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1000 tulosta hakusanalla Fernand Monatte
Integrated high-resolution geophysical investigation of a monastery
Manuel Matias; Nuno Barraca; Fernando Almeida
Lap Lambert Academic Publishing
2017
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Indagine geofisica integrata ad alta risoluzione di un monastero
Manuel Matias; Nuno Barraca; Fernando Almeida
Edizioni Sapienza
2024
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Il patrimonio edilizio diventato un'importante fonte di reddito per le amministrazioni e i governi locali. I visitatori sono avidi di informazioni storiche dettagliate, compresi i dettagli costruttivi, le caratteristiche e le potenziali strutture presenti sotto i monumenti. Inoltre, questa conoscenza fondamentale nei progetti di restauro e conservazione. Purtroppo, tali informazioni sono spesso scarse o difficili da reperire in documenti scritti, ma possono essere ottenute con l'uso di metodi di esplorazione geofisica. Questo lavoro presenta uno studio condotto in un monastero del XIV secolo per indagare la natura del terreno sottostante e la struttura dei suoi elementi architettonici pi importanti. Un' quipe di geofisici e uno specialista in Storia hanno raccolto gli sforzi per applicare un'indagine geofisica ad alta risoluzione, comprendente metodi di resistivit 3D, radar di sondaggio del terreno 3D e tomografia sismica, supportati da tecniche di scansione fotogrammetrica ad alta risoluzione, per indagare su questi aspetti. Come dimostrato, le tecniche e i metodi qui discussi e sviluppati hanno fornito risultati eccellenti e possono essere facilmente adattati e utilizzati in altri monumenti o in edifici contemporanei dove si possono riscontrare problemi simili.
Etude géophysique intégrée à haute résolution d'un monastère
Manuel Matias; Nuno Barraca; Fernando Almeida
Editions Notre Savoir
2024
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Le patrimoine b ti est devenu une importante source de revenus pour les conseils locaux et les gouvernements. Les visiteurs sont avides d'informations historiques d taill es, y compris les d tails de construction, les caract ristiques et les structures potentielles sous les monuments. De plus, cette connaissance est primordiale dans les projets de restauration et de pr servation. Malheureusement, ces informations sont souvent rares ou difficiles trouver dans les documents crits, mais elles peuvent tre obtenues gr ce aux m thodes d'exploration g ophysique. Cet ouvrage pr sente une tude men e dans un monast re du XIVe si cle afin d' tudier la nature du sol qui le recouvre et la structure de ses l ments architecturaux les plus importants. Une quipe de g ophysiciens et un sp cialiste de l'histoire ont rassembl leurs efforts pour appliquer une tude g ophysique haute r solution, y compris la r sistivit 3D, le radar de sondage du sol 3D, les m thodes de tomographie sismique soutenues par des techniques de balayage photogramm trique haute r solution dans l' tude des questions susmentionn es. Comme cela a t d montr , les techniques et les m thodes discut es et d velopp es ici ont fourni d'excellents r sultats et peuvent tre facilement adapt es et utilis es dans d'autres monuments ou dans des b timents contemporains o des probl mes similaires peuvent tre trouv s.
Investigación geofísica integrada de alta resolución de un monasterio
Manuel Matias; Nuno Barraca; Fernando Almeida
Ediciones Nuestro Conocimiento
2024
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Fernand / Jules SandeauDate de l'edition originale: 1844Ce livre est la reproduction fidele d'une oeuvre publiee avant 1920 et fait partie d'une collection de livres reimprimes a la demande editee par Hachette Livre, dans le cadre d'un partenariat avec la Bibliotheque nationale de France, offrant l'opportunite d'acceder a des ouvrages anciens et souvent rares issus des fonds patrimoniaux de la BnF.Les oeuvres faisant partie de cette collection ont ete numerisees par la BnF et sont presentes sur Gallica, sa bibliotheque numerique.En entreprenant de redonner vie a ces ouvrages au travers d'une collection de livres reimprimes a la demande, nous leur donnons la possibilite de rencontrer un public elargi et participons a la transmission de connaissances et de savoirs parfois difficilement accessibles.Nous avons cherche a concilier la reproduction fidele d'un livre ancien a partir de sa version numerisee avec le souci d'un confort de lecture optimal. Nous esperons que les ouvrages de cette nouvelle collection vous apporteront entiere satisfaction.Pour plus d'informations, rendez-vous sur www.hachettebnf.fr
A comprehensive look at an important member of the artistic vanguard of late 19th- and early 20th-century Europe In this beautifully illustrated book, Michel Draguet, an internationally recognized authority on fin-de-siècle art, offers an enlightening examination of the life and art of Belgian Symbolist painter Fernand Khnopff (1858–1921). Khnopff achieved widespread acclaim during his lifetime for his moody, dreamlike paintings, as well as his numerous commissioned portraits, designs for costumes and sets for the theater and opera, photography, sculpture, book illustrations, and writings. Khnopff was a reclusive personality, and in 1900 he focused his attention on the design and construction of a lavish, secluded home and studio in Brussels, a structure that became deeply entwined with the artist’s work and sense of self. Although the house was demolished in 1936, Draguet uses new archival research to reconstruct its spaces and explore the home as emblematic of the artist, guiding the reader through Khnopff’s very personal world and analyzing his art in the context of its generative surroundings.Distributed for Mercatorfonds
Fernand Dumont (1927-1997) was a sociologist, philosopher, theologian, and poet. A prominent intellectual in Quebec, he is recognized for his research on the sociology of knowledge and the foundations of modern culture. Dumont's work conceives of culture in terms of both memory and distance, arguing that without culture, man would be immersed in the monotony of his present actions, never achieving the distance necessary to create a past or a future. In Fernand Dumont: A Sociologist Turns to Theology, Gregory Baum interprets Dumont's L'institution de la theologie, which studies the assumptions and commitments implicit in the rational reflection of Catholic thinkers on the meaning of their faith. Baum shows that while Dumont's book is preoccupied with the theoretical, its methodology is informed by the cognitive presuppositions of the social sciences, and its contents - dealing with the spiritual, personal, and social struggles that constitute daily life - are concrete. For Dumont religious truth is insufficient, and may have no impact on everyday life. What counts is relevance, insights that reply to urgent questions and unresolved conflicts. He offers an innovative interpretation of Catholicism that is faithful to the Gospel and relevant to the problems of modern life and the serious questions Quebecers are asking themselves. In Fernand Dumont: A Sociologist Turns to Theology, Baum elucidates Dumont's main ideas and connects the concerns of the Christian gospel with those of contemporary society.
Fernand Léger is one of two new volumes being published this autumn in the MoMA Artists series, which explores important artists represented in depth in the collection of The Museum of Modern Art, and guides readers through a dozen of each artist’s most memorable achievements. A short and lively essay by Carolyn Lanchner, a former curator of painting and sculpture at the Museum, accompanies each work, illuminating its significance and placing it in its historical moment in the development of modern art and the artist’s own life.
The Belgian artist, illustrator, sculptor, and photographer Fernand Khnopff (1858-1921) became a popular society portraitist in the 1880s, using elements that had served him well as an avant-garde symbolist painter: visual realism and a mood of silence, isolation, and reverie. As in the provocative yet hauntingly beautiful Portrait of Jeanne Kefer, which is the focus of this book, he frequently posed his models leaning against a closed door, flattening the space and resulting in a meditative, hermetically sealed image. Jeanne Kefer was the daughter of a composer friend of the artist, and Khnopff deftly captured the child's vulnerability to the outside world in the small gesture of her tiny thumb catching the edge of her bow. The book places this painting in the historical context of Khnopff's times and social milieu, such as the advent of symbolism as a literary and artistic movement and the influence of James McNeill Whistler. The analysis of the portrait is supported by a stunning array of related paintings, details, and technical photographs. Finally, the author uses Khnopff's portraits as a springboard for a broader discussion of symbolist art.
Fernand Léger
Affron Matthew
University of Virginia Art Museum, T. H. Bayly Memorial Building
2007
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Between 1912 and 1914, Fernand Leger executed a large cycle of works known as the "Contrasts of Forms". The series embraces the genres of landscape, still life, and figure, but at its core are numerous arresting compositions that sweep aside observation to focus on formal principles. The common denominator is a complex vocabulary of mingled cones, cylinders, cubes, and planes, vigorously outlined and scrubbed with color (in the paintings) or with black ink and white gouache (in the works on paper). "The Contrasts of Forms" are essential to two great chapters in the history of modern art in the years before the First World War: first, the development of cubism, and second, the emergence of abstract art. Curated by Leger scholar Matthew Affron and organized by the University of Virginia Art Museum, this tightly focused exhibition unites two landmark paintings with eleven works on paper from major museums and private collections. "Fernand Leger: Contrasts of Forms" was presented at the University of Virginia Art Museum from January 19 to March 18, 2007, and will be at the Fogg Art Museum, Harvard University Art Museums, from April 14 to June 10, 2007.The full-color catalogue features two essays. Affron examines the logic of the "Contrasts of Forms" and the importance of this cycle in shaping the character of Leger's art. Maria Gough (Stanford University) focuses on the drawings and on Leger's notion of abstraction.
Fernand Suivi De Vaillance Et De Richard (1881)
Jules Sandeau
KESSINGER PUBLISHING, LLC
2009
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Lettres De Fernand Cortes A Charles-Quint
Fernand Cortes; Leon Vallee
KESSINGER PUBLISHING, LLC
2010
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Sidney Janis Presents His Sixth Exhibition of Paintings by Fernand Leger: Selected from the Years 1918-1954
Fernand Leger
Literary Licensing, LLC
2013
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