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490 tulosta hakusanalla Gregerman Alan
Analog MOS Integrated Circuits for Signal Processing
Roubik Gregorian; Gabor C. Temes
John Wiley Sons Inc
1986
sidottu
Describes the operating principles of analog MOS integrated circuits and how to design and use such circuits. The initial section explores general properties of analog MOS integrated circuits and the math and physics background required. The remainder of the book is devoted to the design of circuits. Includes such devices as switched-capacitor filters, analog-to-digital and digital-to-analog converters, amplifiers, modulators, oscillators, and others. Tables and numerical design examples clarify the step-by-step processes involved. An Instructor's Manual presenting detailed solutions to all the problems in the book is available from the Wiley editorial department.
A step-by-step guide to the design and analysis of CMOS operational amplifiers and comparators This volume is a comprehensive text that offers a detailed treatment of the analysis and design principles of two of the most important components of analog metal oxide semiconductor (MOS) circuits, namely operational amplifiers (op-amps) and comparators. The book covers the physical operation of these components, their design procedures, and applications to analog MOS circuitsparticularly those involving switched-capacitor circuits, and analog-to-digital (A/D) and digital-to-analog (D/A) converters. Roubik Gregorian, a leading authority in the field, gives circuit designers the technical knowledge they need to design high-performance op-amps and comparators suitable for most analog circuit applications. In this self-contained treatment, which is loosely based on his well-received 1986 book, Analog MOS Integrated Circuits for Signal Processing (coauthored with Gabor C. Temes), Gregorian reviews the required basics before advancing to state-of-the-art topics and problem-solving techniques. This valuable guide: *Clearly explains configuration and performance limitation issues affecting the operation of CMOS op-amps and comparators *Details advanced design procedures to improve performance *Provides practical design examples suitable for a broad range of analog circuit applications *Incorporates hundreds of illustrations into the text *Concludes each chapter with problems and references to advanced topics, useful in textbook adoptions Introduction to CMOS Op-Amps and Comparators is invaluable for analog and mixed-signal designers, for senior and graduate students in electrical engineering, and for anyone who would like to keep up with this essential technology.
In a wide-ranging and fiercely intelligent series of readings, Linda Gregerson presents an eloquent overview of the contemporary American lyric. This lyric is distinguished, she argues, not only by its unprecedented variety and abundance, but by its persistent and supple engagement with form. In detailed examinations of work by John Ashbery, Mark Strand, Louis Glück, James Schuyler, Muriel Rukeyser, C. K. Williams, Rita Dove, Philip Levine, Heather McHugh, William Meredith, John Hollander, and a host of other recent and contemporary poets, Gregerson documents the depth and richness of American lyric production at the turn of the twenty-first century.In its scruples and reservations as in its discriminating explanations, Negative Capability unearths the contours of a distinctive American poetic tradition. This book is a rich symbiosis of critical and poetic intelligence. It is also a work of passionate advocacy.The book will appeal to those interested in the current state of American poetry: practicing poets, readers and students of literature and literary criticism, professional critics.Linda Gregerson is an acclaimed poet and literary critic. She is author of The Reformation of the Subject: Spenser, Milton, and the English Protestant Epic and two poetry collections, The Woman Who Died in Her Sleep and Fire in the Conservatory. She is Associate Professor of English at the University of Michigan, where she heads the Visiting Writers Program.
In a wide-ranging and fiercely intelligent series of readings, Linda Gregerson presents an eloquent overview of the contemporary American lyric. This lyric is distinguished, she argues, not only by its unprecedented variety and abundance, but by its persistent and supple engagement with form. In detailed examinations of work by John Ashbery, Mark Strand, Louis Glück, James Schuyler, Muriel Rukeyser, C. K. Williams, Rita Dove, Philip Levine, Heather McHugh, William Meredith, John Hollander, and a host of other recent and contemporary poets, Gregerson documents the depth and richness of American lyric production at the turn of the twenty-first century. In its scruples and reservations as in its discriminating explanations, Negative Capability unearths the contours of a distinctive American poetic tradition. This book is a rich symbiosis of critical and poetic intelligence. It is also a work of passionate advocacy. The book will appeal to those interested in the current state of American poetry: practicing poets, readers and students of literature and literary criticism, professional critics. Linda Gregerson is an acclaimed poet and literary critic. She is author of The Reformation of the Subject: Spenser, Milton, and the English Protestant Epic and two poetry collections, The Woman Who Died in Her Sleep and Fire in the Conservatory. She is Associate Professor of English at the University of Michigan, where she heads the Visiting Writers Program.
The Reformation of the Subject is a ground-breaking study of the cultural contradictions that gave birth to the English Protestant epic. In lucid and theoretically sophisticated language, Linda Gregerson examines the fraught ideological, political, and gender conflicts that are woven into the texture of The Faerie Queene and Paradise Lost. She reminds us that Reformation iconoclasts viewed verbal images with the same aversion as visual images, because they too were capable of waylaying the human imagination. Through a series of detailed readings, Gregerson examines the different strategies adopted by Spenser and Milton as they sought to distinguish their poems from idols yet preserve the shaping power that iconoclasts have long attributed to icons. Tracing the transformation of the epic poem into an instrument for the reformation of the political subject, Gregerson thus provides an illuminating contribution to our understanding of the ways in which subjectivities are historically produced.
In her first book of collected work, prize-winning poet Linda Gregerson mines nearly forty years of poetry, bringing us a full range of her talents. Ten new poems introduce Prodigal, followed by fifty poems, culled from Gregerson's five collections, that range broadly in subject from class in America to our world's ravaged environment to the wonders of parenthood to the intersection of science and art to the passion of the Roman gods, and beyond. This selection reinforces Gregerson's standing as "one of poetry's mavens . . . whose poetics seek truth through the precise apprehension of the beautiful while never denying the importance of rationality" (Chicago Tribune). A brilliant stylist, known for her formal experiments as well as her perfected lines, Gregerson is a poet of great vision. Here, the growth of her art and the breadth of her interests offer a snapshot of a major poet's intellect in the midst of her career.
The New Yorker has written, "Gregerson's rich aesthetic allows her best poems to resonate metaphysically." In this new volume, Linda Gregerson makes clearer than ever her passionate premise that the metaphysical only and always derives from our profound embeddedness in physical reality. From subjects as diverse as the Nazi occupation of Poland and a breakthrough discovery in cell biology, Gregerson seeks to distill "the shape of the question," the tenuous connection between knowing and suffering, between the brightness of the body and the shadows of the mind. "Choose any angle you like," she writes, "The world is split in two." One poem, "Bicameral," moves from a child's cleft palate to a gunshot wound to the hanging skeins of a fabric in a postwar art exhibit. In the wool cut from the sheep to make the materials of art, she finds a tangled record of violence and repair: "The body it becomes will ever / bind it to the human and a trail of woe." Longtime readers of Gregerson's poetry will be facinated by her departure from the supple tercets in which she has worked for nearly twenty years: Magnetic North is a bold anthology of formal experiments. It is also a heartening act of sustained attention from one of our most mindful poets.
A magnificent new collection from National Book Award finalist and Kingsley Tufts Award winner Linda Gregerson
Dig If U Will The Picture is a portrait of The Artist who will be remembered by many as the most seductive and enigmatic pop star of his generation. A year after Prince's death at the age of 57, acclaimed writer Ben Greenman brilliantly anatomizes the star's dramatic career and an aesthetic that at times seemed otherworldly.In thematically structured chapters that blend critical consideration of Prince's art with the author's personal connection to the music, this is a fitting memorial to a legendary performer: monumental, yet deeply intimate. Drawing on over 40 studio albums, a repertoire of 2,000 plus live shows, and close analysis of the unreleased highlights of the Vault, Dig If U Will the Picture is the definitive book on Prince's work.
A stirring, brilliantly crafted collection, Linda Gregerson's third volume of poetry examines mortality in all its beauty and horror. Fluently rendered in Gregerson's distinctive three-line stanzas, these poems explore subjects from autism to genealogy to ecology. Their occasions are diverse -- a barn fire, a wounded deer, a child's determined struggle with a bicycle -- but their instinct is always to wrest from the impure world a vernacular of praise.
From his youth as a Christian Armenian in Muslim Tabriz, to the President of Carnegie Corporation in New York, these intriguing memoirs narrate a life full of interest, world culture, and inspiration, emphasizing the role of education in his life, detailing his professional and personal losses and successes, and profiling the exceptional people he has met along the way. Reprint. 15,000 first printing.
After World War II, leading western powers focused their attention on fighting the "Red Menace," Communism. Today, as terrorist activity is increasingly linked to militant Islamism, some politicians and scholars fear a "Green Menace," a Pan-Islamic totalitarian movement fueled by monolithic religious ideology. Such fears have no foundation in history, according to Vartan Gregorian. In this succinct, powerful survey of Islam, Gregorian focuses on Muslim diversity and division, portraying the faith and its people as a mosaic, not a monolith. The book begins with an accessible overview of Islam's tenets, institutions, evolution, and historical role. Gregorian traces its origins and fundamental principles, from Muhammad's call to faith nearly 1,400 years ago to the defeat of the Ottoman Empire in World War I, and the subsequent abolition of the Caliphate. He focuses particular attention on the intense struggle between modernists and traditionalists, interaction between religion and nationalism, and key developments that have caused bitter divisions among Muslim nations and states: the partitions of Palestine, the break up and Islamization of Pakistan, the 1978 revolution in Iran, and the 1979 Soviet invasion of Afghanistan. Today Islamist views range across the entire spectra of religious and political thought, and Islamism is anything but a unified movement. While religious extremists have attempted to form a confederacy of like-minded radicals in many countries, much of the Muslim population lives in relatively modern, secular states. Gregorian urges Westerners to distinguish between activist Islamist parties, which promote —sometimes violently —Islam as an ideology in a theocratic state, and Islamic parties, whose traditional members want their secular political systems to co-exist with the moral principles of their religion. Gregorian emphasizes the importance of religion in today's world and urges states,societies, and intellectuals to intervene in order to prevent Islam--as well as other religions--from becoming the political tool of various parties and states. He recommends continuing dialogues between modernist and traditionalist Muslims, as well as among the educated, secular elite and their clerical counterparts. He also urges U.S.-led efforts to engage and better understand the diversity of Muslim communities in the United States and the world. Lamenting widespread U.S. ignorance of the world's fastest-growing religion, Gregorian calls on "enlightened citizens" to promote international understanding, tolerance, and peace.
Leon Greenman was born in London in 1910. His paternal grandparents were Dutch, and at an early age, after the death of his mother, his family moved to Holland, where Leon eventually settled with his wife, Esther, in Rotterdam. Leon was an antiquarian bookseller, and as such travelled to and from London on a regular basis. In 1938, during one such trip, he noticed people digging trenches in the streets and queuing up for gas masks. He hurried back to Holland with the intention of collecting his wife and return with her to England. The whispers of war were growing louder and louder. In May 1940, Holland was overrun by the Nazis, by which time Leon and his family had been effectively abandoned by the British Consulate and stranded with neither passports nor money. Eventually, they were deported to Birkenau where Esther and their small son, Barney, were gassed on arrival. Leon was chosen with 49 others for slave labor. This book tells the story of Leon's remarkable survival, of the horrors he saw and endured at Auschwitz, Monowitz and during the Death March to Gleiwitz and Buchenwald camp, where he was eventually liberated.
"Gregerson manages to pair narrative immediacy with intricate orchestration, creating a kind of writing that hustles us along even as it reaches back through complicated echoes of earlier moments." - Los Angeles Review of Books
"Gregerson manages to pair narrative immediacy with intricate orchestration, creating a kind of writing that hustles us along even as it reaches back through complicated echoes of earlier moments."-Los Angeles Review of Books