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1000 tulosta hakusanalla Teodor Levin

Theodor Adorno and the Century of Negative Identity

Theodor Adorno and the Century of Negative Identity

Eric Oberle

STANFORD UNIVERSITY PRESS
2018
sidottu
Identity has become a central feature of national conversations: identity politics and identity crises are the order of the day. We celebrate identity when it comes to personal freedom and group membership, and we fear the power of identity when it comes to discrimination, bias, and hate crimes. Drawing on Isaiah Berlin's famous distinction between positive and negative liberty, Theodor Adorno and the Century of Negative Identity argues for the necessity of acknowledging a dialectic within the identity concept. Exploring the intellectual history of identity as a social idea, Eric Oberle shows the philosophical importance of identity's origins in American exile from Hitler's fascism. Positive identity was first proposed by Frankfurt School member Erich Fromm, while negative identity was almost immediately put forth as a counter-concept by Fromm's colleague, Theodor Adorno. Oberle explains why, in the context of the racism, authoritarianism, and the hard-right agitation of the 1940s, the invention of a positive concept of identity required a theory of negative identity. This history in turn reveals how autonomy and objectivity can be recovered within a modern identity structured by domination, alterity, ontologized conflict, and victim blaming.
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Theodor Storm's Novellen

Theodor Storm's Novellen

E. Allen McCormick

The University of North Carolina Press
2020
pokkari
These six essays elucidate some of the more significant aspects of Storm's literary technique. The treatments of some of Storm's Novellen, including Am Kamin, Aquis Submersus and two versions of Immensee, show how Storm used structure, symbolism, elements of tragedy and other narrative devices in his prodigious body of works of German Realism.
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Teodoro Moscoso and Puerto Rico's Operation Bootstrap

Teodoro Moscoso and Puerto Rico's Operation Bootstrap

Alex W. Maldonado

University Press of Florida
2020
pokkari
A. W. Maldonado tells the story of Puerto Rico's extraordinary climb from poverty to economic success. Operation Bootstrap, a program conceived, promoted, and implemented by Teodoro Moscoso (1910-1992), succeeded in attracting worldwide capital investment that by the mid-1950s had transformed the island from an economic backwater into a bustling industrial society. Though much of the credit went to Puerto Rico's governor, Luis MuÑoz MarÍn, Maldonado focuses on Moscoso to describe how and why the economic miracle took place.Moscoso was deeply involved in all aspects of the Puerto Rican economy and culture, and Maldonado follows his relationships and battles on a number of fronts, from his initial differences with Rexford Tugwell, the last American governor of the island, to conflicts with Governor MuÑoz, who was constantly concerned that Moscoso was pushing change too quickly. In the worlds of business and culture, Maldonado shows how Moscoso employed advertising guru David Ogilvy to propagate the image of a people engaged in a cultural renaissance. He also highlights Moscoso's decisive actions at critical junctures (such as his success in pushing tax exemptions and tourism in the late 1940s) and his personal persuasiveness, as with Pablo Casals, who at the age of eighty was persuaded to establish his Casals Festival at San Juan.Maldonado shows that Moscoso was the architect of the "economic miracle" that economists and presidents believed could not happen in Puerto Rico. His account sheds new light on the man who provided U.S. administrations with a democratic success story to counter the allure of the Cuban revolution and who was called on by President John F. Kennedy to organize and head the Alliance for Progress.
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Theodor W. Adorno

Theodor W. Adorno

Gerhard Schweppenhäuser

Duke University Press
2009
sidottu
Theodor W. Adorno (1903–1969) was one of the twentieth century’s most important thinkers. In light of two pivotal developments-the rise of fascism, which culminated in the Holocaust, and the standardization of popular culture as a commodity indispensable to contemporary capitalism-Adorno sought to evaluate and synthesize the essential insights of Western philosophy by revisiting the ethical and sociological arguments of his predecessors: Kant, Nietzsche, Hegel, and Marx. This book, first published in Germany in 1996, provides a succinct introduction to Adorno’s challenging and far-reaching thought. Gerhard SchweppenhÄuser, a leading authority on the Frankfurt School of critical theory, explains Adorno’s epistemology, social and political philosophy, aesthetics, and theory of culture.After providing a brief overview of Adorno’s life, SchweppenhÄuser turns to the theorist’s core philosophical concepts, including post-Kantian critique, determinate negation, and the primacy of the object, as well as his view of the Enlightenment as a code for world domination, his diagnosis of modern mass culture as a program of social control, and his understanding of modernist aesthetics as a challenge to conceive an alternative politics. Along the way, SchweppenhÄuser illuminates the works widely considered Adorno’s most important achievements: Minima Moralia, Dialectic of Enlightenment (co-authored with Horkheimer), and Negative Dialectics. Adorno wrote much of the first two of these during his years in California (1938–49), where he lived near Arnold Schoenberg and Thomas Mann, whom he assisted with the musical aesthetics at the center of Mann’s novel Doctor Faustus.
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Theodor W. Adorno

Theodor W. Adorno

Gerhard Schweppenhäuser

Duke University Press
2009
pokkari
Theodor W. Adorno (1903–1969) was one of the twentieth century’s most important thinkers. In light of two pivotal developments-the rise of fascism, which culminated in the Holocaust, and the standardization of popular culture as a commodity indispensable to contemporary capitalism-Adorno sought to evaluate and synthesize the essential insights of Western philosophy by revisiting the ethical and sociological arguments of his predecessors: Kant, Nietzsche, Hegel, and Marx. This book, first published in Germany in 1996, provides a succinct introduction to Adorno’s challenging and far-reaching thought. Gerhard SchweppenhÄuser, a leading authority on the Frankfurt School of critical theory, explains Adorno’s epistemology, social and political philosophy, aesthetics, and theory of culture.After providing a brief overview of Adorno’s life, SchweppenhÄuser turns to the theorist’s core philosophical concepts, including post-Kantian critique, determinate negation, and the primacy of the object, as well as his view of the Enlightenment as a code for world domination, his diagnosis of modern mass culture as a program of social control, and his understanding of modernist aesthetics as a challenge to conceive an alternative politics. Along the way, SchweppenhÄuser illuminates the works widely considered Adorno’s most important achievements: Minima Moralia, Dialectic of Enlightenment (co-authored with Horkheimer), and Negative Dialectics. Adorno wrote much of the first two of these during his years in California (1938–49), where he lived near Arnold Schoenberg and Thomas Mann, whom he assisted with the musical aesthetics at the center of Mann’s novel Doctor Faustus.
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Theodor Storm

Theodor Storm

David Jackson

BLOOMSBURY PUBLISHING PLC
1992
sidottu
A work which discusses Storm's significance and artistic stature as a champion of democratic humanitarian traditions and aspirations in 19th century Germany. It highlights his critique of Christianity, his vision of capitalism and his analysis of class relationships. The study contends that his literary form, techniques and strategies were shaped by the need to respond to specific socio-political constraints and prejudices of publishers, editors and readers. The book advocates new approaches to Storm's work and uses many unpublished primary materials.
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Theodor Fahrner Jewelry

Theodor Fahrner Jewelry

Ulrike von Hase-Schmundt

Schiffer Publishing Ltd
1997
sidottu
Stunning Art Nouveau, Art Deco, and modern jewelry was manufactured by the firm of Theodor Fahrner for a hundred and twenty-five years (1855-1979.) Growing into a major producer of style-conscious jewelry, the company both led and was inspired by the major European art movements of Arts and Crafts, Art Nouveau, Art Deco, Art Moderne, and Contemporary styles. This new book is profusely color-illustrated, documenting the designs and the people who made them. Working in silver, enamels, marcasites, iron, and semi-precious stones, the designers made each contemporary style of jewelry available to a wide segment of the population. From their workshops in Pforzheim, Germany, they exported large quantities to near and distant cities, including London and the U.S.A. A detailed chronological study, the volume displays Fahrner jewelry through precise, original research and over 480 photographs, most in full color. Sections include advertisements, original design sketches, all known marks, pictures of the important people, and, most of all, hundreds of pieces of jewelry.
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