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René Girard, promoteur d'une science des rapports humains
Jean-Marc Bourdin
Ouverture Philosophique
2020
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René Girard, philosophe politique, malgré lui
Jean-Marc Bourdin
Ouverture Philosophique
2020
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A major figure in decorative arts during the inter-war periods René Buthaud (1886–1986) developed an interest in ceramics upon finishing his studies at the École des beaux-arts de Paris and the École nationale supérieure des arts décoratifs, before being mobilised for the war. At times figurative and at other times geometrical or abstract, his vases met with great success at the Salon d’automne and the Salon des artistes décorateurs in 1920, where he exhibited works with his friends Jean Dunand and Alfred Janniot. From 1928 his works were distributed by the Rouard gallery, and he participated in most Salons as well as the major events of the time: the 1925 International Exhibition of Decorative Arts, the 1931 Colonial Exhibition, and the 1937 Exhibition of Art and Technology. Acting as technical director of the Sainte-Radegonde art pottery works for Primavera from 1923 to 1926, he was especially known and appreciated by the public for his great mastery of crackle enamel, a technique he reintroduced in France. Text in English and French.
On appelle methode, l'ordre que la pensee doit suivre pour parvenir a la sagesse et conformement auquel elle pense une fois qu'elle y est parvenue. Mais qu'est-ce que la sagesse? C'est la chose du monde la plus desirable, et celle pourtant a laquelle les hommes pensent le moins. Or, le philosophe s'interesse beaucoup moins au contenu qu'a la perfection de son esprit meme; il s'efforce d'acquerir une intelligence toujours capable de discerner le vrai dans l'ordre theorique et une volonte toujours capable de suivre le bien dans l'ordre pratique; c'est etre sage que de les avoir acquis; philosopher, c'est travailler a les acquerir.
René Capitant, Carl Schmitt : Crise et Réforme du Parlementarisme
Gwénaël Le Brazidec
Editions L'Harmattan
2022
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René de Chateaubriand (fiche de lecture et analyse complète de l'oeuvre)
Chateaubriand
Comprendre La Litterature
2023
pokkari
Venez d couvrir Ren de Chateaubriand gr ce une analyse litt raire de r f rence crite par un sp cialiste universitaire, cette fiche de lecture est recommand e par de nombreux enseignants. Cet ouvrage contient la biographie de l' crivain, le r sum d taill , le mouvement litt raire, le contexte de publication de l'oeuvre et l'analyse compl te. Retrouvez tous nos titres sur: www.fichedelecture.fr.
René de François-René de Chateaubriand (Fiche de lecture)
Lepetitlitteraire; Delphine Leloup
lePetitLitteraire.fr
2014
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René Descartes’s Natural Philosophy and Particular Bodies
Fabrizio Baldassarri
Springer International Publishing AG
2024
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This book explores René Descartes’s attempts to describe particular bodies, such as rocks, minerals, metals, plants, and animals, within the mechanistic interpretation of nature of his philosophical program. Despite his early rationalistic epistemology, Descartes’s increasing attention to collections, histories, lists of qualities, and particular bodies results in a puzzling ‘short history of all natural phenomena’ contained in the Principles of philosophy (1644). The present book outlines the role of Descartes's observations and experimentation as he aimed to construct a universal science of nature, ultimately revealing the mechanization of nature in detail, and for curious bodies such as the Bologna Stone or the sensitive herb. What results is a theoretical natural history consistent with the mechanical principles of his philosophy, ultimately shedding new light on his attempt to produce a complete philosophy of nature.
This book highlights the significance of René Girard's work for key criminological debates to provide new perspectives. Girard explores the causes of violence in humans and his work is used to interpret cultural phenomena related to criminology and victimology. The book focuses in particular on Girard’s cultural anthropology of the victim as being foundational to social order. The scapegoat mechanism, as developed by Girard, is an anthropological reading of myth which provides a site of rich dialogue with criminology, victimology, theology and philosophy. The book explores how this provides readers with ontological, epistemological and methodological tools for both explaining and changing the practices of justice.
René Maran’s «Batouala»
Susan Allen
Peter Lang AG, Internationaler Verlag der Wissenschaften
2015
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The polemic excited by Batouala’s controversial Preface has conditioned an enduring, near-universal acceptance of a disjunction of Preface and novel. This is the first book to challenge that premise. The fallacious underpinnings of the origin persistence of this view are shown to lie in Western, dichotomously structured thinking. Through offshoots of the civilised-versus-savage dichotomy, namely oral-versus-written, form-versus-content and music-versus-narrative, Batouala’s Signifyin(g) discourse spills beyond the novel’s borders to reveal the sterility of dichotomy as a conceptualising structure. Dichotomy’s anachronism is thrust upon it through the work’s faithful representation of African ontology, whose water-inspired philosophy precludes it. Batouala’s structural basis is compared with that of jazz, which similarly bridges European and African civilisations, and whose African philosophical stance also acts as a provocation to the dichotomous thinking model. As Batouala «Fixed» transmutes to Batouala «Free», the pejorative implications of its widely touted ambiguity evaporate to expose a novel that is both lucid and coherent when viewed as jazz-text and jazz performance.
René Hubert - Kostümwelten
Lars Müller Publishers
2022
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René Hubert
LARS MULLER PUBLISHERS
2022
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From the 1920s to the 1960s, René Hubert (1895–1976) belonged to the crème de la crème of costume designers. He designed costumes for stars such as Tallulah Bankhead, Ingrid Bergman, Marlon Brando, Yul Brynner, Marlene Dietrich, Vivien Leigh, Laurence Olivier, and Marilyn Monroe in one of her first roles. Shirley Temple danced the hula in the film Curly Top wearing a grass skirt ensemble designed by Hubert; he was especially closely associated with Gloria Swanson, who encouraged him to relocate to Los Angeles when she met him in Paris in 1924. Hubert consented, and soon found himself working with directors René Clair, Alfred Hitchcock and Otto Preminger, elevating their stars with his flair for opulent color and elegant lines. Hubert’s international reputation helped him to win commissions in his native Switzerland, most notably for the Swiss National Exhibition in 1939, for Swissair uniforms and aircraft interiors, and for various theaters and textile companies. This richly illustrated publication compiles sketches, costume photography, stage photos and film stills of Hubert’s work. Experts from both sides of the Atlantic reflect on his multifaceted oeuvre at his numerous workplaces in Switzerland, Europe and the US. Excerpts from his unpublished memoirs provide a personal view of his life and the glamor of the era.
Born into a German-French bilingual environment, the once renowned German-language author René Schickele (1883-1940) grew up in the Alsace region - today located in eastern France - during its annexation to the German Empire when links to French culture were frowned upon. In the aftermath of the First World War the situation was reversed when Alsace was reclaimed by the French Republic. In both these phases of its troubled history, Schickele insisted on the importance of Alsace’s right to retain its double cultural heritage between the borders of its powerful rival neighbours and on its potential, as mediator between France and Germany, to promote peace in Europe. These issues are addressed in a critical discussion of a range of Schickele’s works. His controversial wartime drama Hans im Schnakenloch affords a wry but penetrating insight into issues of identity in Alsace under German rule up to the war, while his socio-political essays and a novel trilogy, Das Erbe am Rhein, were written against the backdrop of the malaise alsacien and life under French rule. The historical background to the work is examined in detail as it is intimately bound up with the issues of cultural identity that Schickele explores in his writings.