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1000 tulosta hakusanalla Roussel

Souvenirs d'Un Volontaire de Paris. Guerre de 1870-71. Impressions Vraies, Par Gustave Rousselot
Souvenirs d'un volontaire de Paris. Guerre de 1870-71. Impressions vraies, par Gustave RousselotDate de l'edition originale: 1876Ce livre est la reproduction fidele d'une oeuvre publiee avant 1920 et fait partie d'une collection de livres reimprimes a la demande editee par Hachette Livre, dans le cadre d'un partenariat avec la Bibliotheque nationale de France, offrant l'opportunite d'acceder a des ouvrages anciens et souvent rares issus des fonds patrimoniaux de la BnF.Les oeuvres faisant partie de cette collection ont ete numerisees par la BnF et sont presentes sur Gallica, sa bibliotheque numerique.En entreprenant de redonner vie a ces ouvrages au travers d'une collection de livres reimprimes a la demande, nous leur donnons la possibilite de rencontrer un public elargi et participons a la transmission de connaissances et de savoirs parfois difficilement accessibles.Nous avons cherche a concilier la reproduction fidele d'un livre ancien a partir de sa version numerisee avec le souci d'un confort de lecture optimal. Nous esperons que les ouvrages de cette nouvelle collection vous apporteront entiere satisfaction.Pour plus d'informations, rendez-vous sur www.hachettebnf.fr
Albert Roussel

Albert Roussel

Robert Follet

Greenwood Press
1988
sidottu
Although recognized as one of the greatest French composers of the twentieth century, Albert Roussel (1869-1937) has been frequently overlooked in recent years. However, the publication of this bibliography coincides with a renewed interest, especially in Roussel's native land, in recording his compositions. While the majority of English-language works on Roussel have concentrated on the details of his life or attempted to define and analyze his compositional style, this first annotated bibliography and discography focuses on his opus and provides copious information about specific works, performances, recordings, and reviews. Born in Tourcoing, France, Roussel received recognition for his compositions as early as 1897. His productivity soared during the 1920s, when his work was influenced by Impressionism, and his neo-classical compositions of the 1930s achieved national recognition. The work commences with a biography, and then presents a listing voice, and includes a directory of publishers. A discography, broken into similar divisions, follows. The annotated bibliography covers books and articles about Roussel, program notes, and writings by the composer. Two appendices provide an index to first lines and a chronological list of compositions. An index of personal and corporate names completes the reference. This bibliography will be an important addition to university libraries and music departments.
Raymond Roussel and the Republic of Dreams

Raymond Roussel and the Republic of Dreams

Mark Ford; John Ashbery

Cornell University Press
2000
sidottu
Raymond Roussel, one of the most outlandishly compelling literary figures of modern times, died in mysterious circumstances at the age of fifty-six in 1933. The story Mark Ford tells about Roussel's life and work is at once captivating, heartbreaking, and almost beyond belief. Could even Proust or Nabokov have invented a character as strange and memorable as the exquisite dandy and graphomaniac this book brings to life?Roussel's poetry, novels, and plays influenced the work of many well-known writers and artists: Jean Cocteau found in him "genius in its pure state," while Salvador Dalí, who died with a copy of Roussel's Impressions d'Afrique on his bedside table, believed him to be one of France's greatest writers ever. Edmond Rostand, Marcel Duchamp, André Breton, Michel Foucault, and Alain Robbe-Grillet all testified to the power of his unique imagination.By any standards, Roussel led an extraordinary life. Tremendously wealthy, he took two world tours during which he hardly left his hotel rooms. He never wore his clothes more than twice, and generally avoided conversation because he dreaded that it might turn morbid. Ford, himself a poet, traces the evolution of Roussel's bizarre compositional methods and describes the idiosyncrasies of a life structured as obsessively as Roussel structured his writing.