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Robert Duncan

Robert Duncan

Robert Duncan

University of California Press
2014
sidottu
Profoundly original yet insistent on the derivative quality of his work, transgressive yet affirmative of tradition, Robert Duncan (1919-1988) was a generative force among American poets, and his poetry and poetics establish him as a major figure in mid- and late- 20th-century American letters. This second volume of Robert Duncan's collected poetry and plays presents authoritative annotated texts of both collected and uncollected work from his middle and late writing years (1958-1988), with commentaries on each of the five books from this period: The Opening of the Field, Roots and Branches, Bending the Bow, and the two volumes of Ground Work. The biographical and critical introduction discusses Duncan as a late Romantic and postmodern American writer; his formulation of a homosexual poetics; his development of the serial poem; the notation and centrality of sound as organizing principle; his relations with such fellow poets as Robin Blaser, Charles Olson, and Jack Spicer; his indebtedness to Alfred North Whitehead; and his collaborations with the painter Jess Collins, his lifelong partner. Texts include his anti-war poems of the 1960s and 70s, his homages to Dante and other canonical poets, and his translations from the French of Gerard de Nerval, as well as the complete Structure of Rime and Passages series.
Robert Duncan

Robert Duncan

Robert Duncan

University of California Press
2014
sidottu
This volume in the Collected Writings of Robert Duncan series gathers a far-reaching selection of Robert Duncan's prose writings including most of his longer and more well-known essays along with other prose that has never been widely available. Ranging in original publication dates between 1940 and 1985, the forty-one titles reveal a great deal about Duncan's life in poetry - including his impressions of poets whose work he admires, both contemporaries and precursors. Evocative and eclectic, this work delineates the intellectual contexts and sources of Duncan's poetics, and opens a window onto the literary communities in which he participated.
Robert Duncan

Robert Duncan

Robert Duncan

University of California Press
2019
pokkari
This volume in the Collected Writings of Robert Duncan series gathers a far-reaching selection of Robert Duncan’s prose writings including most of his longer and more well-known essays along with other prose that has never been widely available. Ranging in original publication dates between 1940 and 1985, the forty-one titles reveal a great deal about Duncan’s life in poetry—including his impressions of poets whose work he admires, both contemporaries and precursors. Evocative and eclectic, this work delineates the intellectual contexts and sources of Duncan’s poetics, and opens a window onto the literary communities in which he participated.
Robert Duncan

Robert Duncan

Robert Duncan

University of California Press
2019
pokkari
A landmark in the publication of twentieth-century American poetry, this first volume of the long-awaited collected poetry, non-critical prose, and plays of Robert Duncan gathers all of Duncan’s books and magazine publications up to and including Letters: Poems 1953–1956. Deftly edited, it thoroughly documents the first phase of Duncan’s distinguished life in writing, making it possible to trace the poet’s development as he approaches the brilliant work of his middle period. This volume includes the celebrated works Medieval Scenes and The Venice Poem, all of Duncan’s long unavailable major ventures into drama, his extensive “imitations” of Gertrude Stein, and the remarkable poems written in Majorca as responses to a series of collaged paste-ups by Duncan’s life-long partner, the painter Jess. Books appear in chronological order of publication, with uncollected periodical and other publications arranged chronologically, following each book. The introduction includes a biographical commentary on Duncan’s early life and works, and clears an initial path through the textual complexities of his early writing. Notes offer brief commentaries on each book and on many of the poems.The volume to follow, The Collected Later Poetry and Plays, will include The Opening of the Field (1960), Roots and Branches (1964), Bending the Bow (1968), Ground Work (1984), and Ground Work II (1987).
Robert Duncan

Robert Duncan

Robert Duncan

University of California Press
2019
pokkari
Profoundly original yet insistent on the derivative quality of his work, transgressive yet affirmative of tradition, Robert Duncan (1919-1988) was a generative force among American poets, and his poetry and poetics establish him as a major figure in mid- and late- 20th-century American letters. This second volume of Robert Duncan’s collected poetry and plays presents authoritative annotated texts of both collected and uncollected work from his middle and late writing years (1958-1988), with commentaries on each of the five books from this period: The Opening of the Field, Roots and Branches, Bending the Bow, and the two volumes of Ground Work. The biographical and critical introduction discusses Duncan as a late Romantic and postmodern American writer; his formulation of a homosexual poetics; his development of the serial poem; the notation and centrality of sound as organizing principle; his relations with such fellow poets as Robin Blaser, Charles Olson, and Jack Spicer; his indebtedness to Alfred North Whitehead; and his collaborations with the painter Jess Collins, his lifelong partner. Texts include his anti-war poems of the 1960s and 70s, his homages to Dante and other canonical poets, and his translations from the French of Gérard de Nerval, as well as the complete Structure of Rime and Passages series.
Watch Me Take Off The Life of Ian J. (Jim) Duncan
Young Ian Duncan dreamed of flying airplanes, though this seemed an impossibility. His parents, poor immigrants, had left Scotland in the 1920s, hoping for a better life in the USA. The couple settled in Butler, Pennsylvania, where George Duncan worked as chauffeur to the rich owner of T. W. Phillips Gas and Oil. Ian and his two sisters were born on the Phillips estate and lived with their parents above the carriage house. Mr. Phillips became their benefactor through trusts for the three children. Ian's trust provided means for him to realize his dream to be an aviator. In 1949 at fourteen, he had the luck to be hired as a hangar boy at Scholter Aviation and be mentored by the owner, Kenneth Scholter. Thus began an illustrious career in which Ian Duncan in five decades rose to great heights in aviation. Watch Me Take Off recounts this remarkable man's achievements in an era of adventurous and joyous flying. Duncan's career with the Air Force, Pan American World Airways, executive positions with Airbus Industrie, and his many noteworthy awards reflect a unique life in aviation. This exceptional man's grounding in humility, integrity, and hard work will inspire; and for readers interested in aviation history, the book is of importance.
Isadora Duncan in the 21st Century

Isadora Duncan in the 21st Century

Andrea Mantell Seidel

McFarland Co Inc
2015
pokkari
Part artistic study, part intimate memoir, this book illuminates the technique and repertory of American dancer Isadora Duncan (1877-1927) and her enduring legacy from the perspective of an artist and scholar who has reconstructed and performed her work for 35 years. Providing an overview of modern activities and trends in the teaching and performance of Duncan's dance, the author describes her own work directing The Isadora Duncan Dance Ensemble, the company that sought to implement Duncan's mission to create not a school of dance but "a school of life."
Robert Duncan and Denise Levertov

Robert Duncan and Denise Levertov

Stanford University Press
2006
sidottu
This collection of essays, written for this volume and often using unpublished and archival materials, converges around the usually close and intense relationship between Robert Duncan and Denise Levertov, two of the most important and remarkable American poets in the second half of the twentieth century. Their association, played out in their poems and in an extraordinary exchange of letters, was based on a sense of the visionary imagination informing the direction and shape of the poet. However, they had a falling out during the Vietnam crisis over the relationship between poetry and politics, between the private and public responsibilities of the poet. Such issues are vital not only to their poetry and the poetry of that period but to contemporary poetry as well. A distinguished group of critics, led by Albert Gelpi and Robert J. Bertholf, examines the issues that drew Levertov and Duncan together, and split them apart, in a book that has the openness and coherence of an urgent, contemporary dialogue about the form and meaning of poetry.
Robert Duncan and Denise Levertov

Robert Duncan and Denise Levertov

Stanford University Press
2006
pokkari
This collection of essays, written for this volume and often using unpublished and archival materials, converges around the usually close and intense relationship between Robert Duncan and Denise Levertov, two of the most important and remarkable American poets in the second half of the twentieth century. Their association, played out in their poems and in an extraordinary exchange of letters, was based on a sense of the visionary imagination informing the direction and shape of the poet. However, they had a falling out during the Vietnam crisis over the relationship between poetry and politics, between the private and public responsibilities of the poet. Such issues are vital not only to their poetry and the poetry of that period but to contemporary poetry as well. A distinguished group of critics, led by Albert Gelpi and Robert J. Bertholf, examines the issues that drew Levertov and Duncan together, and split them apart, in a book that has the openness and coherence of an urgent, contemporary dialogue about the form and meaning of poetry.
Quince Duncan

Quince Duncan

Dorothy E. Mosby

The University of Alabama Press
2014
sidottu
Quince Duncan is a comprehensive study of the published short stories and novels of Costa Rica’s first novelist of African descent and one of the nation’s most esteemed contemporary writers.The grandson of Jamaican and Barbadian immigrants to Limón, Quince Duncan (b. 1940) incorporates personal memories into stories about first generation Afro–West Indian immigrants and their descendants in Costa Rica. Duncan’s novels, short stories, recompilations of oral literature, and essays intimately convey the challenges of Afro–West Indian contract laborers and the struggles of their descendants to be recognized as citizens of the nation they helped bring into modernity.Through his storytelling, Duncan has become an important literary and cultural presence in a country that forged its national identity around the leyenda blanca (white legend) of a rural democracy established by a homogeneous group of white, Catholic, and Spanish peasants. By presenting legends and stories of Limón Province as well as discussing the complex issues of identity, citizenship, belonging, and cultural exile, Duncan has written the story of West Indian migration into the official literary discourse of Costa Rica. His novels Hombres curtidos (1970) and Los cuatro espejos (1973) in particular portray the Afro–West Indian community in Limón and the cultural intolerance encountered by those of African-Caribbean descent who migrated to San José. Because his work follows the historical trajectory from the first West Indian laborers to the contemporary concerns of Afro–Costa Rican people, Duncan is as much a cultural critic and sociologist as he is a novelist.In Quince Duncan, Dorothy E. Mosby combines biographical information on Duncan with geographic and cultural context for the analysis of his works, along with plot summaries and thematic discussions particularly helpful to readers new to Duncan.
Robert Duncan and the Pragmatist Sublime

Robert Duncan and the Pragmatist Sublime

James Maynard

University of New Mexico Press
2018
sidottu
This study examines the theoretical underpinnings of Robert Duncan’s poetry and poetics. The author’s overriding concern is Duncan’s understanding of excess in relation to poetry and the philosophies of Alfred North Whitehead, William James, and John Dewey.
Patrick Duncan

Patrick Duncan

C.j. Driver

James Currey
2000
pokkari
With a Foreword by Anthony Sampson Born son of a Governor-General of South Africa, Patrick Duncan rejected the attitudes of his privileged background to follow the Gandhian way of passive reistance, even to jail. This biography traces the life and times of Duncan and the changes and struggles in late-twentieth century South Africa.
Robert Duncan in San Francisco

Robert Duncan in San Francisco

Michael Rumaker

City Lights Books
2013
pokkari
After his graduation from Black Mountain College, Michael Rumaker made his way to the post-Howl, pre-Stonewall gay literary milieu of San Francisco, where he entered the circle of Robert Duncan. Contrasting Duncan's daringly frank homosexuality with Rumaker's own then-closeted life, Robert Duncan in San Francisco conjures up with harrowing detail an era of police prosecution of a clandestine gay community struggling to survive in the otherwise "open city" of San Francisco. This expanded edition includes a selection of previously unpublished letters between Rumaker and Duncan, and an interview conducted for this edition, in which Rumaker provides further reflections on the poet and the period. "This is a wonderfully revealing account of a series of lifechanging collisions between a young writer (Rumaker), an older writer (Duncan), a still older mentor for both (Charles Olson), a city (San Francisco), and an important era in American literature (the 1950s), when it was being turned upside down by these individuals and their friends. It's also a tender and intelligent account of a young man's coming to grips with being gay in the midst of this upheaval. Much more than memoir; it's history." --Russell Banks, author of Cloudsplitter Robert Duncan in San Francisco offers a surprising portrait of a mentor in all his witty, wicked, luminous, and vulnerable complexity. Straddling the lines of memoir and cultural history, Michael Rumaker gives a rare and delightful view of Duncan at home in the gay community while also documenting the struggles of that community in 1950s America." --Lisa Jarnot, author of Robert Duncan, The Ambassador from Venus "In this fine memoir of this 16 months in San Francisco, Rumaker learns many lessons about being at home with who he is, in what he calls 'Robert's city.'" --Joanne Kyger, About Now: Collected Poems Michael Rumaker has written several novels and short story collections, as well as the memoir Black Mountain Days. He was born in Philadelphia and is a graduate of Black Mountain College -- where Duncan served as his outside thesis advisor--and Columbia University. He taught at City University of New York and the New School for Social Research. Robert Duncan (1919-1988) was an American poet and well-known as a key figure in the San Francisco Renaissance. City Lights published a book of his poetry titled Selected Poems.
Skeletal Songs Decomposed by Stefan Duncan

Skeletal Songs Decomposed by Stefan Duncan

Stefan Duncan

Raven's Light Publishing
2013
nidottu
Skeletal Songs is a collection of 43 poems mixed with chills and laughter ranging from hungry grandmothers to boogeymen beneath the bleachers. You'll experience the rare emotional moments of laughing and screaming at the same time. Simply horribly adorable. Warning: these are a collection of poems in the horror genre that may create opposite emotions at the same time. You may feel the urge to laugh and scream simultaneously on some of the poems. While there are a few dark humored poems, some in this collection seek to capture the emotions and psyche of a normal person in supernatural situations. Some are haunting tales such as "Tale of Waccamaw Lake. Some of the poetry is about lost love, fear of our inner natures, turning vampire, and becoming werewolves. Many of these reflect our society today such as "A Howl, A Howl, Howl". The poems were written from various locations such as from a room in the Stanley Hotel that inspired Stephen King to write the Shining. Several were written at the Waldorf Hotel in New York during the Horror Writers of American gathering of the greatest horror writers of our generation. Tale of Waccamaw Lake was written from the shores of Lake Waccamaw. Each have been published and for the first time gathered into one collection by Stefan Duncan who is publishing horror and fantasy books. Its been Stefan's dream to create memorable poems, tales of horror, and fantasy. Stefan is the author of "Swordslinger" and "Raven's Light." His next novel "Crematory" will be published 2014 that is also in preproduction for a movie.
Finding Duncan

Finding Duncan

Gretchen Eick

Blue Cedar Press
2019
pokkari
When Duncan Allan comes home early from a business trip and surprises his wife with his charming elder brother, anger and despair overwhelm him. He flees, drinks himself to oblivion, and ends up escaping to a remote fishing village on Scotland's North Sea coast to try to survive this double betrayal. There an elderly Scot, a Dutch child and her mother rescue him and he rebuilds his life. When tragedy strikes, he is again lost and alone, shrinking again into immobilizing depression.Abandoned by her husband in Wichita, Kansas and pregnant, Duncan's wife Amy also has to reinvent her life--a single mom in a Midwestern city sharing her home with her gay brother-in-law and his partner. Her need to understand Duncan's disappearance prevents her from fully moving on with her life.When years later her son and his travel buddy meet a gruff and unfriendly American in Scotland, all three Allans must choose must whether to wade into their family secrets and anger. Is Duncan worth finding or should they all let him go?Moving between Wichita, Kansas and the North Sea coast of Scotland, this lyrical novel explores the impact of perceived betrayal, the devastation of severed relationships, and the capacity for rebuilding lives haunted by chronic depression and loss.
Isadora Duncan, an Intimate Portrait

Isadora Duncan, an Intimate Portrait

Sewell 1902- Stokes

Hassell Street Press
2021
sidottu
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.