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1000 tulosta hakusanalla Ken MacLean
Ken's Moon!: Revealing the "dark Mission" of NASA
Ken Johnston Sr
Createspace Independent Publishing Platform
2018
nidottu
The story of Ken Johnston's archive of historic NASA photos and his decision to go public with evidence of the manipulation of those images from the Apollo moon missions is the stuff of legend in the alternative history community. The basic story is that Ken discovered a disturbing situation in the secret halls of our hallowed space agency. At the Lunar Receiving Laboratory, Ken was the Director of the Data and Photo Control Department, responsible for all the photographs and data generated by the contributing scientists from around the world. He also produced and edited the NASA Lunar Sample Information Catalog for each of the Lunar landing missions. One day, Ken enters the room where he sees strange activity. Given that he feels a sense of responsibility for the integrity of the NASA collection, he inquires as to what is going on. He spoke with several people who called themselves "strippers" because they were stripping out details in lunar images that might be hard to explain. That day, they were at the task of painting out the stars in particular lunar images. The unusually lame excuse given was that the stars in the lunar sky would "confuse people." This was alarming for Ken to discover. He found out also that "smudging out" anomalies on images was commonplace. Ken's story could be counted as a minority report in NASA's branded panorama of American heroics. The US Government and the American people had allocated significant financial and other resources toward the goal of reaching the moon at the behest of our young President Kennedy. The idea was to see what was there, to share that information to the world, and elevate the knowledge of mankind. To discover that the artifacts of that effort might have been manipulated was highly disappointing. It is this scenario being asserted by Ken Johnston, the very human being, who at one time, had watch over the chain of evidence.
Ken Loach's Ae Fond Kiss. a Multicultural Romeo and Juliet Story?
Clare Stalder
Grin Publishing
2013
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Ken Schles
Steidl Verlag
2014
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For a decade, Ken Schles watched the passing of time from his Lower East Side neighborhood. His camera fixed the instances of his observations, and these moments became the foundation of his “invisible city.” Friends and architecture come under the scrutiny of his lens and, when sorted and viewed in the pages of this book, a remarkable achievement of personal vision emerges. Twenty-five years later, Invisible City still has the ability to transfix the viewer. A penetrating and intimate portrayal of a world few had entrance to — or means of egress from — Invisible City stands alongside Brassai’s Paris de Nuit and van der Elsken’s Love On The Left Bank as one of the twentieth century’s great depictions of nocturnal bohemian experience. Documenting his life in New York City’s East Village during its heyday in the tumultuous 1980s, Schles captured its look and attitude in delirious and dark honesty. Long out of print, this “missing link” in the history of the photo book is now once again made available. Using scans from the original negatives and Steidl’s quadratone technique to bring out nuance and detail never seen before, this new edition transcends the original of this underground cult classic.
Twenty-five years after his seminal 1988 book, Invisible City, Ken Schles revisits his archive and fashions a narrative of lost youth: a delirious, peripatetic walk in the evening air of an irretrievable Downtown New York as he saw and experienced it. Night Walk is a substantive and intimate chronicle of New York’s last pre-Internet bohemian outpost, a stream-ofconsciousness portrayal that peels back layers of petulance and squalor to expose the frisson and striving of a life lived amongst the rubble. Here Schles embodies the flâneur as Susan Sontag defines it, as a “connoisseur of empathy … cruising the urban inferno, the voyeuristic stroller who discovers the city as a landscape of voluptuous extremes.” We see in Night Walk a new and revelatory Ulysses for the twenty-first century: a searching tale of wonder and desire, life and love in the dying hulk of a ruined American city.
This book of Berkeley-based photographer Ken Light's (born 1951) earliest photos from 1969 to 1974 documents the social, cultural and political landscapes of America as they roiled with upheaval, and marks his transformation from a student activist to a concerned social documentary photographer. Light's frontline photos show people across race, class and political lines, and counteract the truncated memory of the 1960s that has often been promoted by the media.Light's journey through America begins with teenagers at the beach with their transistor radio. Here is the quiet before the storm: high-school students with their Eisenhower textbook, retirees playing cards and cafeteria workers quietly striking. And then, suddenly, the new, alternative worldview bursts forth: the Vietnam Moratorium, the Republican Convention, riots, POWs returning home, Nixon's resignation. What's Going On? reveals how politically divided the United States was as a progressive, more egalitarian world order evolved. It stirs long-forgotten memories for those who were present, creates a cultural and historical legacy for the youth of today and argues that much of our current turmoil is the result of cataclysmic changes in the 1960s we have not yet absorbed.Ken Light (born 1951) is a social documentary photographer with a particular focus on America. His nine books include To the Promised Land (1988), Texas Death Row (1997) and Valley of Shadows and Dreams (2012). Light has exhibited internationally, including solo shows at the International Center of Photography in New York, the Oakland Museum of California and the Visual Studies Workshop in Rochester. Among his awards are two National Endowment for the Arts fellowships and the Dorothea Lange Fellowship. Light is the Reva and David Logan Professor of Photojournalism at the University of California, Berkeley.
Ken Narula: Iris & Lens
STEIDL PUBLISHERS
2024
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Through the prewar period, the wartime, after the war, the days of reconstruction, to the years of rapid growth, Japan changed quickly and remarkably. Through those times, Ken Domon kept taking pictures of Japanese people and the reality of the society with intense passion and persistence. He also took pictures with a large-size camera of traditional culture and old temples which inspired him, and he sought, with his peculiar sense, to capture the Japanese mind which had been inherited in an unbroken line. This complete collection contains 369 photographs including "Appearances," "Bunraku," "HIROSHIMA," "Children in Chikuho," "Muro-ji," "Pilgrimage to Ancient Temples," "Visiting Old Kilns," and other masterpieces. Through black-and-white works, you will be able to retrace the eyes of DOMON, which always demanded the truth on any theme, and sought for taking pictures of Japanese people and mind.
