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1000 tulosta hakusanalla John Hardingham

John Milton

John Milton

Oxford University Press
2010
nidottu
This volume offers a series of fresh explorations of the life, writing, and reputation of John Milton. The ten papers take us inside Milton's verse and prose, into the context of the events and the intellectual debates within which they were written, and into the later worlds within which his reputation evolved and fluctuated. Key topics discussed include: his political beliefs and career; the characteristics of his poetry - especially Paradise Lost; the literary influences upon his verse; his perception of women; and the ways he has been seen since his death. John Milton: Life, Writing, Reputation will be essential reading not only for scholars and students of literature, but for all those interested in Milton's work and reputation over the last four centuries.
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John Blund

John Blund

Oxford University Press
2012
sidottu
Since the publication of the edition of John Blund's Tractatus de anima by the British Academy in 1970 there has been widespread acceptance of the importance of this text for the history of thought. Blund (ca. 1175-1248) was probably one of the first commentators on the libri naturales at Paris before the prohibition of 1210, and later introduced them to Oxford. Indeed, apart from the prohibitions of 1210 and 1215, the De anima of Blund is the one text which sheds light on the first reception of Aristotle at Paris. The text was probably composed at Paris, before 1204. Blund taught arts at Paris ca. 1200-1205, then at Oxford towards 1207-1209. He returned to study theology at Paris during the interdict (1208-1214) and the contemporaneous suspension of the schools at Oxford (1209-1214). He was regent in theology at Paris for twelve years, and taught theology at Oxford after 1229. With the Tractatus a whole area of philosophical speculation - namely Greek and Arabic psychology - arrived at Oxford, where it would continue to grow and be debated throughout the century. Blund did not know Averroës but he reflects the state of Latin Aristotelianism during the first third of the thirteenth century. Like his contemporaries Blund regarded the De anima of Avicenna as a commentary on Aristotle; indeed they found it clearer than the text of Aristotle and were guided by it. Blund is faithful to Aristotle and to Avicenna, rejecting, for example, the binarium famosissimum drawn from the Fons vitae of Avicebron. In expounding the doctrine of Aristotle and following the plan laid out by Avicenna, he considers the arguments for and against before offering his own reasoned position in the solutio. He defends the role of the philosopher as considering the nature of the soul and as distinct from theological considerations. This new English translation makes available this important text to a wider audience of scholars interested in philosophy, theology, medieval history and the history of science and psychology. Students who are learning medieval Latin will be able to follow the original Latin with the help of the parallel translation and text notes.
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John Wyclif

John Wyclif

Oxford University Press
2018
sidottu
De scientia Dei (On God's Knowledge) is one of the few major texts by John Wyclif that has not already been published. According to John A. Robson, the De scientia Dei is 'in some way, the most important of all the treatises' of Wyclif's so-called Summa de ente. It was probably written in 1372, when the editorial project of the Summa de ente was in its final stages, and when Wyclif was at the peak of his academic career. In it he deals with God's knowledge as a divine attribute, presents his peculiar view of God's knowledge as a relation of reason, distinguishes between God's knowledge of creatures in their intelligible being and in their actual existence, and argues in favour of a compatibilism between God's foreknowledge of future events and the liberty of human will. In this connection, a long section is also devoted to questions about the doctrine of salvation, and to the first elaborated exposition of Wyclif's doctrine of grace. The edition is preceded by a historical and doctrinal introduction, enabling the reader to situate the tract within the framework of Wyclif's own production and to appreciate the relevance of some of the topics faced in the text in the light of the development of Wyclif's theological and philosophical thought.
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John Davenant's Hypothetical Universalism

John Davenant's Hypothetical Universalism

Michael J. Lynch

Oxford University Press Inc
2021
sidottu
Recently there has been a revival of interest in the views held by Reformed theologians within the parameters of confessional orthodoxy. For example, the doctrine known as 'hypothetical universalism'--the idea that although Christ died in some sense for every person, his death was intended to bring about the salvation only for those who were predestined for salvation. Michael Lynch focuses on the hypothetical universalism of the English theologian and bishop John Davenant (1572-1641), arguing that it has consistently been misinterpreted and misrepresented as a via media between Arminian and Reformed theology. A close examination of Davenent's De Morte Christi, is the central core of the study. Lynch offers a detailed exposition of Davenant's doctrine of universal redemption in dialogue with his understanding of closely related doctrines such as God's will, predestination, providence, and covenant theology. He defends the thesis that Davenant's version of hypothetical universalism represents a significant strand of the Augustinian tradition, including the early modern Reformed tradition. The book examines the patristic and medieval periods as they provided the background for the Lutheran, Remonstrant, and Reformed reactions to the so-called Lombardian formula ('Christ died sufficiently for all, effectually for the elect'). It traces how Davenant and his fellow British delegates at the Synod of Dordt shaped the Canons of Dordt in such a way as to allow for their English hypothetical universalism.
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John Leland

John Leland

Eric C. Smith

OXFORD UNIVERSITY PRESS INC
2022
sidottu
John Leland (1754-1841) was one of the most influential and entertaining religious figures in early America. As an itinerant revivalist, he demonstrated an uncanny ability to connect with a popular audience, and contributed to the rise of a "democratized" Christianity in America. A tireless activist for the rights of conscience, Leland also waged a decades-long war for disestablishment, first in Virginia and then in New England. Leland advocated for full religious freedom for all-not merely Baptists and Protestants-and reportedly negotiated a deal with James Madison to include a Bill of Rights in the Constitution. Leland developed a reputation for being "mad for politics" in early America, delivering political orations, publishing tracts, and mobilizing New England's Baptists on behalf of the Jeffersonian Republicans. He crowned his political activity by famously delivering a 1,200-pound cheese to Thomas Jefferson's White House. Leland also stood among eighteenth-century Virginia's most powerful anti-slavery advocates, and convinced one wealthy planter to emancipate over 400 of his slaves. Though among the most popular Baptists in America, Leland's fierce individualism and personal eccentricity often placed him at odds with other Baptist leaders. He refused ordination, abstained from the Lord's Supper, and violently opposed the rise of Baptist denominationalism. In the first-ever biography of Leland, Eric C. Smith recounts the story of this pivotal figure from American Religious History, whose long and eventful life provides a unique window into the remarkable transformations that swept American society from 1760 to 1840.
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John Stuart Mill and the Meaning of Life

John Stuart Mill and the Meaning of Life

Elijah Millgram

Oxford University Press Inc
2022
nidottu
John Stuart Mill was one of the most important and influential philosophers of the nineteenth century. He was also someone who exemplified a view about the meaning of life that is widespread among both philosophers and non-academics: that projects are what make your life meaningful, and if a single project is large enough to occupy center stage in it, that is the meaning of your life. His brilliant career notwithstanding, Mill's life was a train wreck; the intellectual energy and philosophical ingenuity which he devoted to figuring out what had gone wrong make him a fascinating object lesson in the view that projects give life meaning. Elijah Millgram argues that what went wrong was the very fact that Mill's life was a project--the tragedy of his life was an almost inevitable consequence of living out this account of the meaning of life. At once a scholarly contribution to the history of an important philosophical figure and an intervention in an ongoing debate within moral philosophy, this book takes on a topic that people outside the academy expect philosophy to address, but which it too rarely does: namely, the meaning of life. It is simultaneously an exercise in biography and a novel reconstruction and reframing of some of the central theories and texts of the philosophical canon. Millgram's work attempts to look at the theory of rationality from an unusual angle by asking: what difference does it make to the shape and progress of someone's life whether he has one or another understanding of practical reasoning--that is, of how one ought to reason about what to do?
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John Williams

John Williams

Tim Greiving

OXFORD UNIVERSITY PRESS INC
2025
sidottu
The first biography of a great American composer of the cinema age John Williams is one of the most important film composers of all time, having almost singlehandedly revived the Hollywood symphonic scoring tradition and helped restore the livelihood of American orchestras through the popularity of film music programming. His film music, in the words of director Oliver Stone, "came to stand for the American culture." In John Williams: A Composer's Life, the first biography of the composer, author Tim Greiving offers an engaging account of a man whose body of work is well-known but whose personal life has consistently remained very private. Williams wrote the memorable scores and hummable themes for a staggering number of popular touchstones across multiple generations--among them Star Wars, Indiana Jones, Jaws, E.T., Jurassic Park, Schindler's List, and the Harry Potter series--and earned more Oscar nominations than any individual artist in the history of the motion picture Academy. He also composed dozens of concerti, fanfares, and other concert works and was a national presence as music director of the Boston Pops for more than a decade. He inspired countless children to pursue a career in the orchestra and won the respect of the classical community worldwide. Seeking to understand what drove Williams's musical productivity and its effects on the lives of those close to him, Greiving delves deeply into the composer's decades-long career, uncovering countless new stories and revelations. Throughout, he analyzes and describes Williams' film scores, recalling them primarily in narrative and emotional terms rather than purely musicological ones, and in doing so emphasizes one of Williams's principle strengths: his musical storytelling. With unprecedented interview access to Williams and those close to him, Greiving presents the definitive portrait of a beloved but famously private doyen of twentieth-century pop culture. Featuring 175 exclusive interviews--including with Steven Spielberg, Oliver Stone, George Miller, Mia Farrow, Hans Zimmer, Yo-Yo Ma, session musicians, family members, and friends--John Williams: A Composer's Life is the first and last word on the great court composer of the cinema age, the musical conductor of our collective memory.
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John Locke's Theology

John Locke's Theology

Jonathan S. Marko

OXFORD UNIVERSITY PRESS INC
2023
sidottu
In John Locke's Theology: An Ecumenical, Irenic, and Controversial Project, Jonathan S. Marko offers the closest work available to a theological system derived from the writings of John Locke. Marko argues that Locke's intent for The Reasonableness of Christianity, his most noted theological work, was to describe and defend his version of the fundamental doctrines of Christianity and not his personal theological views. Locke, Marko says, intended the work to be an ecumenical and irenic project during a controversial time in philosophy and theology. Locke described what qualifies someone as a Christian in simple and irenic terms, and argued for the necessity of Scripture and the reasonableness of God's means of conveying his authoritative messages. The Reasonableness of Christianity could be construed as personal, but mainly in the sense that it puts the burden of understanding Scripture and arriving at theological convictions on the autonomous individual, rejecting the notion that one should base one's doctrinal opinions on so-called authorities. His work was inadvertently controversial partly because then, like today, readers typically failed to make a distinction between Locke's personal and programmatic positions. Marko also points to places in Locke's corpus where he avoids advocating for a particular sectarian position in his treatment of theological doctrines. What is more, it shows why attempting to categorize Locke--a philosopher, theologian, and political scientist all at once--according to traditional Christian paradigms is a dangerous misstep and a difficult scholarly feat.
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John Sullivan Dwight

John Sullivan Dwight

Bill F. Faucett

OXFORD UNIVERSITY PRESS INC
2023
sidottu
John Sullivan Dwight (1813-93) was, for much of the nineteenth century, America's leading music critic. Born into a musical family and educated at several premier Boston schools, he fell under the spell of New England Transcendentalism and befriended Ralph Waldo Emerson, Elizabeth Palmer Peabody, Margaret Fuller, George Ripley, and others of a similarly progressive mindset. Dwight resided at the socialist/utopian community of Brook Farm where he learned the art of journalism and wrote on many topics--Transcendentalism, of course, but especially on music and musical performance. After the demise of Brook Farm and several years as a journeyman writer, Dwight launched Dwight's Journal of Music: A Paper of Art and Literature in 1852. It was a newspaper that firmly established him as a serious music critic and in its time spoke to America's growing appetite for art music. By charting Dwight's relationships with other writers, musicians, and thinkers, as well as his evolution into a powerful and persuasive writer in his own right, this book situates his story in its nineteenth century and Transcendental contexts and provides the first thorough account of music and the arts at Brook Farm. Dwight's enormous body of essays, reviews, translations, correspondence, and other various writings are illuminated in this biography and reveal the indelible influence Dwight's Journal had on music criticism--the impacts of which resonate today.
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The Early Poems of John Clare 1804-1822: Volume I

The Early Poems of John Clare 1804-1822: Volume I

John Clare

Clarendon Press
1989
sidottu
For the first time all Clare's early poems are brought together with all known variants, and with Clare's characteristic vocabulary, grammar, spelling, and punctuation preserved. Through this collection, ranging from juvenilia to the published poems that first established his reputation with Poems Descriptive of Rural Life and Scenery and The Village Minstrel, it becomes clear how many more poems Clare composed in these early years than have previously seen the light of day. Strenuous efforts have been made to recover poems obliterated in some of Clare's first manuscripts, and the complete text of The Parish, his major satirical poem, is included. A glossary is provided for both volumes, together with extensive annotation. Clare's own dating of his first poems is employed and every attempt has been made to establish a reliable chronology. This edition provides the first reliable basis for a new assessment of Clare's poetic growth, allowing his increasing assurance as a poet writing in a characteristic idiom of his own to be traced, and demonstrating how surprisingly early his individuality as a poet emerged.
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The Early Poems of John Clare 1804-1822

The Early Poems of John Clare 1804-1822

John Clare

Clarendon Press
1989
sidottu
For the first time all Clare's early poems are brought together with all known variants, and with Clare's characteristic vocabulary, grammar, spelling, and punctuation preserved. Through this collection, ranging from juvenilia to the published poems that first established his reputation with Poems Descriptive of Rural Life and Scenery and The Village Minstrel, it becomes clear how many more poems Clare composed in these early years than have previously seen the light of day. Strenuous efforts have been made to recover poems obliterated in some of Clare's first manuscripts, and the complete text of The Parish, his major satirical poem, is included. A glossary is provided for both volumes, together with extensive annotation. Clare's own dating of his first poems is employed and every attempt has been made to establish a reliable chronology. This edition provides the first reliable basis for a new assessment of Clare's poetic growth, allowing his increasing assurance as a poet writing in a characteristic idiom of his own to be traced, and demonstrating how surprisingly early his individuality as a poet emerged.
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John Clare: Poems of the Middle Period, 1822-1837

John Clare: Poems of the Middle Period, 1822-1837

John Clare

Clarendon Press
1998
sidottu
These volumes represent the third and fourth of five volumes devoted to Clare's 'middle period', between 1822 and 1837, arguably the years of his finest creativity. The poems contained in these volumes range from examples of Clare's satirical and political verse, in 'The Summons' and 'The Hue & Cry', to a telling expression of his philosophy of nature, in 'The Eternity of Nature', and probably the most important statement of Clare's poetic objectives in 'To the Rural Muse'. If there is any lingering belief in the 'sameness' of Clare's verse, these volumes ought surely to dispel it.
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