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Hartland Horsemen

Hartland Horsemen

Gail Fitch

Schiffer Publishing Ltd
1999
nidottu
Saddle up for adventure with the horse-and-rider sets by Hartland Plastics, the small midwestern company that set a standard of excellence for mass produced, plastic figurines. Whether you like horses; collect toys, model horses, TV mementos or Western memorabilia; or just want to recall the days when heroes were good guys on horseback, this book will make you smile. Hartland Plastics manufactured about six dozen riders and 10 standing gunfighters, over 100 horses for the riders, and countless miniature accessories--and the fun they had shows. The quality sculpture by Roger Williams and Alvar Backstrand and fine attention to painted details give Hartland models a place in the history of American toys and the hearts of kids and collectors. Hartland expert Gail Fitch has assembled a guide loaded with color photography and valuable information for the collector, including current prices, data tables, and advice on care and repair of your models.
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Hartland Horses

Hartland Horses

Gail Fitch

Schiffer Publishing Ltd
2012
nidottu
With artistic sculpture and imaginative colors, lovely horses by Hartland have thrilled kids and collectors since the 1940s. They have held a special place in the world of make-believe horses. While hardships halted Hartland horse production in the 1990s, in 2000, these much sought after figures returned in style, with gleaming coats and expressive eyes. This new book picks up the trail with 358 bright illustrations of Hartland’s revived production run. New-century American Saddlebreds, Appaloosas, Arabians, Mustangs, Paints, Polo Ponies, Quarter Horses, Tennessee Walkers, riders, saddles, and more are covered, with detailed descriptions, values, and plastic-horse hobby lore. Also included are gift-run models in sizes ranging from Tinymites to 11”, test models, and other unusual examples. If you have a passion for model horses, you will love this book
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Hartford's, John Old-Time Fiddle Favorites

Hartford's, John Old-Time Fiddle Favorites

Mel Bay Publications,U.S.
2016
nidottu
American folk, country and bluegrass composer John Hartford was well-known for his quirky compositions as well as his ability to tap-dance whilst playing the Banjo. He also possessed an encyclopedic knowledge of old-time fiddle tunes, as evidenced by this collection.Included in this book are all 22 fiddle tunes from Hartford's Hamilton Ironworks album. Also featured are many of his variations, suggested chords, information on each song's origins and insights on how to approach them.This collection of fiddle tunes provides players with an accurate source so as to incorporate these great pieces into their repertoire. The difficulty level of the pieces ranges from relatively basic fiddling to solos that employ a range of techniques such as slides, alternate tunings and playing on up the fingerboard.Each tune is presented in standard notation and in Mandolin tab.John Hartford's Old-Time Fiddle Favorites is a must-have for any fan of John Hartford's music and for all old-time musicians.
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Hartshorne and Brightman on God, Process and Persons

Hartshorne and Brightman on God, Process and Persons

Charles Hartshorne; Edgar Sheffield Brightman

Vanderbilt University Press
2001
sidottu
In 1922 Charles Hartshorne, then an aspiring young philosopher, wrote to Edgar Sheffield Brightman, a preeminent philosopher of religion and one of the earliest members of the Boston School of Personalism. For twenty-three subsequent years, the two carried out an unusually rich and intensive correspondence, and, remarkably, almost every letter was preserved. They are presented here along with additional material that follows the philosophers' lives and interactions after 1945, when Brightman's ill health prevented him from continuing the correspondence. Hartshorne (1897-) has been called ""the world's greatest living metaphysician."" But when the correspondence began, he was just a graduate student, while Brightman (1884-1953) was already an influential philosopher and theologian. Over time, as Hartshorne gained prominence, the letters reveal first a relationship of equals and eventually a reversal of roles as the younger man began to influence his former mentor. Hartshorne's sustained critique of Brightman's epistemological and metaphysical position eventually led to important shifts in Brightman's views. In their introductory essays, editors Randall Auxier and Mark Davies place the correspondence in its intellectual context and address the relationship between personalism and process philosophy/theology in metaphysics, epistemology, ethics, and social philosophy. Theologians and philosophers in a wide range of specialties will welcome this record of an enduring intellectual friendship.
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The Hartford Seminary Foundation: Bulletin

The Hartford Seminary Foundation: Bulletin

Hartford Seminary Foundation

Hassell Street Press
2021
nidottu
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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Harter Tree

Harter Tree

James M. 1867- Pierce

Hassell Street Press
2021
nidottu
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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