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1000 tulosta hakusanalla Edna Rivera

Exposure and Response (Ritual) Prevention for Obsessive Compulsive Disorder

Exposure and Response (Ritual) Prevention for Obsessive Compulsive Disorder

Edna B. Foa; Elna Yadin; Tracey K. Lichner

Oxford University Press Inc
2012
nidottu
An estimated 2-3% of the population is affected by obsessive-compulsive disorder (OCD). This is a chronic condition that significantly affects daily functioning and quality of life. Many people with OCD would greatly benefit from receiving professional help to learn how to successfully manage this debilitating condition. This book guides clinicians in treating individuals with OCD through the use of exposure and ritual (response) prevention, one of the most effective and the most studied treatments for OCD. Designed to be used in conjunction with its companion patient workbook titled Treating Your OCD with Exposure and Ritual (Response) Prevention Therapy, this Therapist Guide includes supporting theoretical, historical and research background information, diagnostic descriptions, differential diagnoses, session by session treatment outlines, case examples, sample dialogues, practice assignments, and tailored application to the vast variety of presentations and nuances of the disorder. The manual contains the 'nuts and bolts' of how to provide the treatment and is a comprehensive resource for therapists. It is an invaluable guide for clinicians in overcoming the barriers and difficulties that are part and parcel of every treatment. "Exposure and ritual (response) prevention (EX/RP) is the best treatment we have for obsessive compulsive disorder. The Therapist Guide and Workbook by Foa, Yadin, and Licher will do two very important things. The first is to make EX/RP much more available to people suffering from OCD. The second is to help ensure that the treatment that is made more available is a treatment that should really work."--Michael R. Liebowitz M.D., Professor of Clinical Psychiatry, Columbia University and Former Director, Anxiety Disorders Clinic, New York State Psychiatric Institute "In this well-organized and succinct manual, leading experts describe exposure and ritual (response) prevention (EX/RP), a proven first-line treatment for obsessive-compulsive disorder (OCD). They detail how to evaluate clients for EX/RP treatment, provide session-by-session instructions for treatment delivery, and offer invaluable advice on handling problems like patient nonadherence. This outstanding therapist manual, together with its accompanying client workbook, provides state-of-the-art tools for transforming the lives of people with OCD."--H. Blair Simpson, M.D. Ph.D., Professor of Clinical Psychiatry, Columbia University Director of the Anxiety Disorders Clinic and the OCD Research Program at the New York State Psychiatric Institute "A concise, up-to-date, and extremely useful clinical guide to understanding and treating people struggling with OCD. State-of-the-art essentials for how to provide the most effective intervention for this often difficult to treat condition are covered in a clear and practical manner that is certain to facilitate positive outcomes."--Jonathan S. Abramowitz, Ph.D., ABPP, Professor of Psychology, University of North Carolina at Chapel Hill and Editor-in-Chief, Journal of Obsessive-Compulsive and Related Disorders
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The Emergence of Norms

The Emergence of Norms

Edna Ullmann-Margalit

Oxford University Press
2015
nidottu
Edna Ullmann-Margalit provides an original account of the emergence of norms. Her main thesis is that certain types of norms are possible solutions to problems posed by certain types of social interaction situations. The problems are such that they inhere in the structure (in the game-theoretical sense of structure) of the situations concerned. Three types of paradigmatic situations are dealt with. They are referred to as Prisoners' Dilemma-type situations; co-ordination situations; and inequality (or partiality) situations. Each of them, it is claimed, poses a basic difficulty, to some or all of the individuals involved in them. Three types of norms, respectively, are offered as solutions to these situational problems. It is shown how, and in what sense, the adoption of these norms of social behaviour can indeed resolve the specified problems.
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Normal Rationality

Normal Rationality

Edna Ullmann-Margalit

Oxford University Press
2017
sidottu
Normal Rationality is a selection of the most important work of Edna Ullmann-Margalit, presenting some influential and widely admired essays alongside some that are not well known. She was an unorthodox and deeply original philosopher whose work illuminated the largest mysteries of human life. Much of her writing focuses on two fundamental questions. (1) How do people proceed when they cannot act on the basis of reasons, or project likely consequences? (2) How is social order possible? Ullmann-Margalit's answers, emphasizing what might be called biased rationality, are important not only for philosophy, but also for political science, psychology, sociology, cognitive science, economics (including behavioral economics), law, and even public policy. Ullmann-Margalit demonstrates that people have identifiable strategies for making difficult decisions, whether the question is small (what to buy at a supermarket) or big (whether to transform one's life in some large-scale way). She also shows that social dilemmas are solved by norms; that invisible-hand explanations take two identifiable (and dramatically different) forms; that trust can emerge in seemingly unpromising situations; and that considerateness is the foundation on which our relationships are organized in both the thin context of the public space and the intimate context of the family. One of the distinguishing features of Ullmann-Margalit's work is its close attention to the details of human experience, and its use of those details to offer fresh understandings of social phenomena. Her essays cast new light on a diverse assortment of problems in philosophy, social science, and individual lives.
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Empowering Science and Mathematics Education in Urban Schools

Empowering Science and Mathematics Education in Urban Schools

Edna Tan; Angela Calabrese Barton; Erin Turner; Maura Varley Gutierrez

University of Chicago Press
2012
sidottu
Math and science hold powerful places in contemporary society, setting the foundations for entry into some of the most robust and highest-paying industries. However, effective math and science education is not equally available to all students, with some of the poorest students - those who would benefit most - going egregiously underserved. This ongoing problem with education highlights one of the core causes of the widening class gap. While this educational inequality can be attributed to a number of economic and political causes, in "Empowering Science and Mathematics Education in Urban Communities", Edna Tan and Angela Calabrese Barton demonstrate that it is augmented by a consistent failure to integrate student history, culture, and social needs into the core curriculum. They argue that teachers and schools should create hybrid third spaces - neither classroom nor home - in which underserved students can merge their personal worlds with those of math and science. A host of examples buttress this argument: schools where these spaces have been instituted now provide students not only an immediate motivation to engage the subjects most critical to their future livelihoods but also the broader math and science literacy necessary for robust societal engagement. A unique look at a frustratingly under-studied subject, "Empowering Science and Mathematics Education" pushes beyond the idea of teaching for social justice and into larger questions of how and why students participate in math and science.
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Empowering Science and Mathematics Education in Urban Schools

Empowering Science and Mathematics Education in Urban Schools

Edna Tan; Angela Calabrese Barton; Erin Turner; Maura Varley Gutierrez

University of Chicago Press
2012
nidottu
Math and science hold powerful places in contemporary society, setting the foundations for entry into some of the most robust and highest-paying industries. However, effective math and science education is not equally available to all students, with some of the poorest students - those who would benefit most - going egregiously underserved. This ongoing problem with education highlights one of the core causes of the widening class gap. While this educational inequality can be attributed to a number of economic and political causes, in "Empowering Science and Mathematics Education in Urban Communities", Edna Tan and Angela Calabrese Barton demonstrate that it is augmented by a consistent failure to integrate student history, culture, and social needs into the core curriculum. They argue that teachers and schools should create hybrid third spaces - neither classroom nor home - in which underserved students can merge their personal worlds with those of math and science. A host of examples buttress this argument: schools where these spaces have been instituted now provide students not only an immediate motivation to engage the subjects most critical to their future livelihoods but also the broader math and science literacy necessary for robust societal engagement. A unique look at a frustratingly understudied subject, "Empowering Science and Mathematics Education" pushes beyond the idea of teaching for social justice and into larger questions of how and why students participate in math and science.
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Asen, Ancestors, and Vodun

Asen, Ancestors, and Vodun

Edna Bay

University of Illinois Press
2008
sidottu
Asen, metal sculptures of southern Benin, West Africa, are created to honor the dead and are meant to encourage interaction between visible and spiritual worlds in ancestral rites associated with the belief system known as vodun. Drawing on extensive fieldwork in the former Kingdom of Dahomey, Bay traces more than 150 years of transformations in the manufacture and symbolic meanings of asen against the backdrop of a slave-raiding monarchy, domination by French colonialism, and postcolonial political and social change. Bay expertly reads evidence of the area's turbulent history through analysis of asen motifs as she describes the diverse influences affecting the process of asen production from the point of their probable invention to their current decline in use. Paradoxically, asen represent a sacred African art form, yet are created using European materials and technologies and are embellished with figures drawn from tourist production. Bay’s meticulously researched artistic and historical study is a fascinating exploration of creativity and change within Benin’s culture.
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Roast Beef, Medium

Roast Beef, Medium

Edna Ferber

University of Illinois Press
2001
nidottu
Edna Ferber, Pulitzer Prize-winning author of Show Boat and Giant, achieved her first great success with a series of stories she published in American Magazine between 1911 and 1913. The stories featured Emma McChesney: smart, savvy, stylish, divorced mother, and Midwest traveling sales representative for T. A. Buck's Featherloom skirts and petticoats. With one hand on her sample case and the other fending off advances from salesmen, hotel clerks, and other predators, Emma holds on tightly to her reputation: honest, hardworking, and able to outsell the slickest salesman. Like her compact bag of traveling necessities, Emma has her life boiled down to essentials: her work and her seventeen-year-old son, Jock. Her experience has taught her that it's best to stick to roast beef, medium--avoiding both physical and moral indigestion--rather than experiment with fancy sauces and exotic dishes. Yet she never shies away from a challenge, and her sharp instincts and common sense serve her well in dealing with the likes of Ed Meyer, a smooth-talking, piano-playing salesman; Blanche LeHay, prima donna of the Sam Levin Crackerjack Belles; and T. A. Buck Jr., the wet-behind-the-ears son of the founder of Featherloom. Roast Beef, Medium is the first of three volumes chronicling the travels and trials of Emma McChesney. The illustrations by James Montgomery Flagg, one of the most highly regarded book illustrators of the period, enhance both the humor and the vivid characterization in this wise and high-spirited tale.
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Fanny Herself

Fanny Herself

Edna Ferber

University of Illinois Press
2001
nidottu
Heralded by one reviewer as "the most serious, extended and dignified of [Edna] Ferber's books," Fanny Herself is the intensely personal chronicle of a young girl growing up Jewish in a small midwestern town. Packed with the warmth and the wry, sidelong wit that made Ferber one of the best-loved writers of her time, the novel charts Fanny's emotional growth through her relationship with her mother, the shrewd, sympathetic Molly Brandeis. "You could not have lived a week in Winnebago without being aware of Mrs. Brandeis," Ferber begins, and likewise the story of Fanny Brandeis is inextricable from that of her vigorous, enterprising mother. Molly Brandeis is the owner and operator of Brandeis' Bazaar, a modest general store left to her by her idealistic, commercially inept late husband. As Fanny strives to carve out her own sense of herself, Molly becomes the standard by which she measures her intellectual and spiritual progress. Fanny's ambivalent feelings about being Jewish, her self-deprecating attitude toward her gift for sketching and drawing, and her inspired success as a businesswoman all contribute to the flesh-and-blood complexity of Ferber's youthful, eminently believable protagonist. She is accompanied on her journey by impeccably drawn characters such as Father Fitzpatrick, the Catholic priest in Winnebago; Ella Monahan, buyer for the glove department of the Haynes-Cooper mail order house; Fanny's brother, Theodore, a gifted violinist for whose musical education Molly sacrifices Fanny's future; and Clarence Heyl, the scrappy columnist who never forgot how Fanny rescued him from the school bullies. Ferber's only work of fiction with a strong autobiographical element, Fanny Herself showcases the author's enduring interest in the capacity of strong women to transcend the limitations of their environment and control their own circumstances. Through Fanny's honest struggle with conflicting values–financial security and corporate success versus altruism and artistic integrity–Ferber grapples with some of the most deeply embedded contradictions of the American spirit.
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Personality Plus

Personality Plus

Edna Ferber

University of Illinois Press
2002
nidottu
Edna Ferber, the Pulitzer Prize-winning author of Show Boat and Giant, achieved her first great success with a series of stories featuring Emma McChesney: a smart, stylish, divorced mother who in a mere twelve years rose from stenographer to traveling sales representative to business manager and partner of the T. A. Buck Featherloom Petticoat Company. In this second of three volumes chronicling the travels and trials of Emma McChesney, the plucky heroine trades in her traveling bag and coach tickets for an office and a position a T. A. Buck Jr.'s business partner. Along with this well-earned promotion comes the home–-with a fireplace–-that she had longed for during her ten years on the road. Her dashing son Jock, now twenty-one, has just entered the business world himself with the Berg, Shriner Advertising company. His colleagues believe that with his heritage he "ought to be able to sell ice to an eskimo." Indeed, Jock dazzles them with his keen business sense and exemplary work ethic, but goes overboard on the charm and ends up alienating clients, unnerving his boss, and even patronizing his business-savvy mother. When his company takes on the challenge of creating a zippy advertising campaign for T. A. Buck's no-frills petticoats, Jock comes through, but not without a reminder that mother always knows best. In this bracingly modern novel, first published in 1914, Ferber contrasts the virtues of talent with those of experience to provide a fresh, readable, and smartly entertaining contest between a mother and her adult son.
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Emma McChesney and Co.

Emma McChesney and Co.

Edna Ferber

University of Illinois Press
2002
nidottu
Edna Ferber, the Pulitzer Prize-winning author of Show Boat and Giant, achieved her first great success with a series of stories featuring Emma McChesney: a smart, stylish, divorced mother who in a mere twelve years rose from stenographer to traveling sales representative to business manager and partner of the T. A. Buck Featherloom Petticoat Company. In this final of three volumes chronicling the travels and trials of Emma McChesney, first published in 1915, Emma's son, Jock, has moved to Chicago with his new wife. Struggling with a newly emptied nest, Emma dives into a whirlwind South American sales tour to prove she hasn't lost her touch. Back in New York, Emma and her business partner, T. A. Buck Jr., try to disguise their budding romance from colleagues. After months of acting like a "captain of finance when he feels like a Romeo," T. A. convinces Emma they should marry. Emma tries to "be what the yellow novels call a doll-wife" but trades in her fancy dressing gowns for more sensible business suits and heads back to the office. With one hand writing advertising copy and the other wrapped around a pair of shears, Emma saves the company from financial peril amid the arrival of some flustering, if exciting, news from Jock. By turns sales pro, newlywed, fashion maven, and anxious grandmother, Emma symbolizes the ideal woman at the dawn of the twentieth century: sharp, capable, charming, and progressive. Emma McChesney and Co. is enhanced by the illustrations of James Montgomery Flagg, one of the most highly regarded book illustrators of the period.
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Half Portions

Half Portions

Edna Ferber

University of Illinois Press
2002
nidottu
A collection of short stories from Pultizer Prize winner, Edna Ferber The short stories in this collection take the reader from small-town Wisconsin to the bustling streets of New York and Chicago and back again. While they range greatly in length and tone, they all share the trademark wit and affectionate insight of Edna Ferber. Showcasing the facility with words that made her a mainstay at the Algonquin round table, Ferber explores some of her favorite themes: the role of women (especially strong or unconventional women) in modern society, the mores of the midwestern small town, and the changes over time in relationships between parents and children. In “The Maternal Feminine,” a plain, overlooked child grows into a strong, resourceful businesswoman and forms a strong motherly bond with the children of her more attractive sister. In “April 25th, As Usual,” an aging Wisconsin couple reluctantly join their successful daughter in New York, where they try to adjust to a very different lifestyle. “Old Lady Mandle” is a bittersweet tale about an elderly Chicago mother coming to terms with the fact that she is no longer the most important woman in the life of her grown son. “One Hundred Per Cent” features Ferber’s celebrated heroine Emma McChesney, now re-married, seeing her husband off to war. The stories gathered here are beautifully observed chronicles of early twentieth-century life and are filled with characters who, despite their very human foibles, are all bestowed by Ferber with warmth and dignity.
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The Hispanic Experience in the United States

The Hispanic Experience in the United States

Edna Acosta-Belen; Barbara Sjostrom

Praeger Publishers Inc
1988
sidottu
The Hispanic community in the U.S. has long remained silent about its needs for equal opportunity and recognition. This collection of essays by recognized scholars explores how Puerto Ricans, Chicanos, Cubans, and other Latinos have begun to publicly articulate their needs, rights, and aspirations. The volume is divided into three major thematic sections: demographic profiles; immigration assimilation, and cultural identity; and socio-economic profiles. The authors address such questions as: Who are the Hispanics and what are their origins? What impact will Hispanic population growth have on U.S. society? What demographic factors affect the status of Hispanics? How does Hispanic immigration differ from other prior immigration? The essays gather the most recent demographic and socioeconomic data on Hispanics and interpret their implications for the present and future of the community.
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Into the World’s Great Heart

Into the World’s Great Heart

Edna St. Vincent Millay; Holly Peppe

YALE UNIVERSITY PRESS
2023
sidottu
An annotated selection of the letters of the Pulitzer Prize–winning poet and playwright Edna St. Vincent Millay, from childhood through the last year of her life Throughout her life, Edna St. Vincent Millay wrote hundreds of letters, which together create a colorful tapestry of her inner life. This selection, based on archival research, represents Millay’s correspondence from 1900, when she was eight, until 1950, the last year of her life. Through her letters, readers encounter the vast range of Millay’s interests, including world literature, music, and horse racing, as well as her commitment to gender equality and social justice. This collection, edited by Timothy F. Jackson, includes previously unpublished correspondence, as well as letters containing early versions of poems, revealing new dimensions in Millay’s creative process and influences. It is enriched by Jackson’s thoughtful introduction and notes, plus a foreword by Millay’s literary executor, Holly Peppe. Millay’s observations on her inner life and the world around her—which speak to contemporary concerns as well—add to our understanding of American literature in the first half of the twentieth century.
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Rapture and Melancholy

Rapture and Melancholy

Edna St. Vincent Millay; Holly Peppe

YALE UNIVERSITY PRESS
2023
pokkari
The first publication of Edna St. Vincent Millay’s private, intimate diaries, providing “a candid self-portrait of the ‘bad girl of American letters’” (Kirkus Reviews) “Provides an occasion to revisit not just [Millay’s] improbable life but also her sometimes revelatory work.”—Abigail Deutsch, Wall Street Journal “Rapture and Melancholy paints a picture of artistic triumph, romantic tumult, and a daily life that descended into addiction.”—Heather Clark, New York Times Book Review The English author Thomas Hardy proclaimed that America had two great attractions: the skyscraper, and the poetry of Edna St. Vincent Millay. In these diaries the great American poet illuminates not only her literary genius, but her life as a devoted daughter, sister, wife, and public heroine; and finally as a solitary, tragic figure. This is the first publication of the diaries she kept from adolescence until middle age, between 1907 and 1949, focused on her most productive years. Who was the girl who wrote “Renascence,” that marvel of early twentieth-century poetry? What trauma or spiritual journey inspired the poem? And after such celebrity why did she vanish into near seclusion after 1940? These questions hover over the life and work, and trouble biographers and readers alike. Intimate, eloquent, these confessions and keen observations provide the key to understanding Millay’s journey from small-town obscurity to world fame, and the tragedy of her demise.
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Millay: Poems

Millay: Poems

Edna St. Vincent Millay

Random House Inc
2010
sidottu
One of America's most beloved poets, Edna St. Vincent Millay burst onto the literary scene at a very young age and won the Pulitzer Prize for Poetry in 1923. Her passionate lyrics and superbly crafted sonnets have thrilled generations of readers long after the notoriously bohemian lifestyle she led in Greenwich Village in the 1920s ceased to shock them. Millay's refreshing frankness and cynicism and her ardent appetite for life still burn brightly on the page more than half a century after her death. This volume includes the early poems that many consider her best-- "Renascence" and "The Ballad of the Harp Weaver" among them--as well as such often-memorized favorites as "What lips my lips have kissed" and "First Fig" ("My candle burns at both ends . . ."). The poet's most famous verse drama, the one-act antiwar fable Aria da Capo, is included here as well.
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Yiddish Proletarian Theatre

Yiddish Proletarian Theatre

Edna Nahshon

Praeger Publishers Inc
1998
sidottu
The Artef (1925-1940) began as a radical Yiddish workers' theatre and developed into a major American Yiddish theatre company. It was among the acknowledged pillars of the Theatre of Social Consciousness, a movement that redefined the course for the American stage during the half century that followed. In the 1920s and 1930s, New York was widely recognized as the world capital of the Yiddish theatre. The Artef was a principal theatrical institution during this so-called Golden Era. Established in 1925 as a proletarian theatrical organization affiliated with the Jewish section of the American communist movement, the Artef was hailed by Brooks Atkinson as one of the artistic ornaments in town. In 1934 the Artef moved to Broadway, where it continued to perform until its demise in 1940. This work examines the history of Artef and analyzes the artistic, ideological, and organizational aspects of its work. The company's major productions are discussed, with a focus on the central issues raised by script, direction, and acting. The book attempts to demonstrate that radical politics often shaped and determined the evolution of the theatre, and that its artistic and organizational life must be seen within the context of the political and cultural movement of which it was a part. The work is divided into three major segments: Chapters I-IV discuss the ideological, social, and cultural forces that gave rise to the Artef, the crystallization of the organization, and the work of its acting studio, which in 1928 became the acting collective of the Artef; Chapters V-VIII cover the period of 1929-1934, the formative years of the Artef and their correspondence to communist Third Period doctrine; Chapters IX-XIII are devoted to the theatre's successful Broadway period, which paralleled the Communist Party's liberal Popular Front era. The last chapter discusses the efforts to revive the Artef, and its inevitable demise following the 1939 German-Russian Nonaggression Pact. This is a major work in Jewish Theatre Studies that will be of great use to scholars and other researchers involved with Jewish and Performance Theatre Studies as well as the history of the American Left.
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Country Girl

Country Girl

Edna O'Brien

Back Bay Books
2014
nidottu
Country Girl is Edna O'Brien's exquisite account of her dashing, barrier-busting, up-and-down life.-National Public Radio When Edna O'Brien's first novel, The Country Girls, was published in 1960, it so scandalized the O'Briens' local parish that the book was burned by its priest. O'Brien was undeterred and has since created a body of work that bears comparison with the best writing of the twentieth century. Country Girl brings us face-to-face with a life of high drama and contemplation. Starting with O'Brien's birth in a grand but deteriorating house in Ireland, her story moves through convent school to elopement, divorce, single-motherhood, the wild parties of the '60s in London, and encounters with Hollywood giants, pop stars, and literary titans. There is love and unrequited love, and the glamour of trips to America as a celebrated writer and the guest of Jackie Onassis and Hillary Clinton. Country Girl is a rich and heady accounting of the events, people, emotions, and landscape that have imprinted upon and enhanced one lifetime.
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Saints and Sinners: Stories

Saints and Sinners: Stories

Edna O'Brien

Back Bay Books
2011
nidottu
With her inimitable gift for describing the workings of the heart and mind, Edna O'Brien introduces us to a vivid new cast of restless, searching people who-whether in the Irish countryside or London or New York-remind us of our own humanity. In Send My Roots Rain, Miss Gilhooley, a librarian, waits in the lobby of a posh Dublin hotel-expecting to meet a celebrated poet while reflecting on the great love who disappointed her. The Irish workers of The Shovel Kings have pipe dreams of becoming millionaires in London, but long for their quickly changing homeland-exiles in both places. Green Georgette is a searing anatomy of class, through the eyes of a little girl; Old Wounds illuminates the importance of family and memory in old age. In language that is always bold and vital, Edna O'Brien pays tribute to the universal forces that rule our lives.
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