Oh Fair Jerusalem deals with the black death and Destiny deals with the loss of Empire and the rise of fascism in contemporary Britain "A play which astonished me with its intelligence, density, sympathy and finely controlled anger." Dennis Potter (Sunday Times).
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Edgar Plays: 2

Edgar Plays: 2

David Edgar

Methuen Drama
1990
nidottu
"David Edgar, like Balzac, seems to be the secretary for our times" (Guardian) Nicholas Nickleby: "With uncommon audacity Nicholas Nickleby not only takes on Dickens' sprawling novel, it fractures all the petty limitations we have imposed upon the stage as well...A landmark" (New Statesman); In Entertaining Strangers, a community constructs a nativity play: "English left-wing social drama at its sturdiest and finest: human, argumentative, utterly unafraid of human realities, and seething with indignation and compassion" (Sunday Times) and Ecclesiastes, a radio play that looks at the rise and fall of a "fundamentalist" Christian clergyman in the US.
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Edgar Plays: 3

Edgar Plays: 3

David Edgar

Methuen Drama
1991
nidottu
"David Edgar, like Balzac, seems to be the secretary for our times" (Guardian) Our Own People: "A courageous and intelligent discussion of race and industrial relations" (City Limits); Teendreams (written with Susan Todd of Monstrous Regiment theatre company) is about the failed revolutionary dreams of a set of teenagers. Maydays compares the phenomenon of post-war social rebellion from Western and Eastern perspectives; That Summer is an "elegantly tangential treatment of the 1984 miners' strike" (Plays and Players) "Edgar never lets his drama simplify into ideological diagram...This elegant, humane play keeps its emphasis on the...results that can ensue when diverse lives briefly brush against each other." (Independent)
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Edgar: Shorts

Edgar: Shorts

David Edgar

Nick Hern Books
1989
nidottu
A collection of shorter plays from stage and television by one of the UK's foremost political playwrights. Included are: Blood Sports, five hilarious sketches on sporting subjects Ball Boys, an unlikely match between Marx and tennis Baby Love, a powerful and moving account of a baby-snatcher The National Theatre, 'Three Sisters' in a strip club The Midas Connection, an ironic look at gold dealing Especially suitable for performances by groups with limited time and/or resources, all the pieces engage – however wryly – with important issues. The whole collection sheds fascinating new light on Edgar the dramatist.
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Destiny

Destiny

David Edgar

Methuen Drama
2005
nidottu
The production of this play established David Edgar as a major playwright, one of the most important of the young generation of dramatists to emerge out of the 'portable' theatre movement of the late sixties.
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How Plays Work

How Plays Work

David Edgar

NICK HERN BOOKS
2021
nidottu
In How Plays Work, distinguished playwright David Edgar examines the mechanisms and techniques which dramatists throughout the ages have employed to structure their plays and to express their meaning. Written for playwrights and playgoers alike, Edgar's analysis starts with the building blocks of whole plays – plot, character-creation, genre and structure – and moves on to scenes and devices. He shows how plays share a common architecture without which the uniqueness of their authors' vision would be invisible. How Plays Work is both a masterclass for playwrights and playmakers and a fascinating guide to the anatomy of drama. In this revised edition, Edgar brings the book right up to date with analyses of many recent plays, as well as explorations of emerging genres and new innovations in playwriting practice. 'A brilliantly illuminating, bang-up-to-date, unmissable read' April De Angelis 'A book of real theoretical heft written by a major working playwright' Steve Waters 'An essential accompaniment for anyone fascinated by the craft of dramatic storytelling' John Yorke 'Every theatremaker should read this book' Pippa Hill, Literary Manager, Royal Shakespeare Company 'Even if you've read the book before, it demands to be reread' Simon Callow 'Combines theoretical acumen with the assured know-how of a working dramatist' Terry Eagleton, Times Literary Supplement
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Here in America

Here in America

David Edgar

NICK HERN BOOKS
2024
pokkari
'I'm saying there's someone who could stop this madness. If you stood up, and said "no".' On a rainswept afternoon in 1952, Hollywood and Broadway's leading director Elia Kazan met his closest collaborator, the playwright Arthur Miller. As the anti-Communist crusade of McCarthyism blacklisted hundreds of their colleagues, Kazan and Miller faced a stark choice. Should they betray their friends, or risk never working again? David Edgar's play Here in America is a compelling drama that imagines a confrontation between two giants of stage and screen, both passionately involved with an actress about to become the most famous movie star in the world. It was first performed at the Orange Tree Theatre, London, in 2024, directed by James Dacre.
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The New Real

The New Real

David Edgar

NICK HERN BOOKS
2024
pokkari
It's the 2000s. We're in a faraway country. Rachel, a stellar American political strategist, and Caro, her British data expert, have been hired to fight a ferocious election, in a place where it's hard to tell what's real and what's fake. They think they're here to teach the Eastern Europeans how to do democracy, but it turns out they're here to learn. And when Rachel's former political partner turns up on the rival side, their showdown threatens to change global politics, from Warsaw to Wisconsin. Forever. The New Real is David Edgar's epic, panoramic play about how the political fault-line was redrawn. It is an origin story, for right now. It was first performed in 2024 by the Royal Shakespeare Company in association with Headlong at The Other Place, Stratford-upon-Avon, directed by Holly Race Roughan. 'Edgar's writing has a vigour, a swagger, a taut, tense texture that portrays men and women in the white heat of ambition, duplicity, conscience and tortured idealism' Sunday Times 'There is no more incisive commentator on politics currently working in British theatre' The Times
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Has God Not Chosen the Poor?

Has God Not Chosen the Poor?

David Edgar

Continuum International Publishing Group Ltd.
2001
sidottu
The significance of the Epistle of James within early Christianity, when not neglected, has been disputed. In recent years the letter, and its author, have received renewed attention, and this contribution to the revival examines the way in which the author and his addressees are depicted within the social world of emerging Christianity. Edgar finds strong points of contact with the sayings of Jesus and with early Christian itinerant proclaimers, who are often seen as having been active in preserving and transmitting these sayings. The Epistle challenges the shaky commitment of its readers to their new allegiance, and, in the light of the coming of Gods eschatological ruoe, employs the model of patronage to lay out the choice between loyalty to God and identification with the earthly value system dominated by the rich.
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Written on the Heart

Written on the Heart

David Edgar

Nick Hern Books
2011
nidottu
Across an 80-year divide, two men translate the word of God into the English tongue. For one, it means death at the stake. For the other, it could mean an archbishop’s mitre. After almost a century of unrest, the King James Bible was intended to end the violent upheavals of the English reformation. But deep-seated conflicts force a leading translator to confront the betrayal of his youthful religious ideals, for the sake of social peace. David Edgar’s new historical drama deals with William Tyndale’s and Lancelot Andrewes’s involvement in biblical translation. Tynedale died for it and hundreds of copies were burnt. Of the original edition only three copies remain.
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Written on the Heart

Written on the Heart

David Edgar

Nick Hern Books
2011
nidottu
An enthralling historical drama about the creation of the King James Bible, commissioned by the Royal Shakespeare Company to mark its four-hundredth anniversary. Written on the Heart is the dramatic story of the translation of God's Word into English. For one man, this endeavour leads to death at the stake. For another, it could mean an archbishop's mitre. After almost a century of unrest, the King James Bible was intended to end the violent upheavals of the English Reformation. But deep-seated discord forces a leading translator to confront the betrayal of his youthful religious ideals, for the sake of social peace. David Edgar's play Written on the Heart was first staged by the Royal Shakespeare Company at the Swan Theatre, Stratford-upon-Avon, in 2011.
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If Only

If Only

David Edgar

Nick Hern Books
2013
nidottu
An explosive, topical drama from one of the UK's top political playwrights. It's 16th April 2010, the day after the UK's first ever televised prime ministerial debate. Stranded in Malaga Airport by a volcanic ash-cloud, a Labour special adviser, a Lib Dem staffer and a Tory candidate consider their options. Can their parties survive without them? How will they get back home? And who'll end up in government? Fast forward to 4th August 2014. As the nation settles down to commemorate the outbreak of the First World War, the three politicians meet again. One of them knows something that could change the outcome of the 2015 election. Should they reveal it? And at what cost? David Edgar's play If Only was first staged at the Minerva Theatre, Chichester, in June 2013.
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Maydays & Trying It On

Maydays & Trying It On

David Edgar

Nick Hern Books
2018
nidottu
1968. A time of political upheaval the likes of which has not been seen since. Until - perhaps - now. In a new age of radical leftism and global politics, this new version of David Edgar's 1983 award-winning hit play, Maydays, has startling parallels to the political revolution of the Millennial Generation. It's 1968. David is 20. It is the height of the worldwide student revolt. The Vietnam war rages. Enoch Powell delivers his 'Rivers of Blood' speech. Martin Luther King is assassinated. These events will define David's politics and give focus to his writing. It's 50 years on. The 70-year-old is confronted by the 20-year old. Do they share the same beliefs? If not, is it the world that's changed, or him? Trying It On is a new play, written and perfromed by David Edgar. It premieres at the RSC in October 2018.
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The Shape of the Table

The Shape of the Table

David Edgar

Nick Hern Books
1990
nidottu
1989. An Eastern Bloc government on the brink of collapse. As the old regime retreats, former political prisoners join banned writers around the negotiating table... The Shape of the Table is part of David Edgar's post-Cold War trilogy of plays, which also includes Pentecost and The Prisoner's Dilemma. Witty and informative, this play is both an intensely topical account of what actually went on in the corridors of power and a timeless analysis of revolution in action. In particular the play explores not only the challenge of seizing power, but also the difficulty of relinquishing it. The Shape of the Table was first performed at the National Theatre, London, in 1990.
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Pentecost

Pentecost

David Edgar

Nick Hern Books
1995
nidottu
A valuable fresco is discovered in a church in war-torn Eastern Europe. As international and local art historians argue over who should claim ownership, the fate of the painting becomes a metaphor for the future of the emergent nations of Eastern Europe. David Edgar's play Pentecost was first performed by the Royal Shakespeare Company at The Other Place, Stratford-upon-Avon, in October 1994. The production transferred to the Young Vic, London, with performances from 31 May 1995. It went on to win the 1995 Evening Standard Award for Best Play. Pentecost is part of David Edgar's trilogy of plays about post-Communist Eastern Europe, which also includes The Prisoner's Dilemma and The Shape of the Table.
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