Title: Wedding's Basic Bessemer Process. Translated from the supplement to the author's Darstellung des schmiedbaren Eisens" entitled, "Basische Bessemer oder Thomas Process"] ... by W. B. Phillips ... and E. Prochaska ... With a supplementary chapter on dephosphorization in the basic open-hearth furnace, by E. Prochaska.Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The GENERAL HISTORICAL collection includes books from the British Library digitised by Microsoft. This varied collection includes material that gives readers a 19th century view of the world. Topics include health, education, economics, agriculture, environment, technology, culture, politics, labour and industry, mining, penal policy, and social order. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Wedding, Hermann; Phillips, William Battle; Prochaska, Ernst Otto; 1891. 224 p.; 8 . W71/7909
In The Riddle of the Night, renowned consulting detective Hamilton Cleek is faced with a puzzling set of facts. A murder that transpired in the dark of night is accompanied by the scantest of clues, including a set of scrawled numbers and a scrap of paper. Can Cleek get to the bottom of this confounding case?
By the beginning of the Civil War, the New York Herald, founded in 1835, had become one of the largest and most influential newspapers in the country. The Herald sent correspondents throughout the North to report on the war. Among them, Thomas W. Knox was assigned to report on the war in Missouri, based in St. Louis. In the early days of the war there was much action to report on in Missouri. Knox was an ideal choice for this position and had a particular talent and perception for his assignment. He was able to get close to the Union leaders as they struggled to build a war machine to cope with secessionists in their midst and, at the same time, he was able to tell human interest stories about ordinary people and the effect of the war on them. He accompanied many of the expeditions and filed first-hand reports on the scenery, movements, and actions. These are his reports as they appeared in the New York Herald. They offer a different, more extensive view than that usually seen in books on the early part of the war in Missouri.
Observera att förlaget som ger ut denna produkt baserar innehållet i sina produkter på fria källor som Wikipedia. Boken är med stor sannolikhet endast ett utdrag ur dessa informationskällor, alltså inte en vanlig bok i den bemärkelsen.
Observera att förlaget som ger ut denna produkt baserar innehållet i sina produkter på fria källor som Wikipedia. Boken är med stor sannolikhet endast ett utdrag ur dessa informationskällor, alltså inte en vanlig bok i den bemärkelsen.
Observera att förlaget som ger ut denna produkt baserar innehållet i sina produkter på fria källor som Wikipedia. Boken är med stor sannolikhet endast ett utdrag ur dessa informationskällor, alltså inte en vanlig bok i den bemärkelsen.
A massive panorama of Native American art from Navajo weaving to Apache basketry Spanning nearly 1,000 years of artistic creativity, this wide-ranging volume brings together 206 artworks that exemplify both exquisite aesthetics and rich cultural histories. The majority of the collection is from the American Southwest—19th-century Navajo weavings, ancestral and historical Pueblo pottery, Hopi and Zuni carved figures, and Yavapai and Apache basketry—along with art from the Pacific Northwest and the first Plains ledger drawings to enter the museums' collections. This book, which features new research and specially commissioned essays and extended captions, developed in collaboration with cultural advisors, reflects the complex and multilayered nature of the artworks in the field of Native American art. Contributions from more than 80 authors from different disciplines and cultural backgrounds, including scholars, culture-bearers, artists, collectors and museum professionals, illuminate details about the living histories of the works. With striking new photography and full-color reproductions, this is a cornerstone publication in the field of Native American art history.