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C. Francis Jenkins, Pioneer of Film and Television

C. Francis Jenkins, Pioneer of Film and Television

Donald G. Godfrey

University of Illinois Press
2014
sidottu
This is the first biography of the important but long-forgotten American inventor Charles Francis Jenkins (1867-1934). Historian Donald G. Godfrey documents the life of Jenkins from his childhood in Indiana and early life in the West to his work as a prolific inventor whose productivity was cut short by an early death. Jenkins was an inventor who made a difference. As one of America's greatest independent inventors, Jenkins's passion was to meet the needs of his day and the future. In 1895 he produced the first film projector able to show a motion picture on a large screen, coincidentally igniting the first film boycott among his Quaker viewers when the film he screened showed a woman's ankle. Jenkins produced the first American television pictures in 1923, and developed the only fully operating broadcast television station in Washington, D.C. transmitting to ham operators from coast to coast as well as programming for his local audience. Godfrey's biography raises the profile of C. Francis Jenkins from his former place in the footnotes to his rightful position as a true pioneer of today's film and television. Along the way, it provides a window into the earliest days of both motion pictures and television as well as the now-vanished world of the independent inventor.
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C. C. a. Christensen

C. C. a. Christensen

Jennifer Champoux

UNIVERSITY OF ILLINOIS PRESS
2026
sidottu
Carl Christian Anton (C. C. A.) Christensen left paintings that provide unique glimpses into the beliefs and life experiences of nineteenth-century members of The Church of Jesus Christ of Latter-day Saints. Christensen took his subject matter from the Book of Mormon and the Church's early history, painting widely admired scenes and panoramas that portrayed, retold, and interpreted the past. Drawing on the artist's voluminous writings, Jennifer Champoux illuminates Christensen's influential art, including recently rediscovered works. Christensen received Church commissions and approval and helped shape Latter-day Saints' vision of themselves. Over time the work of other artists eclipsed his achievements, but a twenty-first century revival of interest began to restore his reputation. Champoux also profiles how Christensen's expansive activities outside of the art world gave him a unique vantage point for chronicling how the Latter-day Saint faith and culture evolved in Utah. A revealing intellectual biography, C. C. A. Christensen offers a rare in-depth look at a major Latter-day Saint artist.
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C. C. a. Christensen

C. C. a. Christensen

Jennifer Champoux

UNIVERSITY OF ILLINOIS PRESS
2026
nidottu
Carl Christian Anton (C. C. A.) Christensen left paintings that provide unique glimpses into the beliefs and life experiences of nineteenth-century members of The Church of Jesus Christ of Latter-day Saints. Christensen took his subject matter from the Book of Mormon and the Church's early history, painting widely admired scenes and panoramas that portrayed, retold, and interpreted the past. Drawing on the artist's voluminous writings, Jennifer Champoux illuminates Christensen's influential art, including recently rediscovered works. Christensen received Church commissions and approval and helped shape Latter-day Saints' vision of themselves. Over time the work of other artists eclipsed his achievements, but a twenty-first century revival of interest began to restore his reputation. Champoux also profiles how Christensen's expansive activities outside of the art world gave him a unique vantage point for chronicling how the Latter-day Saint faith and culture evolved in Utah. A revealing intellectual biography, C. C. A. Christensen offers a rare in-depth look at a major Latter-day Saint artist.
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C. Curry Bohm

C. Curry Bohm

Daniel Kraft; Gregg Hertzlieb; Jim Ross

Indiana University Press
2020
pokkari
C. Curry Bohm was a talented and highly regarded landscape artist who is most commonly associated with Brown County, Indiana. Most consider him a leader of the second generation of Brown County painters. However, Curry's career and success expanded well beyond the borders of Brown County. The artist was born in Nashville, Tennessee, in 1894. Much of his artistic training was received in Chicago. The Illinois metropolis served as an important focus for his career development and an outlet for exhibitions until the 1950s. Curry permanently moved to Brown County in 1930. Many of his works during the first half of his career portrayed landscapes painted in the Smoky Mountains of East Tennessee. Later, harbor and marine landscapes painted along coastal sites in Massachusetts and Maine provided new challenges and satisfaction for him over the second half of his career. Curry garnered success in all these artistic arenas. He won major awards at the Chicago Palette & Club in the early 1930s. He was awarded multiple exhibition prizes in East Coast shows during the 1950s. His Smoky Mountain and East Coast landscapes were major painting subjects for his showing in the Indiana Hoosier Salon exhibitions, from 1929-1967, where he won over 25 awards, including two Best in Show Awards. Curry Bohm thus became one of the leading painters in the Indiana arts community during the 20th century.
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C# Precisely

C# Precisely

Peter Sestoft; Henrik I. Hansen

MIT Press
2011
pokkari
A concise reference to the C# programming language, expanded and updated, with a look ahead at C# 5.0.C# is an object-oriented programming language that is similar to Java in many respects but more comprehensive and different in most details. This book offers a quick and accessible reference for anyone who wants to know C# in more detail than that provided by a standard textbook. It will be particularly useful for C# learners who are familiar with Java. This second edition has been updated and expanded, reflecting the evolution and extension of the C# programming language. It covers C# versions 3.0 and 4.0 and takes a look ahead at some of the innovations of version 5.0. In particular, it describes asynchronous programming as found in 5.0.Despite the new material, C# Precisely remains compact and easy to navigate. It describes C# in detail but informally and concisely, presenting lambda expressions, extension methods, anonymous object expressions, object initializers, collection initializers, local variable type inference, type dynamic, type parameter covariance and contravariance, and Linq (language integrated query), among other topics, all in aabout 250 pages. The book offers more than 250 examples to illustrate both common use and subtle points. Two-page spreads show general rules on the left and relevant examples on the right, maximizing the amount of information accessible at a glance.The complete, ready-to-run example programs are available at the book's Web site, http://www.itu.dk/people/sestoft/csharpprecisely/
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C Of E: The State It's In

C Of E: The State It's In

Spck

SPCK Publishing
2006
nidottu
The Church of England is one of the great institutions of the nation: closely enmeshed in its history, its politics and, above all, its religious beliefs. Could this precious resource be in decline? Falling numbers, particularly since the 1960s has made this become an urgent question. Accepting this, the Church has embarked upon extensive reforms to try to stem the loss of members.
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C. S. Lewis and Friends

C. S. Lewis and Friends

David Hein

SPCK Publishing
2011
nidottu
C. S. Lewis is one of the best loved and most engaging Christian writers and he continues to be a powerful defender of the faith. It is in his imaginative fiction that his genius finds its fullest expression and makes its most lasting theological contribution. Famously, Lewis had friends - smart, creative people, who, like him, employed powerful imaginations to explore the profundities of Christian faith and their struggles with their faith. This book of illuminating essays has been written by an international team of Lewis scholars.
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C. P. Snow and the Struggle of Modernity

C. P. Snow and the Struggle of Modernity

John de la Mothe

University of Texas Press
1992
pokkari
The condition of modernity springs from that tension between science and the humanities that had its roots in the Enlightenment but reached its full flowering with the rise of twentieth-century technology. It manifests itself most notably in the crisis of individuality that is generated by the nexus of science, literature, and politics, one that challenges each of us to find a way of balancing our personal identities between our public and private selves in an otherwise estranging world. This challenge, which can only be expressed as "the struggle of modernity," perhaps finds no better expression than in C. P. Snow. In his career as novelist, scientist, and civil servant, C. P. Snow (1905-1980) attempted to bridge the disparate worlds of modern science and the humanities.While Snow is often regarded as a late-Victorian liberal who has little to say about the modernist period in which he lived and wrote, de la Mothe challenges this judgment, reassessing Snow's place in twentieth-century thought. He argues that Snow's life and writings-most notably his Strangers and Brothers sequence of novels and his provocative thesis in The Two Cultures and the Scientific Revolution-reflect a persistent struggle with the nature of modernity. They manifest Snow's belief that science and technology were at the center of modern life.
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The Letters of C. Vann Woodward

The Letters of C. Vann Woodward

C. Vann Woodward

Yale University Press
2017
nidottu
C. Vann Woodward was one of the most prominent and respected American historians of the twentieth century. He was also a very gifted and frequent writer of letters, from his earliest days as a young student in Arkansas and Georgia to his later days at Yale when he became one of the arbiters of American intellectual culture. For the first time, his sprightly, wry, sympathetic, and often funny letters are published, including those he wrote to figures as diverse as John Kennedy, David Riesman, Richard Hofstadter, and Robert Penn Warren. The letters shed new light not only on Woodward himself, but on what it meant to be an American radical and public intellectual, as well as on the complex politics and discourse of the historical profession and the anxious modulations of Southern culture.
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C. S. Lewis's Lost Aeneid

C. S. Lewis's Lost Aeneid

C. S. Lewis

Yale University Press
2019
pokkari
C. S. Lewis (1898–1963) is best remembered as a literary critic, essayist, theologian, and novelist, and his famed tales The Chronicles of Narnia and The Screwtape Letters have been read by millions. Now, A. T. Reyes reveals a different side of this diverse man of letters: translator. Reyes introduces the surviving fragments of Lewis's translation of Virgil's epic poem, which were rescued from a bonfire. They are presented in parallel with the Latin text, and are accompanied by synopses of missing sections, and an informative glossary, making them accessible to the general reader. Writes Lewis in A Preface to Paradise Lost, “Virgil uses something more subtle than mere length of time…. It is this which gives the reader of the Aeneid the sense of having lived through so much. No man who has read it with full perception remains an adolescent.” Lewis's admiration for the Aeneid, written in the 1st century BC and unfolding the adventures of Aeneas, a Trojan who traveled to Italy and became the ancestor of the Romans, is evident in his remarkably lyrical translation. C. S. Lewis's Lost Aeneid is part detective story, as Reyes recounts the dramatic rescue of the fragments and his efforts to collect and organize them, and part illuminating look at a lesser-known and intriguing aspect of Lewis's work.
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C. P. Cavafy: The Unfinished Poems

C. P. Cavafy: The Unfinished Poems

C. P. Cavafy

Knopf Publishing Group
2009
sidottu
A remarkable discovery, an extraordinary literary event: the never-before translated Unfinished Poems of the great Alexandrian Greek poet Constantine Cavafy, published for the first time in English alongside a revelatory new rendering of the Collected Poems--translated and annotated by the renowned critic, classicist, and award-winning author of The Lost. When he died in 1933 at the age of seventy, C. P. Cavafy left the drafts of thirty poems among his papers--some of them masterly, nearly completed verses, others less finished texts, all accompanied by notes and variants that offer tantalizing glimpses of the poet's sometimes years-long method of rewriting and revision. These remarkable poems, each meticulously filed in its own dossier by the poet, remained in the Cavafy Archive in Athens for decades before being published in a definitive scholarly edition in Greek in 1994. Now, with the cooperation and support of the Archive, Daniel Mendelsohn brings this hitherto unknown creative outpouring to English readers for the first time. Beautiful works in their own right--from a six-line verse on the "birth of a poem" to a longer work that brilliantly paints the autumn of Byzantium in unexpectedly erotic colors--these unfinished poemsprovide a thrilling window into Cavafy's writing process during the last decade of his life, the years of his greatest production. They brilliantly explore, often in new ways, the poet's well-established themes: identity and time, the agonies of desire and the ironies of history, cultural decline and reappropriation of the past. And, like the Collected Poems, the Unfinished Poems offers a substantial introduction and notes that provide helpful historical, textual, and literary background for each poem. This splendid translation, together with the Collected Poems, is a cause for celebration--the definitive presentation of Cavafy in English.
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C D C ?

C D C ?

William Steig

Square Fish
2008
nidottu
To figure out William Steig's word puzzles you need merely read the letters, numbers, and symbols aloud. If at first the messages aren't clear, there are clever pictures accompanying each one to give you hints. Some are easy, some are hard, but all are a hilarious treat when the phrases are decoded. Originally published in 1984 with black-and-white drawings, "C D C ?" is given fresh life in this full-color edition painted by Mr. Steig. Also included is an answer key at the end.
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C Is for Corpse: A Kinsey Millhone Mystery

C Is for Corpse: A Kinsey Millhone Mystery

Sue Grafton

St. Martin's Press
2005
pokkari
You haven't read a thriller until you read #1 New York Times bestselling author Sue Grafton's novels with her unforgettable P.I. Kinsey Millhone... C IS FOR CALCULATED How do you go about solving an attempted murder when the victim has lost a good part of his memory? It's one of Kinsey's toughest cases yet, but she never backs down from a challenge. Twenty-three-year-old Bobby Callahan is lucky to be alive after a car forced his Porsche over a bridge and into a canyon. The crash left Bobby with a clouded memory. But he can't shake the feeling it was no random accident and that he's still in danger... C IS FOR CRIME The only clues Kinsey has to go on are a little red address book and the name "Blackman." Bobby can't remember who he gave the address book to for safekeeping. And any chances of Bobby regaining his memory are dashed when he's killed in another automobile accident just three days after he hires Kinsey. C IS FOR CORPSE As Kinsey digs deeper into her investigation, she discovers Bobby had a secret worth killing for--and unearthing that secret could send Kinsey to her own early death... "A" Is for Alibi"B" Is for Burglar"C" Is for Corpse"D" Is for Deadbeat"E" Is for Evidence"F" Is for Fugitive"G" Is for Gumshoe"H" Is for Homicide"I" Is for Innocent"J" Is for Judgment"K" Is for Killer"L" is for Lawless"M" Is for Malice"N" Is for Noose"O" Is for Outlaw"P" Is for Peril "Q" Is for Quarry"R" Is for Ricochet "S" Is for Silence "T" Is for Trespass"U" Is for Undertow "V" Is for Vengeance "W" Is for Wasted "X"
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C Street

C Street

Jeff Sharlet

Back Bay Books
2011
pokkari
In Jeff Sharlet's bestselling book, The Family, he wrote about the 'C Street House,' a Washington, D.C., Christian fellowship home shared by a number of conservative politicians. In the summer of 2009, the house became infamous as the centre of sex scandals involving three of its residents: Senator John Ensign, Governor Mark Sanford, and Congressman Chip Pickering.Sharlet is the leading expert on 'the Family,' and his undercover research and investigative work answers some of the country's biggest questions: how political fundamentalism endures in America; why, despite the collapse of the old Christian Right, it is as big a threat to democracy as ever before; and where, in a time of political upheaval and culture wars, fundamentalist politicians really intend to lead the country
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C Street

C Street

Jeff Sharlet

Little, Brown Company
2010
pokkari
C Street - where piety, politics, and corruption meet Jeff Sharlet is the only journalist to have reported from inside the C Street House, the Fellowship residence known simply by its Washington, DC address. The house has lately been the scene of notorious political scandal, but more crucially it is home to efforts to transform the very fabric of American democracy. And now, after laying bare its tenants' past in The Family, Sharlet reports from deep within fundamentalism in today's world, revealing that the previous efforts of religious fundamentalists in America pale in comparison with their long-term ambitions. When Barack Obama entered the White House, headlines declared the age of culture wars over. In C Street, Sharlet shows why these conflicts endure and why they matter now - from the sensationalism of Washington sex scandals to fundamentalism's long shadow in Africa, where Ugandan culture warriors determined to eradicate homosexuality have set genocide on simmer. We've reached a point where piety and corruption are not at odds but one and the same. Reporting with exclusive sources and explosive documents from C Street, the war on gays in Uganda, and the battle for the soul of America's armed forces - waged by a 15,000-strong movement of officers intent on "reclaiming territory for Christ in the military" Sharlet reveals not the last gasp of old-time religion but the new front lines of fundamentalism.
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