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914 tulosta hakusanalla Marnham Patrick

Re-writing the History of the Oppressed

Re-writing the History of the Oppressed

Mariham El-Assal; Dalia Saad M Mansour

SCHOLARS' PRESS
2024
pokkari
This book aims to examine the oppression undergone by female characters in two completely different cultures, the African American culture and the Iranian culture respectively. It attempts to conduct a comparative study between two female characters that belong to two completely dissimilar cultures and compare two different mediums of narratives to explore the forms of oppression experienced by these female characters and their people as well as their constant quest for identity and liberation. The study rests on Frantz Fanon's and Robert Young's contributions to post-colonialism and attempts to show postcolonial theory creates intellectual spaces for subalterns to speak for themselves in their own voices and re-write history. The comparative study is conducted between Toni Morrison's novel Beloved (1987) and Marjane Satrapi's autobiographical graphic novel Persepolis I (2000) relying on Susan Bassnett's concept of Plurivocality which voices of the oppressed, in addition to Sara Clark's concept of "Social Death".
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Reescrever a história dos oprimidos

Reescrever a história dos oprimidos

Mariham El-Assal; Dalia Saad M Mansour

Edicoes Nosso Conhecimento
2024
pokkari
Este livro tem como objetivo examinar a opress o sofrida por personagens femininas em duas culturas completamente diferentes, a cultura afro-americana e a cultura iraniana, respectivamente. Tenta realizar um estudo comparativo entre duas personagens femininas que pertencem a duas culturas completamente diferentes e comparar dois meios narrativos diferentes para explorar as formas de opress o vividas por estas personagens femininas e pelo seu povo, bem como a sua constante busca por identidade e liberta o. O estudo baseia-se nas contribui es de Frantz Fanon e Robert Young para o p s-colonialismo e nas tentativas de mostrar que a teoria p s-colonial cria espa os intelectuais para os subalternos falarem por si pr prios com as suas pr prias vozes e reescreverem a hist ria. O estudo comparativo realizado entre o romance Beloved (1987), de Toni Morrison, e a novela gr fica autobiogr fica Pers polis I (2000), de Marjane Satrapi, apoiando-se no conceito de Plurivocidade de Susan Bassnett, que d voz aos oprimidos, al m do conceito de "Morte Social" de Sara Clark.
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Die Geschichte der Unterdrückten neu schreiben

Die Geschichte der Unterdrückten neu schreiben

Mariham El-Assal; Dalia Saad M Mansour

Verlag Unser Wissen
2024
pokkari
Ziel dieses Buches ist es, die Unterdr ckung zu untersuchen, der weibliche Charaktere in zwei v llig unterschiedlichen Kulturen ausgesetzt sind, der afroamerikanischen Kultur bzw. der iranischen Kultur. Es wird versucht, eine vergleichende Studie zwischen zwei weiblichen Charakteren durchzuf hren, die zwei v llig unterschiedlichen Kulturen angeh ren, und zwei unterschiedliche Erz hlmedien zu vergleichen, um die Formen der Unterdr ckung zu untersuchen, die diese weiblichen Charaktere und ihr Volk erfahren, sowie ihr st ndiges Streben nach Identit t und Befreiung. Die Studie basiert auf den Beitr gen von Frantz Fanon und Robert Young zum Postkolonialismus und versucht zu zeigen, dass die postkoloniale Theorie intellektuelle R ume f r Subalterne schafft, in denen sie mit ihrer eigenen Stimme f r sich selbst sprechen und die Geschichte neu schreiben k nnen. Die vergleichende Studie wird zwischen Toni Morrisons Roman Beloved (1987) und Marjane Satrapis autobiografischer Graphic Novel Persepolis I (2000) durchgef hrt und st tzt sich dabei auf Susan Bassnetts Konzept der Plurivokalit t, das die Unterdr ckten zum Ausdruck bringt, zus tzlich zu Sara Clarks Konzept des "sozialen Todes".
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Réécrire l'histoire des opprimés

Réécrire l'histoire des opprimés

Mariham El-Assal; Dalia Saad M Mansour

Editions Notre Savoir
2024
pokkari
Ce livre vise examiner l'oppression subie par les personnages f minins dans deux cultures compl tement diff rentes, respectivement la culture afro-am ricaine et la culture iranienne. Il tente de mener une tude comparative entre deux personnages f minins appartenant deux cultures compl tement diff rentes et de comparer deux supports de r cits diff rents pour explorer les formes d'oppression v cues par ces personnages f minins et leur peuple ainsi que leur qu te constante d'identit et de lib ration. L' tude s'appuie sur les contributions de Frantz Fanon et de Robert Young au postcolonialisme et tente de montrer que la th orie postcoloniale cr e des espaces intellectuels permettant aux subalternes de parler d'eux-m mes et de r crire l'histoire. L' tude comparative est men e entre le roman Beloved (1987) de Toni Morrison et le roman graphique autobiographique Persepolis I (2000) de Marjane Satrapi en s'appuyant sur le concept de Plurivocalit de Susan Bassnett qui exprime les opprim s, en plus du concept de Mort sociale de Sara Clark.
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Riscrivere la storia degli oppressi

Riscrivere la storia degli oppressi

Mariham El-Assal; Dalia Saad M Mansour

Edizioni Sapienza
2024
pokkari
Questo libro si propone di esaminare l'oppressione subita dai personaggi femminili in due culture completamente diverse, rispettivamente la cultura afroamericana e la cultura iraniana. Tenta di condurre uno studio comparativo tra due personaggi femminili che appartengono a due culture completamente diverse e di confrontare due diversi mezzi narrativi per esplorare le forme di oppressione vissute da questi personaggi femminili e dalla loro gente, nonch la loro costante ricerca di identit e liberazione. Lo studio si basa sui contributi di Frantz Fanon e Robert Young al postcolonialismo e tenta di dimostrare che la teoria postcoloniale crea spazi intellettuali in cui i subalterni possono parlare per se stessi con la propria voce e riscrivere la storia. Lo studio comparativo condotto tra il romanzo Beloved (1987) di Toni Morrison e la graphic novel autobiografica di Marjane Satrapi Persepolis I (2000), basandosi sul concetto di Plurivocalit di Susan Bassnett che d voce agli oppressi, oltre al concetto di "Morte Sociale" di Sara Clark.
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Mesopotamian Eye Disease Texts

Mesopotamian Eye Disease Texts

Markham J. Geller; Strahil V. Panayotov

De Gruyter
2020
sidottu
There is to date no comprehensive treatment of eye disease texts from ancient Mesopotamia, and no English translation of this material is available. This volume is the first complete edition and commentary on Mesopotamian medicine from Nineveh dealing with diseases of the eye. This ancient work, languishing in British Museum archives since the 19th century, is preserved on several large cuneiform manuscripts from the royal library of Ashurbanipal, from the 7th century BC. The longest surviving ancient work on diseased eyes, the text predates by several centuries corresponding Hippocratic treatises. The Nineveh series represents a systematic array of eye symptoms and therapies, also showing commonalities with Egyptian and Greco-Roman medicine. Since scholars of Near Eastern civilizations and ancient and general historians of medicine will need to be familiar with this material, the volume makes this aspect of Babylonian medicine fully accessible to both specialists and non-specialists, with all texts being fully translated into English.
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The Nine Month Plan

The Nine Month Plan

Wendy Markham

Avon Books
2015
pokkari
Nina Chickalini has been waiting all her life to get out of Queens, but something always holds her back. If it isn't the four siblings she raised almost single-handedly, it's the neighborhood pizzeria she's running so Pop can take it easy. At last, she's counting down mere months, instead of years, until she'll be free to embark on her grand adventure.Leave it to her best friend, good old reliable Joe Materi, to wait until now to make an incredible request.Have his baby? The last thing Nina needs is another reason to feel tied down. But how can she refuse the man who's always been there for her? Getting in the family way turns out to be easy, and suddenly she's seeing her old pal in a whole new light.The clock is ticking, her bags are packed, and Joe--muscular arms cradling a baby, sexy voice crooning a lullaby--isn't part of the plan. So why does Nina feel as though she's already embarked on the adventure of a lifetime?An Avon Romance
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The Art of the Filmmaker

The Art of the Filmmaker

Peter Markham

OXFORD UNIVERSITY PRESS INC
2024
sidottu
The Art of the Filmmaker: The Practical Aesthetics of the Screen explores the filmmaker's intention and method, their creation and capture of the fiction on the screen, and their formulation of the elements of the frame as a designed address to the audience. Positing 'practical aesthetics' as a resource of visual communication central to cinematic art, this book examines the concepts fundamental to the selective processes of the filmmaker and offers the reader highly informed textual analyses of specific films to explain the how and why of cinematic decision-making. After general consideration of language and cinema, Peter Markham sets out categories essential to the reader in their understanding of the filmmaker's art: dramatic narrative, elements before the lens, screen language, the shot, camera, editing, sound and music. Furthermore, Markham provides insight into how a comparison of the film with its screenplay can reveal the evolution of the filmmaker's storytelling strategies. This book also includes case studies of scenes and sequences from three films by contemporary filmmakers: Hereditary (Ari Aster), Moonlight (Barry Jenkins), and Nomadland (Chloe Zhao). Screenshots are used to illustrate the concepts articulated in the carefully constructed text. This book is intended for the student of filmmaking, its practitioners, students and scholars of film studies and film theory, for those in media studies and arts programs, and for lovers of movies.
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The Art of the Filmmaker

The Art of the Filmmaker

Peter Markham

OXFORD UNIVERSITY PRESS INC
2023
nidottu
The Art of the Filmmaker: The Practical Aesthetics of the Screen explores the filmmaker's intention and method, their creation and capture of the fiction on the screen, and their formulation of the elements of the frame as a designed address to the audience. Positing 'practical aesthetics' as a resource of visual communication central to cinematic art, this book examines the concepts fundamental to the selective processes of the filmmaker and offers the reader highly informed textual analyses of specific films to explain the how and why of cinematic decision-making. After general consideration of language and cinema, Peter Markham sets out categories essential to the reader in their understanding of the filmmaker's art: dramatic narrative, elements before the lens, screen language, the shot, camera, editing, sound and music. Furthermore, Markham provides insight into how a comparison of the film with its screenplay can reveal the evolution of the filmmaker's storytelling strategies. This book also includes case studies of scenes and sequences from three films by contemporary filmmakers: Hereditary (Ari Aster), Moonlight (Barry Jenkins), and Nomadland (Chloe Zhao). Screenshots are used to illustrate the concepts articulated in the carefully constructed text. This book is intended for the student of filmmaking, its practitioners, students and scholars of film studies and film theory, for those in media studies and arts programs, and for lovers of movies.
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DC Absolutely Everything You Need To Know

DC Absolutely Everything You Need To Know

Liz Marsham; Melanie Scott; Landry Walker; Stephen Wiacek

DK Children
2018
sidottu
All the facts that really matter about the heroes and villains of the DC Comics Universe. And then some!Discover Superman's strangest powers and Batman's top death-defying escapes! Find out who wins when Wonder Woman and Cheetah go head to head. Check out the Joker's best-and worst-days! Explore Aquaman's Atlantis and the darkest corners of Arkham Asylum! Every page is jam-packed with eye-popping revelations and fun info.DC Comics: Absolutely Everything You Need to Know is sure to enthral DC Comics fans of all ages.TM & © DC Comics. (s18)
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Marvel Studios Cross-Sections

Marvel Studios Cross-Sections

Liz Marsham

DORLING KINDERSLEY LTD
2025
sidottu
As Marvel’s heroes have battled across our screens, they have visited amazing locations, wielded fantastical weapons, and piloted incredible vehicles. But so often we’ve been left wondering about what isn’t shown: what was behind that closed door? How does that weapon work?Now, those questions will finally be answered as the outer skin of iconic Marvel Cinematic Universe (MCU) moments is peeled away. From Avengers Tower to the S.H.I.E.L.D. Helicarrier, the hidden inner workings of many of Marvel Studios’ most awesome creations will finally be revealed.Marvel Studios: Incredible Cross-Sections will take fans far beyond what’s seen on screen, offering them fresh new insights and surprises that will enrich their viewing experience, making them feel like they’re seeing classic MCU moments for the first time!© 2024 MARVEL
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Giammaria Mosca called Padovano

Giammaria Mosca called Padovano

Anne Markham Schulz

Pennsylvania State University Press
1998
sidottu
Author of statues in the major churches of Padua and Venice, Giammaria Mosca was among the leading sculptors in northern Italy during the second and third decades of the sixteenth century. In 1529 Mosca was summoned by the King of Poland to erect his tomb in Cracow. From 1533 until the artist's death in 1574, documents at regular intervals record important commissions to Mosca throughout Poland from the Polish royal family, as well as from prominent members of the nobility and ecclesiastical hierarchy. Many of Mosca's inscribed and documented monuments survive in their original site and state and testify to the sculptor's key role in the diffusion in Eastern Europe of Italian Renaissance ideals.In both native and adoptive homes, thus, there exists a substantial body of extant and documented works by Mosca; indeed, Mosca is virtually unique among émigré Renaissance sculptors for the completeness with which both halves of his career are documented and therefore offers the perfect test case for assessing the effect of emigration from the center to the periphery. Yet no one has ever asked whether Mosca's move to Poland changed his art. For the first time, Anne Markham Schulz not only explores the effect on Mosca's art of new patrons and materials, of different artistic conventions, functions, and traditions, but also sets Mosca's emigration within the context of those cultural exchanges between Italy and Poland that contributed fundamentally to the formation of the Polish Renaissance.This book represents the first comprehensive study of Giammaria Mosca in any language. It includes more than 260 detail photographs of all of Mosca's sculptures; almost every one has been made anew, many from specially constructed scaffolds. In addition, another 109 photographs illustrate comparative works. All documents concerning the artist, most never published before and many quite unknown, are reproduced in their entirety. There is an exhaustive catalogue of all works attributed to Mosca or his shop and a comprehensive bibliography of scholarship in ten languages.
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