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Personality Plus

Personality Plus

Edna Ferber

University of Illinois Press
2002
nidottu
Edna Ferber, the Pulitzer Prize-winning author of Show Boat and Giant, achieved her first great success with a series of stories featuring Emma McChesney: a smart, stylish, divorced mother who in a mere twelve years rose from stenographer to traveling sales representative to business manager and partner of the T. A. Buck Featherloom Petticoat Company. In this second of three volumes chronicling the travels and trials of Emma McChesney, the plucky heroine trades in her traveling bag and coach tickets for an office and a position a T. A. Buck Jr.'s business partner. Along with this well-earned promotion comes the home–-with a fireplace–-that she had longed for during her ten years on the road. Her dashing son Jock, now twenty-one, has just entered the business world himself with the Berg, Shriner Advertising company. His colleagues believe that with his heritage he "ought to be able to sell ice to an eskimo." Indeed, Jock dazzles them with his keen business sense and exemplary work ethic, but goes overboard on the charm and ends up alienating clients, unnerving his boss, and even patronizing his business-savvy mother. When his company takes on the challenge of creating a zippy advertising campaign for T. A. Buck's no-frills petticoats, Jock comes through, but not without a reminder that mother always knows best. In this bracingly modern novel, first published in 1914, Ferber contrasts the virtues of talent with those of experience to provide a fresh, readable, and smartly entertaining contest between a mother and her adult son.
Emma McChesney and Co.

Emma McChesney and Co.

Edna Ferber

University of Illinois Press
2002
nidottu
Edna Ferber, the Pulitzer Prize-winning author of Show Boat and Giant, achieved her first great success with a series of stories featuring Emma McChesney: a smart, stylish, divorced mother who in a mere twelve years rose from stenographer to traveling sales representative to business manager and partner of the T. A. Buck Featherloom Petticoat Company. In this final of three volumes chronicling the travels and trials of Emma McChesney, first published in 1915, Emma's son, Jock, has moved to Chicago with his new wife. Struggling with a newly emptied nest, Emma dives into a whirlwind South American sales tour to prove she hasn't lost her touch. Back in New York, Emma and her business partner, T. A. Buck Jr., try to disguise their budding romance from colleagues. After months of acting like a "captain of finance when he feels like a Romeo," T. A. convinces Emma they should marry. Emma tries to "be what the yellow novels call a doll-wife" but trades in her fancy dressing gowns for more sensible business suits and heads back to the office. With one hand writing advertising copy and the other wrapped around a pair of shears, Emma saves the company from financial peril amid the arrival of some flustering, if exciting, news from Jock. By turns sales pro, newlywed, fashion maven, and anxious grandmother, Emma symbolizes the ideal woman at the dawn of the twentieth century: sharp, capable, charming, and progressive. Emma McChesney and Co. is enhanced by the illustrations of James Montgomery Flagg, one of the most highly regarded book illustrators of the period.
Half Portions

Half Portions

Edna Ferber

University of Illinois Press
2002
nidottu
A collection of short stories from Pultizer Prize winner, Edna Ferber The short stories in this collection take the reader from small-town Wisconsin to the bustling streets of New York and Chicago and back again. While they range greatly in length and tone, they all share the trademark wit and affectionate insight of Edna Ferber. Showcasing the facility with words that made her a mainstay at the Algonquin round table, Ferber explores some of her favorite themes: the role of women (especially strong or unconventional women) in modern society, the mores of the midwestern small town, and the changes over time in relationships between parents and children. In “The Maternal Feminine,” a plain, overlooked child grows into a strong, resourceful businesswoman and forms a strong motherly bond with the children of her more attractive sister. In “April 25th, As Usual,” an aging Wisconsin couple reluctantly join their successful daughter in New York, where they try to adjust to a very different lifestyle. “Old Lady Mandle” is a bittersweet tale about an elderly Chicago mother coming to terms with the fact that she is no longer the most important woman in the life of her grown son. “One Hundred Per Cent” features Ferber’s celebrated heroine Emma McChesney, now re-married, seeing her husband off to war. The stories gathered here are beautifully observed chronicles of early twentieth-century life and are filled with characters who, despite their very human foibles, are all bestowed by Ferber with warmth and dignity.
The Hispanic Experience in the United States

The Hispanic Experience in the United States

Edna Acosta-Belen; Barbara Sjostrom

Praeger Publishers Inc
1988
sidottu
The Hispanic community in the U.S. has long remained silent about its needs for equal opportunity and recognition. This collection of essays by recognized scholars explores how Puerto Ricans, Chicanos, Cubans, and other Latinos have begun to publicly articulate their needs, rights, and aspirations. The volume is divided into three major thematic sections: demographic profiles; immigration assimilation, and cultural identity; and socio-economic profiles. The authors address such questions as: Who are the Hispanics and what are their origins? What impact will Hispanic population growth have on U.S. society? What demographic factors affect the status of Hispanics? How does Hispanic immigration differ from other prior immigration? The essays gather the most recent demographic and socioeconomic data on Hispanics and interpret their implications for the present and future of the community.
Into the World’s Great Heart

Into the World’s Great Heart

Edna St. Vincent Millay; Holly Peppe

YALE UNIVERSITY PRESS
2023
sidottu
An annotated selection of the letters of the Pulitzer Prize–winning poet and playwright Edna St. Vincent Millay, from childhood through the last year of her life Throughout her life, Edna St. Vincent Millay wrote hundreds of letters, which together create a colorful tapestry of her inner life. This selection, based on archival research, represents Millay’s correspondence from 1900, when she was eight, until 1950, the last year of her life. Through her letters, readers encounter the vast range of Millay’s interests, including world literature, music, and horse racing, as well as her commitment to gender equality and social justice. This collection, edited by Timothy F. Jackson, includes previously unpublished correspondence, as well as letters containing early versions of poems, revealing new dimensions in Millay’s creative process and influences. It is enriched by Jackson’s thoughtful introduction and notes, plus a foreword by Millay’s literary executor, Holly Peppe. Millay’s observations on her inner life and the world around her—which speak to contemporary concerns as well—add to our understanding of American literature in the first half of the twentieth century.
Rapture and Melancholy

Rapture and Melancholy

Edna St. Vincent Millay; Holly Peppe

YALE UNIVERSITY PRESS
2023
pokkari
The first publication of Edna St. Vincent Millay’s private, intimate diaries, providing “a candid self-portrait of the ‘bad girl of American letters’” (Kirkus Reviews) “Provides an occasion to revisit not just [Millay’s] improbable life but also her sometimes revelatory work.”—Abigail Deutsch, Wall Street Journal “Rapture and Melancholy paints a picture of artistic triumph, romantic tumult, and a daily life that descended into addiction.”—Heather Clark, New York Times Book Review The English author Thomas Hardy proclaimed that America had two great attractions: the skyscraper, and the poetry of Edna St. Vincent Millay. In these diaries the great American poet illuminates not only her literary genius, but her life as a devoted daughter, sister, wife, and public heroine; and finally as a solitary, tragic figure. This is the first publication of the diaries she kept from adolescence until middle age, between 1907 and 1949, focused on her most productive years. Who was the girl who wrote “Renascence,” that marvel of early twentieth-century poetry? What trauma or spiritual journey inspired the poem? And after such celebrity why did she vanish into near seclusion after 1940? These questions hover over the life and work, and trouble biographers and readers alike. Intimate, eloquent, these confessions and keen observations provide the key to understanding Millay’s journey from small-town obscurity to world fame, and the tragedy of her demise.
Millay: Poems

Millay: Poems

Edna St. Vincent Millay

Random House Inc
2010
sidottu
One of America's most beloved poets, Edna St. Vincent Millay burst onto the literary scene at a very young age and won the Pulitzer Prize for Poetry in 1923. Her passionate lyrics and superbly crafted sonnets have thrilled generations of readers long after the notoriously bohemian lifestyle she led in Greenwich Village in the 1920s ceased to shock them. Millay's refreshing frankness and cynicism and her ardent appetite for life still burn brightly on the page more than half a century after her death. This volume includes the early poems that many consider her best-- "Renascence" and "The Ballad of the Harp Weaver" among them--as well as such often-memorized favorites as "What lips my lips have kissed" and "First Fig" ("My candle burns at both ends . . ."). The poet's most famous verse drama, the one-act antiwar fable Aria da Capo, is included here as well.
Yiddish Proletarian Theatre

Yiddish Proletarian Theatre

Edna Nahshon

Praeger Publishers Inc
1998
sidottu
The Artef (1925-1940) began as a radical Yiddish workers' theatre and developed into a major American Yiddish theatre company. It was among the acknowledged pillars of the Theatre of Social Consciousness, a movement that redefined the course for the American stage during the half century that followed. In the 1920s and 1930s, New York was widely recognized as the world capital of the Yiddish theatre. The Artef was a principal theatrical institution during this so-called Golden Era. Established in 1925 as a proletarian theatrical organization affiliated with the Jewish section of the American communist movement, the Artef was hailed by Brooks Atkinson as one of the artistic ornaments in town. In 1934 the Artef moved to Broadway, where it continued to perform until its demise in 1940. This work examines the history of Artef and analyzes the artistic, ideological, and organizational aspects of its work. The company's major productions are discussed, with a focus on the central issues raised by script, direction, and acting. The book attempts to demonstrate that radical politics often shaped and determined the evolution of the theatre, and that its artistic and organizational life must be seen within the context of the political and cultural movement of which it was a part. The work is divided into three major segments: Chapters I-IV discuss the ideological, social, and cultural forces that gave rise to the Artef, the crystallization of the organization, and the work of its acting studio, which in 1928 became the acting collective of the Artef; Chapters V-VIII cover the period of 1929-1934, the formative years of the Artef and their correspondence to communist Third Period doctrine; Chapters IX-XIII are devoted to the theatre's successful Broadway period, which paralleled the Communist Party's liberal Popular Front era. The last chapter discusses the efforts to revive the Artef, and its inevitable demise following the 1939 German-Russian Nonaggression Pact. This is a major work in Jewish Theatre Studies that will be of great use to scholars and other researchers involved with Jewish and Performance Theatre Studies as well as the history of the American Left.
Country Girl

Country Girl

Edna O'Brien

Back Bay Books
2014
nidottu
Country Girl is Edna O'Brien's exquisite account of her dashing, barrier-busting, up-and-down life.-National Public Radio When Edna O'Brien's first novel, The Country Girls, was published in 1960, it so scandalized the O'Briens' local parish that the book was burned by its priest. O'Brien was undeterred and has since created a body of work that bears comparison with the best writing of the twentieth century. Country Girl brings us face-to-face with a life of high drama and contemplation. Starting with O'Brien's birth in a grand but deteriorating house in Ireland, her story moves through convent school to elopement, divorce, single-motherhood, the wild parties of the '60s in London, and encounters with Hollywood giants, pop stars, and literary titans. There is love and unrequited love, and the glamour of trips to America as a celebrated writer and the guest of Jackie Onassis and Hillary Clinton. Country Girl is a rich and heady accounting of the events, people, emotions, and landscape that have imprinted upon and enhanced one lifetime.
Saints and Sinners: Stories

Saints and Sinners: Stories

Edna O'Brien

Back Bay Books
2011
nidottu
With her inimitable gift for describing the workings of the heart and mind, Edna O'Brien introduces us to a vivid new cast of restless, searching people who-whether in the Irish countryside or London or New York-remind us of our own humanity. In Send My Roots Rain, Miss Gilhooley, a librarian, waits in the lobby of a posh Dublin hotel-expecting to meet a celebrated poet while reflecting on the great love who disappointed her. The Irish workers of The Shovel Kings have pipe dreams of becoming millionaires in London, but long for their quickly changing homeland-exiles in both places. Green Georgette is a searing anatomy of class, through the eyes of a little girl; Old Wounds illuminates the importance of family and memory in old age. In language that is always bold and vital, Edna O'Brien pays tribute to the universal forces that rule our lives.
The Little Red Chairs

The Little Red Chairs

Edna O'Brien

Back Bay Books
2016
nidottu
A fiercely beautiful novel about one woman's struggle to reclaim a life shattered by betrayal from the 2018 winner of the PEN/Nabokov Award for Achievement in International Literature. One night, in the dead of winter, a mysterious stranger arrives in the small Irish town of Cloonoila. Broodingly handsome, worldly, and charismatic, Dr. Vladimir Dragan is a poet, a self-proclaimed holistic healer, and a welcome disruption to the monotony of village life. Before long, the beautiful black-haired Fidelma McBride falls under his spell and, defying the shackles of wedlock and convention, turns to him to cure her of her deepest pains. Then, one morning, the illusion is abruptly shattered. While en route to pay tribute at Yeats's grave, Dr. Vlad is arrested and revealed to be a notorious war criminal and mass murderer. The Cloonoila community is devastated by this revelation, and no one more than Fidelma, who is made to pay for her deviance and desire. In disgrace and utterly alone, she embarks on a journey that will bring both profound hardship and, ultimately, the prospect of redemption. Moving from Ireland to London and then to The Hague, The Little Red Chairs is Edna O'Brien's first novel in ten years -- a vivid and unflinching exploration of humanity's capacity for evil and artifice as well as the bravest kind of love.
The Love Object: Selected Stories

The Love Object: Selected Stories

Edna O'Brien

Back Bay Books
2017
nidottu
Collected here for the first time are stories spanning five decades of writing by the "short story master" (Harold Bloom). As John Banville writes in his introduction to The Love Object, Edna O'Brien "is, simply, one of the finest writers of our time." The thirty-one stories collected in this volume provide, among other things, a cumulative portrait of Ireland, seen from within and without. Coming of age, the impact of class, and familial and romantic love are the prevalent motifs, along with the instinct toward escape and subsequent nostalgia for home. Some of the stories are linked and some carry O'Brien's distinct sense of the comical. In "A Rose in the Heart of New York," the single-mindedness of love dramatically derails the relationship between a girl and her mother, while in "Sister Imelda" and "The Creature" the strong ties between teacher and student and mother and son are ultimately broken. "The Love Object" recounts a passionate affair between the narrator and her older lover. The magnificent, mid-career title story from Lantern Slides portrays a Dublin dinner party that takes on the lives and loves of all the guests. More recent stories include "Shovel Kings" -- "a masterpiece of compression, distilling the pain of a lost, exiled generation" (Sunday Times) -- and "Old Wounds," which follows the revival and demise of the friendship between two elderly cousins. In 2011, Edna O'Brien's gifts were acknowledged with the most prestigious international award for the story, the Frank O'Connor Short Story Award. The Love Object illustrates a career's worth of shimmering, potent prose from a writer of great courage, vision, and heart. "The most striking aspect of Edna O'Brien's short stories, aside from the consistent mastery with which they are executed, is their diversity."-John Banville
Show Boat

Show Boat

Edna Ferber; Foster Hirsch

VINTAGE
2014
nidottu
The classic tale behind MGM's blockbuster movie directed by George Sidney, starring Ava Gardner, Howard Keel, and Kathryn Grayson. Bringing to life the adventurous world of Mississippi show boats, the grittiness of turn-of-the-century Chicago, and the majesty of 1920s Broadway, Pulitzer Prize winner Edna Ferber's Show Boat is a classic. Magnolia Hawks spends her childhood aboard the Cotton Blossom, growing up amid simmering racial tension and struggling to survive life on the Mississippi. When she falls in love with the dashing Gaylord Ravenal and moves with him to Chicago, the joy of giving birth to their beautiful daughter, Kim, is offset by Gaylord's gambling addiction and distrustful ways. Only when Kim sets off on her own to pursue success on the New York stage does Magnolia return to the Cotton Blossom, reflecting on her own life and all who once called the show boat their home. Originally published in 1926, adapted for the stage as a musical a year later and filmed three times over three decades, Show Boat brilliantly explores a nation going pivotal change through the lens of its popular culture. With a new foreword by Foster Hirsch. Vintage Movie Classics spotlights classic films that have stood the test of time, now rediscovered through the publication of the novels on which they were based.
Cimarron

Cimarron

Edna Ferber

VINTAGE
2014
nidottu
The basis for the Academy Award-winning major motion picture starring Best Actor nominee Richard Dix and Best Actress nominee Irene Dunne. This vivid and sweeping tale of the Oklahoma Land Rush, from Pulitzer Prize winner Edna Ferber, traces the stunning challenges of settling an untamed frontier. Staking claim to their new home in Osage, Yancey Cravat, a spellbinding criminal lawyer, and his wife, well-bred Sabra, work against seemingly overwhelming odds to create a prosperous life for themselves. And as they establish themselves in this lawless land, Sabra displays a brilliant business sense and makes a success of their local newspaper, the Oklahoma Wigwam, all amidst border and land disputes, outlaws, and the discovery of oil. Originally published in 1929, and twice made into a motion picture, Cimarron brings history alive, capturing the settling of the American West in vivid detail. With a new foreword by Julie Gilbert. Vintage Movie Classics spotlights classic films that have stood the test of time, now rediscovered through the publication of the novels on which they were based.
A History of the World in Six Plagues

A History of the World in Six Plagues

Edna Bonhomme

John Murray Press
2025
sidottu
A History of the World in Six Plagues unveils a powerful and unsettling truth: epidemic diseases enter the world by chance, but they become catastrophic by human design.In this groundbreaking work, Bonhomme explores how six pivotal diseases - Cholera, HIV/AIDS, the Spanish Flu, Sleeping Sickness, Ebola and COVID-19 - have shaped the trajectory of human history. With vivid storytelling and rigorous research, she reveals how pandemics have consistently widened the gaps in racial, economic and sociopolitical divides, from the slave ships of the Atlantic to today's fractured healthcare systems.How did a colonial obsession with sugar amplify the devastation of Cholera? Why did sleeping sickness become a weapon of empire in Tanzania? And how has COVID-19 magnified inequities in our modern, interconnected world?Bonhomme's incisive analysis transforms our understanding of public health, not as a neutral force but as a stage where power, policy and prejudice collide. Urgent and illuminating, A History of the World in Six Plagues is not just a history of disease - it is a call to reimagine a more equitable future in the face of ongoing global health challenges.'This book tells the accounts of people who deserved better. It is also a story of redemption, and of the little child in all of us, curled up alone in a huge bed, without her parents, who wants to be healthy and free.'
Women And Work In Africa

Women And Work In Africa

Edna G. Bay

Routledge
2019
sidottu
This collection of articles grows out of a symposium on the subject of women and work in Africa held on the Urbana-Champaign campus of the University of Illinois in the spring of 1979. The organizing committee for that program sought first, to update the field of economic studies of women in Africa and second, to provide a forum for the exchange and stimulation of ideas among scholars and professionals concerned for women in Africa. The publication here of the majority of the symposium papers represents a logical final step in the fulfillment of the objectives of the symposium program committee.
Women And Work In Africa

Women And Work In Africa

Edna G. Bay

Routledge
2021
nidottu
This collection of articles grows out of a symposium on the subject of women and work in Africa held on the Urbana-Champaign campus of the University of Illinois in the spring of 1979. The organizing committee for that program sought first, to update the field of economic studies of women in Africa and second, to provide a forum for the exchange and stimulation of ideas among scholars and professionals concerned for women in Africa. The publication here of the majority of the symposium papers represents a logical final step in the fulfillment of the objectives of the symposium program committee.