A look at the story of Moses and the 10 Commandments. How the 10 Commandments were narrowed down from the 613 Commands of God. Finally looking at the Council of Nicaea and way Emperor Constantine the Great commissioned them to write & publish the first Bible.This is the 2nd book in the series of 4 books to be published. The next one due out in 2019, titled "Jesus Christ & his 49 Commandments." Finishing the series with book 4 titled "The Lost Books of the Bible."
Isaac Millman tells Moses Goes to a Concert in pictures and written English, and in American Sign Language (ASL), introducing hearing children to the signs for some of the key words and ideas. Moses and his school friends are deaf, but like most children, they have a lot to say. They communicate in American Sigh Language, using visual signs and facial expressions. This is called signing. And even though they can't hear, they can enjoy many activities through their other senses. Today, Moses and his classmates are going to a concert. Their teacher, Mr. Samuels, has two surprises in store for them, to make this particular concert a special event. You can learn sign language, too At the end of the book are two full conversations in sign language and a page showing the hand alphabet.
Relating the Muslim understanding of Moses in the Qur'an to the Epic of Gilgamesh, Alexander Romances, Aramaic Targums, Rabbinic Bible exegesis, and folklore from the ancient and medieval Mediterranean, this book shows how Muslim scholars authorize and identify themselves through allusions to the Bible and Jewish tradition. Exegesis of Qur'an 18:60-82 shows how Muslim exegetes engage Biblical theology through interpretation of the ancient Israelites, their prophets, and their Torah. This Muslim use of a scripture shared with Jews and Christians suggests fresh perspectives for the history of religions, Biblical studies, cultural studies, and Jewish-Arabic studies.
Countering impressions of Moses reinforced by Sigmund Freud in his epoch-making "Moses and Monotheism", this concise, engaging work begins with the perception that the story of Moses is at once the most nationalist and the most multicultural of all foundation narratives. Weaving together various texts - biblical passages, philosophy, poems, novels, opera, and movies - Barbara Johnson explores how the story of Moses has been appropriated, reimagined, and transmitted across cultures and historical moments. But she finds that already in the Bible, the story of Moses is a multicultural story, the story of someone who functions well in a world to which he, unbeknownst to the casual observer, does not belong. Using the Moses story as a lens through which to view questions at the heart of contemporary literary, philosophical, and ethical debates, Johnson shows how, through a close analysis of this figure's recurrence through time, we might understand something of the paradoxes, if not the impasses of contemporary multiculturalism.
Moses Hess is a major figure in the development of both early communist and Zionist thought. The Holy History of Mankind appeared in 1837, and was the first book-length socialist tract to appear in Germany, representing an unusual synthesis of Judaism and Christianity that showed the considerable influence upon Hess of Spinoza, Herder and Hegel. In due course many of Hess’s ideas would find their way into the work of Karl Marx, and into subsequent socialist thought. The distinguished political scientist Shlomo Avineri provides the first full English translation of this text, along with new renditions of Socialism and Communism, A Communist Credo; and The Consequences of a Future Revolution of the Proletariat. All of the usual reader-friendly series features are provided, including a chronology, concise introduction and notes for further reading, in a work of special relevance to students of politics, modern European history, and the history of Zionism.
Moses Hess is a major figure in the development of both early communist and Zionist thought. The Holy History of Mankind appeared in 1837, and was the first book-length socialist tract to appear in Germany, representing an unusual synthesis of Judaism and Christianity that showed the considerable influence upon Hess of Spinoza, Herder and Hegel. In due course many of Hess’s ideas would find their way into the work of Karl Marx, and into subsequent socialist thought. The distinguished political scientist Shlomo Avineri provides the first full English translation of this text, along with new renditions of Socialism and Communism, A Communist Credo; and The Consequences of a Future Revolution of the Proletariat. All of the usual reader-friendly series features are provided, including a chronology, concise introduction and notes for further reading, in a work of special relevance to students of politics, modern European history, and the history of Zionism.
Mendelssohn’s Philosophical Writings, published in 1761, bring the metaphysical tradition to bear on the topic of ‘sentiments’ (defined as knowledge or awareness by way of the senses). Mendelssohn offers a nuanced defence of Leibniz’s theodicy and conception of freedom, an examination of the ethics of suicide, an account of the ‘mixed sentiments’ so central to the tragic genre, a hypothesis about weakness of will, an elaboration of the main principles and types of art, a definition of sublimity and analysis of its basic forms, and, lastly, a brief tract on probability theory, aimed at rebutting Hume’s scepticism. This volume also includes the essay ‘On Evidence in Metaphysical Sciences’, selected in 1763 by the Berlin Royal Academy of Sciences over all other submitted essays, including one by Kant, as the best answer to the question of whether metaphysical sciences are capable of the same sort and degree of evidence as mathematics.
Mendelssohn’s Philosophical Writings, published in 1761, bring the metaphysical tradition to bear on the topic of ‘sentiments’ (defined as knowledge or awareness by way of the senses). Mendelssohn offers a nuanced defence of Leibniz’s theodicy and conception of freedom, an examination of the ethics of suicide, an account of the ‘mixed sentiments’ so central to the tragic genre, a hypothesis about weakness of will, an elaboration of the main principles and types of art, a definition of sublimity and analysis of its basic forms, and, lastly, a brief tract on probability theory, aimed at rebutting Hume’s scepticism. This volume also includes the essay ‘On Evidence in Metaphysical Sciences’, selected in 1763 by the Berlin Royal Academy of Sciences over all other submitted essays, including one by Kant, as the best answer to the question of whether metaphysical sciences are capable of the same sort and degree of evidence as mathematics.
This book, "Moses Drury Hoge: Life And Letters", by Peyton Harrison Hoge, is a replication of a book originally published before 1899. It has been restored by human beings, page by page, so that you may enjoy it in a form as close to the original as possible. This book was created using print-on-demand technology. Thank you for supporting classic literature.
