Kirjahaku
Etsi kirjoja tekijän nimen, kirjan nimen tai ISBN:n perusteella.
1000 tulosta hakusanalla Penelope Shuttle
Penelope Shuttle's collection explores cities (London, Bristol) on foot and via inward exploration, drawing on architecture, history and personal memory. These are poems drawn from the flipside of experience, undermining and rebuilding syntax in order to precipitate language, and, in the main, abjuring punctuation. The poems also engage with inward exploration where both active and meditative thinking seek a vulnerable and temporary equilibrium; poems more interested in framing questions than arriving at answers. The volatile and tactile realities and delusions of being in the world direct much of the language's traffic here; there's a commingling of sadness and wry humour in Shuttle's travels through our physical and metaphysical worlds. Pared-back imagery and lyric purpose are embodied here throughout in the work of a poet who agrees with Ekbert Faas's comment: 'as soon as you have a new syntax, you have a new way of breathing, and as soon as you have that you have a new consciousness'. Will You Walk a Little Faster was Penelope Shuttle's first new book-length collection after her Bloodaxe retrospective, Unsent: New & Selected Poems (2012), and was published on her 70th birthday.
The submerged land of Lyonesse was once part of Cornwall, according to myth and the oral tradition, standing for a lost paradise in Arthurian legend, but now an emblem of human frailty in the face of climate change. And there was indeed a Bronze Age inundation event which swept the entire west of Cornwall under the sea, with only the Scilly Isles and St Michael’s Mount left as remnants above sea-level. Lyonesse was also Thomas Hardy’s name for Cornwall where Penelope Shuttle has lived all her adult life, always fascinated by the stories and symbolic presence of Lyonesse. After seeing the Scilly Isles from a small plane at a low altitude – flying over the Wolf Lighthouse – and then visiting the recent Sunken Cities exhibition at the British Museum, imagination and memory played their part in joining the Lyonesse dots together for her, prompting what she calls ‘a spontaneous inundation of approaches to the theme, images, soundings of Lyonesse’. As she writes in a preface to this book: ‘The universality of loss, both of physical cities and of the human experience erased from the record, enhanced the resource of Lyonesse in my writing. Lyonesse is a place of paradox. It is real, had historical existence. It is also an imaginary region for exploring depths. It holds grief for many kinds of loss… The poems seek re-wilding of a city where human loss interconnects with mythic loss; myth is rooted in the real.’ The second part of this book – New Lamps for Old – is a collection of poems she needed to write in coming up for air from the watery depths of Lyonesse, to find ways to begin again, to find meaning in life after bereavement. The ‘old lamps’ of a former life have been extinguished, leaving darkness. Her challenge was to find ‘new lamps’ to illuminate and give meaning to life. Lyonesse is a fluid magical world. The poems of New Lamps for Old are concerned with earth, air and fire. Both collections share allegiance with the fifth element, the spirit.
Penelope Shuttle is one of Britain's leading poets. This selection - drawn from ten collections published over three decades plus new work - shows both her consistency of voice and her energised openness to language and to life. Adventurous, searching, interested in the luminous instant of reality that dwells in the perpetual now of the poem, Penelope Shuttle is a poet who clearly shares Picasso's view that 'If you know exactly what you're going to do, what's the point of doing it?' Not for nothing was one of her books titled Adventures with My Horse. The new poems of Unsent are communications to and with her husband Peter Redgrove, remembering their shared past with love, wit, paradox, exasperation and a lightness of heart towards ageing and sorrow. With these poems Shuttle concludes her triptych of mourning for Redgrove, and ceases 'to weep on the world's shoulder'. If a poet's work is her personal experience of the universe then this book takes us deep into that Shuttle-verse. In earlier collections her concerns are with language as a safety net from life's difficulties and a guide through widening regions of love and motherhood. Her themes range widely: personal life, that part of our 'secret working mind' which we call dreams, the landscape of Cornwall, myth and fairytale. And she has a passionate awareness of the many ways - sacred and profane, comic, sensuous, and joyful - in which we sustain ourselves through poetry, combining a provocative intelligence with uninhibited emotional power.
‘alas, alas for everythingwe lost on the Heath’Criss-crossed with desire-lines and flight paths, Penelope Shuttle and John Greening’s Heath is a wild chorus of poems written in call and response across Hounslow Heath. Through bramble, furze and over wild tracks, we explore the run-out grooves of a rapidly vanishing edgeland that may soon go under the tarmac of the proposed third runway at Heathrow. This is eco-poetry beautifully realised and retold in the form of a contemporary fable, straying from the known routes into the borderlands between the human, natural and the supernatural.
On her shelves Penelope Shuttle found several Old English dictionaries belonging to her late husband Peter Redgrove, which she studied until their strange and mysterious vocabulary found its way into a sequence of poetry. Here Shuttle's writing of animals, based upon a reading of a medieval mystery play about Noah and The Deluge, is connected and intertwined with current environmental concerns. The magic and richness of biblical stories is present as mythology rather than theology, and Noah sees Penelope Shuttle utilise the title character as a critique of patriarchal attitudes, particularly in regard to Emzara, Noah's wife. This is a remarkable work that brings the past into the present, and reimagines a better future.
History of the Child is a highly evocative exploration of childhood, memory, and imagination, blending personal and historical perspectives. The book’s themes include parenting, grief, nature, emotional recovery and connections to the past, guided by the idea of childhood as a transformative and rebellious space. The first of its four sections features poems about Katherine of Aragon, the Vestal Virgins, Stanley Spencer and Wallace Stevens, with a focus on grief, nature, and animals. ?The second, Book of Lullabies, steps closer to the theme of the child, with poems about memory, inwardness, climate change, sexuality in older age, and the natural world. ? The third part, History of the Child, is a journey back to Penelope Shuttle's own childhood, blending personal memories with imagined perspectives to explore psychological crises, emotional recovery, and the traumas of childhood. ? It introduces an ‘alternative girl child self’, inspired by Persian legends, by her late husband Peter Redgrove’s dream of such a girl (‘my death, and she is my soul’), and by a friend’s fanciful wish. The culminating fourth section is a playful sequence about a little table, inspired by her mother and her childhood. ? The table symbolises connection to her mother, who lived to be 100 years old, and their shared history. ? Penelope Shuttle's History of the Child is guided by themes of memory, imagination, foreboding, magic, history and humour, and seeks to articulate the essence of ‘being’ through fiery language and elemental imagery. ? She draws inspiration from Donald Winnicott’s concept of the ‘potentive space’ where play, fantasy and reality intersect.
"The first accessible book about menstruation as a human reality . . . entirely praiseworthy."-"The Sunday Times This is a book of many questions and some answers. What is this menstruation that half the world undergoes? Has it any use, or any purpose? Which is it, blessing or curse? This groundbreaking study of the facts, fantasies, and taboos surrounding menstruation has helped bring about a profound shift in attitudes toward a natural phenomenon that has been reviled and denigrated over the centuries. Thoroughly researched yet highly readable, combining psychology, anthropology, and poetry, Shuttle and Redgrove illustrate their theories using examples ranging from the Bible to such modern-day pop horrors as vampire movies and the cult film "The Exorcist.
Project Boast
Penelope Shuttle; Caroline Carver; Fiona Hamilton; Anne Caldwell; Nazand Begikhani; Jean Hathaway; Dikra Ridha; Victoria Field
Triarchy Press
2018
nidottu
"Most men prefer a self-deprecating woman." Generations of disapproval leave their mark and install mindsets that are hard to break. Project Boast offers 65 poems by 28 women poets who are speaking out about the straitjacket they've had to wear and celebrating the possibility of change. The result is a joyous encouragement and heartfelt rejoinder.
A Restricted View From Under The Hedge
Penelope Shuttle; Jeremy Reed
Hedgehog Poetry Press
2019
pokkari
Write Yourself is a complete introduction to facilitating creative writing for therapy or personal development, both with individuals and groups. Clear and practical, and with a strong theoretical base, it is also an essential handbook for individuals embarking on their own personal writing journeys. Topics covered include the nature, values and principles of therapeutic creative writing, how to begin - illuminated with a wealth of examples from the author's extensive and varied experience - and how to write with specific client groups, including children, the very sick, those with mental health or substance misuse problems, as well as those receiving psychotherapy or counselling, and for professional development. Also included are detailed instructions for running a writing group or a longer or residential writing programme, as well as 175 exercises for readers to use in their own personal writing practice, or with their groups or clients. This book will be an invaluable resource for creative arts therapists, professionals working in the caring professionals, and for everyone interested in the therapeutic potential of creative writing.
Covid / Corvid by Alyson Hallett & Penelope Shuttle is an uplifting pamphlet of sonnets written in response to the pandemic. Hallett & Shuttle both allude to the natural world, using its vibrancy to contrast to the boredom and rigmarole of lockdown life. Their use of form is playful, tocking and tucking sonnets into various shapes and sizes. Covid / Corvid is an accessible pamphlet full of profound and clear-eyed poetry, unafraid to say "fuck lockdown blues".
When Penelope O'Shaunessy, "an incoming freshman of average height and lank hair" steps into Harvard Yard for the first time she has lots of advice from her mother: "Don't be too enthusiastic, don't talk to people who seem to be getting annoyed, and for heaven's sake, stop playing Tetris on your phone at parties." Penelope needs this advice. She is the kind of girl who passes through much of her life with coffee spilled on her white shirt, who can't quite tell when people are joking, and who, inevitably, always says the wrong thing. But no amount of coaching will prepare Penelope for the people she meets at school. Gloriously skewering the social hierarchy of college, Penelope is the brilliantly funny story of one of the most singular, memorable heroines in recent fiction.
Penelope Wilhern has everything a girl could want: A wealthy, socialite family, an enchanted bedroom and some of the coolest clothes around. There is only one problem: She was born into a cursed family and has the face of a pig. Hidden away from the world, Penelope now finds herself subjected to a string of snobby, blue-blooded bachelors in a desperate attempt to find her a husband in order to break the curse. Though she yearns for something greater, what's a girl to do when faced with a determined mother and her matchmaking sidekick? Hoping to snap a photo of the mysterious girl, mischievous tabloid reporter Lemon hires down-on-his-luck Max to pose as a prospective suitor and infiltrate the family. But when Max finds himself truly drawn to Penelope, he can't bring himself to expose and disappoint her, so he just disappears. Fed up with this latest betrayal and determined to live life on her own terms, Penelope decides to break free from her family and go out into the world in search of adventure. Hiding her true identity with a scarf, Penelope discovers a wondrous world where freedom opens her eyes to possibilities she never knew existed. Making new friends along the way, she discovers happiness in the most unexpected places.
Let others sing of war and a hero buffeted by fate. I sing of marriage and a marriage bed, and the endurance of love.With an introduction by the author, this is Tom Stoppard in the voice of Odysseus's wife recalling how the Trojan War 'took away my husband for ten years, and ten more coming the long way home', and Odysseus's dramatic arrival back on Ithaca.Weaving Homeric tropes with the wry wit of a woman of our time, Penelope tells this still vibrant love story from the oldest poem in Western literature.
It's 11:30 a.m. and already it's ninety-two degrees. At the bottom of a drained swimming pool four ridiculous men connive plot and play for an unwinnable love even as they face certain death at the hands of her returning husband. A riveting and savage take on the classic Greek myth of Penelope wife of Odysseus.