Kirjahaku
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1000 tulosta hakusanalla J P Wheeldon
Le notaire: poeme / par M. J.-P***, ...Date de l'edition originale: 1841Ce livre est la reproduction fidele d'une oeuvre publiee avant 1920 et fait partie d'une collection de livres reimprimes a la demande editee par Hachette Livre, dans le cadre d'un partenariat avec la Bibliotheque nationale de France, offrant l'opportunite d'acceder a des ouvrages anciens et souvent rares issus des fonds patrimoniaux de la BnF.Les oeuvres faisant partie de cette collection ont ete numerisees par la BnF et sont presentes sur Gallica, sa bibliotheque numerique.En entreprenant de redonner vie a ces ouvrages au travers d'une collection de livres reimprimes a la demande, nous leur donnons la possibilite de rencontrer un public elargi et participons a la transmission de connaissances et de savoirs parfois difficilement accessibles.Nous avons cherche a concilier la reproduction fidele d'un livre ancien a partir de sa version numerisee avec le souci d'un confort de lecture optimal. Nous esperons que les ouvrages de cette nouvelle collection vous apporteront entiere satisfaction.Pour plus d'informations, rendez-vous sur www.hachettebnf.fr
Beeinflussung altruistischen Hilfeverhaltens durch extrinsische Belohnungsreize bei 20 Monate alten Kindern
J P
Grin Publishing
2016
pokkari
It is now 17 years since the junior author's book Parasitic protozoa was first published, and 13 years since it received limited revision. The study of symbiotic protozoa has meanwhile progressed, and much of the content of the earlier book has been superseded if not displaced by recent knowledge. We believe that there is still a place for an introductory textbook, conventionally arranged on a taxonomic frame work, on this most fascinating group of organisms. It should supplement (certainly not supplant) more modern treatments from different angles. A mountain looks very different if one approaches it from different sides, though a true picture of that mountain can be built up only by the laborious summation of the views provided by all approaches. The immunology and the chemotherapy of protozoal infections are subjects so complex that we do not propose to try to encompass them in this book. We mention briefly the more commonly used therapeutic compounds in the various chapters that follow, without giving details of dosage schedules. Further information on immunology and chemo therapy can be obtained from the books listed at the end of the Introduction; the information we give on chemotherapy is largely drawn from that of James & Gilles. This book can be regarded as an evolutionary descendant of the earlier "Parasitic protozoa", referred to above, extensively revised and much more fully illustrated. We hope that it will prove as useful as its predecessor appears to have been.
Spirited Away meets Where the Wild Things Are by way of yokai mythology in this enchanting picture book by debut author J. P. Takahashi and illustrator Minako Tomigahara. The night parade is about to begin . . . The ground thunders in Tokyo. A gust of wind blows. The pitter-patter of paws and claws draws closer. The air is thick with swirling, swooping demons. It’s Eka’s favorite evening of the year, the one night she refuses to miss. But it’s become harder to travel to Japan now that she’s living across the world in New York.Unsure of when she can return next to see her yokai friends, Eka tries to forget that this could be her last parade for some time. Instead, she’ll march, sing, dance, hoot, and screech until sunrise. Because on this night, there’s no time to waste—the night parade awaits.Praise for Tokyo Night Parade:"This sparkling, Miyazaki-hued story instantly whisked me back to childhood summers in Tokyo." —Kyo Maclear, author of The Big Bath House and Kumo“An unforgettable story. A remarkable debut that delivers abundantly.” —Antwan Eady, author of Nigel and the Moon Two Starred Reviews * A B&N Best Book of 2023 * School Library Journal Best Book of the Year *
The wonderfully eccentric adventures of a kind-hearted elephant, hugely enjoyed by children and adults alike, by J. P. Martin and illustrated by Quentin Blake.A classic in the great English nonsense tradition - ObserverUncle is a millionaire elephant who has a B.A. and wears a purple dressing gown. He lives in a labyrinth of skyscrapers connected by water chutes, lifts and railways, and littered with oil lakes, walls of sweets and towers of treacle. He and his followers amuse themselves by exploring his home and falling into adventures with its inhabitants, a collection of lunatics, dwarfs and ghosts. Uncle also frequently fights with the inhabitants of neighbouring Badfort, among them the repulsive Jellytussles (a quivering blob) and the cowardly Hitmouse.
Concerns about censorship have once again reached a fever pitch across the liberal West. In other historical periods, such concerns may have marked reactions to book bans and burnings. Often, they followed prosecutions and subsequent jailtime for things spoken or written. During the Red Scare, they were the hushed response to chilling state-sponsored watch-lists and employer-supported blacklists designed to ensure victory against communism. Against this history, complaints about the new censorship appear differently. With respect to the new censorship, there are no books burnings, no prosecutions, no laws or committees. Indeed, there is no coercive state involvement at all. With a few notable exceptions, complaints about censorship in the 21st-century West are complaints about the behavior of private parties: social groups, employers, media conglomerates, social media platforms, and search engines. To better understand the concerns surrounding nonstate interference with speech, Private Censorship offers an account of censorship, as well as an assessment of the ethical and political issues it raises across contexts. J.P. Messina asks and variously answers questions like: what should we think when employees get fired for things they say and how might patterns of such firings create a climate of fear inimical to free inquiry? When is it appropriate for social media firms to deplatform users, and what does it mean for our democracy that those in charge of such decisions are often wealthy Silicon Valley executives? Do search engines act as massive gatekeepers to information in troubling ways, and how might they be constrained, if they do? Along the way, Messina casts a critical eye on many popular proposals for responding to these complaints. Unlike these popular approaches, Private Censorship foregrounds the importance of rights to property, association, and free expression for thinking well about 21st-century censorship concerns.
The Empress Poppaea Sabina was the second wife of the infamous Emperor Nero. Ancient historians treated her harshly while knowing little about her: where she came from, her early life, and what made her the woman she was. Like most high-status Roman women she married young and lost her first two children. She was pregnant with a third when she herself died, aged 34. Mystery surrounds her final hours, as with so much of her life. But beauty, charm and intelligence could not in the end save her.
A hardbacked facsimile copy of The History of the Ancient Parish of Sandbach Co. Chester Including the Two Chapelries of Holmes Chapel and Goostrey: from Original Records. First published by J. P. Earwaker for private circulation in 1890 and restricted to 150 copies of which 100 were for presentation. Contains the heraldry and pedigrees of the landowning families of the area.
Throughout Disney's phenomenally successful run in the entertainment industry, the company has negotiated the use of cutting-edge film and media technologies that, J. P. Telotte argues, have proven fundamental to the company's identity. Disney's technological developments include the use of stereophonic surround sound for Fantasia, experimentation with wide-screen technology, inaugural adoption of three-strip Technicolor film, and early efforts at fostering depth in the animated image. Telotte also chronicles Disney's partnership with television, development of the theme park, and depiction of technology in science-fiction narratives. An in-depth discussion of Disney's shift into digital filmmaking with its Pixar partnership and an emphasis on digital special effects in live-action films, such as the Pirates of the Caribbean series, also highlight the studio's historical investment in technology. By exploring the technological context for Disney creations throughout its history, The Mouse Machine illuminates Disney's extraordinary growth into one of the largest and most influential media and entertainment companies in the world. Hardbook is unjacketed.
The American film noir, the popular genre that focused on urban crime and corruption in the 1940s and 1950s, exhibits the greatest amount of narrative experimentation in the modern American cinema. Spurred by postwar disillusionment, cold war anxieties, and changing social circumstances, these films revealed the dark side of American life and , in doing so, created unique narrative structures in order to speak of that darkness. J.P. Telotte's in-depth discussion of classic films noir--including The Lady from Shanghai, The Lady in the Lake, Dark Passage, Double Indemnity, Kiss Me Deadly, and Murder, My Sweet--draws on the work of Michel Foucault to examine four dominant noir narrative strategies.
A haunting fascination fuels our interest in the robot, the android, the cyborg, the replicant. Born in science fiction literature, the artificial human has come into its own in films, lurching to life, holding a mirror to humanity's soul. Beginning with a pre-history of the filmic robot, J. P. Telotte traces its development through early sci-fi landmarks such as Metropolis (1926), the alien films of the 1950s (including Forbidden Planet), and recent explorations of the artificial human in Blade Runner, Robocop, and the Terminator films.Replications also considers the tension between the technological wonders that science fiction depicts and the human values it champions. Film-makers employ the latest developments in technology to fashion ever more realistic human doubles, and then use them to explore what it means to be human. Telotte shows us how the sci-fi genre has always addressed changing cultural attitudes toward technology, the body, gender roles, human intelligence, reality, and even film itself.
Throughout Disney's phenomenally successful run in the entertainment industry, the company has negotiated the use of cutting-edge film and media technologies that, J. P. Telotte argues, have proven fundamental to the company's identity. Disney's technological developments include the use of stereophonic surround sound for Fantasia, experimentation with wide-screen technology, inaugural adoption of three-strip Technicolor film, and early efforts at fostering depth in the animated image. Telotte also chronicles Disney's partnership with television, development of the theme park, and depiction of technology in science-fiction narratives. An in-depth discussion of Disney's shift into digital filmmaking with its Pixar partnership and an emphasis on digital special effects in live-action films, such as the Pirates of the Caribbean series, also highlight the studio's historical investment in technology. By exploring the technological context for Disney creations throughout its history, The Mouse Machine illuminates Disney's extraordinary growth into one of the largest and most influential media and entertainment companies in the world. Hardbook is unjacketed.
