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1000 tulosta hakusanalla Sean Howe

Sean Scully

Sean Scully

Marla Price

HATJE CANTZ
2025
sidottu
A decade of bold artistic evolution This volume, fourth in a planned series of six, presents Sean Scully's paintings in the first decade of the twenty- first century. Working in studios in New York, Barcelona and Bavaria, he produced over 400 paintings in this period, continuing his major series of Wall of Light paintings, begun in 1997, and adding new, acclaimed series such as Cut Grounds and Robes. Major touring exhibitions of his work were presented by the Kunstsammlung Nordrhein-Westfalen, Dusseldorf, in 2001 and the Miro Foundation, Barcelona, in 2007. Early in the decade, Scully was made an Honorary Fellow of the London Institute of Arts and Letters, and a member of Aosdána in Ireland. In 2003, he received honorary doctorates of fine art from the Massachusetts College of Art, Boston, and the National University of Ireland, Dublin.
Sean Scully and David Carrier in Conversation

Sean Scully and David Carrier in Conversation

David Carrier; Sean Scully

Hatje Cantz
2021
sidottu
What makes a person an artist? How do works of art and their very own, extraordinary style come into being? And how does the prominent painter view his own work? The world-famous painter Sean Scully met with the philosopher David Carrier for several in-depth interview sessions. Their conversations explore these and many more questions about Scully’s life, work, and ideas. The result is a rich manuscript that very closely approaches the status of autobiography. Scully provides personal insights into his life and the important sources of inspiration for his career. He discusses his own view of his entire oeuvre, of art history and his position within it. Thus, this text becomes a literal eye-opener for Scully’s art, which can be (re)discovered through his words.
Sean Scully (Bilingual edition)
Creating works with a fascinating range of tone and expression, Sean Scully’s oeuvre is a continuous exploration of his core motif of lines and swaths of color. Captivating the observer through an uncertainty of edges and brushstrokes that appear to exalt the materiality of paint, pigment, and abstraction, Scully experiments with a variety of media and materials. Material World provides insight into the artist’s practice and stylistic approach, which have evolved through a sustained engagement with the art historical tradition of Formalism. In an in-depth essay, Raphy Sarkissian situates Sean Scully’s art in dialogue with selected works of abstract and figurative, modern and pre-modern painting and sculpture, as well as with aesthetic theories. This dialogue translates further into the interplay of the museum’s architecture and the Neoclassical sculptures presented alongside Scully’s work.
Sean Scully

Sean Scully

HATJE CANTZ
2025
sidottu
The vastness of Long Island in Scully's paintingsSean Scully: The Albee Barn, Montauk is a focused survey of the artist's work ranging from 1981 to 2024, exploring his Long Island connection and a significant shift in artistic practice that took place during a residence in Montauk in 1982. The book recalls Scully's fellowship at the Edward F. Albee Foundation where he found great inspiration in the natural landscape of the East End, ultimately transforming his palette to include deep, earthy tones, and transformative whites within his now recognizable vocabulary. The paradigmatic shift proved to be essential in Scully's practice—leading to a breakthrough in style and subject matter. The catalogue will bring together over 70 works and provide an opportune moment to present these paintings produced some 40 years ago as a substantial collection.
Sean O'Casey Und Das Deutschsprachige Theater (1948-1974)
Diese Arbeit ist ein Beitrag zur empirischen Rezeptionsforschung im Bereich des deutschsprachigen Theaters nach 1945. Mit der Untersuchung des umstrittenen anglo-irischen Dramatikers Sean O'Casey wird der Versuch unternommen, den historischen Wandel seiner Vermittlungspraxis zu beschreiben. Mit Hilfe der qualitativen und quantitativen Auswertung der Rezipientenzeugnisse (Strichfassungen, Programmhefte, Kritiken, Interviews) werden die Mechanismen der O'Casey-Rezeption vor dem Hintergrund der herrschenden Kulturpolitik dargestellt.
Sean O'Casey Und Das Epische Theater Bertolt Brechts
O'Caseys Dramentheorie und -praxis wird aus der Perspektive des Brechtschen epischen Theaters untersucht. Leitendes Erkenntnis- interesse ist dabei, eine objektiv begrundete Verwandtschaft beider Kunstler herauszuarbeiten, d.h. nicht eine, die aus subjektiver Einflussnahme durch Werk oder Personlichkeit eines Kunstlers resul- tiert. Es wird also dargestellt, wie aus ahnlicher Beurteilung der von beiden Dramatikern vorgefundenen zeitgenossischen Realitat (der Kunstler als Sozialist) und ahnlichem Bezug zur Offentlichkeit (der Kunstler als Realist) vergleichbare Rezeptionsstrategien im Drama entwickelt werden (Episierung des Dramas, Entwicklung von Verfremdungstechniken in gesellschaftskritischer Funktion)."
Sean Scully: The Shadow of Figuration

Sean Scully: The Shadow of Figuration

Sean Scully

Galerie Thaddaeus Ropac
2023
sidottu
A stunning showcase of the iconic Irish-born painter's soft geometric abstractionsThis exhibition catalog features large-scale paintings from Sean Scully's (born 1945) most formative series, alongside a selection of watercolors and a monumental sculpture. His work is characterized by the fusion of European painting traditions with the distinct language of American abstraction.
Sean Scully

Sean Scully

LA FABRICA
2012
sidottu
At once a day book and an artist's book, this volume compiles black-and-white pencil and India ink drawings made by Sean Scully (born 1945) in Barcelona and New York between August 24 and October 10, 2010. Bound in handsome pale gray linen cloth, it also contains handwritten observations by the artist.
Sean Scully

Sean Scully

Beate Reifenscheid

SILVANA
2024
nidottu
Over the past six decades, Sean Scully has been connected with the most diverse geographical locations, be it his many years of living in London, New York, Barcelona, Mooseurach, Berlin or Aix-en-Provence. In addition, he is constantly inspired by international exhibition projects and trips – such as to Morocco, Mexico and the island of Eleuthera. His restless attitude and always being keen to remain on the move, has left deep traces in his artistic work. Géographies therefore, focuses on Scully’s life stages and travels, the places where he lives, works and which particularly inspire him through 35 paintings, as well as watercolours, pastels and drawings by the artist. Many of his abstract compositions reflect his perception of urban space, the dynamic rhythm of the big city or the liberating calm of nature. During the last nine years, Sean Scully has returned to figuration and formed a very personal credo that goes beyond the individual to something more universal. Text in English and German.
Sean Scully
Published for the 56th Venice Biennale, a complete monograph devoted to the Irish-born American-based painter and printmaker who has twice been named a Turner Prize nominee. ?Born in Dublin, Ireland, in 1945, Sean Scully has gained international prominence as one of the most admired contemporary abstract painters today. Fusing the traditions of European painting with the distinct character of American abstraction, Scully's great achievement is the reinvigoration of abstract painting with the metaphorical, the philosophical, and the sublime combined with the earthy tangibility of paint. From his precisely gridded works of the 1970s to the three-dimensional panels of the 1980s and his now celebrated Wall of Light paintings from the 1990s, this volume gathers the entire oeuvre of the artist, whose work is held in numerous public collections including the Metropolitan Museum of Art, MoMA, and Solomon R. Guggenheim Museum, New York; the National Gallery of Art, Corcoran Gallery of Art, and Hirshhorn Museum and Sculpture Garden, Washington, DC; Modern Art Museum of Fort Worth, Texas; and the Tate, London.
Sean Scully: Human
A contemporary master abstractionist responds to a Venetian Renaissance masterpieceThis generous volume gathers recent works and new, unseen pieces by celebrated New York-based Irish abstract artist Sean Scully (born 1945), who has created a series of new sculptures, paintings, drawings and watercolors directly inspired by the Venetian abbey of San Giorgio Maggiore, its vast illuminated manuscript collections and the 16th-century Benedictine church. These works are instantly recognizable for Scully's visual vocabulary of horizontal and vertical stripes, which reflects fifty years of constant refining. Human includes paintings from his Madonna series, Scully's return to figuration after having ceased figurative painting five decades ago. The fulcrum of the volume is the new and impressive Opulent Ascension, a site-specific sculpture that is Scully's tallest sculpture ever at 33 feet high, constructed from stacked frames, each wrapped in rich and varying colors of felt.
Sean Moses Is A Super Speller

Sean Moses Is A Super Speller

Moses D Powe; Sean Moses Powe

Fatherless Fathers Publishing (a Powem Publishers Imprint)
2025
sidottu
Sean Moses is a Super Speller by Moses D. Powe and Sean Moses Powe is a delightful and inspiring story about a young boy who overcomes his speech difference to achieve greatness. With his lively personality and remarkable spelling abilities, Sean Moses proves that his uniqueness is his strength. As he participates in the school spelling bee, Sean Moses' confidence and determination win over his classmates and teachers, leading him to victory. This engaging tale promotes self-acceptance, empathy, and the celebration of individual differences, teaching children aged four to nine valuable lessons about the power of believing in oneself and supporting others.
Seán Lemass: The Lost Memoir

Seán Lemass: The Lost Memoir

Ronan McGreevy

BONNIER BOOKS LTD
2026
sidottu
The unheard voice of Seán Lemass - 22 hours of lost interviews reveal the private thoughts of Ireland's most transformative taoiseach Lemass never left any papers or an autobiography. Instead, he gave 22 hours of interviews to an Irish businessman Dermot Ryan in 1967 and 1968. The transcripts were given to The Irish Times and extracts from these interviews were published as a supplement in May 2018. They laid bare tensions in his relationship with long standing Taoiseach de Valera, his disdain for the IRA, his complicated relationship with Great Britain and much more.