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1000 tulosta hakusanalla Jean Kerr

Jean Sauvaget's Introduction to the History of the Muslim East

Jean Sauvaget's Introduction to the History of the Muslim East

Jean Sauvaget; Claude Cahen

University of California Press
2022
pokkari
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1965.
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Jean Rhys

Jean Rhys

Elaine Savory

Cambridge University Press
2007
pokkari
Jean Rhys has long been central to debates in feminist, modernist, Caribbean, British and postcolonial writing. Elaine Savory's study, first published in 1999, incorporates and modifies previous critical approaches and is a critical reading of Rhys's entire oeuvre, including the stories and autobiography, and is informed by Rhys's own manuscripts. Designed both for the serious scholar on Rhys and those unfamiliar with her writing, Savory's book insists on the importance of a Caribbean-centred approach to Rhys, and shows how this context profoundly affects her literary style. Informed by contemporary arguments on race, gender, class and nationality, Savory explores Rhys's stylistic innovations - her use of colours, her exploitation of the trope of performance, her experiments with creative non-fiction and her incorporation of the metaphysical into her texts. This study offers a comprehensive account of the life and work of this most complex and enigmatic of writers.
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Jean-Baptiste Lully and the Music of the French Baroque

Jean-Baptiste Lully and the Music of the French Baroque

Cambridge University Press
2008
pokkari
This volume of essays on Jean-Baptiste Lully and his musical legacy honours the distinguished French baroque scholar James R. Anthony. Jean-Baptiste Lully, court composer to Louis XIV, served as the principal architect of what would become known as the French style of music in the baroque era. The style he created strongly influenced the great musical figures in England (Purcell and Handel) and Germany (Bach and Telemann), but Lully's music itself has received little attention. Recently, through the efforts of scholars and musicians concerned with the performance practices of Lully's time, Lully's own music has begun to come alive in performance and recording. These essays, all by important baroque specialists, cover significant aspects of Lully's life and works and the French tradition he influenced. They constitute the first post-war collection of studies centred on Lully and form a fitting tribute to Professor Anthony whose own French baroque music provided a stimulus for the work of an emerging generation of scholars.
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Jean Bodin and the Rise of Absolutist Theory

Jean Bodin and the Rise of Absolutist Theory

Julian H. Franklin

Cambridge University Press
2009
pokkari
The St Bartholomew's Day Massacre of 1572 polarised French constitutional ideas. Appearing on one side was a radicalised version of the French constitution. On the other side was the theory of royal absolutism systematically developed by Bodin. The central thesis of this book is that Bodin's absolutism was as unprecedented as the doctrine it opposed. Prior to the 1570s the mainstream of the French tradition had been tentatively constitutionalist and Bodin himself had given strong expression to that tendency in his Methodus of 1566. His earlier theory of sovereignty, elaborated in that work, was implicitly adapted to a notion of limited supremacy. Professor Franklin's aim is to explain how this absolutist view was formed. In doing so, he has clarified many of the notorious obscurities in Bodin's thought and since much of the absolutist doctrine of the seventeenth century was either based on Bodin's theory or relied on similar assumptions, this study will be of great importance and interest to scholars of a later period.
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Jean-Paul Sartre and the Politics of Reason

Jean-Paul Sartre and the Politics of Reason

Dobson Andrew

Cambridge University Press
2009
pokkari
Andrew Dobson charts Sartre's transformation from novelist and apolitical philosopher of existentialism, before the Second World War, to a committed defender of Marxism and Marxist method after it. Examining Sartre's post-war work in detail, he shows how the biographies of Baudelaire, Genet and Flaubert, often considered tangential to his main oeuvres, are in fact central to this defence of Marxism, and should therefore be read as acts of political commitment. Andrew Dobson's study of posthumous sources, including the extended commentaries in English of Volume II of the Critique of dialectical reason, and in its insistence on reading Sartre's philosophical development as primarily politically motivated. It provides a clear reading of some of Sartre's less familiar works, situating them in an overarching social and political project.
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Jean Racine: Four Greek Plays

Jean Racine: Four Greek Plays

Cambridge University Press
1982
pokkari
Racine's poetry is always thought to be untranslatable; so one of the world's great dramatists remains inaccessible to readers without French. This is the best translation into English; Professor Knight has used a regular English blank verse which conveys remarkably well both the formality and the passion of the original. the plays given here - Andromache, Iphigenia, Phaedra and Athaliah - are chosen because the first three are those which come nearest in subject and feeling to the Attic tragedy that Racine always claimed as his inspiration; while the final biblical drama with its choruses comes nearest to the original Greek form, and perhaps to its spirit. These choruses in Professor Knight's version adhere to the French poetic form, and can be sung to the original music by Moreau. this will be a very helpful group of texts for students of drama. They will act well, and also give the armchair reader a sense of the original.
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Jean-Paul Sartre and the Politics of Reason

Jean-Paul Sartre and the Politics of Reason

Dobson Andrew

Cambridge University Press
1993
sidottu
Andrew Dobson charts Sartre's transformation from novelist and apolitical philosopher of existentialism, before the Second World War, to a committed defender of Marxism and Marxist method after it. Examining Sartre's post-war work in detail, he shows how the biographies of Baudelaire, Genet and Flaubert, often considered tangential to his main oeuvres, are in fact central to this defence of Marxism, and should therefore be read as acts of political commitment. Andrew Dobson's study of posthumous sources, including the extended commentaries in English of Volume II of the Critique of dialectical reason, and in its insistence on reading Sartre's philosophical development as primarily politically motivated. It provides a clear reading of some of Sartre's less familiar works, situating them in an overarching social and political project.
Vertaile hintoja
Jean Rhys

Jean Rhys

Elaine Savory

Cambridge University Press
1999
sidottu
Jean Rhys has long been central to debates in feminist, modernist, Caribbean, British and postcolonial writing. Elaine Savory's study, first published in 1999, incorporates and modifies previous critical approaches and is a critical reading of Rhys's entire oeuvre, including the stories and autobiography, and is informed by Rhys's own manuscripts. Designed both for the serious scholar on Rhys and those unfamiliar with her writing, Savory's book insists on the importance of a Caribbean-centred approach to Rhys, and shows how this context profoundly affects her literary style. Informed by contemporary arguments on race, gender, class and nationality, Savory explores Rhys's stylistic innovations - her use of colours, her exploitation of the trope of performance, her experiments with creative non-fiction and her incorporation of the metaphysical into her texts. This study offers a comprehensive account of the life and work of this most complex and enigmatic of writers.
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Jean-Jacques Rousseau and the 'Well-Ordered Society'

Jean-Jacques Rousseau and the 'Well-Ordered Society'

Maurizio Viroli

Cambridge University Press
2003
pokkari
This book studies a central but hitherto neglected aspect of Rousseau’s political thought: the concept of social order and its implications for the ideal society which he envisages. The antithesis between order and disorder is a fundamental theme in Rousseau’s work, and the author takes it as the basis for this study. In contrast with a widely held interpretation of Rousseau’s philosophy, Professor Viroli argues that natural and political order are by no means the same for Rousseau. He explores the differences and interrelations between the different types of order which Rousseau describes, and shows how the philosopher constructed his final doctrine of the just society, which can be based only on every citizen’s voluntary and knowing acceptance of the social contract and on the promotion of virtue above ambition. The author also shows the extent of Rousseau’s debt to the republican tradition, and above all to Machiavelli, and revises the image of Rousseau as a disciple of the natural-law school.
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Jean-Luc Godard's Pierrot le Fou

Jean-Luc Godard's Pierrot le Fou

Cambridge University Press
2000
sidottu
Jean-Luc Godard's Pierrot le fou, made at the height of the French New Wave, remains a milestone in French cinema. More accessible than his later films, it represents the diverse facets of Godard's concerns and themes: a bittersweet analysis of male-female relations; an interrogation of the image; personal and international politics; the existential dilemmas of consumer society. This volume, first published in 2000, brings together essays by five prominent scholars of French film. They approach Pierrot le fou from the perspectives of image-and-word-play, aesthetics and politics, history, and high and popular culture, offering thought-provoking insights into the film, while demonstrating its relevance for a new generation of students of film. Also included are a selection of reviews of the film, as well as a complete filmography of Godard's work.
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Jean-Luc Godard's Pierrot le Fou

Jean-Luc Godard's Pierrot le Fou

Cambridge University Press
2000
pokkari
Jean-Luc Godard’s Pierrot le fou, made at the height of the French New Wave, remains a milestone in French cinema. More accessible than his later films, it represents the diverse facets of Godard’s concerns and themes: a bittersweet analysis of male-female relations; an interrogation of the image; personal and international politics; the existential dilemmas of consumer society. This volume brings together essays by five prominent scholars of French film. They approach Pierrot le fou from the perspectives of image-and-word-play, aesthetics and politics, history, and high and popular culture, offering thought-provoking insights into the film, while demonstrating its relevance for a new generation of students of film. Also included are a selection of reviews of the film, as well as a complete filmography of Godard’s work.
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