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Rape Fantasies

Rape Fantasies

Alisa Kessel

OXFORD UNIVERSITY PRESS INC
2025
sidottu
In this intersectional reconceptualization of US rape culture, Alisa Kessel reveals how sexual violence is a political act that preserves and emboldens the dominant sociopolitical order. The imperative to dominate through rape is unique among crimes against other people. While other violent crimes, such as assault or murder, can be committed out of a material need or desire for security, and may even have political motivations, theft and murder are not exclusively motivated by a desire to dominate others. What convinces perpetrators of rape to dominate through sexual violence? How do perpetrators identify who they are entitled to dominate? In Rape Fantasies, Alisa Kessel makes the case that to prevent sexual violence in the US and elsewhere, we must confront rape as a crime that is not born of natural sexual appetites, simple miscommunication, or ethical breach. Instead, Kessel argues that rape is a political act, and that the myths and practices of a rape culture identify both who is dominable and who is entitled to dominate. In US rape culture, sexual violence is an essential political tactic to preserve--and, oftentimes, to embolden--hierarchies of race, gender, sexuality, and class. Kessel provides an intersectional reconceptualization of rape culture that reveals how it evolves and expands to discipline any group that threatens the sociopolitical order. While most contemporary accounts of rape culture focus on women and girls as the targets of sexual violence, domination through sex can happen along many dimensions. And, consequently, these accounts of rape culture--contrary to their best intentions--actually conceal the victimization of those who do not fit within normalized accounts of rape, particularly those who are subordinated by white supremacy, settler and capitalist exploitation, cisnormativity, and heteronormativity. Original, ambitious, and compelling, Rape Fantasies reveals how an entire culture can reproduce the myths and practices of rape culture and ensure that sexual violence persists as a reliable technique of political domination.
Rape Fantasies

Rape Fantasies

Alisa Kessel

OXFORD UNIVERSITY PRESS INC
2025
nidottu
In this intersectional reconceptualization of US rape culture, Alisa Kessel reveals how sexual violence is a political act that preserves and emboldens the dominant sociopolitical order. The imperative to dominate through rape is unique among crimes against other people. While other violent crimes, such as assault or murder, can be committed out of a material need or desire for security, and may even have political motivations, theft and murder are not exclusively motivated by a desire to dominate others. What convinces perpetrators of rape to dominate through sexual violence? How do perpetrators identify who they are entitled to dominate? In Rape Fantasies, Alisa Kessel makes the case that to prevent sexual violence in the US and elsewhere, we must confront rape as a crime that is not born of natural sexual appetites, simple miscommunication, or ethical breach. Instead, Kessel argues that rape is a political act, and that the myths and practices of a rape culture identify both who is dominable and who is entitled to dominate. In US rape culture, sexual violence is an essential political tactic to preserve--and, oftentimes, to embolden--hierarchies of race, gender, sexuality, and class. Kessel provides an intersectional reconceptualization of rape culture that reveals how it evolves and expands to discipline any group that threatens the sociopolitical order. While most contemporary accounts of rape culture focus on women and girls as the targets of sexual violence, domination through sex can happen along many dimensions. And, consequently, these accounts of rape culture--contrary to their best intentions--actually conceal the victimization of those who do not fit within normalized accounts of rape, particularly those who are subordinated by white supremacy, settler and capitalist exploitation, cisnormativity, and heteronormativity. Original, ambitious, and compelling, Rape Fantasies reveals how an entire culture can reproduce the myths and practices of rape culture and ensure that sexual violence persists as a reliable technique of political domination.
The Parable of the Gifts

The Parable of the Gifts

Alisa O'Hagan

Tellwell Talent
2022
pokkari
Orion is heading to a very special event and he needs to bring the present he was given by the Father. Along the way, he stumbles upon some friends and some who are not friends Will Orion make it to the big event? With help from his Father he will
The Parable of the Gifts

The Parable of the Gifts

Alisa O'Hagan

Tellwell Talent
2022
sidottu
Orion is heading to a very special event and he needs to bring the present he was given by the Father. Along the way, he stumbles upon some friends and some who are not friends Will Orion make it to the big event? With help from his Father he will
Indie, Inc.

Indie, Inc.

Alisa Perren

University of Texas Press
2012
nidottu
During the 1990s, films such as sex, lies, and videotape, The Crying Game, Pulp Fiction, Good Will Hunting, and Shakespeare in Love earned substantial sums at the box office along with extensive critical acclaim. A disproportionate number of these hits came from one company: Miramax. Indie, Inc. surveys Miramax’s evolution from independent producer-distributor to studio subsidiary, chronicling how one company transformed not just the independent film world but the film and media industries more broadly. As Alisa Perren illustrates, Miramax’s activities had an impact on everything from film festival practices to marketing strategies, talent development to awards campaigning.Case studies of key films, including The Piano, Kids, Scream, The English Patient, and Life Is Beautiful, reveal how Miramax went beyond influencing Hollywood business practices and motion picture aesthetics to shaping popular and critical discourses about cinema during the 1990s. Indie, Inc. does what other books about contemporary low-budget cinema have not-it transcends discussions of “American indies” to look at the range of Miramax-released genre films, foreign-language films, and English-language imports released over the course of the decade. The book illustrates that what both the press and scholars have typically represented as the “rise of the American independent” was in fact part of a larger reconfiguration of the media industries toward niche-oriented products.
Plenty: Eating Locally on the 100-Mile Diet: A Cookbook

Plenty: Eating Locally on the 100-Mile Diet: A Cookbook

Alisa Smith; J. B. MacKinnon

Clarkson Potter Publishers
2008
nidottu
Concerned about the vast distances food travels before it hits the dinner plate, the authors describe their determination to eat only foods grown locally or produced within a one-hundred-mile radius of their home, sharing their reflections on the satisfaction of eating home-grown food, the benefits and pitfalls of local eating, seasonal recipes, and more. Reprint. 30,000 first printing.
El Club Social de Las Chicas Temerarias: Una Novela (Spanish Edition of the Dirty Girls Social Club)
Spanish Language Edition of The Dirty Girls Social Club A vibrant, can't-put-it-down novel of six friends--each one an unforgettable Latina woman in her late '20s--and the complications and triumphs in their lives Inseparable since their days at Boston University almost ten years before, six friends form the Dirty Girls Social Club, a mutual support and (mostly) admiration society that no matter what happens to each of them (and a lot does), meets regularly to dish, dine and compare notes on the bumpy course of life and love. Las sucias are: --Lauren, the resident "caliente" columnist for the local paper, which advertises her work with the line "her casa is su casa, Boston", but whose own home life has recently involved hiding in her boyfriend's closet to catch him in the act--Sara, the perfect wife and mother who always knew exactly the life she wanted and got it, right down to the McMansion in the suburbs and two boisterious boys, but who is paying a hefty price--Amber, the most idealistic and artistic member of the club, who was raised a valley girl without a word of Spanish and whose increasing attachment to her Mexica roots coincides with a major record label's interest in her rock 'n' roll--Elizabeth, the stunning black Latina whose high profile job as a morning television anchor conflicts with her intensely private personal life, which would explain why the dates the other dirty girls set her up on never work out--Rebecca, intense and highly controlled, who flawlessly runs Ella, the magazine she created for Latinas, but who can't explain why she didn't understand the man she married and now doesn't even share a room with; and--Usnavys, irrepressible and larger than life, whose agenda to land the kind of man who can keep her in Manolo Blahniks and platanos almost prevents her seeing true love when it lands in her lap. There's a lot of catching up to do.
Playing with Boys

Playing with Boys

Alisa Valdes-Rodriguez

St. Martin's Griffin
2005
nidottu
From the author of The Dirty Girls Social Club comes another fast, funny, soulful, and sexy novel about friendship and love amid Latinas. It's a jungle out there -- in Los Angeles, that is, where the tangle of freeways and ingrained insincerity can make a girl feel very alone, no matter how fabulous the weather or how cute the clothes at the South Coast Plaza mall. With very different styles and attitudes, Marcella, Olivia, and Alexis are trying to crack the code in L.A, trying to snare love and success. But first they have to come together--to make their marks and plan the fun they're going to have along the way. Marcella is a hot, sharp young television actress who's barely able to enjoy the life she's bought for herself and certainly isn't enjoying her body, which is never quite perfect enough. Olivia, whose life revolves around her toddler son, Jack, is tethered to her suburban mommy track so tightly she can almost forget the horrible thing that happened to her family when she was a child herself. Alexis is a musicians' manager with a smart mouth, an ample body, and loads of style but barely enough self-esteem to fill a Prada card case. And the boys in their lives? Marcella's had about enough of them throwing themselves at her; Olivia's boy is her son; and Alexis is still searching, not for a boy this time, but for a man. Playing with Boys is a savvy novel with charm, style, and heart to spare.
Make Him Look Good

Make Him Look Good

Alisa Valdes-Rodriguez

St. Martin's Griffin
2007
nidottu
The "him" in Make Him Look Good is Ricky Biscayne, sexy Latin singing sensation who has taken the pop world by storm. But it takes more than swiveling hips and dreamy eyes to get to the top of the charts. The women who orbit Ricky are: -- Milan, Ricky's new publicist, and her sister Geneva whose Club G promises to have Miami's hottest opening ever -- Jill Sanchez, a media-manic Latina star who has crossed over from CDs to perfume, clothes and movies -- Jasminka, Ricky's gorgeous Croatian model wife -- Irene, a firefighter whose high school romance with Ricky was the last love in her life, eking out an existence for herself and her daughter Sophia, who is beginning to suspect that she and Ricky Biscayne look a little too much alike With several satisfying romances set against Miami's music, club and modeling scenes, Make Him Look Goodis irresistible fiction from one of America's most original voices.
Dirty Girls on Top

Dirty Girls on Top

Alisa Valdes-Rodriguez

St. Martin's Griffin
2009
nidottu
The Dirty Girls are back, saucier and sexier than ever....but are they any wiser? Lauren is at the top of her game as a newspaper columnist--but her romantic life is a total disaster. Usnavys is still ready for action--from anyone except her husband Juan, that is--his role as stay-at-home dad bores her. Maybe the other Dirty Girls could help Lauren and 'navy out, but they've got their own messes to deal with: Rebecca hasn't gained a pound since college (well, who would, if they had an ounce of self-control?) but now that she has a picture-perfect marriage, all that's missing is a baby; Sara may be the star of her own decorating show on TV, but her dangerous pull toward her ex-husband isn't so pretty; Amber keeps reinventing herself and doesn't want to hear that it isn't enough to make fans buy her music; and Elizabeth is discovering that a relationship with another woman takes more than bravery and a nesting instinct. Dirty Girls on Top is about trying to figure it all out--sex, love, careers, friendship, motherhood. And, in the end, if your fingers are crossed and the planets are in alignment, having it come out just the way it should.
El Hombre Que Yo Quiero

El Hombre Que Yo Quiero

Alisa Valdes-Rodriguez

St. Martins Press-3pl
2006
nidottu
Una estimulante novela sobre seis mujeres y sus relaciones con un hombre muy carism tico... Ricky Biscayne es un sexy cantante latino que ha llegado a la cima de las listas de xito y ha arrasado con el mundo de la musica pop como si fuera una tormenta. Tambien ha sido una tormenta en las vidas y sue os de las mujeres que orbitan a su alrededor: --Mil n, la nueva publicista de Ricky, superinteligente, gordita y muy consentida por sus padres. --G nova, la hermana de Mil n, delgada y chic como no es lo Mil n; la aperture de su Club G promete ser un suceso sensacional e Miami. --Jasminka, la Hermosa modelo Serbia y esposa de Ricky, que finalmente comer un poquito ahora que est embarazada. --Irene, una mujer bombero cuyo romance con Ricky duranto la seundaria fue el ultimo amor de su vida, trata de lograr una existencia para ella y su hija Sophia. --Sophia, quien est comenzando a sospechar que ella y Ricky Biscayne se parecen un poquito. --Jill Sanchez, una estrella Latina come-hombres, mani tica con los medios de comunicaci n; su carrera ha ido desde CD hasta perfume, ropa y cine. Sexy, rom ntica y llena de noches de diversion par alas chicas, con escenas del medio de la m sica, clubes y modelos de Miami, la novella El hombre que yo quiero es una ficci n irresistible de una de las voces m s originales de los Estados Unidos.
The Three Kings: A Christmas Dating Story

The Three Kings: A Christmas Dating Story

Alisa Valdes-Rodriguez

St. Martin's Griffin
2010
nidottu
Who's bearing gifts this Christmas? Three hot, single guys Christy de la Cruz has it all: a great career as an interior designer for the stylish homes of New Mexico, marriage to a tall and handsome man, and a great family--especially her cousin Maggie. But as the holidays approach, she's down to two out of three--that handsome husband has walked out the door. Christy is so not up for dating . . . until Maggie takes Christy on as the ultimate romantic project. Just like the wise men in the nativity story, Melchior, Caspar, and Balthazar arrive bearing gifts and displaying their best stuff. One's a pretty boy, one's a rugged cowboy, and one's an animal lover. Which one will win Christy's heart? Everyone Loves Alisa Valdes-Rodriguez's Novels "Intoxicating."--New York Post "Exhilarating."--Jennifer Crusie "Must-haves."--Latina magazine
A Guide to Russian Adoption

A Guide to Russian Adoption

Alisa White Karwowski

Praeger Publishers Inc
2008
sidottu
This practical book explains the process of adopting a child from Russia, from first contact with a Russian agency through bonding with the adopted child back at home. Karwowski provides a resource that parents can carry along as they navigate the paperwork, the home assessment, court hearings, medical exams, and financial components of what can otherwise seem like an overwhelming process. Herself the adoptive parent of two sons from Russia, the author also details common issues families face as they acclimate their new child to their home, family, and American culture. Aiming to break the process into manageable steps, Karwowski incorporates her own experience as a backdrop. Degreed in both psychology and sociology, she discusses sensitive issues regarding the child, which can include issues of abandonment, trust, and attachment. For all of these, she presents methods adoptive parents can use to see the signs and cope. She also addresses misconceptions commonly held about adoptions from Russia, the country to which she traveled four times across two years, to adopt her sons.
The Clueless Weapon

The Clueless Weapon

Alisa K Brown

Lulu.com
2018
pokkari
What happens when God answers your prayer to get closer to Him, to know Him better? This book shows how God answered that prayer for me. This is my big, cosmic trust-fall into His arms. And from there He took me on some adventures. We went to vampire territory. We went to where scientists are trying to poke God in the eye. And we met some remarkable people along the way. You will learn some hard truths, and secret things will be exposed. Get ready.
The Backside of the Desert

The Backside of the Desert

Alisa K Brown

Lulu.com
2018
pokkari
It all started with the audacious idea to spend six weeks in Israel. I slept in a tent in the desert. I walked the beach at Tel Aviv. I peered into a well that might have been dug by Abraham. I davened at the Western Wall. I ate a bedouin lunch. I gazed at the Eastern Gate, seeing the Second Coming of Jesus in my mind's eye. In the end, six weeks was both a lot and not enough.
Walking to Portugal

Walking to Portugal

Alisa K Brown

Lulu.com
2018
pokkari
What do you do when you have moved out and don't have a place to live? This mother and son went on the Camino de Santiago. But with a twist: backwards. Read and find out why. A Backwards Pilgrimage is a good thing, and also a God thing.
British Hymn Books for Children, 1800-1900
Examining nineteenth-century British hymns for children, Alisa Clapp-Itnyre argues that the unique qualities of children's hymnody created a space for children's empowerment. Unlike other literature of the era, hymn books were often compilations of many writers' hymns, presenting the discerning child with a multitude of perspectives on religion and childhood. In addition, the agency afforded children as singers meant that they were actively engaged with the text, music, and pictures of their hymnals. Clapp-Itnyre charts the history of children’s hymn-book publications from early to late nineteenth century, considering major denominational movements, the importance of musical tonality as it affected the popularity of hymns to both adults and children, and children’s reformation of adult society provided by such genres as missionary and temperance hymns. While hymn books appear to distinguish 'the child' from 'the adult', intricate issues of theology and poetry - typically kept within the domain of adulthood - were purposely conveyed to those of younger years and comprehension. Ultimately, Clapp-Itnyre shows how children's hymns complicate our understanding of the child-adult binary traditionally seen to be a hallmark of Victorian society. Intersecting with major aesthetic movements of the period, from the peaking of Victorian hymnody to the Golden Age of Illustration, children’s hymn books require scholarly attention to deepen our understanding of the complex aesthetic network for children and adults. Informed by extensive archival research, British Hymn Books for Children, 1800-1900 brings this understudied genre of Victorian culture to critical light.
Agency in Teacher Supervision and Mentoring

Agency in Teacher Supervision and Mentoring

Alisa Bates; Mary Burbank

Routledge
2020
nidottu
Offering an in-depth examination of field supervision and the role of the university supervisors in preparing teachers, this book addresses the challenges of providing novice teachers with quality supervision through the support and guidance of teacher education programs. Through a research-based lens, Bates and Burbank discuss the role, responsibilities, and opportunities of the university supervisor. Critically examining the supervisor as an agent of change who is positioned to empower early career teachers, the authors dissect the necessary preparation and support new teachers need in contemporary K-12 classrooms.
Re-Dressing the Canon

Re-Dressing the Canon

Alisa Solomon

Routledge
1997
sidottu
Re-Dressing the Canon examines the relationship between gender and performance in a series of essays which combine the critique of specific live performances with an astute theoretical analysis. Alisa Solomon discusses both canonical texts and contemporary productions in a lively jargon-free style. Among the dramatic texts considered are those of Aristophanes, Ibsen, Yiddish theatre, Mabou Mines, Deborah Warner, Shakespeare, Brecht, Split Britches, Ridiculous Theatre, and Tony Kushner. Bringing to bear theories of 'gender performativity' upon theatrical events, the author explores: * the 'double disguise' of cross-dressed boy-actresses * how gender relates to genre (particularly in Ibsens' realism) * how canonical theatre represented gender in ways which maintain traditional images of masculinity and femininity.
Re-Dressing the Canon

Re-Dressing the Canon

Alisa Solomon

Routledge
1997
nidottu
Re-Dressing the Canon examines the relationship between gender and performance in a series of essays which combine the critique of specific live performances with an astute theoretical analysis. Alisa Solomon discusses both canonical texts and contemporary productions in a lively jargon-free style. Among the dramatic texts considered are those of Aristophanes, Ibsen, Yiddish theatre, Mabou Mines, Deborah Warner, Shakespeare, Brecht, Split Britches, Ridiculous Theatre, and Tony Kushner. Bringing to bear theories of 'gender performativity' upon theatrical events, the author explores: * the 'double disguise' of cross-dressed boy-actresses * how gender relates to genre (particularly in Ibsens' realism) * how canonical theatre represented gender in ways which maintain traditional images of masculinity and femininity.