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599 tulosta hakusanalla Stowell Robin

Violin Technique and Performance Practice in the Late Eighteenth and Early Nineteenth Centuries

Violin Technique and Performance Practice in the Late Eighteenth and Early Nineteenth Centuries

Stowell Robin

Cambridge University Press
1990
pokkari
This volume is one of the first to examine in detail the numerous violin treatises of the late-eighteenth and early-nineteenth centuries. It provides a scholarly historical and technical guide to violin pedagogical method, technique and performance practice during the most critical period in the history of the instrument. Extracts in translation from the most significant and authoritative sources are presented with introductions, commentary, illustrations, extensive musical examples and a glossary of specific ornaments. It will be of interest and use to students, performers, and historians.
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Beethoven: Violin Concerto

Beethoven: Violin Concerto

Stowell Robin

Cambridge University Press
1998
pokkari
Beethoven’s Violin Concerto was the only significant work of this genre to appear between Mozart’s five concertos of 1775 and Mendelssohn’s E minor Concerto of 1844. This handbook explores the background to Beethoven’s work, its genesis, its place in the composer’s oeuvre and the influences which combined in its creation. It describes contemporary reactions to the work both in the musical press and in the concert hall during its first crucial years, and explains how it was eventually accepted into the repertory, spawning numerous recordings and editions. The principal sources and many of the work’s textual problems are considered, including discussion of the composer’s version for piano and orchestra, Op. 61a. A detailed account of the work itself is followed by a review of the wide variety of cadenzas that have been written to complement the concerto through its performance history.
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The Early Violin and Viola

The Early Violin and Viola

Stowell Robin

Cambridge University Press
2001
sidottu
This practical guide is intended for all violinists and viola players who wish to give - or to understand and appreciate - historically aware performances of early music for their instruments. It comprises discussion of the literature, history and repertory of the violin and viola, the myriad relevant primary sources and their interpretation, and the various aspects of style and technique that combine to make up well-grounded, period performances. It also considers various related family instruments, contains practical advice on the acquisition of appropriate instruments, and offers suggestions for further reading and investigation. Many of the principles outlined are put into practice in case studies of six works composed c.1700–c.1900, the core period which forms this series’ principal (though not exclusive) focus. Music by Corelli, Bach, Haydn, Beethoven, Mendelssohn and Brahms is examined with a view to recreating performances as faithful as possible to the composer’s original intention.
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The Early Violin and Viola

The Early Violin and Viola

Stowell Robin

Cambridge University Press
2001
pokkari
This practical guide is intended for all violinists and viola players who wish to give - or to understand and appreciate - historically aware performances of early music for their instruments. It comprises discussion of the literature, history and repertory of the violin and viola, the myriad relevant primary sources and their interpretation, and the various aspects of style and technique that combine to make up well-grounded, period performances. It also considers various related family instruments, contains practical advice on the acquisition of appropriate instruments, and offers suggestions for further reading and investigation. Many of the principles outlined are put into practice in case studies of six works composed c.1700–c.1900, the core period which forms this series’ principal (though not exclusive) focus. Music by Corelli, Bach, Haydn, Beethoven, Mendelssohn and Brahms is examined with a view to recreating performances as faithful as possible to the composer’s original intention.
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The Historical Performance of Music

The Historical Performance of Music

Lawson Colin; Stowell Robin

Cambridge University Press
1999
sidottu
Offering students and performers a concise overview of historical performance, this book takes into account the many significant developments in the discipline, particularly during the last decade. It addresses practical matters rather than philosophical issues and guides readers towards further investigation and interpretation of the evidence provided, not only in the various early instrumental and vocal treatises, but also in examples from the mainstream repertory. Designed as a parent volume for the series Cambridge Handbooks to the Historical Performance of Music, this book provides an historical basis for artistic decision-making which has as its goal the re-creation of performances as close as possible to the composer’s original conception. It relates many of the issues discussed to major works by Bach, Mozart, Berlioz and Brahms, composed c. 1700–c. 1900, the core period which forms the principal (though not exclusive) focus for the whole series.
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The Historical Performance of Music

The Historical Performance of Music

Lawson Colin; Stowell Robin

Cambridge University Press
1999
pokkari
Offering students and performers a concise overview of historical performance, this book takes into account the many significant developments in the discipline, particularly during the last decade. It addresses practical matters rather than philosophical issues and guides readers towards further investigation and interpretation of the evidence provided, not only in the various early instrumental and vocal treatises, but also in examples from the mainstream repertory. Designed as a parent volume for the series Cambridge Handbooks to the Historical Performance of Music, this book provides an historical basis for artistic decision-making which has as its goal the re-creation of performances as close as possible to the composer’s original conception. It relates many of the issues discussed to major works by Bach, Mozart, Berlioz and Brahms, composed c. 1700–c. 1900, the core period which forms the principal (though not exclusive) focus for the whole series.
Vertaile hintoja
Beethoven: Violin Concerto

Beethoven: Violin Concerto

Robin Stowell

Cambridge University Press
1998
sidottu
Beethoven’s Violin Concerto was the only significant work of this genre to appear between Mozart’s five concertos of 1775 and Mendelssohn’s E minor Concerto of 1844. This handbook explores the background to Beethoven’s work, its genesis, its place in the composer’s oeuvre and the influences which combined in its creation. It describes contemporary reactions to the work both in the musical press and in the concert hall during its first crucial years, and explains how it was eventually accepted into the repertory, spawning numerous recordings and editions. The principal sources and many of the work’s textual problems are considered, including discussion of the composer’s version for piano and orchestra, Op. 61a. A detailed account of the work itself is followed by a review of the wide variety of cadenzas that have been written to complement the concerto through its performance history.
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Violin Book

Violin Book

Robin (EDT) Stowell; Benjamin Dawson; John Dilworth

Backbeat UK
1998
sidottu
This lavish book features breathtaking color photos of the finest violins and bows from makers of every era -- from Stradivari and other Cremona masters to modern high-tech instruments. Detailed essays from international experts cover topics including profiles of the great players and their instruments; techniques of the classic builders; the marketplace of dealers, auction houses, and great collections; and the repertoire for the violin, with suggested classic recordings.
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Stowell Systems Science

Stowell Systems Science

Kluwer Academic / Plenum Publishers
1993
sidottu
Proceedings of the 3rd United Kingdom Systems Society International Conference on Systems Science, held in Paisley, Scotland, July 1993, to provide the opportunity for systems scientists from many nations to debate the contribution that systems science is making to specific areas of human endeavor a
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Sir William Scott, Lord Stowell

Sir William Scott, Lord Stowell

Bourguignon Henry J.

Cambridge University Press
2004
pokkari
Sir William Scott’s thirty years as judge of the High Court of Admiralty provide the basis of his reputation as the greatest of civilian (as opposed to common) lawyers. In this major study, the first for over seventy years, Professor Bourguignon analyzes his work as judge of the admiralty court in the light of the little-known, unpublished body of law which had been developed prior to his appointment. His term of office coincided with the Revolutionary and Napoleonic wars, and thus Scott had to bear and determine hundreds of cases involving the capture of vessels in time of war. These prize cases provided Scott with the opportunity to state and develop many aspects of the international law of war, especially the law of neutral and belligerent rights at sea. He also influenced the development of admiralty law in the cases, which he heard of private disputes concerning maritime commerce.
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