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1000 tulosta hakusanalla Gilbert Moss

Gilbert Ryle & Jean Paul Sartre, Spiritus Ex Machina
Gilbert Ryle was one of the most famous philosophers last century. His work The Concept of Mind started a revolution within Analytic Philosophy of Mind. Ryle's revolutionary insight was to reconstruct the mind from the ordinary language of everyday people. Yet few people know that Ryle was himself deeply influenced by Jean-Paul Sartre. This work plumbs those depths beginning with an interview Ryle gave shortly before he died and a confession that he used Sartre's argument on Hume in his work. The book is the perfect introduction for the budding Philosopher, Psychologist or Psychiatrist interested in Ryle's work, while offering new surprises for the dedicated Analytic Philosopher or Rylean scholar.
Gilbert Stuart and the Impact of Manic Depression

Gilbert Stuart and the Impact of Manic Depression

Dorinda Evans

Ashgate Publishing Limited
2013
sidottu
Early American painter Gilbert Stuart has long been mistakenly represented as a hard-drinking rogue, habitual liar, and inexplicable financial failure. To explain his stylistic unevenness as an artist, he is assumed to have had an inferior assistant, but the documentary evidence for an assistant who painted on his portraits is non-existent-in fact, there is evidence to the contrary. This ground-breaking study demonstrates that Stuart suffered from a hereditary form of manic depression, leading him to create pictures that contain peculiar lapses characteristic of a manic-depressive, or bipolar, artist. Using documentary and empirical evidence-from diaries and letters to x-radiographs of paintings-this book fills important gaps in our knowledge of Stuart, and connects the strange visual effects in some of Stuart's paintings with cognitive deficits attendant with the disorder. In addition to Stuart, other bipolar artists, including George Romney, Raphaelle Peale, Gilbert Stuart Newton, and William Rimmer, are discussed in relation to these deficits, revealing patterns which carry broader implications for all manic-depressive artists. This volume is a significant contribution not only to studies of Stuart and the four other painters but also to our understanding of the mind of a manic-depressive artist. It bridges the broad disciplines of art history and psychopathology.