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1000 tulosta hakusanalla Hart Lenore

Becky

Becky

Hart Lenore

GRIFFIN PUBLISHING
2009
nidottu
Becky Thatcher wants to set the record straight. She was never the weeping ninny Mark Twain made her out to be in his famous novel. She knew Samuel Clemens before he was 'Mark Twain,' a wide-eyed dreamer who never could get his facts straight. Yes, she was Tom's childhood sweetheart, but the true story of their love, and the dark secret that tore it apart, never made it into Twain's novel. Now married to Tom's cousin Sid Hopkins, Becky has children of her own to protect while the men of Missouri are off fighting their 'un-Civil' War. But when tragedy strikes at home, Becky embarks on a phenomenal quest to find her husband and save her family. Bold and brave beyond the expectations of her sex, the wildly conflicted Becky struggles to reconcile her womanly obligations with her fiercely independent spirit, and is haunted by the lies she's told and the love she betrayed. Can she ever forget the maddening Tom Sawyer, the boy who stole her heart as a little girl? And when she is old, and Huck and Tom and Twain only memories, whose shadow will still lie beside her?
The Raven's Bride

The Raven's Bride

Lenore Hart

Saint Martin's Griffin,U.S.
2011
nidottu
Virginia 'Sissy' Clemm falls in love with her cousin Edgar Allan Poe when she's merely a girl of seven. Fourteen years her elder, he's dark and brooding, the picture of a little girl's romantic fantasy. He floats in and out of her childhood, as he fails his way through West Point, the military and a succession of editorial jobs where his talents aren't appreciated. Each time he returns, their odd friendship grows stronger, and her understanding of the moody, troubled writer takes on new and strange dimensions. But her childhood crush takes a serious turn, when he proposes marriage at 13. Her mother objects, but Sissy cannot be swayed. She devotes her young life to Edgar Allan Poe. This provocative novel explores the curious and confounding relationship between Edgar Allan Poe and his child bride Sissy, who, before she died of consumption at age 25, was Poe's constant companion, critic and friend. Lenore Hart, author of Becky, explores the inner life of one of literature's most heralded and haunted figures by imagining the heart of the woman who loved him, inspired him and undid him.
The Night Bazaar: Venice

The Night Bazaar: Venice

Lenore Hart

Northampton House
2020
nidottu
"Hart invites readers to return to the delightfully inventive setting of the Night Bizarre with this second anthology of fantastical short stories featuring a magical traveling market that visits any given city only once . . . Together the tales form a sumptuous carnival, offering a tantalizing glimpse into the mystical underworld of plague-ridden Europe. These dark flights of fancy delight." - Publishers WeeklyThe Night Bazaar is a secret marketplace of the rare, strange, occult, and dangerous. Its curious vendors specialize in services or objects which simply cannot be had elsewhere, for any price. This forbidden market has operated throughout history at various locales - but only for one week. It cannot simply be stumbled upon; you must be Invited. But how did it begin? This collection of thirteen eerie, fantastic, and magical works by various authors recounts the origin story of the Bazaar's first appearance, in St. Mark's Square, Venice, in the plague year of 1348. Some take place in those medieval days of fear, witchcraft, pandemic, and murder. Other, more contemporary tales center on objects from that first bazaar - inherited, found, purchased, or stolen during the dark centuries since by the unsuspecting, foolish, and greedy (though seldom the completely innocent.) Together the linked stories take readers on a fantastical journey into astonishment, dread, and dark delight.
Hart's Postscript

Hart's Postscript

Oxford University Press
2001
sidottu
Published posthumously, the second edition of The Concept of Law contains one important addition to the first edition, a substantial Postscript, in which Hart reflects upon some of the central concerns that have been expressed about the book since its publication in 1961. The Postscript is especially noteworthy because it contains Hart's only sustained response to the objections pressed by his foremost critic, Ronald Dworkin, who succeeded him to the Chair of Jurisprudence at Oxford. The Postscript focuses on a range of issues covering both Hart's substantive view and his methodological commitments. In particular, Hart endorses Inclusive Legal Positivism, asserts that his is a methodology of descriptive jurisprudence which he contrasts with Dworkin's normative jurisprudence or interpretivism, while denying that his theory of law has a semantic underpinning. The essays in this collection address each of these issues in a sustained way. The book contains discussions of Hart's semantic commitments, his rejection of a normative jurisprudence as well as the extent to which he can embrace Inclusive Legal Positivism in a way that is consistent with his other stated positions. The book's contributors include the leading advocates of alternative schools of Positivist jurisprudence, important contributors to the methodogical disputes in jurisprudence and noted experts on the relationship of philosophy of language to jurisprudence. Among the contributors of note are: Joseph Raz, Jules L. Coleman, Stephen Perry , Brian Leiter, Scott Shapiro and Andrei Marmor.
Hart's Postscript

Hart's Postscript

Oxford University Press
2001
nidottu
Published posthumously, the second edition of The Concept of Law contains one important addition to the first edition, a substantial Postscript, in which Hart reflects upon some of the central concerns that have been expressed about the book since its publication in 1961. The Postscript is especially noteworthy because it contains Hart's only sustained response to the objections pressed by his foremost critic, Ronald Dworkin, who succeeded him to the Chair of Jurisprudence at Oxford. The Postscript focuses on a range of issues covering both Hart's substantive view and his methodological commitments. In particular, Hart endorses Inclusive Legal Positivism, asserts that his is a methodology of descriptive jurisprudence which he contrasts with Dworkin's normative jurisprudence or interpretivism, while denying that his theory of law has a semantic underpinning. The essays in this collection address each of these issues in a sustained way. The book contains discussions of Hart's semantic commitments, his rejection of a normative jurisprudence as well as the extent to which he can embrace Inclusive Legal Positivism in a way that is consistent with his other stated positions. The book's contributors include the leading advocates of alternative schools of Positivist jurisprudence, important contributors to the methodogical disputes in jurisprudence and noted experts on the relationship of philosophy of language to jurisprudence. Among the contributors of note are: Joseph Raz, Jules L. Coleman, Stephen Perry , Brian Leiter, Scott Shapiro and Andrei Marmor.
Hart Crane and the Homosexual Text

Hart Crane and the Homosexual Text

Thomas E. Yingling

University of Chicago Press
1990
nidottu
"Canonized for being insufficiently American although he took America as his subject, chastised for obscurity by readers who would not allow or would not read homosexual meanings, Crane embodies many understandings of America, and of the predicament of the gay writer."—Voice Literary Supplement"A brilliant critical model for understanding how textuality and sexuality can produce pervasive effects on each other in the writing of a figure like Crane."—Michael Moon, Duke University
Hart Island

Hart Island

Gary Zebrun

UNIVERSITY OF WISCONSIN PRESS
2024
nidottu
Hart Island has served as a potter’s field for more than a century, holding over a million indigent, unclaimed, or unknown New Yorkers’ bodies—and yet it is little-known even among locals. In this absorbing and elegiac story, on this island shaped like a miniature boot of Italy, Gary Zebrun explores overlapping connections of sexuality, family, criminality, and morality. Driven out of the Coast Guard during the days of “Don’t Ask, Don’t Tell,” Sal Cusumano hauls coffins to Hart Island with a burial crew of Rikers Island inmates and guards. Only there can he fully leave his family troubles on Staten Island behind: Justin, his adopted brother and lover; his mother, Ida, slipping rapidly into dementia; the memory of Francesco, his father, a bookie gunned down on his stoop; and his brother Antony, a Manhattan homicide detective moonlighting with the mob. But the island ceases to be his sanctuary after Antony ensnares him—and others—in a crime that involves a nocturnal visit to the potter’s field. This compelling and intricately plotted novel moves through the shadows as its characters yearn for belonging and forgiveness. Set on the eve of the COVID pandemic, it is part love story, part crime novel, and part mystery.
Hart of Empire

Hart of Empire

Saul David; Saul David Ltd

Hodder Paperback
2011
pokkari
Back in England following his heroics in the Zulu Wars, George Hart is summoned to a new adventure when Prime Minister Disraeli asks him to go on a secret mission to Afghanistan, where the British fear Muslim extremists are poised to overthrow the local ruler and threaten the jewel in the Imperial crown, India. Hart has severe misgivings. Always an outsider in British society, he doesn't like Whitehall's arrogant way of meddling in other people's religious and political affairs, but desperate for money, he takes the job and descends the Khyber Pass into a strange and violent land. When his warnings are ignored by the pompous British Resident in Kabul, a terrible massacre occurs and soon Hart is on the run with a beautiful Afghan princess, in a race to prevent an uprising and head off a catastrophic British invasion.
Hart Crane and Yvor Winters

Hart Crane and Yvor Winters

Thomas Parkinson

University of California Press
2022
pokkari
Hart Crane and Yvor Winters: Their Literary Correspondence delves into the profound yet contrasting relationship between two towering figures in 20th-century American poetry. Hart Crane, known for his bold, emotionally charged poetry and turbulent life, and Yvor Winters, a disciplined poet and critic, might seem like antithetical figures: the bohemian versus the scholar, the restless creative versus the stable family man. Yet their correspondence reveals a deeper connection through shared passion for poetry, mutual respect for each other’s work, and a significant exchange of ideas. This book explores their relationship, spanning Crane’s effusive gratitude for Winters’s critiques of The Bridge to the tensions that ultimately fractured their bond. Crane’s letters, preserved by Winters, offer an invaluable glimpse into his evolving poetics and his creative process, as well as the ways in which Winters influenced and challenged him. The book situates this correspondence within the broader literary context of their time, illustrating how their dialogue reflects larger trends and tensions in American poetry. Crane's visionary and often chaotic approach contrasts sharply with Winters's insistence on precision and restraint, illuminating their divergent poetic philosophies. Despite their differences, both men were deeply committed to their craft, pushing the boundaries of American poetry in their own ways. Crane’s vivid, risk-taking style often verged on collapse but offered moments of breathtaking brilliance, while Winters’s disciplined, ethical poetry exuded intellectual rigor and formal mastery. By juxtaposing their lives, letters, and works, the book not only enriches our understanding of these two remarkable poets but also sheds light on the complex interplay of personality, ideology, and artistry that shapes poetic expression. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1978.
Hart Crane and Yvor Winters

Hart Crane and Yvor Winters

Thomas Parkinson

University of California Press
2022
sidottu
Hart Crane and Yvor Winters: Their Literary Correspondence delves into the profound yet contrasting relationship between two towering figures in 20th-century American poetry. Hart Crane, known for his bold, emotionally charged poetry and turbulent life, and Yvor Winters, a disciplined poet and critic, might seem like antithetical figures: the bohemian versus the scholar, the restless creative versus the stable family man. Yet their correspondence reveals a deeper connection through shared passion for poetry, mutual respect for each other’s work, and a significant exchange of ideas. This book explores their relationship, spanning Crane’s effusive gratitude for Winters’s critiques of The Bridge to the tensions that ultimately fractured their bond. Crane’s letters, preserved by Winters, offer an invaluable glimpse into his evolving poetics and his creative process, as well as the ways in which Winters influenced and challenged him. The book situates this correspondence within the broader literary context of their time, illustrating how their dialogue reflects larger trends and tensions in American poetry. Crane's visionary and often chaotic approach contrasts sharply with Winters's insistence on precision and restraint, illuminating their divergent poetic philosophies. Despite their differences, both men were deeply committed to their craft, pushing the boundaries of American poetry in their own ways. Crane’s vivid, risk-taking style often verged on collapse but offered moments of breathtaking brilliance, while Winters’s disciplined, ethical poetry exuded intellectual rigor and formal mastery. By juxtaposing their lives, letters, and works, the book not only enriches our understanding of these two remarkable poets but also sheds light on the complex interplay of personality, ideology, and artistry that shapes poetic expression. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1978.
Hart Crane

Hart Crane

Paul Giles

Cambridge University Press
2009
pokkari
When Hart Crane's epic poem The Bridge was published in 1930, it was generally judged a failure. Critics said the poet had unwisely attempted to create a mystical synthesis of modern America out of inadequate materials. Crane himself, who committed suicide in 1932, did little to correct this impression; and although the poet's reputation has fluctuated over the past fifty years, many people still find The Bridge unsatisfactory. In this analysis of Crane's long poem, Paul Giles demonstrates that the author was consciously constructing his Bridge out of a huge number of puns and paradoxes, most of which have never been noticed by Crane's readers. Dr Giles shows how Crane was directly influenced by the early work of James Joyce; how the composition of The Bridge ran parallel to the first serialisation of Finnegans Wake in Paris; and how The Bridge is the first great work of the 'Revolution of the Word' movement, predating the final published version of Finnegans Wake by nine years.
Hart Crane

Hart Crane

Paul Giles

Cambridge University Press
1986
sidottu
When Hart Crane's epic poem The Bridge was published in 1930, it was generally judged a failure. Critics said the poet had unwisely attempted to create a mystical synthesis of modern America out of inadequate materials. Crane himself, who committed suicide in 1932, did little to correct this impression, and many people still find the poem unsatisfactory. In this startling and exhaustive analysis of The Bridge Paul Giles shows that Crane was consciously constructing his poem out of a huge number of puns and paradoxes, most of which have until now never been noticed. He also shows how. Crane was directly influenced by James Joyce (the composition of The Bridge ran parallel to the first serialisation of Finnegans Wake) and he suggests a number of other contexts which illuminate the poem: Einstein and relativity, Freud and psychoanalysis, bootlegging, burlesque theatre, Hollywood cinema.
Hart Crane

Hart Crane

Maurice Riordan

Faber Faber
2008
nidottu
Harold Hart Crane was born in Ohio in 1899. In 1923 he became a copy-writer in New York. White Buildings, his first collection, appeared in 1926, and in 1930 his most famous work, The Bridge, was published. A reaction against the pessimism in T. S. Eliot's The Waste Land, The Bridge was a love song to the myth of America and its optimism a much needed boon to post-Wall Street Crash America. Hart Crane committed suicide in 1932.
Hart Crane and Allen Tate

Hart Crane and Allen Tate

Langdon Hammer

Princeton University Press
2017
pokkari
Focusing on the vexed friendship between Hart Crane and Allen Tate, this book examines twentieth-century American poetry's progress toward institutional sanction and professional organization, a process in which sexual identities, poetic traditions, and literary occupations were in question and at stake. Langdon Hammer combines biography and formalist analysis to argue that American modernism was a Janus-faced phenomenon, at once emancipatory and elitist, which simultaneously attacked traditional cultural authority and reconstructed it in new forms. Hammer shows how Crane and Tate, working in relation to each other and to T. S. Eliot, created for themselves the competing roles of "genius" and "poet-critic." Crane embraced the self-authorizing powers of the individual talent at the cost of standing outside the emerging consensus of high modernist literary culture, an aesthetic isolation which converged with his social isolation as a gay man. Tate, turning against Crane, linked the modernist defense of tradition to an embattled heterosexual masculinity, while he adapted Eliot's stance to a career sustained by criticism and teaching. Ending his book with a discussion of Robert Lowell's career, Hammer maintains that Lowell's "confessional" poetry recapitulates the conflict enacted by Crane and Tate. Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.