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1000 tulosta hakusanalla Lydia Morrison
Lydia's Impatient Sisters offers a social history of the everyday life of women, setting common experiences of labor, money, illness, and resistance in the context of the Roman imperial society.Luise Schottroff relates this history to important theological topics in New Testament, such as the revelation of God and the daily life of the church. Schottroff's work demonstrates how women were embedded in their social world.
The Russian writer Lydia Ginzburg (1902-90) is best known for her Notes from the Leningrad Blockade and for influential critical studies, such as On Psychological Prose, investigating the problem of literary character in French and Russian novels and memoirs. Yet she viewed her most vital work to be the extensive prose fragments, composed for the desk drawer, in which she analyzed herself and other members of the Russian intelligentsia through seven traumatic decades of Soviet history. In this book, the first full-length English-language study of the writer, Emily Van Buskirk presents Ginzburg as a figure of previously unrecognized innovation and importance in the literary landscape of the twentieth century. Based on a decade's work in Ginzburg's archives, the book discusses previously unknown manuscripts and uncovers a wealth of new information about the author's life, focusing on Ginzburg's quest for a new kind of writing adequate to her times. She writes of universal experiences--frustrated love, professional failures, remorse, aging--and explores the modern fragmentation of identity in the context of war, terror, and an oppressive state. Searching for a new concept of the self, and deeming the psychological novel (a beloved academic specialty) inadequate to express this concept, Ginzburg turned to fragmentary narratives that blur the lines between history, autobiography, and fiction. This full account of Ginzburg's writing career in many genres and emotional registers enables us not only to rethink the experience of Soviet intellectuals, but to arrive at a new understanding of writing and witnessing during a horrific century.
Lydia Cabrera and the Construction of an Afro-Cuban Cultural Identity
The University of North Carolina Press
2004
nidottu
Lydia Cabrera (1900-1991), an upper-class white Cuban intellectual, spent many years traveling through Cuba collecting oral histories, stories, and music from Cubans of African descent. Her work is commonly viewed as an extension of the work of her famous brother-in-law, Cuban anthropologist Fernando Ortiz, who initiated the study of Afro-Cubans and the concept of transculturation. Here, Edna Rodriguez-Mangual challenges this perspective, proposing that Cabrera's work offers an alternative to the hegemonizing national myth of Cuba articulated by Ortiz and others. Rodriguez-Mangual examines Cabrera's ethnographic essays and short stories in context. By blurring fact and fiction, anthropology and literature, Cabrera defied the scientific discourse used by other anthropologists. She wrote of Afro-Cubans not as objects but as subjects, and in her writings whiteness, instead of blackness, is gazed upon as the ""other."" As Rodriguez-Mangual demonstrates, Cabrera rewrote the history of Cuba and its culture through imaginative means, calling into question the empirical basis of anthropology and placing Afro-Cuban contributions at the center of the literature that describes the Cuban nation and its national identity.
Lydia Pinkham was one of the 19th century’s most remarkable businesswomen, her influence spreading beyond the late 1800s and her native New England. A champion of equal rights for women and blacks at a time when such causes lacked widespread support, Pinkham was ahead of her time on other issues. Chief among them was the well-being of women struggling with serious health issues related to their menstrual cycles and other so-called “women weaknesses.” But as the teetotaling Pinkham and her namesake company soared to entrepreneurial heights by selling her patient relief in the guise of an alcohol-laced potion known as the Vegetable Compound, generations that followed have been left to wonder: Was she worthy of her female customers’ trust or just an opportunist? In Lydia Pinkham: The Face That Launched a Thousand Ads, historian Sammy R. Danna offers the latest book-length biography that explores all sides of the Lydia Pinkham phenomena. Danna illustrates how remarkable an American historical figure she was, who with associates masterfully used and reinvented the marketing tools of her day, while battling the misogyny of the medical establishment. But Danna also asks whether she was just a grandmotherly version of the pitchmen who roamed from town to town with their snake oil elixirs. Students and scholars in the fields of women’s studies, American culture, and the histories of medicine, advertising, and business will see Lydia Pinkham in a new light.
Lydia as a Rhetorical Construct in Acts
Alexandra Gruca-Macaulay
Society of Biblical Literature
2016
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A simple box of mementos, hidden in a farmhouse in Wales for nearly seventy years, is enough to set Nara Blake on a search for the truth about her great-grandparents, and to put her own life in danger. Even as she begins to read her great-grandmother's diaries, a French brother and sister whose family lost everything in World War II, blame Nara's family for their lost wealth, which includes a priceless C zanne painting. As both families learn the truth of their ancestors' activities during the war, they are put on a collision course that can only end in the destruction of long-held beliefs, and ultimately one must pay the price for the losses of the past.
The Smith Family of Harrison County, Indiana / Compiled by Lydia Sonner Windell Lesh.
Lydia Sonner Windell Lesh
Hassell Street Press
2021
nidottu
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Boehlers (Bähler or Böhler) America Bound, 1849 and 1853 / Written and Comp. by Lydia Louise Meyer.
Lydia Louise Meyer
Hassell Street Press
2021
nidottu
Dancing for Diaghilev; the Memoirs of Lydia Sokolova
Lydia 1896-1974 Sokolova
Hassell Street Press
2021
sidottu
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Dancing for Diaghilev; the Memoirs of Lydia Sokolova
Lydia 1896-1974 Sokolova
Hassell Street Press
2021
nidottu
Boehlers (Bähler or Böhler) America Bound, 1849 and 1853 / Written and Comp. by Lydia Louise Meyer.
Lydia Louise Meyer
Hassell Street Press
2023
sidottu
This remarkable firsthand account offers a glimpse into the experiences of German immigrants who came to America in the mid-19th century. The author describes her journey across the Atlantic on two separate occasions, and offers insights into the challenges of adapting to a new country, culture, and way of life. Through her eyes, readers will experience the highs and lows of the immigrant experience, and gain a deeper appreciation for the courage and resilience of those who made the journey to America in search of a better life.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Poems By Lydia Howard Sigourney (1827)
Lydia Howard Sigourney
KESSINGER PUBLISHING, LLC
2009
pokkari
This inaugural volume in the Forgotten Stars of the Musical Theatre series sets Lydia Thompson, queen of burlesque, under the spotlight. The series will attempt to resurrect theatre performers and writers who were famous in their era, yet who have since inexplicably faded from popular memory. Outlandish tales of Lydia's touring burlesque company, the British Blondes, and such lurid episodes as her horsewhipping of a Chicago editor, a romance with a Russian Grand Duke and a lesbian attacker have left her with a reputation as a bawdy burlesquer, but Kurt Gänzl argues she was nothing of the kind. Through this biography, the reader will learn the whole and hitherto untold story of this fascinating, multi-dimensional musical-theatre star.