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1000 tulosta hakusanalla Hagger Mark
The Secret of Tree Hugger Bubble Gum
Irene Bouchard; Amir Frydman
Createspace Independent Publishing Platform
2013
nidottu
Treesome: The Tree Hugger
Angelicka Wallows
Createspace Independent Publishing Platform
2013
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Simon the sloth loves to hug. He hugs plants. He hugs rocks. He hugs his friends. He even hugs himself So when his best friend, Elsa the jaguar, and others around him start saying no to his hugs, he is crushed. Why wouldn't someone want to be hugged? After being rejected several times, he learns that both he and his friends need to want a hug at the same time so they both feel comfortable. This lighthearted story about a lovable, huggable sloth is a gentle introduction to the importance of receiving consent before offering physical affection to others, and respecting others' boundaries.
The Little Wire Hanger in the Closet takes you on a historic journey that teaches children a little about how wire hangers evolved, as well as teaching them the value of never judging a book by its cover. The storyline shines a spotlight on the scrawny little wire hanger named Ian, who is strongly regarded as weak and less pleasing to the eye than the mightier hangers in the closet. Despite feeling lonely and, at times, afraid in his dark little home, the sun begins to shine through. However, the only resolve to feeling the warmth of acceptance, respect, freedom, and peace of mind rests solely upon his little wire shoulders. The Little Wire Hanger in the Closet is full of great examples that will help every parent, grandparent, or teacher explain the meanness of bullying and show children the benefits of believing in their own self-worth.
The Poemography of Hellen Hagler Her Story in Poetic Form: Highlights of Celebrations on Christmas Eve - A Family Tradition
Vernell Wilson
Dorrance Publishing Co.
2022
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Author, Vernell Wilson, writes poetically about the journey of Hellen Hagler, who shared her story about how she and her husband relocated from Pennsylvania to Detroit and started a tradition of celebrations on Christmas Eve, along with their five children, other family members, and friends. Vernell describes challenges and victories that the Hagler family encountered, while they continued the tradition, which remains to this day. Vernell hopes that the readers learn how they may start or continue their own family traditions of celebrations that will last for many years.About the AuthorIn the Poemography of Hellen Hagler, Her Story in Poetic Form, Vernell Wilson illustrates Hellen Hagler's story through events that she shared and a promise - "Grandma, I'm going to write your story." The illustrations are based on true Christmas Eve celebrations throughout the years. She writes poetry and personalized poems for others. Wilson is a Competent Toast Master, has a Master's degree in Business Leadership, is a member of the National Society of Leadership Success, and has an Executive Certification in Leadership. She is also a member of the Golden Key Society. She lives in Michigan, and you can visit her online at [email protected].
The Poemography of Hellen Hagler Her Story in Poetic Form: Highlights of Celebrations on Christmas Eve - A Family Tradition
Vernell Wilson
Dorrance Publishing Co.
2022
nidottu
This book teaches that little kids are capable of big things, especially when they use their imagination. When you use your imagination, you can go to all sorts of places and meet all kinds of people and creatures and even save the day. This story shows that you can also use normal household objects and turn them into something magical. You don't need a lot to save the day and to have fun. When you have your imagination the whole world is at your fingertips The Adventures of Hanger Boy is about a boy who finds a hanger that takes him to magical places and helps him save the day. Enjoy using your imagination and saving the day with Hanger Boy
This book teaches that little kids are capable of big things, especially when they use their imagination. When you use your imagination, you can go to all sorts of places and meet all kinds of people and creatures and even save the day. This story shows that you can also use normal household objects and turn them into something magical. You don't need a lot to save the day and to have fun. When you have your imagination the whole world is at your fingertips The Adventures of Hanger Boy is about a boy who finds a hanger that takes him to magical places and helps him save the day. Enjoy using your imagination and saving the day with Hanger Boy
In several compelling adventures of this story, 'the smooshlepuff, ' finds he has a big problem. He does not truly know, nor understand what the purpose of life really is. The smooshlepuff naturally goes about his life, just like us as human beings do. Then, the smooshlepuff soon uncovers a powerful concept that lets him know ... "Everything is gonna be ok."
Eight-year-old Junella Carmella Barbella and her brother, Monty, have a huge problem. Their mother and father have lost their jobs, and now homeless, must live in their van. There is hope, however, because Junella's mom and dad are not giving up. They do have a plan. But it means for a while at least, they must live with their grandmother who lives in New York City. Junella and her family arrive, and grandma gets them all settled in. But, poor Junella has another problem. She will start at a new school, and her clothes are old and worn, tattered and torn. Junella begins to cry. She thinks the children will laugh at her. How will she make any new friends? Then, Junella has a magical visitor. A fairy godmother appears like in a beautiful dream. She tells Junella not to worry; soon everything will be all right. But first, Junella must learn a very important lesson. There is something Junella needs to understand.What is this lesson? What is it that Junella must understand? To learn that, you must read Junella's story. It has a valuable message for all of us about acceptance, confidence, and love.
The Tree Hugger contains two heart-warming tales about sacred nature and conservation. Themes of kindness toward the environment and the effect of man on nature are gently dealt with within these two stories.The Tree Hugger begins when Jody starts decorating her Christmas tree. She soon finds that her father has chopped down and brought home the wrong one. The tree is home to two faeries that demand Jody and her father make reparations for destroying their dwelling. This sets off an unexpected ordeal for both of them that leads to a magical quest and an emotional but satisfying conclusion. The second tale, Quest of the Falusa, involves a tribe of nomadic faeries searching for the most perfect and pristine spot in nature to settle in. Joran, the son of the chief, must learn to trust in himself and believe with all of his heart in order to help his tribe find a permanent home. Appropriate for middle-grade children, this instant classic can also be enjoyed by adults, or parents who read to young children.
Colonel George Hanger's Advice To All Sportsmen, Farmers And Gamekeepers (History Of Shooting Series)
Colonel George Hanger
Read Books
2005
pokkari
Colonel George Hanger's Advice To All Sportsmen, Farmers And Gamekeepers (History Of Shooting Series)
Colonel George Hanger
READ BOOKS
2005
sidottu
Building America's Hanger: the Design and Construction of the Steven F. Udvar-hazy Center
Lin Ezell
D Giles Ltd
2004
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The Steven F. Udvar-Hazy Center building at Washington's Dulles International Airport, the first phase of which opened in December 2003, represents the fulfillment of the Smithsonian Institution's long-held ambition to build a specialist facility to house the National Air & Space Museum's ever-growing collection of commercial aviation and space artifacts. As early as the mid-1960s proponents of the NASM were suggesting that the newly built Washington Dulles Airport could meet the needs of the Smithsonian as the ideal location for the display and conservation of its huge aircraft collections held at its store in Suitland Maryland. In the end the Downtown site on the National Mall won the day, and in July 1976 one of the most popular museums in the world opened it doors, leaving many aircraft behind at a 21-acre Maryland site. This copiously illustrated volume tells the story of the building of the new Hazy Center building. Beginning with the project's earliest conception and planning in 1993, when the US Congress approved $8 million for the design the "Dulles Extension", Lin Ezell celebrated author of Out of Harm's Way, Moving America's Lighthouse (2001) unfolds the story of the clearance of the site and the construction of the building designed by architects Hellmuth, Obata + Kassabaum. HOK remained true to the original concept a building that would meet the special needs of a large collection of air-and space craft, along with millions of visitors, but still fit the ambience of an airport. HOK's solution was a dramatic yet incredibly elegant building, featuring a massive vaulted space, reminiscent of the old zeppelin hangars, to house 200 aircraft a second "hangar" to house 135 space vehicles, together with specialist restoration facilities, research archives, an education center and Imax movie theatre some 760,000 square feet in all. Employing a lively and accessible mix of running text, special-feature sidebars and stunning large-format ground, installation and aerial photographs, as well as plans, photomontages, and detailed "action" shots, the author brings to life the details of engineering and construction processes such as the raising of the massive main hangar roof and explores the challenges and demands faced by the project team, of which she was a key member. AUTHOR: Lin Ezell was program manager for the National Air and Space Museum's (NASM) new Steven F. Udvar-Hazy Center at Washington Dulles International Airport. Prior to her appointment to lead the Dulles team, Ezell was assistant director for Collections Management at NASM and directed the activities of the Museum's Paul Garber Preservation, Restoration, and Storage Facility in Maryland from 1986 until 1996. She worked as an historian for the National Aeronautics and Space Administration (NASA) for 10 years, from 1974 to 1984. While at NASA, she co-authored histories of the Apollo-Soyuz Test Project and the Viking Mars landing program. At NASA Headquarters, she wrote two reference volumes in the Historical Data Book series. Ezell is a faculty member in the historic preservation certificate program at the Loudoun County campus of Northern Virginia Community College and author of Out of Harm's Way: Moving America's Lighthouse (2001). 175 colour & b/w illustrations
Neanderthal Man is a 40-something, ex-British soldier who collects exotic knives and can strip down a semi-automatic rifle blind-folded. Until recently, he thought 'chakras' was a Latina pop star whose hips don't lie. But things changed for the card-carrying caveman when he met the Tree Hugger.He's gone from army garrisons to green smoothies; from military to meditation. He survived combat but will he survive a crystal healing workshop?
White Shadows: Anneliese Hager and the Camera-less Photograph
Renete Heyne
Atelier Editions
2025
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An unprecedented delve into the dazzling, inventive and long-overlooked Surrealist photograms and poetry of Anneliese Hager This publication introduces the untold story of German artist and poet Anneliese Hager. Active from the 1930s to the 1960s, Hager began her photographic experimentation in Germany during the Nazi censure of modern art. Her preferred medium was the cameraless photograph, or photogram—an image made by placing objects directly on (or in close proximity to) a light-sensitive surface and exposing the assembled material to light. In its final form, a photogram is a one-of-a-kind work that reverses light and dark: the longer the paper is covered, and hence unexposed, the brighter the covered parts will be, and vice versa. Hager called these bright areas "white shadows." Hager’s photograms offer a more inclusive history of the medium, synthesizing the technique’s 20th-century avant-garde trajectory (best known in the work of László Moholy-Nagy and Man Ray) and its 19th-century prehistories in the realm of science and in practices such as the making of silhouettes, collage and textile arts—pursuits often coded feminine. In 1945, all Hager’s existing artwork was destroyed in the bombing of Dresden during World War II. This book offers an unprecedented reconstruction of her development and postwar creation of otherworldly, Surrealist visions in photograms and poems, a selection of which appear here in English for the first time. For Hager, the photogram was significant for its provocative tonal inversions and surprising chance effects, but also for what emerges from the dark. Anneliese Hager (1904–97) was a German Surrealist poet, translator and photo artist. She began making photographs in Berlin in the 1920s, and from 1935 began to experiment with photograms. Hager also made the first German translations of French authors such as Apollinaire, Breton, Char, Jarry, Lautréamont and Yourcenar.