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1000 tulosta hakusanalla Kenneth Jarrett Singleton
Nicu II and Victoria's Incestuous Romance
Kenneth Jarrett Singleton
Createspace Independent Publishing Platform
2013
nidottu
A Conceptual Circus
Kenneth Jarrett Singleton
Createspace Independent Publishing Platform
2017
nidottu
TRANSFIGURATION I would expect nothing less. Carry your sword, my prophetess. Obstinate contumacy training. Find the objective that is more draining. More strenuous tasks will make you grow. Pain upon you I bestow. I'll take it all and nothing less. I claim it back; I repossess. Tip the scale; Turn it over. Mark the unused; What's leftover. The main part no longer exists; Despite the reduction, it persists. Continued movement; A quest for traction. An opposite and negative reaction. Hex induced metamorphosis; Reoccur once again for us. Physically and internally changing. The process of rearranging. The alteration was so fitting. Now they're pausing; They're intermitting. In reaffirming the causation; Keep kempt, and maintain your original explanation. Wear our serpent prophetess; Prior to you was profitless. The soil was sown with no reaping. Tear our hearts out for your keeping. Beyond the boundaries of what is permitted. Reward me for the sins I've committed. My acts were bold; Caress my flesh. I give it all and nothing less. The facsimile will shudder. Express what it is I utter. Amidst psychos and others. Among psychos and others. Live with vigor; Efficiently transfigure. Disfigure; Change his figure. Make it so; Mark the torso. Undergo; Nock the torso. Let it grow; Open the torso. Let him know; Carve the torso.
Nicu II and Victoria's Incestuous Romance
Kenneth Jarrett Singleton
Createspace Independent Publishing Platform
2018
nidottu
With love for one another resting within their inseparable hearts, and a secret occupying their active, yet silent souls, seventeen-year-old Prince Nicu II and his sixteen-year-old sister Victoria, First Princess of Exubertis, must make a choice between their incestuous love affair, and the maintaining of stability within their royal family. Prince Nicu II and Princess Victoria's immutable, romantic feelings for one another forces them to engage in extremely risky actions and fabricate various falsehoods. Throughout the play Nicu II and Victoria deceive everyone; including their parents King Nicu I and Queen Isabella. Nicu II is presumptuous in character, therefore, he maintains an excessive confidence within himself that he and his sister's romantic relationship can continue without being discovered, but Victoria fears that they cannot continue their affair emotionally unscathed. Despite Victoria's worries, she continues with the relationship as Nicu II emboldens her more and more.
Nicu II and Victoria's Incestuous Romance
Kenneth Jarrett Singleton
Createspace Independent Publishing Platform
2018
nidottu
With love for one another resting within their inseparable hearts, and a secret occupying their active, yet silent souls, seventeen-year-old Prince Nicu II and his sixteen-year-old sister Victoria, First Princess of Exubertis, must make a choice between their incestuous love affair, and the maintaining of stability within their royal family. Prince Nicu II and Princess Victoria's immutable, romantic feelings for one another forces them to engage in extremely risky actions and fabricate various falsehoods. Throughout the play Nicu II and Victoria deceive everyone; including their parents King Nicu I and Queen Isabella. Nicu II is presumptuous in character, therefore, he maintains an excessive confidence within himself that he and his sister's romantic relationship can continue without being discovered, but Victoria fears that they cannot continue their affair emotionally unscathed. Despite Victoria's worries, she continues with the relationship as Nicu II emboldens her more and more.
A Conceptual Circus
Kenneth Jarrett Singleton
Createspace Independent Publishing Platform
2018
nidottu
SECRETIVE SUBSTITUTION: So many teachings; With multiple meanings. Swallow your doctrines. Changeling adoptions. Know your own placement; You're the replacement. Carry your fother; Exchanged for another. They'll love you more than I do. More twisted than a corkscrew. They love you more than I do. The fleshiest part to cut through. The man he endorses. The changing of courses. I have felt. I have dealt. The movement of horses; They're running their courses. Their behavioral adaptions. Your use of contraptions. They'll love you more than I can. Shorten your own lifespan. They love you more than I can; After all, you're less than. Oh, what a pity; Interchanged for something pretty. Having other options. Changeling adoptions. Exultantly elated. Feelings unreciprocated. Periodical screenings. A multitude of meanings. They'll care for you more than I will. The lessons that they'll instill. They'll be softer with than I will. Shut your mouth and stay still. An unstated agreement. A non-mutual achievement. There are motions in movement; Where there's room for improvement. The progression of horses; They're citing their sources. A functional enhancement. Making strides with advancement. A transference of ownership. Superb one-upmanship. A nonreciprocal kinship. You have a gift to unrip.
Nicu II and Victoria's Incestuous Romance
Kenneth Jarrett Singleton
Createspace Independent Publishing Platform
2018
nidottu
With love for one another resting within their inseparable hearts, and a secret occupying their active, yet silent souls, seventeen-year-old Prince Nicu II and his sixteen-year-old sister Victoria, First Princess of Exubertis, must make a choice between their incestuous love affair, and the maintaining of stability within their royal family. Prince Nicu II and Princess Victoria's immutable, romantic feelings for one another forces them to engage in extremely risky actions and fabricate various falsehoods. Throughout the play Nicu II and Victoria deceive everyone; including their parents King Nicu I and Queen Isabella. Nicu II is presumptuous in character, therefore, he maintains an excessive confidence within himself that he and his sister's romantic relationship can continue without being discovered, but Victoria fears that they cannot continue their affair emotionally unscathed. Despite Victoria's worries, she continues with the relationship as Nicu II emboldens her more and more.
Exotic Neurotic
Kenneth /K Jarrett /J Singleton
Createspace Independent Publishing Platform
2016
nidottu
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Young and Evil
Jarrett Earnest; Ann Reynolds; Kenneth Silver; Michael Schreiber
David Zwirner
2020
sidottu
Lauded by Jerry Saltz as “one of the most reactionary yet radical visions of art,” The Young and Evil tells the story of a group of artists and writers active during the first half of the twentieth century, when homosexuality was as problematic for American culture as figuration was for modernist painting. These artists—including Paul Cadmus, Fidelma Cadmus Kirstein, Charles Henri Ford, Jared French, Margaret Hoening French, George Platt Lynes, Bernard Perlin, Pavel Tchelitchew, George Tooker, Alexander Jensen Yow, and their circle—were new social creatures, playfully and boldly homosexual at a time when it was both criminalized and pathologized. They pursued a modernism of the body—driven by eroticism and bounded by intimacy, forming a hothouse world within a world that doesn’t nicely fit any subsequent narrative of modern American art. In their work, they looked away from abstraction toward older sources and models—classical and archaic forms of figuration and Renaissance techniques. What might be seen as a reactionary aesthetic maneuver was made in the service of radical content—endeavoring to depict their own lives. Their little-known history is presented here through never-before-exhibited photographs, sculptures, drawings, ephemera, and rarely seen major paintings—offering the first view of its kind into their interwoven intellectual, artistic, and personal lives. Edited by Jarrett Earnest, who also curated the exhibition, The Young and Evil features new scholarship by art historians Ann Reynolds and Kenneth E. Silver and an interview with Alexander Jensen Yow by Michael Schreiber.
The extraordinary life and career of Kenneth Battelle, pioneering hairstylist to the stars in the 1950's and beyond. Kenneth Battelle, known simply as “Kenneth,” was a pioneering hairstylist who obliterated the once-omnipresent hat and transformed the fashion industry through his A-list clients at his iconic 54th Street Salon. His 50-year career started in the early 1950s in New York City. The loyal client list he built, which included Jacqueline Kennedy, Marilyn Monroe, Judy Garland, Countess Consuelo Crespi, Diana Vreeland, Lucille Ball, and Gloria Vanderbilt, swore by his skills. Kenneth: Shear Elegance is a biography that not only celebrates Kenneth's extraordinary talent but examines his behind-the-scenes life and career struggles, including the disastrous fire that destroyed his salon, and his perseverance moving forward. Through personal memories of those closest to him, including friends, clients, and former employees, the man who created a cult of classic, timeless women comes to life. Previously unpublished photographs, notes, clippings, and original Joe Eula illustrations richly exhibit both his myriad achievements and America's 20th-century high-fashion scene.
Historia om Kenneth Sivertsen er ei historie om eit uvanleg talent, absurde innfall og ville påfunn, intense kjærleikshistorier, men også om alt som kan bryte ned eit menneske. Kenneth Sivertsen døydde julaftan 2006, berre 45 år gammal. Mange hugsar ein brutal nedtur og eit halvt hovud, men Sivertsen var mykje meir enn eit fall for open scene. Han var gitarist, komponist, songar og humorist. Han voks opp på Mosterøy i Bømlo, med Jesus og englar som ein sjølvsagd del av kvardagen. Alt som 22-åring skreiv han sin første symfoni. Kenneth Sivertsen var klassisk komponist, skreiv viser, spelte med dei fremste amerikanske jazzmusikarane, vart rikskjendis som kabaretartist saman med kjærasten Herborg Kråkevik og turnerte ein periode saman med 47 teddybjørnar.
Kenneth Williams Diaries
Harpercollins Publishers
1994
pokkari
â??Iâ??ll put you in my diary!â?? comedian Kenneth Williams was known to threaten on occasion, although tantalisingly he kept the journal to himself during his lifetime. Here at last, in one spellbinding volume, are four million words of it.
Kenneth Williams Letters
HARPERCOLLINS PUBLISHERS
2008
pokkari
Following the bestselling publication of THE KENNETH WILLIAMS DIARIES, the devastating self-portrait of one of our most loved and complex performers is completed with this marvellous selection of his letters.
Sunday Times Art Book of the Year The astonishing life of Kenneth Clark - the greatest British art historian of his time. As writer and presenter of the TV series Civilisation he was responsible for the greatest syntheses of art, music, literature and thought ever made - 'a contribution to civilisation itself'.
Kenneth Waltz (1924–2013) is perhaps the most enduringly influential figure in international relations theory of the second half of the twentieth century. He is considered the father of the structural-realist or neorealist school, and his views on core questions, such as the causes of war and the structure of the international system, are foundational to the field today and likely will remain so for decades to come. Waltz’s writings on both theoretical and policy-related topics, from the balance of power to the spread of nuclear weapons, continue to fuel debate.This book is a groundbreaking intellectual biography of Kenneth Waltz, shedding new light on the development and significance of his key contributions. Paul R. Viotti draws on extensive, candid interviews with Waltz as well as Waltz’s personal files and archival research to provide a nuanced account of the great scholar’s life and thought. He traces the intellectual sources and personal experiences that shaped Waltz’s work, including an intense Lutheran upbringing; service in World War II and the Korean War; and the academic environments of Oberlin College, Columbia University, and the University of California, Berkeley. Viotti examines the key influences on Waltz’s major works, Man, the State, and War and Theory of International Politics, and analyzes their distinctive insights. Engaging with the views of Waltz’s critics and featuring reminiscences from his colleagues, this book is a compelling portrait of an intellectual titan.
Kenneth Waltz (1924–2013) is perhaps the most enduringly influential figure in international relations theory of the second half of the twentieth century. He is considered the father of the structural-realist or neorealist school, and his views on core questions, such as the causes of war and the structure of the international system, are foundational to the field today and likely will remain so for decades to come. Waltz’s writings on both theoretical and policy-related topics, from the balance of power to the spread of nuclear weapons, continue to fuel debate.This book is a groundbreaking intellectual biography of Kenneth Waltz, shedding new light on the development and significance of his key contributions. Paul R. Viotti draws on extensive, candid interviews with Waltz as well as Waltz’s personal files and archival research to provide a nuanced account of the great scholar’s life and thought. He traces the intellectual sources and personal experiences that shaped Waltz’s work, including an intense Lutheran upbringing; service in World War II and the Korean War; and the academic environments of Oberlin College, Columbia University, and the University of California, Berkeley. Viotti examines the key influences on Waltz’s major works, Man, the State, and War and Theory of International Politics, and analyzes their distinctive insights. Engaging with the views of Waltz’s critics and featuring reminiscences from his colleagues, this book is a compelling portrait of an intellectual titan.