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"A Mitologia de J. R. R. Tolkien". R. R. Tolkin".

"A Mitologia de J. R. R. Tolkien". R. R. Tolkin".

Alexandr Tolmachev

Edicoes Nosso Conhecimento
2021
pokkari
O autor acredita que o g nero de fantasia nasceu da vis o mitol gica e religiosa do mundo das pessoas. A fantasia de J.R.R. Tolkien semelhante n o s s mitologias celtas e escandinavas, mas tamb m ao sistema religioso e mitol gico eslavo. Tomemos por exemplo o caminho do Hobbit, mas n o o caminho desenhado num mapa da Terra M dia no espa o geogr fico. O caminho do Hobbit um antigo "Caminho do Tolo" m stico eslavo, ou seja, uma forma de descobrir sabedoria al m do comum e profano, mas que leva ao sagrado. Este caminho foi seguido por Bilbo Baggins, o hobbit, e Ivan, o tolo dos contos de fadas russos.A cole o ser til para estudos religiosos e pesquisas filos ficas, assim como para uso pr tico por fil sofos, estudiosos religiosos, psic logos, ling istas, jornalistas e aqueles simplesmente interessados nas obras de J.R.R. Tolkien.
Reception of J. R. R. Tolkien

Reception of J. R. R. Tolkien

VDM Publishing House
2010
nidottu
Observera att förlaget som ger ut denna produkt baserar innehållet i sina produkter på fria källor som Wikipedia. Boken är med stor sannolikhet endast ett utdrag ur dessa informationskällor, alltså inte en vanlig bok i den bemärkelsen.
Il Signore degli Anelli di J. R. R. Tolkien (Analisi del libro)
Cosa dobbiamo imparare da Il Signore degli Anelli, questo monumento della letteratura fantasy? Questo libro il primo di una serie di libri che saranno pubblicati negli Stati Uniti. In questa scheda troverete in particolare: - Un riassunto completo - Una presentazione dei personaggi principali come Frodo e Gandalf - un'analisi delle specificit dell'opera: la genesi de Il Signore degli Anelli, l'interpretazione, il posto de Il Signore degli Anelli nell'opera di Tolkien e la ricezione dell'opera Un'analisi dei riferimenti per comprendere rapidamente il significato dell'opera.
The Literary Role of History in the Fiction of J. R. R. Tolkien
This volume analyzes the literary role played by history in the works of J. R. R. Tolkien. It argues that the events of The Lord of the Rings are placed against the background of an already- existing history, both in reality and in the fictional worlds of the books. History is unfolded in various ways, both in explicitly archival annals and in stories told by characters on the road or on the fly, and in which different visions of history emerge. In addition, the history within the work can resemble, or be patterned on, histories in our world. These histories range from the deep past of prehistoric and ancient worlds to the early medieval era of the barbarian invasions and Byzantium, to the modern worlds of urbane civility and a paradoxical longing for nature, and finally to great power rivalries and global prospects. The book argues that Tolkien did not employ these histories indiscriminately or reductively. Rather, he regarded them as aspects of aesthetic and representative figuration that are above all literary. While most criticism has concentrated on Tolkien’s use of historical traditions of Northern Europe, this book argues that Tolkien also valued Southern and Mediterranean pasts and registered the Germanic and the Scandinavian pasts as they related to other histories as much as his vision of them included a primeval mythic aura.
The Literary Role of History in the Fiction of J. R. R. Tolkien
This volume analyzes the literary role played by history in the works of J. R. R. Tolkien. It argues that the events of The Lord of the Rings are placed against the background of an already- existing history, both in reality and in the fictional worlds of the books. History is unfolded in various ways, both in explicitly archival annals and in stories told by characters on the road or on the fly, and in which different visions of history emerge. In addition, the history within the work can resemble, or be patterned on, histories in our world. These histories range from the deep past of prehistoric and ancient worlds to the early medieval era of the barbarian invasions and Byzantium, to the modern worlds of urbane civility and a paradoxical longing for nature, and finally to great power rivalries and global prospects. The book argues that Tolkien did not employ these histories indiscriminately or reductively. Rather, he regarded them as aspects of aesthetic and representative figuration that are above all literary. While most criticism has concentrated on Tolkien’s use of historical traditions of Northern Europe, this book argues that Tolkien also valued Southern and Mediterranean pasts and registered the Germanic and the Scandinavian pasts as they related to other histories as much as his vision of them included a primeval mythic aura.
Visión ambiental del hogar en la obra británica La Comunidad del Anillo de J. R. R. Tolkien frente al Lejano Oeste americano de Mago y Cristal de Stephen King
The portrayal of nature as home in works of fantasy is coloured by the corresponding context. This book shows how the natural world has been depicted as home within this genre, comparing Tolkien's The Fellowship of the Ring with Stephen King's Wizard and Glass.