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1000 tulosta hakusanalla Toni Morrison

Approaches to Teaching the Works of Toni Morrison

Approaches to Teaching the Works of Toni Morrison

Modern Language Association of America
2026
pokkari
Essays on teaching Morrison as novelist and public intellectual Toni Morrison's novels have been frequently taught and frequently honored, earning the Nobel Prize and other awards. They are also frequently challenged and banned, a fact that highlights their power. Centering Black people and their lives, Morrison's writing pushes readers to reconsider their ideas about canonical American literature. It also rewards engagement with its structural and stylistic creativity and deep historical grounding. This volume offers approaches to teaching Morrison that help students navigate the complexities of her works and find in them ways to make sense of the world. Encouraging instructors and students to reflect on their own racialized identities, essays also emphasize reading in community, whether as collaborative pedagogy, team teaching, or public humanities initiatives, reinforcing the fostering of mutual respect and a community of care. This volume contains discussion of Toni Morrison's Beloved, The Bluest Eye, Home, God Help the Child, Jazz, Paradise, Song of Solomon, Sula, Tar Baby, and "Recitatif," in addition to Fatih Akin's Gegen die Wand, Auf der anderen Seite, and The Cut; James Baldwin's Giovanni's Room; Louise Erdrich's Love Medicine, Tracks, Four Souls, and The Night Watchman; William Faulkner's As I Lay Dying; Gabriel García Márquez's One Hundred Years of Solitude; Darryl A. Smith's "The Pretended"; and Tennessee Williams's The Rose Tattoo.
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Verarbeitung und Verdrängung von Erinnerung in Toni Morrisons Werk "Beloved"

Verarbeitung und Verdrängung von Erinnerung in Toni Morrisons Werk "Beloved"

Verena Kergl

Grin Publishing
2012
pokkari
Studienarbeit aus dem Jahr 2008 im Fachbereich Anglistik - Literatur, Note: 2,0, Heinrich-Heine-Universit t D sseldorf (Anglistik/Amerikanistik), Veranstaltung: Narratives of Return, Sprache: Deutsch, Abstract: Kurze Zusammenfassung: Der Roman "Beloved" von Toni Morrison, der die Textgrundlage dieser Arbeit bildet, kreist um die Vergangenheit und Erinnerung der Sklavin Sethe, die aus Verzweiflung und Ausweglosigkeit ihr drittes Kind umbringt, um es vor dem Schicksal der Sklaverei zu bewahren. In dem Roman "Beloved" wird viel ber die Vergangenheit gesprochen. Vergangenheit wird in "Beloved" wie in einer Art Puzzle zusammengef gt. Anfangs wei man nicht direkt warum ein Geist in der Hausnummer 124 sein Unwesen treibt, aber im Verlauf des Romans werden die Puzzleteile fragmentartig zusammengef gt und es erschlie t sich ein immer gr er werdendes St ck vom Wissen, um die Vergangenheit der Protagonisten. Im Verlauf dieser Arbeit soll dargstellt werden, wie unterschiedlich Erinnerung bei den Protagonisten Sethe, Denver, Paul D. und Baby Suggs verarbeitet oder auch verdr ngt wird. Die Figur der Beloved wird hierbei fast v llig ausgespart, da dies sonst den Rahmen der Arbeit sprengen w rde. Es werden auch die Fluchtmechanismen der einzelnen Protagonisten ber cksichtigt, d.h. welche Handlungen bzw. Hilfsmittel ziehen sie heran, um sich nicht erinnern zu m ssen. Jeder Protagonist des Romans "Beloved" und seine Art mit Erinnerung umzugehen wird einzeln bearbeitet, damit deutlich wird, wie unterschiedlich die Verarbeitung und Verdr ngung von Erinnerung bei Personen sein kann. Inhaltsverzeichnis: 1. Einleitung 2. Verarbeitung und Verdr ngung von Erinnerung 2.1 Verarbeitung und Verdr ngung von Erinnerung bei Sethe 2.2 Verarbeitung und Verdr ngung von Erinnerung bei Denver 2.3 Verarbeitung und Verdr ngung von Erinnerung bei Baby Suggs 2.4 Verarbeitung und Verdr ngung von Erinnerung bei Paul D. 3. Schluss 4. Bibliographie
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Das Trauma der Kindheit in Toni Morrisons God Help the Child (2015)

Das Trauma der Kindheit in Toni Morrisons God Help the Child (2015)

Assia Mohdeb; Sara Ramtani

Verlag Unser Wissen
2024
pokkari
In der vorliegenden Forschungsarbeit wird die Darstellung von Kindheitstraumata in Toni Morrisons God Help the Child (2015) im Lichte der Traumatheorie von Judith Herman analysiert. Die Studie belegt die physische und emotionale Unterdr ckung, die Kindern im afroamerikanischen Kontext angetan wird, und versucht, alternative Denk- und Verhaltensweisen im Umgang mit Kindern zu untersuchen. Sie konzentriert sich vor allem auf die Analyse der Psychologie von Figuren, die in ihrer Kindheit bel stigt und missbraucht wurden, und macht deren Defizite bei der Pflege eines gesunden Verh ltnisses zu ihrer Umwelt und den Menschen in ihrer Umgebung deutlich. Die Untersuchung st tzt sich auf Judith Hermans theoretische Erkenntnisse ber das Ph nomen des Traumas und konzentriert sich auf den Begriff der Intrusion und der Borderline-Pers nlichkeitsst rung als Folge von Traumaerfahrungen.
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A Crown of Stories: The Life and Language of Beloved Writer Toni Morrison

A Crown of Stories: The Life and Language of Beloved Writer Toni Morrison

Carole Boston Weatherford

HARPERCOLLINS PUBLISHERS INC
2024
sidottu
From award-winning author Carole Boston Weatherford comes a captivating picture book biography about the incredible life of esteemed author, editor, and activist Toni Morrison, featuring gorgeous illustrations by debut artist Khalif Tahir Thompson.How do you tell a story?Before Toni Morrison was a Pulitzer Prize winner and Nobel Prize–winning author, she was Chloe Ardelia Wofford, a little girl in Ohio who was both the only Black child in her first-grade classroom and the only student who was able to read.This is the true story of how that young girl learned from her upbringing, surrounded herself with stories, and made a tremendous impact on the world. Toni Morrison’s pen was her sword, and she grew to be a titan of the arts. Her legacy is one that still touches readers to this day.Expertly and evocatively told by award-winning author Carole Boston Weatherford, with beautiful painted illustrations by Khalif Tahir Thompson, this is a must-have picture book biography for any collection. It celebrates Toni Morrison’s legacy while inspiring readers to create art, believe in themselves, and strive for greatness.
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Miss Chloe: A Memoir of a Literary Friendship with Toni Morrison

Miss Chloe: A Memoir of a Literary Friendship with Toni Morrison

A. J. Verdelle

Amistad Press
2022
sidottu
"Passionate, personal, insightful, testy, and unique." --Kirkus (starred review)"Verdelle offers us testimony in praise and consideration of life as a literary citizen and Black woman alongside the guiding light of Toni Morrison. This is a holy testimony, indeed, one that deserves to be amen'd forever." --Jason Reynolds, #1 New York Times Bestselling Author"Verdelle gives us the greatest gift--our beloved ancestor returned to us--generous and alive, remembered and revered. So grateful for this book in the world." --Jacqueline Woodson, author of Another Brooklyn"If you let a black girl loose in a library, you may not recognize the woman who emerges."--from Miss ChloeToni Morrison, born Chloe A Wofford, was a towering figure in the world of literature when she entered A.J. Verdelle's life. Their literary friendship was a young writer's dream--simultaneously exhilarating, intimidating, fulfilling, and challenging. The relationship crossed generations, spanned several cycles in life, exhibited high and low notes, reached and dipped and found its way. Like many women friends, these two writers imagined and built a relationship that was responsive, inventive, and engaged.Miss Chloe powerfully situates the risks writers face and the freedom they find when they put Black women's lives into words. Verdelle chronicles her grief at Morrison's passing, and finds comfort in Morrison's astute advice--wisdom Verdelle didn't always recognize at the time. In this pensive and intricately lyrical book, Verdelle honors Morrison among the cultural greats, while illuminating and celebrating the power of language, legacy, and genius.A. J. Verdelle is the award-winning author of the novel, The Good Negress. She teaches Creative Writing at Morgan State University and at the MFA program at Lesley University.
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Miss Chloe: A Memoir of a Literary Friendship with Toni Morrison

Miss Chloe: A Memoir of a Literary Friendship with Toni Morrison

A. J. Verdelle

Amistad Press
2023
nidottu
"Passionate, personal, insightful, testy, and unique." --Kirkus (starred review)"Verdelle offers us testimony in praise and consideration of life as a literary citizen and Black woman alongside the guiding light of Toni Morrison. This is a holy testimony, indeed, one that deserves to be amen'd forever." --Jason Reynolds, #1 New York Times Bestselling Author"Verdelle gives us the greatest gift--our beloved ancestor returned to us--generous and alive, remembered and revered. So grateful for this book in the world." --Jacqueline Woodson, author of Another Brooklyn"If you let a black girl loose in a library, you may not recognize the woman who emerges."--from Miss ChloeToni Morrison, born Chloe A Wofford, was a towering figure in the world of literature when she entered A.J. Verdelle's life. Their literary friendship was a young writer's dream--simultaneously exhilarating, intimidating, fulfilling, and challenging. The relationship crossed generations, spanned several cycles in life, exhibited high and low notes, reached and dipped and found its way. Like many women friends, these two writers imagined and built a relationship that was responsive, inventive, and engaged.Miss Chloe powerfully situates the risks writers face and the freedom they find when they put Black women's lives into words. Verdelle chronicles her grief at Morrison's passing, and finds comfort in Morrison's astute advice--wisdom Verdelle didn't always recognize at the time. In this pensive and intricately lyrical book, Verdelle honors Morrison among the cultural greats, while illuminating and celebrating the power of language, legacy, and genius.A. J. Verdelle is the award-winning author of the novel, The Good Negress. She teaches Creative Writing at Morgan State University and at the MFA program at Lesley University.
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The Artist as Outsider in the Novels of Toni Morrison and Virginia Woolf

The Artist as Outsider in the Novels of Toni Morrison and Virginia Woolf

Lisa Williams

Praeger Publishers Inc
2000
sidottu
On first consideration, Nobel prize winning African-American author Toni Morrison would seem to have little in common with Virginia Woolf, the British writer who challenged Victorian concepts of womanhood. But Woolf's achievement and influence have been enduring, so much so that Morrison wrote her masters thesis on Woolf and William Faulkner. In that thesis, Morrison gives special attention to issues of isolation, and she notes that for Woolf, isolation brought a sense of freedom that the attached could never comprehend. This book examines the literary relationship between Woolf and Morrison. In her own novels, Morrison redefined Woolf's concept of isolation in terms of American racism. While Morrison's female characters are clearly outsiders, they can nevertheless experience a sense of community that Woolf's characters cannot. Woolf's female characters, on the other hand, are often alienated because of their repressed erotic longing for women. Both Morrison and Woolf consider the severe obstacles the female artist must encounter and overcome before she can create art. This volume looks at the similarities that link Morrison and Woolf together despite their racial, ethnic, national, and historical differences, and it examines how differing structures of domination define their art.
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Narrative Conventions and Race in the Novels of Toni Morrison

Narrative Conventions and Race in the Novels of Toni Morrison

Jennifer Lee Jordan Heinert

Routledge
2011
nidottu
This study analyzes the relationship between race and genre in four of Toni Morrison’s novels: The Bluest Eye, Tar Baby, Jazz, and Beloved. Heinert argues how Morrison’s novels revise conventional generic forms such as bildungsroman, folktales, slave narratives, and the formal realism of the novel itself. This study goes beyond formalist analyses to show how these revisions expose the relationship between race, conventional generic forms, and the dominant culture. Morrison’s revisions critique the conventional roles of African Americans as subjects of and in the genre of the novel, and (re)write roles which instead privilege their subjectivity. This study provides readers with new ways of understanding Morrison’s novels. Whereas critics often fault Morrison for breaking with traditional forms and resisting resolution in her novels, this analysis show how Morrison’s revisions shift the narrative truth of the novel from its representation in conventional forms to its interpretation by the readers, who are responsible for constructing their own resolution or version of narrative truth. These revisions expose how the dominant culture has privileged specific forms of narration; in turn, these forms privilege the values of the dominant culture. Morrison’s novels attempt to undermine this privilege and rewrite the canon of American literature.
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Narrative Conventions and Race in the Novels of Toni Morrison

Narrative Conventions and Race in the Novels of Toni Morrison

Jennifer Lee Jordan Heinert

Routledge
2008
sidottu
This study analyzes the relationship between race and genre in four of Toni Morrison’s novels: The Bluest Eye, Tar Baby, Jazz, and Beloved. Heinert argues how Morrison’s novels revise conventional generic forms such as bildungsroman, folktales, slave narratives, and the formal realism of the novel itself. This study goes beyond formalist analyses to show how these revisions expose the relationship between race, conventional generic forms, and the dominant culture. Morrison’s revisions critique the conventional roles of African Americans as subjects of and in the genre of the novel, and (re)write roles which instead privilege their subjectivity. This study provides readers with new ways of understanding Morrison’s novels. Whereas critics often fault Morrison for breaking with traditional forms and resisting resolution in her novels, this analysis show how Morrison’s revisions shift the narrative truth of the novel from its representation in conventional forms to its interpretation by the readers, who are responsible for constructing their own resolution or version of narrative truth. These revisions expose how the dominant culture has privileged specific forms of narration; in turn, these forms privilege the values of the dominant culture. Morrison’s novels attempt to undermine this privilege and rewrite the canon of American literature.
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Folk Roots and Mythic Wings in Sarah Orne Jewett and Toni Morrison

Folk Roots and Mythic Wings in Sarah Orne Jewett and Toni Morrison

Marilyn Sanders Mobley

Louisiana State University Press
1994
nidottu
As women of different eras, cultural backgrounds, racial identities, and places of origin, Sarah Orne Jewett and Toni Morrison would appear to have little in common. But in her study of these two seemingly dissimilar writers Marilyn Sanders Mobley finds elements that unite their fictional concerns.Mobley argues that a folk aesthetic gives structure and meaning to Jewett's and Morrison's work and that a mythic impulse informs their ability to depict people and values that the dominant American culture has traditionally neglected. Through close readings of Jewett's Deephaven, ""A White Heron,"" and The Country of Pointed Firs and of Morrison's Song of Solomon, Tar Baby, and Beloved, she demonstrates that the fiction of both writers attempts to preserve and affirm cultural difference, cultural knowledge, and cultural memory.Mobley's carefully argued study simultaneously offers important new insights into the works of two significant women writers and points out ways in which narrative may be used as a catalyst for cultural and social change.
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James Baldwin, Toni Morrison, and the Rhetorics of Black Male Subjectivity

James Baldwin, Toni Morrison, and the Rhetorics of Black Male Subjectivity

Aaron Ngozi Oforlea

Ohio State University Press
2018
pokkari
InJames Baldwin, Toni Morrison, and the Rhetorics of Black Male Subjectivity, Aaron Ngozi Oforlea explores the rhetorical strategies that Baldwin s and Morrison s black male characters employ as they negotiate discourses of race, class, gender, and sexuality. According to Oforlea, these characters navigate a discursive divide that separates limiting representations of black males in dominant discourses from a decolonized and empowered subjectivity. Specifically, the discursive divide creates an invisible boundary between how black subjects are seen, imagined, and experienced in dominant culture on the one hand, and how they understand themselves on the other. Oforlea s book offers new analyses of the character dynamics in Baldwin sGo Tell It on the Mountain, Tell Me How Long the Train s Been Gone, andIf Beale Street Could Talkand Morrison sBeloved, Song of Solomon, andTar Baby. The black male characters in these novels encounter the discursive divide, or a cultural dissonance, when they encounter dominant representations of black male identities. They use these opportunities to construct a counter-discourse about black male subjectivity. Ultimately, Oforlea argues, these characters are strategic about when and how they want to appropriate and subvert dominant ideologies. Their awareness that post-racial discourses perpetuate racial inequality serves as a gateway toward participation in collective struggles for racial justice. "
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From the Mid-1900s to the 2000s: Pablo Neruda to Toni Morrison

From the Mid-1900s to the 2000s: Pablo Neruda to Toni Morrison

Rosen Education Service
2024
sidottu
Over the course of his career, the Chilean poet Pablo Neruda was inspired by both romance and politics. The use of literature as a tool for social change is also apparent in the works of Toni Morrison, whose experiences as a Black woman in America influenced her art. Both Neruda and Morrison were awarded the Nobel Prize for literature in recognition of their powerful writing. In this volume, detailed biographies are paired with photographs of great writers of the late 20th century. Readers and aspiring writers will be fascinated by these influential people and the stories they told.
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Geography and the Political Imaginary in the Novels of Toni Morrison

Geography and the Political Imaginary in the Novels of Toni Morrison

Herman Beavers

Springer International Publishing AG
2018
sidottu
This book examines Toni Morrison’s fiction as a sustained effort to challenge the dominant narratives produced in the white supremacist political imaginary and conceptualize a more inclusive political imaginary in which black bodies are valued. Herman Beavers closely examines politics of scale and contentious politics in order to discern Morrison's larger intent of revealing the deep structure of power relations in black communities that will enable them to fashion counterhegemonic projects. The volume explores how Morrison stages her ruminations on the political imaginary in neighborhoods or small towns; rooms, houses or streets. Beavers argues that these spatial and domestic geographies are sites where the management of traumatic injury is integral to establishing a sense of place, proposing these “tight spaces” as sites where narratives are produced and contested; sites of inscription and erasure, utterance and silence.
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Geography and the Political Imaginary in the Novels of Toni Morrison

Geography and the Political Imaginary in the Novels of Toni Morrison

Herman Beavers

Springer International Publishing AG
2019
nidottu
This book examines Toni Morrison’s fiction as a sustained effort to challenge the dominant narratives produced in the white supremacist political imaginary and conceptualize a more inclusive political imaginary in which black bodies are valued. Herman Beavers closely examines politics of scale and contentious politics in order to discern Morrison's larger intent of revealing the deep structure of power relations in black communities that will enable them to fashion counterhegemonic projects. The volume explores how Morrison stages her ruminations on the political imaginary in neighborhoods or small towns; rooms, houses or streets. Beavers argues that these spatial and domestic geographies are sites where the management of traumatic injury is integral to establishing a sense of place, proposing these “tight spaces” as sites where narratives are produced and contested; sites of inscription and erasure, utterance and silence.
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