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1000 tulosta hakusanalla Steven Scaffidi
Sometimes a fact swings down like a hammer and we are changed. The fact of loss, the fact of desire, and all the wild, unruly facts of history hammer down and sparks fly up. This, then, is a collection of facts. In a rushing, rolling style, poems sweep to the edge of falling apart, take great delight in defying that dissolution, and come upon a thing redemptive and clarifying: the fact of love. In a world that ""doesn't really care / whether we live or die,"" Steve Scafidi writes, ""tell it you do and why."" From the unthinkable to the quietly heroic, somehow we have emerged. Sparks from a Nine-Pound Hammer celebrates that fact most of all.
The scariest sentence in the English language is brief, threatening, and hopeful. It is deceptive, simple, and as common as water: anything is possible. This second collection by Steve Scafidi is haunted by the possible and ""the bells of the verb to be"" that ""ring-a-ding-ding calling us / to the holy dark of this first / warm night of Spring."" When anything is possible, Scafidi finds, horror is as likely as delight. In poems both meditative and defiant he mourns the eventual loss of all that we love and finds consolation, wherever possible, in the rhythm of common words and ""the sacred guesswork"" of the imagination. Here is the dangerous world we all have in common. Here is a brief and hopeful book. Steve Scafidi is the author of the poetry collection Sparks from a Nine-Pound Hammer, winner of the Larry Levis Reading Prize. His poem ""The Egg Suckers"" received the 2005 James Boatwright Prize from Shenandoah literary magazine. He is a cabinetmaker and lives with his family in Summit Point, West Virginia.""Steve Scafidi's poem 'The Egg Suckers' made me laugh, fidget, and ponder my own path through this omnivorous world. It reminds us that things are constantly happening beneath our very feet, that a secret history is being forged that we'll never read about in the newspapers. Like Theodore Roethke, Scafidi describes a nature that is at least as nasty as it is nice and then lets us know that - oops! - we're on the menu, too. Re-reading 'The Egg Suckers,' I laughed again. And then I made breakfast."" - David Kirby
Dying never / ends for us. It only slowly rearranges us, writes Steve Scafidi in his poignant new collection. Inspired by his own work as a cabinetmaker - defined by the peppery dust from the woodworker planing a walnut board, turning an oak spindle at the lathe, or honing chisels while gazing out a window - Scafidi's poems reveal both the tenuous and the everlasting nature of existence.
Steve Scafidi's The Appalachian Sea explores the eponymous place of mountains and story, of rivers and magic, as well as of mortality, where people work and live and die. What began as an homage to the American painter Miles Cleveland Goodwin became a celebration of the spectral qualities of place and home. The artist's gothic imagery of haints and dark orchards haunts the book, wherein the Shenandoah wends, old farmers toil, and ghosts wander a land where change comes on like a flood. There is no escape from this spilling river, the "Appalachian sea," yet for a while we get by and survive. These poems sing of the temporary persistence that makes what surrounds us beloved and strange.
To the Bramble and the Briar is a magical biography that renders the development of Abraham Lincoln’s vision in all of its clumsiness and beauty. We see Lincoln as unromanticized, deeply human—whether reading Shakespeare out loud at the bottom of a well or sitting with a bucket over his head after Bull Run. We meet Frederick Douglass and Walt Whitman, as well as unnamed witnesses: a courtroom stenographer typing Lincoln’s words in Illinois; a teenage girl lifted out of slavery by a kite in the shape of a swordfish; and two anonymous workers charged with opening Lincoln’s grave. With young Tad Lincoln, we see—as a man is tarred and feathered, his two sons standing by—that ‘One day the world ends / right in front of you.’ Especially poignant—both funny and filled with sorrow—is the love story between Mary and Abraham, a husband who would come to his wife’s room “every night to kiss / at nine-thirty and then / at ten to undo her / some more.”
Dr. Niama Williams' Steven is a psychological triumph. This long overdue Song of Survival, punctuated by the cataclysmic overtures of epiphany, minimalist agreement, and happenstance, is proof that the arrival of the truth does not always come via verbal messenger. From the beginning with "Schindler's List," Dr. Williams asks the film's director to explain, "robbing a people of their origins." She poignantly points out that Middle Passage descendants live without a traceable identity and unlike the majority, "...cannot fabricate what was deliberately stamped out of existence." Dr. Williams' text provides a tracing of the indelible markings each of us makes on the other, and on the collective consciousness of American society.
His father abused his mother and he witnessed it. Sometimes as a 3 year old, he would hide in the closet, and cry while his daddy abused his mother.By the time he was 5 years old he had witnessed a neighbor enter his living room with a butcher knife protruding from her back. Her husband had stabbed her. Her husband had tried to pull the knife out of her back to stab her again, but the knife had gotten stuck between her rib bone. She was able to run for help while he went to get another knife. At 11 he watched a man chase his wife around their home shooting at her. She was able to make it into her home and blockade the door with her body, her husband shot her through the door. That same year "he" stood at the the threshold of his mother and fathers bedroom door with a knife in his right hand, confronting his father and prepared to kill him if he continued to assault his mother. "Take your mutha fucking hands off my mama " Those words should have never been spoken by a 11 year old boy.This book "Steven" represents the horrors of domestic violence.
Bamboozled and lured to the big city, who will offer Steven a plumbing job that he'll love?Steven has and it's not a good feeling. After escaping a small town where he doesn't fit in, Steven's luck turns around when he sits next into a mature and magnetic, plumbing company owner. Sparks soon fly between the Little and his new boss, Joe.Showing up in several Dr. Richards' Littles novels, the two plumbers have gained the attention of readers who have begged for their story. Who knew that a chance encounter could lead to an instant partnership that would be so sweet and burn so hot?Addiction Warning: Pepper's stories will touch your heart and may warm your bottom. While both sweet & spicy, the Dr. Richards' Littles stories may contain more heat than some will find comfortable. Playing doctor with Dr. Richards can be an intense experience that borders on electrifying. The greatest risk, however, is developing an intense craving for more after reading just one. Proceed with caution.
"Steven-A Runner's Life" is my first book and was inspired by being able to attend many of Steven's race events with my husband, Jay, and recording our experiences in my journal. This book includes several of Steven's own blog posts, posted on the Art of [email protected] These posts explain his motivation for trail running and his experiences at many of his races. Also it includes his discipline where he used a special diet, to avoid stomach cramps, and training habits that could be helpful to anyone involved in ultrarunning or ultra sports. (According to Wikipedia, an ultramarathon, also called ultra distance or ultra running, is any footrace longer than the traditional marathon length, which is 26.2 miles. In the last two years of Steven's training for the Ultra trail du Mont Blanc in Chamonix France, he bought and began renovating a cabin in Oregon. This book shows with muti-tasking, discipline and many prayers that all things are possible. I hope you enjoy this book as much as I have enjoyed reliving our experiences.
Find out how Steven Seagull saves Beach City in this hilarious action-packed picture book from the creator of Weasels, Elys Dolan. It's packed with cross-over jokes to appeal to children and adults too. The artwork is full of details for poring over time and time again. And you'll get to see sharks playing volleyball, a goldfish driving a speedboat, crabs building sandcastles . . . oh, and the most hilarious life-guard ever!
After a year of being unlawfully detained in an assessment and treatment unit Steven Neary came home and started to build a life that works for him. Steven is autistic and has learning disabilities and this book reveals his wisdom and humour whilst constructing a fulfilling life.
A Hollywood director who blends substance with the mainstream Steven Soderbergh's feature films present a diverse range of subject matter and formal styles: from the self-absorption of his breakthrough hit Sex, Lies, and Videotape to populist social problem films such as Erin Brockovich, and from the modernist discontinuity of Full Frontal and filmed performance art of Gray's Anatomy to a glossy, star-studded action blockbuster such as Ocean's Eleven. Using a combination of realism and expressive stylization of character subjectivity, Soderbergh's films diverge from the contemporary Hollywood mainstream through the statements they offer on issues including political repression, illegal drugs, violence, environmental degradation, the empowering and controlling potential of digital technology, and economic inequality. Arguing that Soderbergh practices an eclectic type of moviemaking indebted both to the European art cinema and the Hollywood genre film, Aaron Baker charts the common thematic and formal patterns present across Soderbergh's oeuvre. Almost every movie centers on an alienated main character, and Soderbergh has repeatedly emphasized place as a major factor in his narratives. Formally, he represents the unconventional thinking of his outsider protagonists through a discontinuous editing style. Including detailed analyses of major films as well as two interviews with the director, this volume illustrates Soderbergh's hybrid flexibility in bringing an independent aesthetic to wide audiences.
A Hollywood director who blends substance with the mainstream Steven Soderbergh's feature films present a diverse range of subject matter and formal styles: from the self-absorption of his breakthrough hit Sex, Lies, and Videotape to populist social problem films such as Erin Brockovich, and from the modernist discontinuity of Full Frontal and filmed performance art of Gray's Anatomy to a glossy, star-studded action blockbuster such as Ocean's Eleven. Using a combination of realism and expressive stylization of character subjectivity, Soderbergh's films diverge from the contemporary Hollywood mainstream through the statements they offer on issues including political repression, illegal drugs, violence, environmental degradation, the empowering and controlling potential of digital technology, and economic inequality. Arguing that Soderbergh practices an eclectic type of moviemaking indebted both to the European art cinema and the Hollywood genre film, Aaron Baker charts the common thematic and formal patterns present across Soderbergh's oeuvre. Almost every movie centers on an alienated main character, and Soderbergh has repeatedly emphasized place as a major factor in his narratives. Formally, he represents the unconventional thinking of his outsider protagonists through a discontinuous editing style. Including detailed analyses of major films as well as two interviews with the director, this volume illustrates Soderbergh's hybrid flexibility in bringing an independent aesthetic to wide audiences.
Steven Dietz is one of America’s most widely produced and published contemporary playwrights. Since 1983, his forty-plus plays have been seen at over one hundred regional theatres in the United States, as well as Off-Broadway, and in eighteen foreign countries and ten languages. He is a two-time winner of the Kennedy Center Fund for New American Plays Award, as well as a two-time finalist for the Steinberg New Play Award. He has received the PEN USA West Award in Drama, the Edgar Award for Drama, and the Yomuiri Shimbun Award (the Japanese “Tony.”)While Dietz is best-known for his adult plays, he has also written important plays for younger audiences. This anthology gathers four of them-The Rememberer, Still Life with Iris, Honus & Me, and Jackie & Me. Though diverse in subject matter, the plays share several hallmarks of Dietz’s writing, including realistic dialogue, strong protagonists, an emphasis on memory and magic, a blue-collar sensibility filled with often loopy humor, and a witty and intelligent playing with the boundaries of reality. Setting the plays in context are essays about Dietz and his creative process, his success in working with other theatre professionals, and the profession of theatre for youth. This introduction to Steven Dietz’s work and anthology of plays will be a valuable resource for teachers, directors, writers, and students.
A film-centric portrait of the extraordinarily gifted movie director whose decades-long influence on American popular culture is unprecedented “Everything about me is in my films,” Steven Spielberg has said. Taking this as a key to understanding the hugely successful moviemaker, Molly Haskell explores the full range of Spielberg’s works for the light they shine upon the man himself. Through such powerhouse hits as Close Encounters of the Third Kind, E.T., Jurassic Park, and Indiana Jones, to lesser-known masterworks like A.I. and Empire of the Sun, to the haunting Schindler’s List, Haskell shows how Spielberg’s uniquely evocative filmmaking and story-telling reveal the many ways in which his life, work, and times are entwined. Organizing chapters around specific films, the distinguished critic discusses how Spielberg’s childhood in non-Jewish suburbs, his parents’ traumatic divorce, his return to Judaism upon his son’s birth, and other events echo in his work. She offers a brilliant portrait of the extraordinary director—a fearful boy living through his imagination who grew into a man whose openness, generosity of spirit, and creativity have enchanted audiences for more than 40 years.
Steven Spielberg is hailed as one of the most influential and commercially successful film directors in motion picture history. Through his role in developing, directing, and driving the special effects of many of the biggest blockbusters in movie history, includingJaws, Raiders of the Lost Ark, E.T., Saving Private Ryan, Jurassic Park, Schindler's List, and Minority Report, Spielberg changed the way movies are made and left an indelible mark on popular culture. This biography traces his rise from shooting films as a shy young boy with the family's 8 mm camera to his first unpaid job at Universal Studios, to the rise of DreamWorks, the studio Spielberg founded and quickly turned into a filmmaking powerhouse. While Spielberg's best work may lie ahead, this compelling biography puts his legendary career and work to date into perspective by offering analysis and commentary from fans and critics alike.Whether about an alien lost in suburbia or the battles of World War II, Spielberg has directed and produced many of the most talked about movies of the past 30 years. Students interested in the history of film and the filmmaking industry will find this biography endlessly fascinating.A timeline of significant events, a bibliography of print and electronic resources, and photographs round out this biography.