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1000 tulosta hakusanalla Maria Shevtsova

Rediscovering Stanislavsky

Rediscovering Stanislavsky

Maria Shevtsova

Cambridge University Press
2019
sidottu
Konstantin Stanislavsky (1863–1938) was one of the most innovative and influential directors of modern theatre and his system and related practices continue to be studied and used by actors, directors and students. Maria Shevtsova sheds new light on the extraordinary life of Stanislavsky, uncovering and translating Russian archival sources, rehearsal transcripts, production scores and plans. This comprehensive study rediscovers little-known areas of Stanislavsky's new type of theatre and its immersion in the visual arts, dance and opera. It demonstrates the fundamental importance of his Russian Orthodoxy to the worldview that underpinned his integrated System and his goals for the six laboratory research studios that he established or mentored. Stanislavsky's massive achievements are explored in the intricate and historically intertwined political, cultural and theatre contexts of Tsarist Russia, the 1917 Revolution, the volatile 1920s, and Stalin's 1930s. Rediscovering Stanislavksy provides a completely fresh perspective on his work and legacy.
Rediscovering Stanislavsky

Rediscovering Stanislavsky

Maria Shevtsova

Cambridge University Press
2022
pokkari
Konstantin Stanislavsky (1863–1938) was one of the most innovative and influential directors of modern theatre and his system and related practices continue to be studied and used by actors, directors and students. Maria Shevtsova sheds new light on the extraordinary life of Stanislavsky, uncovering and translating Russian archival sources, rehearsal transcripts, production scores and plans. This comprehensive study rediscovers little-known areas of Stanislavsky's new type of theatre and its immersion in the visual arts, dance and opera. It demonstrates the fundamental importance of his Russian Orthodoxy to the worldview that underpinned his integrated System and his goals for the six laboratory research studios that he established or mentored. Stanislavsky's massive achievements are explored in the intricate and historically intertwined political, cultural and theatre contexts of Tsarist Russia, the 1917 Revolution, the volatile 1920s, and Stalin's 1930s. Rediscovering Stanislavksy provides a completely fresh perspective on his work and legacy.
Robert Wilson

Robert Wilson

Maria Shevtsova

Routledge
2018
sidottu
Robert Wilson is an American–European director who is also a performer, installation artist, writer, designer of light and much more besides – a crossover polymath who dissolves both generic and geographical boundaries and is a precursor of globalisation in the arts. This second edition of Robert Wilson combines: an analysis of his main productions, situated in their American and European socio-cultural and political contexts a focused, detailed study of Wilson’s pathbreaking Einstein on the Beach a study of Pushkin's Fairy Tales as the foremost example of his folk-rock music theatre in the twenty-first century an exploration of his ‘visual book’, workshop and rehearsal methods, and collaborative procedures a study of his aesthetic principles and the elements of composition that distinguish his directorial approach a series of practical exercises for students and practitioners highlighting Wilson’s technique. As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners offer unbeatable value for today’s student.
Robert Wilson

Robert Wilson

Maria Shevtsova

Routledge
2018
nidottu
Robert Wilson is an American–European director who is also a performer, installation artist, writer, designer of light and much more besides – a crossover polymath who dissolves both generic and geographical boundaries and is a precursor of globalisation in the arts. This second edition of Robert Wilson combines: an analysis of his main productions, situated in their American and European socio-cultural and political contexts a focused, detailed study of Wilson’s pathbreaking Einstein on the Beach a study of Pushkin's Fairy Tales as the foremost example of his folk-rock music theatre in the twenty-first century an exploration of his ‘visual book’, workshop and rehearsal methods, and collaborative procedures a study of his aesthetic principles and the elements of composition that distinguish his directorial approach a series of practical exercises for students and practitioners highlighting Wilson’s technique. As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners offer unbeatable value for today’s student.
Directors/Directing

Directors/Directing

Maria Shevtsova; Christopher Innes

Cambridge University Press
2009
pokkari
Insightful, in-depth and evocative, this book is a collection of conversations with nine of the most innovative theatre directors of our time in Europe and North America: • Eugenio Barba • Lev Dodin • Declan Donnellan • Elizabeth LeCompte • Robert LePage • Simon McBurney • Katie Mitchell • Peter Sellars • Max Stafford-Clark. All these directors have developed their own highly individual theatre language and have been influential, nationally and internationally, across a wide range of theatre practices. The length, depth and scope of the discussions distinguishes this collection from others, each director providing a fascinating insight into his/her particular working processes. The book reveals the complex world of directors and their creative relationships with actors, in rehearsal and performance, and playwrights. Each conversation is framed by an introduction to the work of the director, a detailed chronology of productions and an indicative bibliography to inspire further reading and research.
Directors/Directing

Directors/Directing

Maria Shevtsova; Christopher Innes

Cambridge University Press
2009
sidottu
Insightful, in-depth and evocative, this book is a collection of conversations with nine of the most innovative theatre directors of our time in Europe and North America: • Eugenio Barba • Lev Dodin • Declan Donnellan • Elizabeth LeCompte • Robert LePage • Simon McBurney • Katie Mitchell • Peter Sellars • Max Stafford-Clark. All these directors have developed their own highly individual theatre language and have been influential, nationally and internationally, across a wide range of theatre practices. The length, depth and scope of the discussions distinguishes this collection from others, each director providing a fascinating insight into his/her particular working processes. The book reveals the complex world of directors and their creative relationships with actors, in rehearsal and performance, and playwrights. Each conversation is framed by an introduction to the work of the director, a detailed chronology of productions and an indicative bibliography to inspire further reading and research.
The Cambridge Introduction to Theatre Directing

The Cambridge Introduction to Theatre Directing

Christopher Innes; Maria Shevtsova

Cambridge University Press
2013
pokkari
This Introduction is an exciting journey through the different styles of theatre that twentieth-century and contemporary directors have created. It discusses artistic and political values, rehearsal methods and the diverging relationships with actors, designers, other collaborators and audiences, and treatment of dramatic material. Offering a compelling analysis of theatrical practice, Christopher Innes and Maria Shevtsova explore the different rehearsal and staging principles and methods of such earlier groundbreaking figures as Stanislavsky, Meyerhold and Brecht, revising standard perspectives on their work. The authors analyse, as well, a diverse range of innovative contemporary directors, including Ariane Mnouchkine, Elizabeth LeCompte, Peter Sellars, Robert Wilson, Thomas Ostermeier and Oskaras Koršunovas, among many others. While tracing the different roots of directorial practices across time and space, and discussing their artistic, cultural and political significance, the authors provide key examples of the major directorial approaches and reveal comprehensive patterns in the craft of directing and the influence and collaborative relationships of directors.
The Cambridge Introduction to Theatre Directing

The Cambridge Introduction to Theatre Directing

Christopher Innes; Maria Shevtsova

Cambridge University Press
2013
sidottu
This Introduction is an exciting journey through the different styles of theatre that twentieth-century and contemporary directors have created. It discusses artistic and political values, rehearsal methods and the diverging relationships with actors, designers, other collaborators and audiences, and treatment of dramatic material. Offering a compelling analysis of theatrical practice, Christopher Innes and Maria Shevtsova explore the different rehearsal and staging principles and methods of such earlier groundbreaking figures as Stanislavsky, Meyerhold and Brecht, revising standard perspectives on their work. The authors analyse, as well, a diverse range of innovative contemporary directors, including Ariane Mnouchkine, Elizabeth LeCompte, Peter Sellars, Robert Wilson, Thomas Ostermeier and Oskaras Koršunovas, among many others. While tracing the different roots of directorial practices across time and space, and discussing their artistic, cultural and political significance, the authors provide key examples of the major directorial approaches and reveal comprehensive patterns in the craft of directing and the influence and collaborative relationships of directors.
Dodin and the Maly Drama Theatre

Dodin and the Maly Drama Theatre

Maria Shevstova

Routledge
2004
sidottu
Including a foreword by Simon Callow, a dedicated admirer of the Maly, Dodin and the Maly Drama Theatre provides both a valuable methodological model for actor training and a unique insight into the journeys taken from studio to stage.This is the first ever full-length study of internationally-acclaimed theatre company, the Maly Drama Theatre of St. Petersburg, and its director, Lev Dodin.Maria Shevtsova provides an illuminating insight into Dodin's directorial processes and the company's actor 4raining, devising and rehearsal methods, which she interweaves with detailed analysis of the Maly's main productions.Dodin and the Maly Drama Theatre: Process to Performance demonstrates how the impact of Dodin's work extends far beyond that of his native Russia, and gives the reader unparalleled access to the company's practice.
Dodin and the Maly Drama Theatre

Dodin and the Maly Drama Theatre

Maria Shevstova

Routledge
2004
nidottu
Including a foreword by Simon Callow, a dedicated admirer of the Maly, Dodin and the Maly Drama Theatre provides both a valuable methodological model for actor training and a unique insight into the journeys taken from studio to stage.This is the first ever full-length study of internationally-acclaimed theatre company, the Maly Drama Theatre of St. Petersburg, and its director, Lev Dodin.Maria Shevtsova provides an illuminating insight into Dodin's directorial processes and the company's actor 4raining, devising and rehearsal methods, which she interweaves with detailed analysis of the Maly's main productions.Dodin and the Maly Drama Theatre: Process to Performance demonstrates how the impact of Dodin's work extends far beyond that of his native Russia, and gives the reader unparalleled access to the company's practice.
S zabotoj o planete

S zabotoj o planete

Marija Shvetsova

Feniks
2022
sidottu
Vybor, kotoryj my delaem kazhdyj den, opredeljaet sostojanie planety, na kotoroj my zhivjom. Pochinit vesch ili vybrosit? Vzjat s soboj bakhily ili smenku? Pokupat vodu v plastikovoj butylke ili nalit v svoju? Pri kazhuschejsja neznachitelnosti podobnye reshenija mogut opredelit buduschee chelovechestva.Otvetstvennoe otnoshenie k planete i ejo resursam nuzhno privivat s detstva. V korotkikh uvlekatelnykh istorijakh avtor rasskazyvaet detjam o suschestvujuschikh problemakh i vozmozhnostjakh ikh reshenija.Zabotitsja o planete mozhet kazhdyj vne zavisimosti ot vozrasta.Khudozhnik: Shljakova Ekaterina
Maria

Maria

Stefano Centrone

Lulu.com
2019
nidottu
"Maria", e uno dei primi racconti di Stefano Centrone. Autore emergente che vuole dire anche lui la sua attraverso i suoi racconti. Scrittore e poeta tra i piu giovani, entrato da poco nel mondo della letteratura, ha tanto da condividere attraverso i suoi pensieri. Ma qui lo troviamo in veste di scrittore. Attraverso questa veste vuole raccontare le sue storie, i suoi racconti: alcuni inventati, altri con una nota di realta.Il racconto "Maria", e uno di quest'ultimi: un misto di realta e fantasia, dove i personaggi e i luoghi fanno e hanno fatto parte della vita dell'autore.Infatti, il protagonista maschile Stefano non a caso porta il suo nome; mentre il personaggio femminile Maria e tratto dalla sua fantasia.In questo racconto, il terzo protagonista e l'amore, l'amore sotto ogni forma di positivita. Un amore che pero' viene interrotto in modo drammatico e che finira con la morte di uno dei due personaggi della storia.
Maria

Maria

Mary Wollstonecraft

WW Norton Co
1994
nidottu
Her story of a woman incarcerated in a madhouse by her abusive husband dramatizes the effect of the English marriage laws, which made women virtually the property of their husbands.
Maria

Maria

Michelle Moran

RANDOM HOUSE USA INC
2024
nidottu
Maria von Trapp. You know the name and the iconic songs, but do you know her real story? This dramatic novel, based on the woman glamorized in The Sound of Music, brings Maria to life as never before. In the 1950s, Oscar Hammerstein is asked to write the lyrics to a musical based on the life of a woman named Maria von Trapp. He's intrigued to learn that she was once a novice who hoped to live quietly as an Austrian nun before her abbey sent her away to teach a widowed baron's sickly child. What should have been a ten-month assignment, however, unexpectedly turned into a marriage proposal. And when the family was forced to flee their home to escape the Nazis, it was Maria who instructed them on how to survive using nothing but the power of their voices. It's an inspirational story, to be sure, and as half of the famous Rodgers & Hammerstein duo, Hammerstein knows it has big Broadway potential. Yet much of Maria's life will have to be reinvented for the stage, and with the horrors of war still fresh in people's minds, Hammerstein can't let audiences see just how close the von Trapps came to losing their lives. But when Maria sees the script that is supposedly based on her life, she becomes so incensed that she sets off to confront Hammerstein in person. Told that he's busy, she is asked to express her concerns to his secretary, Fran, instead. The pair strike up an unlikely friendship as Maria tells Fran about her life, contradicting much of what will eventually appear in The Sound of Music. A tale of love, loss, and the difficult choices that we are often forced to make, Maria is a powerful reminder that the truth is usually more complicated--and certainly more compelling--than the stories immortalized by Hollywood.
Maria

Maria

Alice Marriott

University of Oklahoma Press
1987
nidottu
María: The Potter of San Ildefonso is the story of María Martínez and her husband, Julián, who revived the ancient Pueblo craft of pottery-making and stimulated interest in Southwestern Pueblo pottery among both white people and Indians.María Montoya Martínez, or Marie, as she sometimes signs her pottery, is a woman who has become in her own lifetime a legend. She lives in the pueblo of San Ildefonso, near Santa Fé, New Mexico, and although her life has been, as closely as she could make it, the normal life of a woman of her culture, her unusual qualities have set her apart and gained her fame throughout the world.Through her mastery of pottery-making, María brought economic gain to her family and her village. However, distressing problems accompanied success and fame. Liquor ultimately wrecked Julían. There was dissension within the pueblo. And there was the succession of admiring white people who invaded her home and interrupted her work. Not least, in María view, was the departure of her own children from many Pueblo customs.Inextricably woven into the story of María is the story of the pottery of the Southwestern Pueblos, a native craft that has become a national art interest, including the development of the unique black-on-black ware by Julián, the first of which is reproduced among the illustrations.Margaret Lefranc's many accurate drawings of actual pieces of pottery provide an almost complete documentary history of the craft and show some of the finest examples of María's art. Her skilled pen has also interpreted faithfully the spirit of María, the Pueblo Indians, and the pottery.