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1000 tulosta hakusanalla Erica Fischer

Aimee and Jaguar: A Love Story, Berlin 1943

Aimee and Jaguar: A Love Story, Berlin 1943

Erica Fischer

HARPER PERENNIAL
2015
nidottu
Berlin 1942. Lilly Wust, twenty-nine, married, four children, led a life as did millions of German women. But then she met the twenty-one-year-old Felice Schragenheim.It was love almost at first sight. Aim e (Lilly) and Jaguar (Felice) started forging plans for the future. They composed poems and love letters to each other, and wrote their own marriage contract. When Jaguar admitted to her lover that she was Jewish, this dangerous secret drew the two women even closer to each other. But their luck didn't last. On August 21, 1944, Jaguar was arrested and deported.At the age of eighty, Lilly Wust told her story to Erica Fischer, who turned it into a poignant testimony. After the book appeared in 1994 she was contacted by additional contemporaries of Aim e and Jaguar who offered new material that has been integrated into the present edition.The book, translated into twenty languages, and the film based on it--directed by Max F rberb ck, with Juliane K hler and Maria Schrader in the leading roles--have made Aim e and Jaguar's story known around the world.
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Aimee and Jaguar

Aimee and Jaguar

Erica Fischer

Bloomsbury Publishing PLC
1996
pokkari
In the Berlin of 1942, Lilly Wust was married to a soldier and was the mother of four children. Her quiet domestic life was forever changed when she met and fell in love with Jewish Felice Schragenheim. Aimee and Jaguar, as the two called one another, embarked on an ecstatic affair, exchanging letters and poems and even signing a marriage contract. After only a year, their happiness was destroyed by the Gestapo: Felice was taken away to the Theresienstadt concentration camp. Lilly received a last letter from Felice in 1945. Erica Fisher has documented this extraordinary story after spending countless hours talking to 80-year-old Lilly, and to friends and acquaintances of the two women. Her account, together with a collection of photographs, is a witness to an unusual love in a time of extremes.
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The Younger Brother

The Younger Brother

Erica Fischer

Lulu.com
2023
pokkari
The Younger Brother is a non-violent medieval novel, set in the Anglo-Saxon days of old England. Apsley, the young adopted prince, is trying to find his family. His country is torn by civil strife alongside Anglia facing war with its neighbors. Apsley tries his best to hold his country together.
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Aimée & Jaguar

Aimée & Jaguar

Erica Fischer

Kiepenheuer Witsch GmbH
2005
pokkari
Berlin 1942. Lilly Wust, 29, verheiratet, vier Kinder, führt das Leben von Millionen deutscher Frauen. Doch dann lernt sie die 21-jährige Felice Schragenheim kennen. Es ist Liebe fast auf den ersten Blick. ?Aim?e & Jaguar? schmieden Zukunftspläne, schreiben einander Gedichte, Liebesbriefe, schließen einen Ehevertrag. Als Jaguar-Felice ihrer Geliebten gesteht, dass sie Jüdin ist, bindet dieses gefährliche Geheimnis die beiden Frauen noch enger aneinander. Doch ihr Glück währt nur kurz. Am 21. August 1944 wird die Jüdin Felice verhaftet und deportiert. Erica Fischer ließ sich von der 80-jährigen Lilly Wust die Geschichte erzählen und verarbeitete sie zu einem eindringlichen Zeugnis. Nach Erscheinen des Buches 1994 meldeten sich weitere Zeitzeuginnen, und so konnte in der vorliegenden Ausgabe neues Material hinzugefügt werden.
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Diccionario Etimológico E Histórico de Los Prefijos de la Lengua Española

Diccionario Etimológico E Histórico de Los Prefijos de la Lengua Española

David a. Pharies; Erica Fischer-Dorantes

De Gruyter
2024
sidottu
As a complement to Pharies's 2002 Diccionario etimol gico de los sufijos espa oles (Madrid: Gredos), this book completes the urgent task of providing historical and etymological information for the affixes of the Spanish language. Based on an extensive research bibliography, the volume comprises 84 entries providing detailed accounts of the origin and evolution of each Spanish prefix.
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Tragedy's Endurance

Tragedy's Endurance

Erika Fischer-Lichte

Oxford University Press
2017
sidottu
This volume sets out a novel approach to theatre historiography, presenting the history of performances of Greek tragedies in Germany since 1800 as the history of the evolving cultural identity of the educated middle class throughout that period. Philhellenism and theatromania took hold in this milieu amidst attempts to banish the heavily French-influenced German court culture of the mid-eighteenth century, and by 1800 their fusion in performances of Greek tragedies served as the German answer to the French Revolution. Tragedy's subsequent endurance on the German stage is mapped here through the responses of performances to particular political, social, and cultural milestones, from the Napoleonic Wars and the Revolution of 1848 to the Third Reich, the new political movements of the 1960s and 1970s, and the fall of the Berlin Wall and reunification. Images of ancient Greece which were prevalent in the productions of these different eras are examined closely: the Nazi's proclamation of a racial kinship between the Greeks and the Germans; the politicization of performances of Greek tragedies since the 1960s and 1970s, emblematized by Marcuse's notion of a cultural revolution; the protest choruses of the GDR and the new genre of choric theatre in the 1980s and 1990s. By examining these images and performances in relation to their respective socio-cultural contexts, the volume sheds light on how, in a constantly changing political and cultural climate, performances of Greek tragedies helped affirm, destabilize, re-stabilize, and transform the cultural identity of the educated middle class over a volatile two hundred year period.
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The Semiotics of Theater

The Semiotics of Theater

Erika Fischer-Lichte

Indiana University Press
1992
sidottu
"The most thorough, systematic and convincing semiotics of the theater we have. . . . [L]ike those of Eco, it is an important conceptual synthesis, and a bibliographical gold mine." —Modern Language Notes" . . . impresses with its thoroughness and the informed perspective of its author . . . " —Theatre Survey" . . . a classic text . . . " —Theatre Research International"Immediately accessible to readers with some knowledge of theater but not much of semiotics. . . . For anyone with an interest in theater production and performance, or indeed theater history." —Marvin Carlson
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Transformative Aesthetics

Transformative Aesthetics

Erika Fischer-Lichte; Benjamin Wihstutz

Routledge
2020
nidottu
Aesthetic theory in the West has, until now, been dominated by ideas of effect, autonomy, and reception. Transformative Aesthetics uncovers these theories’ mutual concern with the transformation of those involved. From artists to spectators, readers, listeners, or audiences, the idea of transformation is one familiar to cultures across the globe. Transformation of the individual is only one part of this aesthetic phenomenon, as contemporary artists are increasingly called upon to have a transformative, sustainable impact on society at large. To this end, Erika Fischer Lichte and Benjamin Wihstutz present a series of fresh perspectives on the discussion of aesthetics, uniting Western theory with that of India, China, Australia, and beyond. Each chapter of Transformative Aesthetics focuses on a different approach to transformation, from the foundations of aesthetics to contemporary theories, breaking new ground to establish a network of thought that spans theatre, performance, art history, cultural studies, and philosophy.
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History of European Drama and Theatre

History of European Drama and Theatre

Erika Fischer-Lichte

Routledge
2001
sidottu
This major study reconstructs the vast history of European drama from Greek tragedy through to twentieth-century theatre, focusing on the subject of identity. Throughout history, drama has performed and represented political, religious, national, ethnic, class-related, gendered, and individual concepts of identity.Erika Fischer-Lichte's topics include:* ancient Greek theatre* Shakespeare and Elizabethan theatre by Corneilli, Racine, Molière* the Italian commedia dell'arte and its transformations into eighteenth-century drama* the German Enlightenment - Lessing, Schiller, Goethe, and Lenz* romanticism by Kleist, Byron, Shelley, Hugo, de Vigny, Musset, Büchner, and Nestroy* the turn of the century - Ibsen, Strindberg, Chekhov, Stanislavski* the twentieth century - Craig, Meyerhold, Artaud, O'Neill, Pirandello, Brecht, Beckett, Müller.Anyone interested in theatre throughout history and today will find this an invaluable source of information.
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History of European Drama and Theatre

History of European Drama and Theatre

Erika Fischer-Lichte

Routledge
2004
nidottu
This major study reconstructs the vast history of European drama from Greek tragedy through to twentieth-century theatre, focusing on the subject of identity. Throughout history, drama has performed and represented political, religious, national, ethnic, class-related, gendered, and individual concepts of identity.Erika Fischer-Lichte's topics include:* ancient Greek theatre* Shakespeare and Elizabethan theatre by Corneilli, Racine, Molière* the Italian commedia dell'arte and its transformations into eighteenth-century drama* the German Enlightenment - Lessing, Schiller, Goethe, and Lenz* romanticism by Kleist, Byron, Shelley, Hugo, de Vigny, Musset, Büchner, and Nestroy* the turn of the century - Ibsen, Strindberg, Chekhov, Stanislavski* the twentieth century - Craig, Meyerhold, Artaud, O'Neill, Pirandello, Brecht, Beckett, Müller.Anyone interested in theatre throughout history and today will find this an invaluable source of information.
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Theatre, Sacrifice, Ritual: Exploring Forms of Political Theatre

Theatre, Sacrifice, Ritual: Exploring Forms of Political Theatre

Erika Fischer-Lichte

Routledge
2005
sidottu
In this fascinating volume, acclaimed theatre historian Erika Fischer-Lichte reflects on the role and meaning accorded to the theme of sacrifice in Western cultures as mirrored in particular fusions of theatre and ritual. Theatre, Sacrifice, Ritual presents a radical re-definition of ritual theatre through analysis of performances as diverse as:Max Reinhardt's new people's theatrethe mass spectacles of post-revolutionary RussiaAmerican Zionist pageantsthe Olympic Games.In offering both a performative and a semiotic analysis of such performances, Fischer-Lichte expertly demonstrates how theatre and ritual are fused in order to tackle the problem of community-building in societies characterised by loss of solidarity and disintegration, and exposes the provocative connection between the utopian visions of community they suggest, and the notion of sacrifice. This innovative study of twentieth-century performative culture boldly examines the complexities of political theatre, propaganda and manipulation of the masses, and offers a revolutionary approach to the study of theatre and performance history.
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Theatre, Sacrifice, Ritual: Exploring Forms of Political Theatre

Theatre, Sacrifice, Ritual: Exploring Forms of Political Theatre

Erika Fischer-Lichte

Routledge
2005
nidottu
In this fascinating volume, acclaimed theatre historian Erika Fischer-Lichte reflects on the role and meaning accorded to the theme of sacrifice in Western cultures as mirrored in particular fusions of theatre and ritual. Theatre, Sacrifice, Ritual presents a radical re-definition of ritual theatre through analysis of performances as diverse as:Max Reinhardt's new people's theatrethe mass spectacles of post-revolutionary RussiaAmerican Zionist pageantsthe Olympic Games.In offering both a performative and a semiotic analysis of such performances, Fischer-Lichte expertly demonstrates how theatre and ritual are fused in order to tackle the problem of community-building in societies characterised by loss of solidarity and disintegration, and exposes the provocative connection between the utopian visions of community they suggest, and the notion of sacrifice. This innovative study of twentieth-century performative culture boldly examines the complexities of political theatre, propaganda and manipulation of the masses, and offers a revolutionary approach to the study of theatre and performance history.
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The Transformative Power of Performance

The Transformative Power of Performance

Erika Fischer-Lichte

Routledge
2008
sidottu
In this book, Erika Fischer-Lichte traces the emergence of performance as 'an art event' in its own right. In setting performance art on an equal footing with the traditional art object, she heralds a new aesthetics.The peculiar mode of experience that a performance provokes – blurring distinctions between artist and audience, body and mind, art and life – is here framed as the breeding ground for a new way of understanding performing arts, and through them even wider social and cultural processes.With an introduction by Marvin Carlson, this translation of the original Ästhetik des Performativen addresses key issues in performance art, experimental theatre and cultural performances to lay the ground for a new appreciation of the artistic event.
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The Transformative Power of Performance

The Transformative Power of Performance

Erika Fischer-Lichte

Routledge
2008
nidottu
In this book, Erika Fischer-Lichte traces the emergence of performance as 'an art event' in its own right. In setting performance art on an equal footing with the traditional art object, she heralds a new aesthetics.The peculiar mode of experience that a performance provokes – blurring distinctions between artist and audience, body and mind, art and life – is here framed as the breeding ground for a new way of understanding performing arts, and through them even wider social and cultural processes.With an introduction by Marvin Carlson, this translation of the original Ästhetik des Performativen addresses key issues in performance art, experimental theatre and cultural performances to lay the ground for a new appreciation of the artistic event.
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The Routledge Introduction to Theatre and Performance Studies

The Routledge Introduction to Theatre and Performance Studies

Erika Fischer-Lichte

Routledge
2014
sidottu
Erika Fischer-Lichte's introduction to the discipline of Theatre and Performance Studies is a strikingly authoritative and wide ranging guide to the study of theatre in all of its forms. Its three-part structure moves from the first steps in starting to think about performance, through to the diverse and interrelated concerns required of higher-level study:Part 1 – Central Concepts for Theatre and Performance Research – introduces the language and key ideas that are used to discuss and think about theatre: concepts of performance; the emergence of meaning; and the theatrical event as an experience shared by actors and spectators. Part 1 contextualizes these concepts by tracing the history of Theatre and Performance Studies as a discipline.Part 2 – Fields, Theories and Methods – looks at how to analyse a performance and how to conduct theatre-historiographical research. This section is concerned with the 'doing' of Theatre and Performance Studies: establishing and understanding different methodological approaches; using sources effectively; and building theoretical frameworks.Part 3 – Pushing Boundaries – expands on the lessons of Parts 1 and 2 in order to engage with theatre and performance in a global context. Part 3 introduces the concept of 'interweaving performance cultures'; explores the interrelation of theatre with the other arts; and develops a transformative aesthetics of performance. Case studies throughout the book root its theoretical discussion in theatrical practice. Focused accounts of plays, practitioners and performances map the development of Theatre and Performance Studies as an academic discipline, and of the theatre itself as an art form. This is the most comprehensive and sophisticated introduction to the field available, written by one of its foremost scholars.
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The Routledge Introduction to Theatre and Performance Studies

The Routledge Introduction to Theatre and Performance Studies

Erika Fischer-Lichte

Routledge
2014
nidottu
Erika Fischer-Lichte's introduction to the discipline of Theatre and Performance Studies is a strikingly authoritative and wide ranging guide to the study of theatre in all of its forms. Its three-part structure moves from the first steps in starting to think about performance, through to the diverse and interrelated concerns required of higher-level study:Part 1 – Central Concepts for Theatre and Performance Research – introduces the language and key ideas that are used to discuss and think about theatre: concepts of performance; the emergence of meaning; and the theatrical event as an experience shared by actors and spectators. Part 1 contextualizes these concepts by tracing the history of Theatre and Performance Studies as a discipline.Part 2 – Fields, Theories and Methods – looks at how to analyse a performance and how to conduct theatre-historiographical research. This section is concerned with the 'doing' of Theatre and Performance Studies: establishing and understanding different methodological approaches; using sources effectively; and building theoretical frameworks.Part 3 – Pushing Boundaries – expands on the lessons of Parts 1 and 2 in order to engage with theatre and performance in a global context. Part 3 introduces the concept of 'interweaving performance cultures'; explores the interrelation of theatre with the other arts; and develops a transformative aesthetics of performance. Case studies throughout the book root its theoretical discussion in theatrical practice. Focused accounts of plays, practitioners and performances map the development of Theatre and Performance Studies as an academic discipline, and of the theatre itself as an art form. This is the most comprehensive and sophisticated introduction to the field available, written by one of its foremost scholars.
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