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1000 tulosta hakusanalla Helene Taylor
Despite being hailed as 'the foremost woman of her time' in the 1880s, Helen Taylor's legacy has largely been overshadowed, often reduced to her role as John Stuart Mill's stepdaughter and a divisive figure within the Victorian women's suffrage movement. However, this biography seeks to rediscover the complex woman behind the often-deserved label of 'difficult to work with,' exploring the politics and convictions that made her both admired and reviled. As the daughter of philosopher Harriet Taylor and stepdaughter of Mill, Helen emerged from their shadows to become a powerful public figure, fighting for women’s rights, education reform, land nationalization, socialism, and Irish Home Rule. In 1885, she became the first woman to run as a parliamentary candidate, representing Camberwell Radical Club. However, by the late 1880s, poor health forced her withdrawal from public life, and her contributions faded into obscurity. Helen’s vital role in shaping progressive movements was lamented even in her time, with reformers like Frances Soutter lamenting her erasure from history. Helen Taylor and her Fight for the People reclaims Helen's rightful place as a pioneering force in the fight for democracy and gender equality in the Victorian era.
Miscellaneous and Posthumous Works ... Edited with a Biographical Notice by Helen Taylor.
Henry Thomas Buckle; Grant Allen; Helen Taylor
British Library, Historical Print Editions
2011
pokkari
Miscellaneous and Posthumous Works ... Edited with a Biographical Notice by Helen Taylor.
Henry Thomas Buckle; Grant Allen; Helen Taylor
British Library, Historical Print Editions
2011
pokkari
Women Writing Antiquity argues that the struggle to define the female intellectual in seventeenth-century France lay at the centre of a broader struggle over the definition of literature and literary knowledge during a time of significant cultural change. As the female intellectual became a figure of debate, France was also undergoing a shift away from the dominance of classical cultural models, the transition towards a standardized modern language, the development of a national literature and literary canon, and the emergence of the literary field. This book explores the intersection of these phenomena, analyzing how a range of women constructed the female intellectual through their reception of Greco-Roman culture. Women Writing Antiquity offers readings of known and less familiar works from a diverse corpus of translators, novelists, poets, linguists, playwrights, essayists, and fairy tale writers, including Marie de Gournay, Madeleine de Scudéry, Madame de Villedieu, Antoinette Deshoulières, Marie-Jeanne L'Héritier, and Anne Dacier. Challenging traditionally formalist and source-text orientated approaches, the study reframes classical reception in terms of authorial self-fashioning and professional strategy, and explores the symbolic value of Latin literacy to an author's projected identity. These writers used reception of Greco-Roman culture to negotiate the value attributed to different genres, the nature of poetics, the legitimacy of varied modes of authorship, the qualities and properties of French, and even how and by whom these topics might be debated. Women Writing Antiquity combines a new take on the literary history of the period with a retelling of the history of the figure of the 'learned woman'.
The Lives of Ovid in Seventeenth-Century French Culture
Helena Taylor
Oxford University Press
2017
sidottu
Seventeenth-century France saw one of the most significant 'culture wars' Europe has ever known. Culminating in the Quarrel of the Ancients and Moderns, this was a confrontational, transitional time for the reception of the classics. Helena Taylor explores responses to the life of the ancient Roman poet, Ovid, within this charged atmosphere. To date, criticism has focused on the reception of Ovid's enormously influential work in this period, but little attention has been paid to Ovid's lives and their uses. Through close analysis of a diverse corpus, which includes prefatory Lives, novels, plays, biographical dictionaries, poetry, and memoirs, this study investigates how the figure of Ovid was used to debate literary taste and modernity and to reflect on translation practice. It shows how the narrative of Ovid's life was deployed to explore the politics and poetics of exile writing; and to question the relationship between fiction and history. In so doing, this book identifies two paradoxes: although an ancient poet, Ovid became key to the formulation of aspects of self-consciously 'modern' cultural movements; and while Ovid's work might have adorned the royal palaces of Versailles, the poetry he wrote after being exiled by the Emperor Augustus made him a figure through which to question the relationship between authority and narrative. The Lives of Ovid in Seventeenth-Century French Culture not only nuances understanding of both Ovid and life-writing in this period, but also offers a fresh perspective on classical reception: its paradoxes, uses, and quarrels.
Ian McEwan once said, 'When women stop reading, the novel will be dead.' This book explains how precious fiction is to contemporary women readers, and how they draw on it to tell the stories of their lives. Female readers are key to the future of fiction and--as parents, teachers, and librarians--the glue for a literate society. Women treasure the chance to read alone, but have also gregariously shared reading experiences and memories with mothers, daughters, grandchildren, and female friends. For so many, reading novels and short stories enables them to escape and to spread their wings intellectually and emotionally. This book, written by an experienced teacher, scholar of women's writing, and literature festival director, draws on over 500 interviews with and questionnaires from women readers and writers. It describes how, where, and when British women read fiction, and examines why stories and writers influence the way female readers understand and shape their own life stories. Taylor explores why women are the main buyers and readers of fiction, members of book clubs, attendees at literary festivals, and organisers of days out to fictional sites and writers' homes. The book analyses the special appeal and changing readership of the genres of romance, erotica, and crime. It also illuminates the reasons for British women's abiding love of two favourite novels, Pride and Prejudice and Jane Eyre. Taylor offers a cornucopia of witty and wise women's voices, of both readers themselves and also writers such as Hilary Mantel, Helen Dunmore, Katie Fforde, and Sarah Dunant. The book helps us understand why--in Jackie Kay's words--'our lives are mapped by books.'
Ian McEwan once said, 'When women stop reading, the novel will be dead.' This book explains how precious fiction is to contemporary British women readers, and how they draw on it to tell the stories of their lives. Female readers are key to the future of fiction and--as parents, teachers, and librarians--the glue for a literate society. Women treasure the chance to read alone, but have also gregariously shared reading experiences and memories with mothers, daughters, grandchildren, and female friends. For so many, reading novels and short stories enables them to escape and to spread their wings intellectually and emotionally. This book, written by an experienced teacher, scholar of women's writing, and literature festival director, draws on over 500 interviews with and questionnaires from women readers and writers. It describes how, where, and when British women read fiction, and examines why stories and writers influence the way female readers understand and shape their own life stories. Taylor explores why women are the main buyers and readers of fiction, members of book clubs, attendees at literary festivals, and organisers of days out to fictional sites and writers' homes. The book analyses the special appeal and changing readership of the genres of romance, erotica, and crime. It also illuminates the reasons for British women's abiding love of two favourite novels, Pride and Prejudice and Jane Eyre. Taylor offers a cornucopia of witty and wise women's voices, of both readers themselves and also writers such as Hilary Mantel, Helen Dunmore, Katie Fforde, and Sarah Dunant. The book helps us understand why--in Jackie Kay's words--'our lives are mapped by books.'
This introductory book offers a rich, stimulating, and authoritative account of key debates and issues in the discipline from a range of highly regarded experts in the field. Carefully structured and edited, it explores sociological understandings of a range of core topics and critically examines what key issues have emerged for debate from past and current research. As state-of-the-art guide to its subject, this volume offers a refreshing and stimulating path through contemporary debates within a familiar and accessible format.
A kid-friendly, accessible, and humorous picture book about the sometimes complicated task of eating while in outer space-spoiler: it's not as simple as it seems!Without a kitchen, plates, or cups, eating in space isn't easy. When food floats (and so do you), remember:1. Be patient: Preparing a meal without gravity's help takes time.2. Avoid crumbs: They get everywhere!3. Clean up after yourself: Today's stray snack could become tomorrow's smelly surprise.Once you learn the dos and don'ts, you'll be eating like an astronaut in no time!This fact-filled look at the sometimes complicated task of eating while away from Earth will show young readers what it's really like to live on the space station, with engaging back matter that takes a deep dive into the topic and features photos of real NASA astronauts!
One of the most successful books ever published and the basis of one of the most popular and highly praised Hollywood films of all time, Gone With the Wind has entered world culture in a way that few other stories have.Seventy-five years on from the cinematic release of Gone with the Wind, Helen Taylor looks at the reasons why the book and film have had such an appeal, especially for women. Drawing on letters and questionnaires from female fans, she brings together material from southern history, literature, film and feminist theory and discusses the themes of the Civil War and issues of race. She has previously written Gender, Race and Region in the writings of Grace King, Ruth McEnery Stuart and Kate Chopin and The Daphne Du Maurier Companion.
One of the most successful books ever published and the basis of one of the most popular and highly praised Hollywood films, Gone with the Wind has entered world culture in a way that few other stories have. The book was published in June 1936; the film premiered on December 15, 1939. The book has sold 25 million copies, has been translated into twenty-seven languages, and won the 1936 Pulitzer Prize. The film received eight Oscars and has been called the greatest movie ever made. Everyone has heard of GWTW. Most of us have seen the movie or read the novel. In this entertaining and informative book, Helen Taylor is the first to seek reasons for the film/novel's success among viewers/readers. The author asked GWTW fans to relate their experiences with the works, to explain their fascination with the story, to describe the impact GWTW has had on their lives. The results are astonishing and illuminating. In the United States and England, where the author conducted her research, women have to a remarkable degree claimed the story Margaret Mitchell wrote as their own. They name their children Rhett and Scarlett. They see in the lives of the men and women of GWTW their own lives, their own restlessness, their own aspirations for something better than marriage and motherhood. Helen Taylor not only explains the enduring appeal of the work, but also identifies different kinds of response at particular historical moments (especially World War II) and through the past five decades by women of different classes, races, and generations. The author also looks at the contemporary implications of the work's political conservatism, racism, and--paradoxically--feminism. The result is a book that is sophisticated, accessible, and revealing. Scarlett's Women is a book for eery fan, and for all students of film and popular culture.
For Europeans looking across the Atlantic, American culture is often the site of desire, fascination, and envy. In Britain, the rich culture of the American South has made a particularly strong impact. Helen Taylor explores the ways in which contemporary Southern culture has been enthusiastically produced and reproduced in a British context. Taylor examines some of the South's most significant cultural exports in discussions that range across literature, music, film, television, theater, advertising, and tourism to focus on how and why Southern themes and icons have become so deeply embedded in British cultural life. The enduring legacy of Margaret Mitchell's Gone With the Wind can be seen today in the popularity of sequels, revisions, and reworkings of the novel. The conversation between these cultures is further explored in British responses to Alex Haley's Roots, the British theater's special affection for Tennessee Williams's plays, and the marketing of New Orleans as a preferred destination for European tourists. The transformation of Southern culture--itself a hybrid of the European, African, and American--as it circulates back across the Atlantic suggests not only new views of the history, racial politics, music and art of both Britain and the American South, but also an enhanced understanding of the dynamic flow of culture itself.
Philosophy is not usually seen as a guidance for modern housing policy, but in this new book, Dr Helen Taylor argues that there is something innovative, unusual, and worth discussing about the application of philosophy to housing. The philosophical framework used within this book is John Rawls’ conception of justice as fairness. The UK has gone through several shifts in housing policy over the past decade, most recently by introducing the controversial ‘Bedroom Tax’, in an effort to make more cuts to benefits and social welfare. Social Justice in Contemporary Housing: Applying Rawls’ Difference Principle suggests that by using ideas of agency we can understand the impact that social policy has on individuals and wider society. The work outlines the liberal principle of legitimacy and argues that Rawls’ concept of reasonableness can, and should, be used to justify the intervention of policy in individuals’ lives. This book will be of interest to undergraduate and postgraduate students of housing as well as philosophy and social policy, and also those working around the creation and implementation of social housing in the UK.
This book explores the meaning of home for Cypriot refugees living in London since their island was torn apart by war. Taking an innovative approach, it looks at how spaces, time, social networks and sensory experiences come together as home is constructed. It places refugee narratives at its centre to reveal the agency of those forced to migrate.