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1000 tulosta hakusanalla Michelle Callaghan
This is a study of a group of Jacobean Spenserian poets, William Browne, George Wither, and Christopher Brooke, and of the ways in which these writers represented themselves as a distinctive oppositional community in the years 1612 to 1625. This Spenserian community had its social basis in the culture of early modern London and was given physical expression through the practice of collaboration and an innovative use of print. Yet, it was also an 'imagined community' expressed through fictions that drew on common literary and political traditions. The result was a type of literary commonwealth that claimed the authority to engage in public debate on issues of politics and culture. By drawing attention to the relationships between writers and the traditions and environments that enable textual communities, this book provides a new perspective for studying early modern culture.
In the late sixteenth and early seventeenth centuries the Inns of Court and fashionable London taverns developed a culture of clubbing, urban sociability and wit. The convivial societies that emerged created rituals to define social identities and to engage in literary play and political discussion. Michelle O'Callaghan argues that the lawyer-wits, including John Hoskyns, in company with authors such as John Donne, Ben Jonson and Thomas Coryate, consciously reinvigorated humanist traditions of learned play. Their experiments with burlesque, banquet literature, parody and satire resulted in a volatile yet creative dialogue between civility and licence, and between pleasure and the violence of scurrilous words. The wits inaugurated a mode of literary fellowship that shaped the history and literature of sociability in the seventeenth century. This study will provide many insights for historians and literary scholars of the period.
In the late sixteenth and early seventeenth centuries the Inns of Court and fashionable London taverns developed a culture of clubbing, urban sociability and wit. The convivial societies that emerged created rituals to define social identities and to engage in literary play and political discussion. Michelle O'Callaghan argues that the lawyer-wits, including John Hoskyns, in company with authors such as John Donne, Ben Jonson and Thomas Coryate, consciously reinvigorated humanist traditions of learned play. Their experiments with burlesque, banquet literature, parody and satire resulted in a volatile yet creative dialogue between civility and licence, and between pleasure and the violence of scurrilous words. The wits inaugurated a mode of literary fellowship that shaped the history and literature of sociability in the seventeenth century. This study will provide many insights for historians and literary scholars of the period.
Thomas Middleton, Renaissance Dramatist
Michelle O'Callaghan
Edinburgh University Press
2009
sidottu
Thomas Middleton is one of the major English Renaissance dramatists alongside Marlowe, Shakespeare and Jonson. Middleton continues to fascinate audiences and readers with his black humour, his wry and witty treatment of sexuality, morality, and politics. He is a consummate professional dramatist, experimenting with stagecraft in a manner that combines the visual and the verbal to startling effect. This book brings together these aspects of Middleton's craft through a detailed study of his major plays. Middleton experimented with, and helped to shape, a range of dramatic genres: city comedy, tragicomedy, romance, and revenge tragedy. This new guide analyses in detail how the plays work in terms of the early modern theatre and dramatic genres, as well as elucidating the broader cultural issues shaping the plays. It provides an introduction to critical readings of Middleton's works as well as modern performances, demonstrating how modern critics, producers, dramatists and film makers see Middleton's dark, playful and challenging plays as speaking to our times. Key Features *Ideal student guide with its wide ranging introduction to Middleton's city comedies, tragedies, and collaborative plays and its readings of key texts such as The Roaring Girl, Chaste Maid in Cheapside, Revenger's Tragedy, Women Beware Women, and The Changeling *Uses the most recent edition available, the Oxford Middleton (2007) *Provides background contexts guiding readers through criticism of the plays as well as recent work on early modern theatre and culture *Emphasis on Middleton's stagecraft and its assessment of modern adaptations and film versions of his plays
Thomas Middleton, Renaissance Dramatist
Michelle O'Callaghan
Edinburgh University Press
2009
nidottu
Thomas Middleton is one of the major English Renaissance dramatists alongside Marlowe, Shakespeare and Jonson. Middleton continues to fascinate audiences and readers with his black humour, his wry and witty treatment of sexuality, morality, and politics. He is a consummate professional dramatist, experimenting with stagecraft in a manner that combines the visual and the verbal to startling effect. This book brings together these aspects of Middleton's craft through a detailed study of his major plays. Middleton experimented with, and helped to shape, a range of dramatic genres: city comedy, tragicomedy, romance, and revenge tragedy. This new guide analyses in detail how the plays work in terms of the early modern theatre and dramatic genres, as well as elucidating the broader cultural issues shaping the plays. It provides an introduction to critical readings of Middleton's works as well as modern performances, demonstrating how modern critics, producers, dramatists and film makers see Middleton's dark, playful and challenging plays as speaking to our times. Key Features *Ideal student guide with its wide ranging introduction to Middleton's city comedies, tragedies, and collaborative plays and its readings of key texts such as The Roaring Girl, Chaste Maid in Cheapside, Revenger's Tragedy, Women Beware Women, and The Changeling *Uses the most recent edition available, the Oxford Middleton (2007) *Provides background contexts guiding readers through criticism of the plays as well as recent work on early modern theatre and culture *Emphasis on Middleton's stagecraft and its assessment of modern adaptations and film versions of his plays
Crafting Poetry Anthologies in Renaissance England
Michelle O'Callaghan
Cambridge University Press
2020
sidottu
The printed poetry anthologies first produced in sixteenth-century England have long been understood as instrumental in shaping the history of English poetry. This book offers a fresh approach to this history by turning attention to the recreative properties of these books, both in the sense of making again, of crafting and recrafting, and of poetry as a pleasurable pastime. The model of materiality employed extends from books-as-artefacts to their embodiedness - their crafted, performative, and expressive capacities. Publishers invariably advertised the recreational uses of anthologies, locating these books in early modern performance cultures in which poetry was read, silently and in company, sometimes set to music, and re-crafted into other forms. Engaging with studies of material cultures, including work on craft, households, and soundscapes, Crafting Poetry Anthologies argues for a domestic Renaissance in which anthologies travelled across social classes, shaping recreational cultures that incorporated men and women in literary culture.
Crafting Poetry Anthologies in Renaissance England
Michelle O'Callaghan
Cambridge University Press
2022
pokkari
The printed poetry anthologies first produced in sixteenth-century England have long been understood as instrumental in shaping the history of English poetry. This book offers a fresh approach to this history by turning attention to the recreative properties of these books, both in the sense of making again, of crafting and recrafting, and of poetry as a pleasurable pastime. The model of materiality employed extends from books-as-artefacts to their embodiedness - their crafted, performative, and expressive capacities. Publishers invariably advertised the recreational uses of anthologies, locating these books in early modern performance cultures in which poetry was read, silently and in company, sometimes set to music, and re-crafted into other forms. Engaging with studies of material cultures, including work on craft, households, and soundscapes, Crafting Poetry Anthologies argues for a domestic Renaissance in which anthologies travelled across social classes, shaping recreational cultures that incorporated men and women in literary culture.
OverviewToby Turtle and his friends live in a coral reef. Their happy playful life is interrupted when Toby gets sick. His friends must work together to save their dear Toby, the most loved creature in the sea. Toby Turtle follows the adventure of this merry underwater crew and how our actions can endanger the underwater world.Toby Tortuga y sus amigos viven en un arrecife de coral. Su vida, feliz y apacible se ve interrumpida cuando Toby se enferma. Ahora sus amigos deber n trabajar juntos para salvar al querido Toby Tortuga, la criatura m s amada del mar.Toby Tortuga contin a la aventura de esta alegre pandilla submarina y c mo nuestras acciones pueden poner en riesgo el mundo submarino.DescriptionToby Turtle and the Underwater Crew is a contemporary story with a contemporary message of our time written and illustrated in a traditional retro style. Centred around 7 underwater characters with a gental envirnomental message suitable for young children. Toby Turtle and the Underwater Crew is told with humour and imagination from the outlook of the underwater characters to assist young children (and adults) to understand and see environmental concerns differently and to be aware of how their actions can impact on the underwater world. The illustrations throughout are watercolour and ink on paper to enhance the authenticity of the story. This edition is written in Neutral Spanish with English sub-titles to assist learning, bilingual learning and English as a second language.
Developing the Prosocial Entrepreneur
Maureen O’Callaghan; Michelle Robinson
Emerald Publishing Limited
2025
sidottu
Developing the Prosocial Entrepreneur critically examines the current unsustainable business model of entrepreneur education and training that often prioritises unlimited growth and consumption and does not consider the negative impacts business decisions have on our health and the environment. The research underpinning this book shows that business owners want to know how they can use their entrepreneurial skills to ensure progress for themselves, the business, and society at a meaningful level. The book will enable business trainers and coaches to help their business owner clients imagine what a sustainable business and society would look like. This in turn will help create opportunities for business owners to develop the knowledge and skills that will enable a more ethical and sustainable way of doing business. The book calls for a shift in mindset from "business as usual" to a more sustainable and inclusive approach.
Captain's Log: Boundary Shock Quarterly #1
Charles Eugene Anderson; Leah Cutter; Michele Callahan
Createspace Independent Publishing Platform
2018
nidottu
For many of us, those opening words "Captain's Log..." were our introduction to our science fiction dreams. Voyage to explore strange, new worlds, seek out new life, and boldly go. What will we find there when we go? What dangers will we confront? Who will survive? And who will not? Twelve authors explore what these words mean to them in stories ranging from the silly to the sublime. Join us for the first exciting issue in a new quarterly speculative fiction magazine. Welcome to Boundary Shock Quarterly, Issue 001: Captain's Log. Be sure to look for Issue 002: Tuesday After Next, coming soon
Tuesday After Next: Boundary Shock Quarterly #2
Leah Cutter; M. L. Buchman; Michele Callahan
Createspace Independent Publishing Platform
2018
nidottu
Noni invites her granddaughter Sylvia to go outside with her. Together they explore the many joys of being outside. Being outside is fun. Would you like to join them?
People need a place to record their thoughts and desires. They want to write down their plans and secrets too. This is where Michelle records hers.
Michelle Personalized Journal, Diary or Notebook: lined, 7.5x9.25, Matte, 50 pages
"Daddy... can't we come with you when you leave this time?" When Michelle asked to be taken away from her abusive mother, she never expected to lose everyone she loved in the process. They said they would keep her and Kenny together. Her daddy said he would be back. And she never even got to say good-bye to Marcie. All too soon, they were trying to reunite her with her mother, and Michelle is forced to take to the streets, seeking safety in the gang life. Michelle is third in the Ruby, Between the Cracks series, a winner of the Top Ten Best Books for Teens 2015. A heartbreaking story. "Something about P.D. Workman's writing just blows my mind... I hate when I get too tired to read anymore and I have to wait until the next day."