Kirjojen hintavertailu. Mukana 12 391 309 kirjaa ja 12 kauppaa.

Kirjahaku

Etsi kirjoja tekijän nimen, kirjan nimen tai ISBN:n perusteella.

1000 tulosta hakusanalla Trevor Griffiths

Trevor Griffiths

Trevor Griffiths

Stanton B. Garner

The University of Michigan Press
1999
sidottu
This book provides an in-depth look at the work of British writer Trevor Griffiths, who has been a powerful and unique presence in British theater, television, and film for the past thirty years. Griffiths's theatrical works, including Occupations (1970), The Party (1973), Comedians (1975), Oi for England (1982) and Real Dreams (1984) have been highly acclaimed by critics such as Benedict Nightingale, who called Griffiths "as articulate and eloquent a thinker as the British stage possesses." Griffiths has also written successfully for British television, and collaborated with Warren Beatty on the Academy-award winning film Reds (1981).Garner's study is the first to present and critically discuss the full range of Griffiths's works. The works are shown to reveal an intense awareness of class and its material underpinnings, a concern with the power of realism, an overarching commitment to history as a field of political and cultural intervention, and a willingness to examine the terms and parameters of this intervention. Garner traces the influence of New Left historical activism on Griffiths's earliest plays and considers the evolution of his historical understanding throughout his career. He proposes that Griffiths sees history as a scene for the staging of counter-discourses and as a representational course for the establishment of dialectic (and dialogic) relationships between the present and the past, between the received and the revisionist, and between ideological positions.Trevor Griffiths: Politics, Drama, History will appeal to a range of readers who share an interest in contemporary theater, literature, and politics.Stanton B. Garner, Jr. is Professor of English, University of Tennessee.
Trevor Griffiths

Trevor Griffiths

John Tulloch

Manchester University Press
2007
sidottu
Trevor Griffiths has been a critical force in British television writing for over three decades. His successes have included the series Bill Brand (1976), his adaptations of Sons and Lovers and The Cherry Orchard (1981) and his television plays, The Comedians (1979), Hope in the Year Two (1994) and Food for Ravens (1997). During his creative life he has negotiated the issues of genre, politics, identity, class, history, memory and televisual form with a sustained creativity and integrity second to none. And he has parallelled this career with one as equally as eminent in the theatre, as well as the slightly more problematic forays into film-writing for Warren Beatty's Reds and Ken Loach's Fatherland.John Tulloch's incisive and wide-ranging volume is a perfect entry point not only for students of Griffiths' oeuvre, but also for anyone entering the discourses of television, media and cultural studies.
Trevor Griffiths

Trevor Griffiths

John Tulloch

Manchester University Press
2011
nidottu
Trevor Griffiths has been a critical force in British television writing for over three decades. His successes have included the series Bill Brand (1976), his adaptations of Sons and Lovers and The Cherry Orchard (1981) and his television plays, The Comedians (1979), Hope in the Year Two (1994) and Food for Ravens (1997). During his creative life he has negotiated the issues of genre, politics, identity, class, history, memory and televisual form with a sustained creativity and integrity second to none. And he has parallelled this career with one as equally as eminent in the theatre, as well as the slightly more problematic forays into film-writing for Warren Beatty's Reds and Ken Loach's Fatherland.John Tulloch's incisive and wide-ranging volume is a perfect entry point not only for students of Griffiths' oeuvre, but also for anyone entering the discourses of television, media and cultural studies.
The Lancashire Working Classes c.1880-1930

The Lancashire Working Classes c.1880-1930

Trevor Griffiths

Oxford University Press
2001
sidottu
This book examines the experiences and values which shaped working-class life in Britain in the half-century from 1880. It takes as its focus a region, Lancashire, which was central to the social and political changes of the period. The discussion centres on two towns, Bolton and Wigan, which, while they were geographically close, differed significantly in their industrial fortunes and their electoral development. The formation of class identity is traced through developments in the world of work, from the impact of technological and managerial innovations to the elaboration of collective-bargaining procedures. Beyond work, particular attention is paid to the dynamics of neighbourhood and family life, the latter emerging as an important source of continuity in working-class life. The broader impact of such influences are traced through a close examination of the electoral politics of the period. Dr Griffiths' conclusions fundamentally challenge the notion that the fifty years around the turn of the century witnessed the emergence of a working class more culturally and politically united than at any other time, either before or since. Rather, an alternative narrative of class development is offered, in which broad continuities in working-class life, in particular the survival of religious, ethnic, and occupational points of division, are emphasised. Despite the presence of strong and stable labour institutions, from trade unions to Co-operative and Friendly Societies, the picture emerges of a working class more individualist than collectivist in outlook, more flexible in response to economic change, and less constrained by the broader solidarities of work and neighbourhood than has previously been supposed.
The Cinema and Cinema-Going in Scotland, 1896-1950

The Cinema and Cinema-Going in Scotland, 1896-1950

Trevor Griffiths

Edinburgh University Press
2012
sidottu
What did our Scottish grandparents and great grandparents see at the cinema? What thrilled them on the silver screen? This is the first scholarly work to document the cinema habits of early twentieth-century Scots, exploring the growth of early cinema-going and integrating the study of cinema into wider debates in social and economic history. The author draws extensively on archival resources concerning the cinema as a business, on documentation kept by cinema managers, and on the diaries and recollections of cinema-goers. He considers patterns of cinema-going and attendance levels, as well as changes in audience preferences for different genres, stars or national origins of films. The thematic chapters broaden out the discussion of cinema-going to consider the wider social and cultural impact of this early form of mass leisure. Trevor Griffiths' book is a major contribution to the growing body of work on the history and significance of British film. Key features: first major study of early Scottish film; new archives and research; fascinating diary entries; early cinema as business; and, important addition to Scottish film studies.
The Cinema and Cinema-Going in Scotland, 1896-1950

The Cinema and Cinema-Going in Scotland, 1896-1950

Trevor Griffiths

Edinburgh University Press
2013
nidottu
What did our Scottish grandparents and great grandparents see at the cinema? What thrilled them on the silver screen? This is the first scholarly work to document the cinema habits of early twentieth-century Scots, exploring the growth of early cinema-going and integrating the study of cinema into wider debates in social and economic history. The author draws extensively on archival resources concerning the cinema as a business, on documentation kept by cinema managers, and on the diaries and recollections of cinema-goers. He considers patterns of cinema-going and attendance levels, as well as changes in audience preferences for different genres, stars or national origins of films. The thematic chapters broaden out the discussion of cinema-going to consider the wider social and cultural impact of this early form of mass leisure. Trevor Griffiths' book is a major contribution to the growing body of work on the history and significance of British film Key Features: *First major study of early Scottish film *New archives and research *Fascinating diary entries *Examines early cinema as business
Theatre Plays Two

Theatre Plays Two

Trevor Griffiths

SPOKESMAN BOOKS
2012
pokkari
Trevor Griffiths was born in Manchester in 1935, of Irish and Welsh descent. He has been a writer for the theatre, television and cinema since the late 1960s. His work has been seen throughout the world and has won numerous awards. This title features nine of his plays.
The Tempest

The Tempest

Trevor Griffiths

Red Globe Press
2007
nidottu
The commentary at the heart of the book introduces readers to the challenge of reading The Tempest as a text and responding to the play in performance. Other sections discuss early performances and cultural contexts. A wide-ranging sample of critical responses accompanies consideration of key performances and productions on stage and film.
Clearing a Way

Clearing a Way

Trevor Griffiths

Collective Ink
2024
nidottu
How to make better life-enhancing choices when environments crumble and population shifts disrupt our ways of living? Dr Griffiths takes a deep look at how our brains trick us into seeing the surface of things so that we lose sight of the deep relatedness on which our survival as groups will increasingly depend. Many astonishing insights follow. Body-mind dualism dissolves, as the ecological person moves with others in a renewed group-approach to thriving. Dilemmas in the standard quantum view of matter and spirituality resolve so that groups of people are empowered by the same fusion energy burning in stars to renew their power of creative choice. Human inner heart is restored over mind, to its central place, as personal values reshape the future.
Food For Ravens

Food For Ravens

Trevor Griffiths

Oberon Modern Plays
1998
nidottu
Winner of a Royal Television Society Award, this is the text of the television drama broadcast by the BBC starring Brian Cox and Sinead Cusack. Food for Ravens is a powerful political drama about one of the great politicians of the Twentieth Century, Aneurin (Nye) Bevan.
Emotional Logic

Emotional Logic

Trevor Griffiths; Marian Langsford

Hammersmith Health Books
2021
pokkari
Insight and practical guidance on how to harness negative and unpleasant emotions for their true purpose - to come back stronger and more resilient as a result of understanding what these feelings are telling us
Romantic Comedy

Romantic Comedy

Trevor R. Griffiths

BLOOMSBURY PUBLISHING PLC
2022
sidottu
‘The course of true love never did run smooth’ – so says Lysander in A Midsummer Night’s Dream, and for more than 2000 years the problems faced by young men and women fighting to find and keep an appropriate sexual partner have been a theatrical staple. This book explores the shapes that Romantic Comedy has assumed from Greek New Comedy via Shakespeare to the present. Changing social values have helped to redefine the genre’s traditional hetero-normativity, while the recent trend towards more fluid casting has opened up many romantic comedies to radical reinterpretations. Organized chronologically to allow readers to trace the development of the form against changing societal norms, the book features a range of case studies of key works from the British tradition, including A Midsummer Night’s Dream, Twelfth Night, Susanna Centlivre’s A Bold Stroke for a Wife, Oliver Goldsmith’s She Stoops to Conquer, Stanley Houghton’s Hindle Wakes, Noël Coward’s Private Lives, Shelagh Delaney’s A Taste of Honey, Ayub Khan-Din’s East is East and David Eldridge’s Beginning.
Romantic Comedy

Romantic Comedy

Trevor R. Griffiths

BLOOMSBURY PUBLISHING PLC
2023
nidottu
‘The course of true love never did run smooth’ – so says Lysander in A Midsummer Night’s Dream, and for more than 2000 years the problems faced by young men and women fighting to find and keep an appropriate sexual partner have been a theatrical staple. This book explores the shapes that Romantic Comedy has assumed from Greek New Comedy via Shakespeare to the present. Changing social values have helped to redefine the genre’s traditional hetero-normativity, while the recent trend towards more fluid casting has opened up many romantic comedies to radical reinterpretations. Organized chronologically to allow readers to trace the development of the form against changing societal norms, the book features a range of case studies of key works from the British tradition, including A Midsummer Night’s Dream, Twelfth Night, Susanna Centlivre’s A Bold Stroke for a Wife, Oliver Goldsmith’s She Stoops to Conquer, Stanley Houghton’s Hindle Wakes, Noël Coward’s Private Lives, Shelagh Delaney’s A Taste of Honey, Ayub Khan-Din’s East is East and David Eldridge’s Beginning.
Guide To Greek Theatre And Drama

Guide To Greek Theatre And Drama

Kenneth McLeish; Trevor R. Griffiths

Methuen Drama
2003
nidottu
A new and definitive guide to the theatre of the ancient world The Guide to Greek Theatre and Drama is a meticulously researched and accessible survey into the place and purpose of theatre in Ancient Greece. It provides a comprehensive author-by-author examination of the surviving plays of Aeschylus, Sophocles, Euripides, Aristophanes, and Menander, as well as giving an insight into how and where the plays were performed, who acted them out, and who watched them. It includes a fascinating discussion of the function of the essential characteristics of Greek drama, including verse, rhetoric, music, comedy, and chorus. Above all it offers a fascinating viewpoint onto the everyday values of the ancient Greeks; values with a continuing influence over the theatre of the present day.
Trevor

Trevor

Reverend Wilbert Vere Awdry

Egmont Books Ltd
2005
nidottu
One of five more books to join the Thomas the Tank Engine Story Library - a hugely collectable series of books, each title featuring a different character.