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1000 tulosta hakusanalla John Thomas Codman

Brook Farm

Brook Farm

John Thomas Codman

Lector House
2022
pokkari
NEW PRINT WITH PROFESSIONAL TYPE-SET IN CONTRAST TO SCANNED PRINTS OFFERED BY OTHERS Brook Farm: Historic And Personal Memoirs This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature. In an attempt to preserve, improve and recreate the original content, we have worked towards: 1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions. 2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work. We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING
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A Genuine Account of the Burning the Nightingale Brig, Lately Belonging to Thomas Benson, Esq; a Member of the Last British Parliament. Written by John Lancey, the Commander, (now Under Sentence of Death) Since his Commitment

A Genuine Account of the Burning the Nightingale Brig, Lately Belonging to Thomas Benson, Esq; a Member of the Last British Parliament. Written by John Lancey, the Commander, (now Under Sentence of Death) Since his Commitment

John Lancey

Gale Ecco, Print Editions
2018
sidottu
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Rich in titles on English life and social history, this collection spans the world as it was known to eighteenth-century historians and explorers. Titles include a wealth of travel accounts and diaries, histories of nations from throughout the world, and maps and charts of a world that was still being discovered. Students of the War of American Independence will find fascinating accounts from the British side of conflict. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT147603With a half-title.London: printed for H. Slater, at the Circulating Library the corner of Clare Court, Drury Lane, with whom the original manuscripts are deposited for the inspection of the curious: and may be had at H. Slater, jun., and by all booksellers in town and cou 4],56p.; 8
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Elpis Israel - An Exposition of the Kingdom of God (commonly called Elpis Israel: John Thomas

Elpis Israel - An Exposition of the Kingdom of God (commonly called Elpis Israel: John Thomas

John Thomas

Createspace Independent Publishing Platform
2016
nidottu
Elpis Israel - An Exposition of the Kingdom of God (commonly called Elpis Israel (English transliteration of Greek for "the hope of Israel", taken from Acts 28:20)) is a theological book written by John Thomas, founder of the Christadelphians, in 1848-1849 and published in 1849. The book was based on a series of lectures given by Thomas in 1848 and is written in three parts, The Rudiments Of The World, The Things Of The Kingdom Of God And Of Jesus Christ and The Kingdoms Of The World In Their Relation To The Kingdom Of God.Thomas did not see, nor do the Christadelphians see, the book as inspired by God, but rather a deep and accurate study of The Bible. 3] 4] It is nevertheless widely read amongst Christadelphian believers and contains some of their core beliefs. There have been fifteen editions, albeit most Revised, of the book, four within the lifetime of Thomas. The most current one was published in 2000 by The Christadelphian Magazine & Publishing Association Ltd. Even later though is a reprinting by Logos Publications in Jan 2000 and then a further reprint in April 2009, of the Fourth Edition, it being the last Edited by the author John Thomas, just prior to his death.
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The Selected Poems and Poetry of John Thomas

The Selected Poems and Poetry of John Thomas

John Thomas

Createspace Independent Publishing Platform
2011
nidottu
John Thomas, perhaps Los Angeles' greatest underground poet, in the years I came to know him, was a big man with a wise and lined countenance, piercing wit, deep, resonant voice, and always slightly stunned, gentle eyes. Inseparable from his wife, poet and filmmaker Philomene Long, his Muse, Thomas radiated a passion for books and poetry, watching from a respectful distance all that transpired around him. This fueled the poetry; it was as if he, with Philomene, filled with life that lost and real realm behind the cliche we call the bohemian life. They inhabited the depths. One early image is stuck in my mind: Thomas squeezing out of their tiny, classic Volkswagen beetle in front of Venice's poetry center, Beyond Baroque, for the debut of Stuart Perkoffs posthumous Voices of the Lady: Collected Poems. The couple had been close to Perkoff, Philomene as Perkoffs partner at the end, Thomas as his friend. Now, decades on, John and Philomene were like intertwined trunks in a single, majestic, flexible, and bending tree. They had withdrawn from ordinary society, following their vow of poverty, forming a compact with each other outside material considerations and virtually all practicality. When you entered their book and quote-lined refuge three stories up at The Ellison on Paloma Avenue, off the Venice boardwalk, you felt like you were enveloped in an incredible force; they made it safe again to talk about meaning. "The poem" bound them and permitted no rivals. Generally, Thomas spoke very little; he seemed more often like a bystander perplexed by extraordinary and sometimes horrible times. Two things were never in question: deference to the Muse, to Philomene, on all matters; second, tending to a precious cargo, carried, I suspect, from an early visit to Ezra Pound at St. Elizabeths. Thomas, had against the tumults of the years, a deep commitment to reading and to clear and poetic knowledge. Thomas in his very existence embodied a kind of deep, cultural transmission. I believe this was one of the grounding premises of his life's work. It required constant attention, learning, and a storyteller's sensibility-that the mundane and not so mundane, the reassuring and entirely embarrassing, the profound and very light, and all his companions, real and unreal, in this rich journey, be brought forward and told. With works ranging from Epopoeia and the Decay of Satire and John Thomas to the late chapbook Feeding the Animal, Thomas became the raconteur, generator of epigrams, tall tales, and haiku, a restless experimenter with language, subject matter, tone, and purpose, always acting, or as he said "pretending," as if "he doesn't care." Thomas in his way symbolized a clear and generally unexamined divergence of Los Angeles's historic underground from its better known Northern Californian and Eastern counterparts. Charles Bukowski, a close friend, and one never given to pretension, admired Thomas for his poetry and for digging. A diffidence, born of a hard-scrabble life contesting the machinery of money, success, and unreality meant that, for Thomas, in our vast and cruel desert, the poem is a "true and rooted cactus. / Most real and tough." Fred Dewey, writer. He was director of Beyond Baroque Literary / Arts Center in Venice from 1996 to 2010 and was curator of the Venice Poetry Walls.
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John Thomas

John Thomas

Arthur Crawley Chute

Hansebooks
2017
pokkari
John Thomas - First Baptist Missionary to Bengal from 1757 to 1801 is an unchanged, high-quality reprint of the original edition of 1893. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.
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