An exciting new approach to learning about botany. Teaches the structure and function of plants and surveys the entire plant kingdom.
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1000 tulosta hakusanalla Paul Young
This book examines the Great Exhibition as a decisive moment in the formation of a capitalist world picture. In so doing it foregrounds a vision of peace and progress which took hold of British society, within the Crystal Palace and beyond. It emphasizes too that this Victorian understanding of global order legitimized imperial ambition.
Young traces the evolution of the term information from its general linguistic use into the mainstream of modern science, proposing an entirely new definition of information as a mass-energy phenomenon. He demonstrates that: information is in all cases a form phenomenon; both form and information are mass-energy rather than abstract phenomena; mind can be viewed as a mass-energy rather form-manipulating process; form constitutes a mechanism immanent in the physical universe via which mass-energy systems can communicate informationally and control their own energetic activities.
Every person would like to have greater control of the circumstances of life. For the believer, this is determined by the level of God's power being released in your life. Unfortunately, the forces of darkness have been effective in using tradition and re
2017 EISNER AWARD NOMINEE for Best Academic/Scholarly Work In the late 1970s and early 1980s, writer-artist Frank Miller turned Daredevil from a tepid-selling comic into an industry-wide success story, doubling its sales within three years. Lawyer by day and costumed vigilante by night, the character of Daredevil was the perfect vehicle for the explorations of heroic ideals and violence that would come to define Miller’s work. Frank Miller’s Daredevil and the Ends of Heroism is both a rigorous study of Miller’s artistic influences and innovations and a reflection on how his visionary work on Daredevil impacted generations of comics publishers, creators, and fans. Paul Young explores the accomplishments of Miller the writer, who fused hardboiled crime stories with superhero comics, while reimagining Kingpin (a classic Spider-Man nemesis), recuperating the half-baked villain Bullseye, and inventing a completely new kind of Daredevil villain in Elektra. Yet, he also offers a vivid appreciation of the indelible panels drawn by Miller the artist, taking a fresh look at his distinctive page layouts and lines. A childhood fan of Miller’s Daredevil, Young takes readers on a personal journey as he seeks to reconcile his love for the comic with his distaste for the fascistic overtones of Miller’s controversial later work. What he finds will resonate not only with Daredevil fans, but with anyone who has contemplated what it means to be a hero in a heartless world. Other titles in the Comics Culture series include Twelve-Cent Archie, Wonder Woman: Bondage and Feminism in the Marston/Peter Comics, 1941-1948, and Considering Watchmen: Poetics, Property, Politics.
2017 EISNER AWARD NOMINEE for Best Academic/Scholarly Work In the late 1970s and early 1980s, writer-artist Frank Miller turned Daredevil from a tepid-selling comic into an industry-wide success story, doubling its sales within three years. Lawyer by day and costumed vigilante by night, the character of Daredevil was the perfect vehicle for the explorations of heroic ideals and violence that would come to define Miller’s work. Frank Miller’s Daredevil and the Ends of Heroism is both a rigorous study of Miller’s artistic influences and innovations and a reflection on how his visionary work on Daredevil impacted generations of comics publishers, creators, and fans. Paul Young explores the accomplishments of Miller the writer, who fused hardboiled crime stories with superhero comics, while reimagining Kingpin (a classic Spider-Man nemesis), recuperating the half-baked villain Bullseye, and inventing a completely new kind of Daredevil villain in Elektra. Yet, he also offers a vivid appreciation of the indelible panels drawn by Miller the artist, taking a fresh look at his distinctive page layouts and lines. A childhood fan of Miller’s Daredevil, Young takes readers on a personal journey as he seeks to reconcile his love for the comic with his distaste for the fascistic overtones of Miller’s controversial later work. What he finds will resonate not only with Daredevil fans, but with anyone who has contemplated what it means to be a hero in a heartless world. Other titles in the Comics Culture series include Twelve-Cent Archie, Wonder Woman: Bondage and Feminism in the Marston/Peter Comics, 1941-1948, and Considering Watchmen: Poetics, Property, Politics.
By the middle of the twentieth century, Hollywood, formerly the one and only dream factory, found itself facing a host of media rivals for the public's attention. In the 1980s, another competitor arrived in the form of the proto-Internet—a computer network as yet untested by all but research scientists, college students, the military, and a few thousand PC and modem owners. How did Hollywood respond to this nascent challenge? By dreaming about it, in a series of technological fantasies, from Tron to War Games to Lawnmower Man. The Cinema Dreams Its Rivals examines the meaning and effect of the movies' attempts to reshape the shifting media landscape. Paul Young looks at the American cinema's imaginative constructions of three electronic media—radio, television, and the Internet—at the times when these media seemed to hold limitless possibilities. In doing so, he demonstrates that Hollywood is indelibly marked by the advent of each new medium, from the inclusion of sound in motion pictures to the use of digital graphics. But conversely, Young argues, the identities of the new media are themselves changed as Hollywood turns them to its own purposes and its own dreams. Paul Young is professor of English and director of the film studies program at Vanderbilt University.
Ap stol Pa l Young es el fundador y pastor de la lglesia Palabra de Vida Fellowship en Salem, Oregon. l ha estado en ministerio desde 1974 y fundo Palabra de Vida en 1987. l es conocido por su predicaci n directa y din mica de la Palabra de Dios no adulterada. Con un coraz n para equipar al pueblo de Dios, el Ap stol Young ha viajado a muchos paises de todo el mundo para ense ar y predicar, llamando a la gente a vivir de acuerdo con los principios de la Palabra. Es el anfitri n del programa de televisi n semanal de hora, "La Vida De Hoy". Como propietario de un negocio exitoso y CEO, tiene visi n de gran alcance y la sabidur a enel campo de los negocios y es conocido como un coche de la vida y mentor que motiva a la gente a su destino.
President Trump's 1st 100 Days in Office..."Tough Love"
Paul Young
Createspace Independent Publishing Platform
2017
nidottu
The media pundits said he couldn't possibly win. His opponents-both Republican and Democrat-discounted him as a joke. And yet on the twentieth of January, 2017, Donald J. Trump was inaugurated as the forty-fifth president of the United States of America. President Donald J. Trump: "Tough Love" chronicles the achievements President Trump made in his first one hundred days in office. After providing a comprehensive list of the president's campaign promises, author Paul Young presents a bulleted summary of each day's events, meetings, and executive orders interspersed with quotes from President Trump himself. Readers can judge for themselves how well President Trump is keeping his word and who stands between him and his promise to make America great again. A thorough and comprehensive look at a presidency many said would never happen, President Donald J. Trump: "Tough Love" offers Trump supporters a handy reference guide to counter the exaggerated and outrageous claims made by his detractors. President Trump doesn't just plan to make America great again-he's doing it, one day at a time.
A brief overview of the lives of 31 Christians associated with Wales. An examination of their faith, work for God, impact and blessing. This includes men and women, highly educated and others of limited schooling. Some were literary giants others left no written work. Some composed poems, hymns with many still sung to this day to huge blessing for churches. Essentially they all laid a strong foundation and helped forward the work of the Gospel in their generation and community. Their lives can speak to a modern generation and encourage the faith of many.
In the backdrop of the chaotic and devastating bombings during World War II, Joan's life was forever changed when she decides to become a Nurse. Based near Stanstead Mountfitchet Aerodrome she falls in love with a USAAF Pilot.Based on the childhood memories of her son Paul, this true story captures her remarkable journey and the impact of war on her family.
The annual festivals that are central to the south Indian religious tradition are among the largest religious gatherings found anywhere in the world. Most are located at Hindu temples, but some are at Buddhist, Christian, or Islamic centers, and many involve people or symbols from more than one religious tradition. To an outside observer, the many activities of a festival may seem somewhat chaotic, but the participants see the activities as the ritual focus of a distinct religious experience, and frequently testify that it is in the activity of a festival that they find their most profound sense of religious meaning. In spite of their obvious importance in the lives of participants, these festivals have received scant scholarly attention. In this book, Paul Younger offers a fieldwork-based study of fourteen different religious festivals, shedding light on not only their religious, but also their social and political meanings.
When the colonial slave trade, and then slavery itself, were abolished early in the 19th century, the British empire brazenly set up a new system of trade using Indian rather than African laborers. The new system of "indentured" labor was supposed to be different from slavery because the indenture, or contract, was written for an initial period of five years and involved fixed wages and some specified conditions of work. From the workers' point of view, the one redeeming feature of the system was that most of their workmates spoke their language and came from the same area of India. Because this allowed them to develop some sense of community, by the end of the initial five years most of the Indian laborers chose to stay in the land to which they had been taken. In time that land became the place in which they joined with others to build a new homeland. In this fieldwork-based study, Paul Younger looks at the present day descendents of these workers and their post-indenture societies in Mauritius, Guyana, Trinidad, South Africa, Fiji, and East Africa. He finds that they still cling to the fact that it was an arbitrary British decision that took them there and made the society pluralistic. This plurality seems to require them to search their memory for a distinctive religious tradition that they can pass on to their children. They know that there was a loss of culture involved in their move to these locations and consider it important to recover from that loss. But they are also intensely proud of their new identity, and insist that they have established a new religious tradition in their new homeland. For generations, says Younger, these people had struggled in their situation and now they had come up with a sense of community and purpose and were prepared to make the historical claim that they had developed an appropriate religious tradition for their specific community.
This book offers the first systematic study of madness and its significance for the poetry of William Blake. Blake's reputation as an artist was long clouded by suspicions of madness. Although the great victory of his modern critics has been to see his work clearly, unobstructed by this prejudice, criticism now runs the risk of vindicating Blake the poet at the expense of understanding certain elements of his poetry. In Madness and Blake's Myth, Paul Youngquist argues that, in its thematic content and dramatic method, Blake's myth is about madness. From the early lyrics to the late epic-prophecies, Blake repeatedly dramatizes the dissociation of a unified mind in a manner that comes increasingly to resemble the major symptoms of mental illness. Drawing upon recent clinical and philosophical inquiries, Youngquist shows how Blake makes poetry out of mental suffering; madness comes to operate in his myth as a metaphor for the Fall. For all its literary sophistication, however, Blake's mythology serves specific psychological needs, acquiring a therapeutic function for Blake personally as a defense against the madness it dramatizes. Madness and Blake's Myth is a challenging reexamination of both a sophisticated literary achievement and the mind that conceived it.