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1000 tulosta hakusanalla Simone Muench

Hex & Howl

Hex & Howl

Simone Muench

Black Lawrence Press
2021
nidottu
Like heroines harrowing Hell, Simone Muench and Jackie White rock and reel in these scintillating collaborative sonnets and portraits, resurrecting the girls buried in the woods and garden of misogynist brutality, refracting ruin through ingenious sequences of sense and sound. Wielding needle and shovel, scalpel and gavel, Muench and White “ churn those ashed hours into aurora,” stretching the sonnet’ s corset into glorious trumpet, “ spinning loose from that pinned darkness” into incantatory song after song— each line a rivet, sorrowful and resplendent, fiery curse and wise dirge— giving voice and ear to those who were not heard, in searing soaring stereo.— Anna Maria Hong
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Lampblack & Ash

Lampblack & Ash

Simone Muench

Sarabande Books, Incorporated
2005
sidottu
[T]here is something utterly in thrall here, honey-slow and fixated. Driven by obsession—in particular, obsession with the legendary French poet, Robert Desnos—Muench’s identification with a true self beyond the self’s known truth is startling.—from the introduction by Carol Muske-Dukes “Simone’s poems have a confidence and sophistication of what I like to call intentionality. Also wit, grace, poise, and a relationship to writing beyond self-referential feeling.”—Anne Waldman “Lush, sprouting, sensuous images line-by-line, adopting myth freely, Muench’s poems are volatile explosives, circling beauty.”—James Tate Simone Muench is poetry editor of ACM and is an assistant professor at Lewis University, as well as a doctoral student at the University of Illinois at Chicago.
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Lampblack & Ash

Lampblack & Ash

Simone Muench

Sarabande Books, Incorporated
2005
pokkari
There is something utterly in thrall here, honey-slow and fixated. Driven by obsession?in particular, obsession with the legendary French poet, Robert Desnos?Muench’s identification with a true self beyond the self’s known truth is startling. ?from the introduction by Carol Muske-Dukes ?Simone’s poems have a confidence and sophistication of what I like to call intentionality. Also wit, grace, poise, and a relationship to writing beyond self-referential feeling.” ?Anne Waldman ?Lush, sprouting, sensuous images line-by-line, adopting myth freely, Muench’s poems are volatile explosives, circling beauty.”?James Tate
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Orange Crush

Orange Crush

Simone Muench

Sarabande Books, Incorporated
2010
pokkari
"Muench's lush figures give great pleasure to both ear and eye, and her imaginative leaps can feel both mysterious and inevitable, in a way that recalls not only Desnos, but also Neruda."—The New York Times Book Review "Her language is refreshing, musical, attenuated."—Anne Waldman Simone Muench lives in Chicago.
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Wolf Centos

Wolf Centos

Simone Muench

Sarabande Books, Incorporated
2014
pokkari
Wolf Centos is comprised of centos, a patchwork form that originated around the 4th century. The form is one which re-configures pre-existing poetic texts into new systems of imagery and ideas. The author is able to place poets in conversation with one another across centuries and across continents. Though the poems are explicitly sutured together by the motif of the wolf, they are also linked by other elements, particularly motifs of language, loss, desire, and transformation. Wolf Centos is ultimately elegiac as it oscillates between transformation and stasis, wildness and domesticity, death and beauty, damage and healing, because ultimately our lives constantly shift between these polarities as well. The ultimate knowledge of the poems is that as we age and experience loss, we must retain our ?wildness”?the wolf’s wilderness?inside us. In this way, the wolf becomes a symbol of a threshold, a transformative space.
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The Under Hum

The Under Hum

Simone Muench; Jackie K. White

Black Lawrence Press
2024
nidottu
Collaboration means creation. These poems expand from that natural cycle of visionary poetry, that invites more than one poet to get involved with the poems, until language itself becomes a complete process of imagination and meaning. The result is a book that shares a complex world with the reader and proves that true poetry does not leave anyone alone.— Ray Gonzalez
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They Said

They Said

Simone Rader Muench

Black Lawrence Press
2018
nidottu
They Said: A Multi-Genre Anthology of Contemporary Collaborative Writing includes poetry, fiction, and creative nonfiction, as well as hybridized forms that push the boundaries of concepts like “ genre” and “ author.” Contributors to this anthology include:Kelli Russell Agodon, Anne-Marie Akin, Maureen Alsop, Kimberly Quiogue Andrews, Nin Andrews, James Ardis, Cynthia Arrieu-King, Amy Ash, Jennifer Atkinson, Devon Balwit, Amy Sayre Baptista, Tom Barlow, Tina Jenkins Bell, Andrea Blancas Beltran, Molly Bendall, Mary Biddinger, Kimberly Blaeser, Sarah Blake, CL Bledsoe, John Bloomberg-Rissman, Andrea Blythe, Mel Bosworth, Traci Brimhall, Elizabeth K. Brown, Callista Buchen, John F. Buckley, Michael Burkard, Elizabeth Jane Burnett, Kai Carlson-Wee, Anders Carlson-Wee, Tina Carlson, Brittany Cavallaro, Travis Cebula, Christopher Citro, Ben Clark, Brian Clements, Cathryn Cofell, Mackenzie Cole, Elizabeth J. Colen, Michael Collins, Juliet Cook, James Cummins, Kristina Marie Darling, Justin Lawrence Daugherty, Jon Davis, Kendra DeColo, Page Delano, Matthew DeMarco, Natalie Diaz, Dana Diehl, Cat Dixon, Tyler Flynn Dorholt, Jacqueline Doyle, Denise Duhamel, Alicia Elkort, Chiyuma Elliott, Craig Foltz, Kate Hanson Foster, Bryan Furuness, Elisa Gabbert, John Gallaher, Ross Gay, Ellen Geist, Jennifer Givhan, Benjamin Goluboff, Melissa Goodrich, Anne Gorrick, Joshua Gottlieb-Miller, Daniel Grandbois, Peter Grandbois, Hillary Gravendyk, Susan Gregory, Tracy Jane Gregory, Carol Guess, Michael Gushue, Stephen Gutierrez, Brenda Hammack, Matthew Shrode Hargis, Carla Harryman, j/j hastain, Rebecca Hazelton, Kathleen Heil, Lyn Hejinian, Derek Henderson, Tom Henthorne, Jeannie Hoag, Leslie E. Hoffman, Grant Holly, Ron Horning, Amorak Huey, Luther Hughes, Karla Huston, Laura Jones, Todd Kaneko, Megan Kaminski, Persis Karim, Ariana-Sophia Kartsonis, Mary Kasimor, Diane Kendig, Caroline Kessler, Lissa Kiernan, Annie Kim, Dean LaTray, Sarah Layden, David Lehman, Dana Levin, Susan Lewis, Rae Liberto, Sarah Lilius, Ada Limon, Katt Lissard, Janice Tuck Lively, Tony Lopez, Mark Luebbers, Jennifer MacBain-Stephens, Pushpa MacFarlane, Sarah Maclay, Felicia Madlock, Kelly Magee, Paul Marion, Holaday Mason, Ryan Masters, Carlo Matos, Melissa Matthewson, Meghan McClure, Kyle McCord, Kevin McLellan, Joe Milazzo, Brenda Miller, Tyler Mills, Justin Rovillos Monson, Gabrielle Montesanti, Alicia Mountain, Erin Mullikin, Rachel Neff, GennaRose Nethercott, Aimee Nezhukumatathil, Dustin Nightingale, Meg Noodin, Isobel O’ Hare, Rebecca Olander, Daniela Olszewska, Martin Ott, Christine Pacyk, Gillian Parrish, Elizabeth Paul, Michael Peterson, Derek Pollard, Ethel Rackin, Stella Reed, Virginia Smith Rice, Ryan Ridge, Jay Robinson, Andrea Rogers, Sarah Lyn Rogers, Stephanie Rogers, Kathleen Rooney, Bonnie Roy, Tony Ruzicka, Brynn Saito, Shannon Salter, Elizabeth Savage, Philip Schaefer, Michael Schmeltzer, Andrew Scott, Maureen Seaton, Katherine Seluja, Mary Beth Shaffer, Martha Silano, Jonathan Silverman, Matthew Simmons, Leigh Sugar, Sylvia Sukop, Paige Sullivan, Sarah Suzor, Faizan Syed, Jill Talbot, Molly Tenenbaum, Molly Thornton, Julie Marie Wade, William Wadsworth, G C Waldrep, Trent Walters, Jeff Whitney, Wikipoesis, Quintan Ana Wikswo, Laura Madeline Wiseman, David Wojciechowski, Maggie Woodward, Gail Wronsky, Anne Yoder
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Simone

Simone

Eduardo Lalo

University of Chicago Press
2015
nidottu
Eduardo Lalo is one of the most vital and unique voices of Latin American literature, but his work is relatively little known in the English-speaking world. That changes now: this masterful translation of his most celebrated novel, Simone—which won the 2013 Rómulo Gallegos International Novel Prize—will introduce an English-language audience to this extraordinary literary talent. A tale of alienation, love, suspense, imagination, and literature set on the streets of San Juan, Puerto Rico, Simone tells the story of a self-educated Chinese immigrant student courting (and stalking) a disillusioned, unnamed writer who is struggling to make a name for himself in a place that is not exactly a hotbed of literary fame. By turns solipsistic and political, romantic and dark, Simone begins with the writer’s frustrated, satiric observations on his native city and the banal life of the university where he teaches—forces utterly at odds with the sensuality of his writing. But, as mysterious messages and literary clues begin to appear—scrawled on sidewalks and walls, inside volumes set out in bookstores, left on his answering machine and under his windshield wiper—Simone progresses into a cat-and-mouse game between the writer and his mystery stalker. When the eponymous Simone’s identity is at last revealed, the writer finds in the life of this Chinese immigrant a plight not unlike his own. Traumatized and lonely, the pair moves towards bittersweet collaborations in passion, grief, and art.
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Simone

Simone

D'Anna Duquesne

Lulu.com
2010
pokkari
Simone St. John, a contemporary feminist is not merely comfortable with her sexuality, she uses it to play men at their own game, wielding its power when its least expected. An Adept at sensual seduction, Simone meets her match in studio head Leland Bale, a man's-man, who to her disdain has both men and women catering to his every whim as if he's a god. In spite of the fact that both are in long-term marriages to other people, in this age old battle of genders, man versus woman, they engage in an evocative and sensual game of sex-play designed to establish superior one-upmanship. Their ratcheting sexual escapades build and intensify into deep emotions, ultimately, forcing them to alter their long-held stereotypes and generalized opinions of the opposite sex. The game is on! Book One - The Enlightened Erotica Series
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