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1000 tulosta hakusanalla Mary Yoder Burkhard

The Virgin Mary

The Virgin Mary

Mary Joan Winn Leith

Oxford University Press
2021
nidottu
The Virgin Mary - a Jewish mother - is central to Christianity, a revered woman in Islam, and a person of persistent fascination for centuries. Marian worship and theology has inspired countless appearances in art, as well as religious philosophy and doctrine, while the concept of the Virgin herself has been involved in controversial discussions over the Virginal body, race, anti-Semitism, and globalism. This Very Short Introduction describes the evolution of Marian thought from early Christianity to the present day. Mary Joan Winn Leith focuses on the centuries between the rise of Christianity and the Counter-Reformation, the eras when most of the doctrinal issues, popular traditions, and associated conventions of Marian iconography developed, and covers Catholic, Orthodox, and other Christian denominations, as well as the Islamic Mary. Taking an interdisciplinary approach that includes art history, archaeology, and gender studies as well as doctrinal history, she considers some of the misunderstandings and unquestioned assumptions about the Virgin Mary that pervade past and present Christian consciousness and today's secular world. Leith also discusses apparitions of Mary and representations of Mary in contemporary popular culture. Very Short Introductions: Brilliant, Sharp, Inspiring ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Mary Shelley

Mary Shelley

Charlotte Gordon

Oxford University Press
2022
nidottu
Very Short Introductions: Brilliant, Sharp, Inspiring In 1816, when eighteen-year old Mary Godwin began writing Frankenstein, the idea that a woman could dream up such a tale was as far-fetched as raising a being from the dead. But Mary wasn't just any woman. The daughter of two notorious radicals, Mary had become an outcast from English society when she was only sixteen. A lifelong advocate for the rights of women, she refused to be governed by social conventions, running away with a married man, having children out of wedlock, and authoring books, stories, and essays that broke literary conventions. This Very Short Introduction explores the context, background, and important themes contained in Shelley's most famous novel, Frankenstein, as well as demonstrating the importance of her work after Frankenstein. Over the course of her long career, Shelley developed a distinctive voice, and a political and philosophical stance. Exploring key themes throughout Shelley's work, Charlotte Gordon shows how she devoted herself to the propositions her mother, Mary Wollstonecraft, outlined in A Vindication of the Rights of Woman: that women are equal to men; that all people deserve the same rights; that human reason and the capacity for love can reform the world; and that every person is entitled to justice and freedom. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Mary Barton

Mary Barton

Elizabeth Gaskell

Oxford University Press
2008
nidottu
'It's the masters as has wrought this woe; it's the masters as should pay for it.' Set in Manchester in the 1840s - a period of industrial unrest and extreme deprivation - Mary Barton depicts the effects of economic and physical hardship upon the city's working-class community. Paralleling the novel's treatment of the relationship between masters and men, the suffering of the poor, and the workmen's angry response, is the story of Mary herself: a factory-worker's daughter who attracts the attentions of the mill-owner's son, she becomes caught up in the violence of class conflict when a brutal murder forces her to confront her true feelings and allegiances. Mary Barton was praised by contemporary critics for its vivid realism, its convincing characters and its deep sympathy with the poor, and it still has the power to engage and move readers today. This edition reproduces the last edition of the novel supervised by Elizabeth Gaskell and includes her husband's two lectures on the Lancashire dialect. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Mary and The Wrongs of Woman

Mary and The Wrongs of Woman

Mary Wollstonecraft

Oxford University Press
2009
nidottu
'I have lately written...a tale, to illustrate an opinion of mine, that a genius will educate itself.' Mary Wollstonecraft is best known for her pioneering views on the rights of women to share equal rights and opportunities with men. Expressed most forcefully in her Vindication of the Rights of Woman (1792), her forthright opinions also inform her two innovative novels, Mary and The Wrongs of Woman, a fictional sequel to the Vindication. In both novels the heroines have to rely on their own resources to establish their independence and intellectual development. Mary learns to take control of her destiny and become a social philanthropist, while Maria, in The Wrongs of Woman, fights imprisonment and a loveless marriage to claim her rights. Strongly autobiographical, both novels powerfully complement Wollstonecraft's non-fictional writing, inspired by the French Revolution and the social upheavals that followed. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
The Proper Lady and the Woman Writer – Ideology as Style in the Works of Mary Wollstonecraft, Mary Shelley, and Jane Austen
"A brilliant, original, and powerful book. . . . This is the most skillful integration of feminism and Marxist literary criticism that I know of." So writes critic Stephen Greenblatt about The Proper Lady and the Woman Writer, Mary Poovey's study of the struggle of three prominent writers to accommodate the artist's genius to the late eighteenth- and early nineteenth-century ideal of the modest, self-effacing "proper lady." Interpreting novels, letters, journals, and political tracts in the context of cultural strictures, Poovey makes an important contribution to English social and literary history and to feminist theory. "The proper lady was a handy concept for a developing bourgeois patriarchy, since it deprived women of worldly power, relegating them to a sanctified domestic sphere that, in complex ways, nourished and sustained the harsh 'real' world of men. With care and subtle intelligence, Poovey examines this 'guardian and nemesis of the female self' through the ways it is implicated in the style and strategies of three very different writers."—Rachel M. Brownstein, The Nation "The Proper Lady and the Woman Writer is a model of . . . creative discovery, providing a well-researched, illuminating history of women writers at the turn of the nineteenth century. [Poovey] creates sociologically and psychologically persuasive accounts of the writers: Wollstonecraft, who could never fully transcend the ideology of propriety she attacked; Shelley, who gradually assumed a mask of feminine propriety in her social and literary styles; and Austen, who was neither as critical of propriety as Wollstonecraft nor as accepting as Shelley ultimately became."—Deborah Kaplan, Novel
Mary of Magdala

Mary of Magdala

Margaret Bannan

Tellwell Talent
2020
pokkari
This book draws on hermeneutics of suspicion and imagination to discover Mary of Magdala in unexplored places in the scriptures. It explores how Mary of Magdala may have met Jesus and who the women were who followed Jesus from a distance. It challenges the legends that only the twelve apostles were with Jesus at the last supper and who witnessed the agony of Jesus in the garden at Gethsemane. In the Gospel of John there is an 'other disciple' who follows Jesus to the Palace of Annas and it presents the possibility that it was Mary of Magdala. It refutes the legend that Mary, the mother of Jesus, was given into the care of the Apostle John. It explores Mary of Magdala's role at the resurrection of Jesus and then meeting up with Jesus at Lake Tiberias. It makes a case for consideration that Mary of Magdala was the 'beloved disciple' of Jesus and author of the Gospel of John. Lastly, it presents Saint Mary of Magdala as an inspiration for women today.
Mary Go Round

Mary Go Round

William Harold Buchanan; Dawna Lisa Buchanan-Butterfield

Tellwell Talent
2022
pokkari
Mary Go RoundA Cautionary Tale for our TimeThe story of Mary Go Round is focused on the aftermath of World War I, and of the death and destruction drilled into the mind and soul of a man who became a monster. He retuned from duty as "The Prince," and he rained abuse and cruelty on the three innocents who eagerly awaited his glorious homecoming. That dream was not to be realized. Now forced from the prison shack, a.k.a. "The Castle," Mary faced a strange new world as she plodded through many difficult encounters in her troubled young life to find invigorating freedom with a new-age entrepreneur who offered her security and the promise of love in the future.
Mary Tudor

Mary Tudor

Susan Doran; Thomas S. Freeman

Red Globe Press
2011
sidottu
This collection of interdisciplinary essays examines the origins and growth of Mary Tudor's historical reputation, from the reign of Elizabeth I up to the 20th century. Re-appraising aspects of her reign that have been misrepresented the book creates a more balanced, objective portrait of England's last Catholic, and first female, monarch.
Mary Tudor

Mary Tudor

Susan Doran; Thomas S. Freeman

Red Globe Press
2011
nidottu
This collection of interdisciplinary essays examines the origins and growth of Mary Tudor's historical reputation, from the reign of Elizabeth I up to the 20th century. Re-appraising aspects of her reign that have been misrepresented the book creates a more balanced, objective portrait of England's last Catholic, and first female, monarch.
Mary Shelley

Mary Shelley

Graham Allen

Red Globe Press
2008
sidottu
Graham Allen provides both an introduction to and review of the critical responses to Mary Shelley's major fictions, from the Romantic period to the present day, while also pushing debates forward. The book moves beyond Frankenstein, presenting new readings of other texts such as Matilda, Valperga, The Last Man and Lodore.
Mary Shelley

Mary Shelley

Graham Allen

Red Globe Press
2008
nidottu
Graham Allen provides both an introduction to and review of the critical responses to Mary Shelley's major fictions, from the Romantic period to the present day, while also pushing debates forward. The book moves beyond Frankenstein, presenting new readings of other texts such as Matilda, Valperga, The Last Man and Lodore.
Mary Shelley: Frankenstein

Mary Shelley: Frankenstein

Nicholas Marsh

Red Globe Press
2009
sidottu
This study focuses on how Frankenstein works: how the story is told and why it is so rich and gripping. Part I uses carefully selected short extracts for close textual analysis, while Part II examines Shelley's life, the historical and literary contexts of the novel, and offers a sample of key criticism.
Mary Shelley: Frankenstein

Mary Shelley: Frankenstein

Nicholas Marsh

Red Globe Press
2009
nidottu
This study focuses on how Frankenstein works: how the story is told and why it is so rich and gripping. Part I uses carefully selected short extracts for close textual analysis, while Part II examines Shelley's life, the historical and literary contexts of the novel, and offers a sample of key criticism.
Mary I

Mary I

S. Duncan

Palgrave Macmillan
2012
sidottu
This book explores the gender politics of the reign of Mary I of England from her coronation to her funeral and examines the ways in which the queen and her supporters used language, royal ceremonies, and images to bolster her right to rule and define her image as queen.
Mary Shelley: Frankenstein

Mary Shelley: Frankenstein

Columbia University Press
2000
pokkari
Mary Shelley's first novel has established itself as one of modernity's most compelling and ominous myths. Frankenstein poignantly captures the spirit of the early 1800s as an age of transition tragically divided between scientific progress and religious conservatism, revolutionary reform and conformist reaction. This Guide encapsulates the most important critical reactions to a novel that straddles the realms of both high literature and popular culture. The selections shed light on Frankenstein's historical and socio-political relevance, its innovative representations of science, gender, and identity, as well as its problematic cultural location between academic critique and creative production. Ranging from the first reviews in 1818 to postmodern readings of the mid-1990s, the Guide illuminates one of British literature's most spectacular novels.
The Collected Letters of Mary Wollstonecraft

The Collected Letters of Mary Wollstonecraft

Mary Wollstonecraft

Columbia University Press
2004
sidottu
You will smile at an observation that has just occurred to me:-I consider those minds as the most strong and original, whose imagination acts as the stimulus to their senses, Mary Wollstonecraft wrote in a letter contemplating the role of the imagination in human relationships. Enlightenment feminist and famed author of The Vindication of the Rights of Woman, Wollstonecraft was also one of the most distinctive letter writers of the eighteenth century. This volume contains all of her known correspondence. Wollstonecraft talked and thought on paper; her letters were a large part of the drama of her life. In them she grows from an awkward child of fourteen to the woman of thirty-eight facing death in childbirth. Where the letters of "bluestocking" writers such as Elizabeth Carter and Catherine Talbot have a public quality, Wollstonecraft's letters-whether written in haste or carefully composed, opinionated, or vulnerable-stand out among those of other contemporary writers for their candor and lack of sentimentality. They create a palpable world, a sense of inner vitality, revealing a woman of consistent character who nonetheless struggled to reconcile disparate aspects of her life: integrity and sexual longing; the needs and duties of a woman; motherhood and intellectual life; fame and domesticity; reason and passion. Written in cramped lodgings and swaying boats, in the wilds of Scandinavia and the chill of Paris in winter, these letters record not a finished, ordered life viewed retrospectively but the dynamic process of living. Collectively, they form a remarkable work of autobiography that reveals the many dimensions of Wollstonecraft's genius.
Mary and the Art of Prayer

Mary and the Art of Prayer

Rachel Fulton Brown

Columbia University Press
2017
sidottu
Would you like to learn to pray like a medieval Christian? In Mary and the Art of Prayer, Rachel Fulton Brown traces the history of the medieval practice of praisingMary through the complex of prayers known as the Hours of the Virgin. More than just a work of comprehensive historical scholarship, the book asks readers to immerse themselves in the experience of believing in and praying to Mary. Mary and the Art of Prayer crosses the boundaries that modern scholars typically place between observation and experience, between the world of provable facts and the world of imagination, suggesting what it would have been like for medieval Christians to encounter Mary in prayer. Mary and the Art of Prayer opens with a history of the devotion of the Hours or "Little Office" of the Virgin. It then guides readers in the practice of saying this Office, including its invitatory (Ave Maria), antiphons, psalms, lessons, and prayers. The book works on several levels at once. It provides a new methodology for thinking about devotion and prayer; a new appreciation of the scope of and audience for the Hours of the Virgin; a new understanding of how Mary functions theologically and devotionally; and a new reading of sources not previously taken into account. A courageous and moving work, it will transform our ideas of what scholarship is and what it can accomplish.
Mary and the Art of Prayer

Mary and the Art of Prayer

Rachel Fulton Brown

Columbia University Press
2019
pokkari
Would you like to learn to pray like a medieval Christian? In Mary and the Art of Prayer, Rachel Fulton Brown traces the history of the medieval practice of praising Mary through the complex of prayers known as the Hours of the Virgin. More than just a work of comprehensive historical scholarship, the book asks readers to immerse themselves in the experience of believing in and praying to Mary. Mary and the Art of Prayer crosses the boundaries that modern scholars typically place between observation and experience, between the world of provable facts and the world of imagination, suggesting what it would have been like for medieval Christians to encounter Mary in prayer.Mary and the Art of Prayer opens with a history of the devotion of the Hours or “Little Office” of the Virgin. It then guides readers in the practice of saying this Office, including its invitatory (Ave Maria), antiphons, psalms, lessons, and prayers. The book works on several levels at once. It provides a new methodology for thinking about devotion and prayer; a new appreciation of the scope of and audience for the Hours of the Virgin; a new understanding of how Mary functions theologically and devotionally; and a new reading of sources not previously taken into account. A courageous and moving work, it will transform our ideas of what scholarship is and what it can accomplish.
Mary C. McCall Jr.

Mary C. McCall Jr.

J. E. Smyth

Columbia University Press
2024
sidottu
A screenwriter, novelist, labor leader, Hollywood insider, and feminist, Mary C. McCall Jr. was one of the film industry’s most powerful figures in the 1940s and early 1950s. She was elected the first woman president of the Screen Writers Guild after leading the fight to unionize the industry’s writers and secured the first contract guaranteeing a minimum wage, credit protection, and pay raises. Her advocacy was not welcomed by all: To screenwriters McCall was an “avenging goddess,” but to studio heads she was, in the words of one Hollywood executive, “the meanest bitch in town.” And after a clash with the mogul Howard Hughes in the blacklist-era 1950s, she disappeared from the pages of Hollywood history.J. E. Smyth tells McCall’s remarkable story for the first time, putting the spotlight on her trailblazing career and crucial influence. She explores McCall’s life and work, from her friendships with stars such as Bette Davis, Humphrey Bogart, and James Cagney to her authorship of the hit Maisie series about a working-class showgirl’s adventures. Analyzing McCall’s deft political maneuvering, Smyth offers new insight on screenwriters’ struggle for equality and recognition. She also examines why McCall’s legacy is unrecognized, showing how the Hollywood blacklist and entrenched sexism obscured her accomplishments. Colorful and compelling, this biography provides a powerful account of how one extraordinary woman shaped Golden Age Hollywood.