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1000 tulosta hakusanalla Julius Caesar

Julius Caesar (Esprios Classics)

Julius Caesar (Esprios Classics)

William Shakespeare

Blurb
2025
pokkari
The Tragedy of Julius Caesar (First Folio title: The Tragedie of Ivlivs C sar) is a history play and tragedy by William Shakespeare first performed in 1599. Although the play is named Julius Caesar, Brutus speaks more than four times as many lines as the title character, and the central psychological drama of the play focuses on Brutus. Brutus joins a conspiracy led by Cassius to murder Julius Caesar, to prevent Caesar becoming a tyrant. Antony stirs up hostility against the conspirators. Rome becomes embroiled in civil war.
Julius Caesar: Large Student annotation edition: Formatted with wide margins and spacing for your own notes
-Large A4 (8.5 x11") version of this classic set text.-Formatted with double line-spacing, wide margins and extra notes pages between chapters, this is a must-have for serious literature students. -Ideal for organising your responses and analysis in one place and practising close reading in preparation for exams.-Save on home printing costs (169 pages)
Julius Caesar Blinged Out!: A Shakespearean Tragedy Converted into Comedy
This play is a comedy introducing students to Shakespeare's tragedy Julius Caesar while keeping the plot, themes, and some of the Bard's famous quotes. Blinged out characters (rappers and a Seuss-like Fox and Cat wearing lots of jewlrey) introduce the Julius Caesar cast while explaining key elements of the original along with literary terms. Quotes from Shakespeare's Julius Caesar are in bold and referenced at the end of the quote. Line counts, a few stage directions, costume suggestions, and prop supplies are listed at the beginning of the play to aid teachers.
Julius Caesar and the Roman People

Julius Caesar and the Roman People

Robert Morstein-Marx

Cambridge University Press
2021
sidottu
Julius Caesar was no aspiring autocrat seeking to realize the imperial future but an unusually successful republican leader who was measured against the Republic's traditions and its greatest heroes of the past. Catastrophe befell Rome not because Caesar (or anyone else) turned against the Republic, its norms and institutions, but because Caesar's extraordinary success mobilized a determined opposition which ultimately preferred to precipitate civil war rather than accept its political defeat. Based on painstaking re-analysis of the ancient sources in the light of recent advances in our understanding of the participatory role of the People in the republican political system, a strong emphasis on agents' choices rather than structural causation, and profound scepticism toward the facile determinism that often substitutes for historical explanation, this book offers a radical reinterpretation of a figure of profound historical importance who stands at the turning point of Roman history from Republic to Empire.
Julius Caesar and the Roman People

Julius Caesar and the Roman People

Robert Morstein-Marx

Cambridge University Press
2023
pokkari
Julius Caesar was no aspiring autocrat seeking to realize the imperial future but an unusually successful republican leader who was measured against the Republic's traditions and its greatest heroes of the past. Catastrophe befell Rome not because Caesar (or anyone else) turned against the Republic, its norms and institutions, but because Caesar's extraordinary success mobilized a determined opposition which ultimately preferred to precipitate civil war rather than accept its political defeat. Based on painstaking re-analysis of the ancient sources in the light of recent advances in our understanding of the participatory role of the People in the republican political system, a strong emphasis on agents' choices rather than structural causation, and profound scepticism toward the facile determinism that often substitutes for historical explanation, this book offers a radical reinterpretation of a figure of profound historical importance who stands at the turning point of Roman history from Republic to Empire.
Julius Caesar and the Transformation of the Roman Republic
Julius Caesar and the Transformation of the Roman Republic provides an accessible introduction to Caesar’s life and public career. It outlines the main phases of his career with reference to prominent social and political concepts of the time. This approach helps to explain his aims, ideals, and motives as rooted in tradition, and demonstrates that Caesar’s rise to power owed much to broad historical processes of the late Republican period, a view that contrasts with the long-held idea that he sought to become Rome’s king from an early age. This is an essential undergraduate introduction to this fascinating figure, and to his role in the transformation of Rome from republic to empire.
Julius Caesar and the Transformation of the Roman Republic
Julius Caesar and the Transformation of the Roman Republic provides an accessible introduction to Caesar’s life and public career. It outlines the main phases of his career with reference to prominent social and political concepts of the time. This approach helps to explain his aims, ideals, and motives as rooted in tradition, and demonstrates that Caesar’s rise to power owed much to broad historical processes of the late Republican period, a view that contrasts with the long-held idea that he sought to become Rome’s king from an early age. This is an essential undergraduate introduction to this fascinating figure, and to his role in the transformation of Rome from republic to empire.
Julius Caesar and Me

Julius Caesar and Me

Joseph Paterson

Methuen Drama
2018
nidottu
'Julius Caesar is, simply, Shakespeare's African play' John Kani In 2012, actor Paterson Joseph played the role of Brutus in the Royal Shakespeare Company's acclaimed production of Julius Caesar - Gregory Doran's first play for the RSC. It is a play, Joseph is quick to acknowledge, that is widely neglected, misunderstood - even dreaded - when it comes to study and performance. Through an incredibly rigorous process of getting to understand his character, the play, its context and the startling parallels with our world today, Paterson Joseph came to realise its power as a play, both dramatically and politically, and its numerous points of relevance for contemporary audience. In this book, Joseph opens up the process of rehearsing and preparing for Julius Caesar and, by doing so, brings a greater understanding to the play's characters; its rhetoric and the power of rhetoric in general, both on and off stage; the play's setting and political context and how this can be interpreted and refreshed for the 21st century. Alongside offering fascinating insights into Julius Caesar and Shakespeare's writing, Joseph also serves up details of the rehearsal process; key collaborations during this time with major practitioners such as John Barton, Patsy Rodenburg, Cicely Berry, Sam Mendes, Steve Unwin, Nicholas Hytner and Declan Donnellan; and the experience of working with a majority white cast and the implications of this for himself and fellow black actors Adjoa Andoh, Ann Ogbomo and Samantha Lawson. He considers the place of minority actors in Shakespeare plays in general, and audience reactions, citing numerous conversations he has had with psychologists, counselors and neurologists on the subject of what happens between performer and spectator. For Paterson Joseph, his experience of playing Brutus in Julius Caesar with the RSC was a defining point in his career and a transformative experience. For any actor or practitioner working on Shakespeare - or for any reader interested in his plays - this is a fascinating and informative read, which unlocks so much about making and understanding theatre from the inside.
Julius Caesar and Me

Julius Caesar and Me

Joseph Paterson

Methuen Drama
2018
sidottu
'Julius Caesar is, simply, Shakespeare's African play' John Kani In 2012, actor Paterson Joseph played the role of Brutus in the Royal Shakespeare Company's acclaimed production of Julius Caesar - Gregory Doran's last play before becoming Artistic Director for the RSC. It is a play, Joseph is quick to acknowledge, that is widely misunderstood - even dreaded - when it comes to study and performance. Alongside offering fascinating insights into Julius Caesar and Shakespeare's writing, Joseph serves up details of the rehearsal process; his key collaborations during an eclectic career; as well as his experience of working with a majority black cast. He considers the positioning of ethnic minority actors in Shakespeare productions in general, and female actors tackling so seemingly masculine a play in particular. Audience reactions are also investigated by Joseph, citing numerous conversations he has had with psychologists, counsellors and neurologists on the subject of what happens between performer and spectator. For Paterson Joseph, his experience of playing Brutus in Julius Caesar with the RSC was a defining point in his career, and a transformative experience. For any actor or practitioner working on Shakespeare - or for any reader interested in his plays - this is a fascinating and informative read, which unlocks so much about making and understanding theatre from the inside.