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1000 tulosta hakusanalla Ken Booth
Ken Loach's Ae Fond Kiss. a Multicultural Romeo and Juliet Story?
Clare Stalder
Grin Publishing
2013
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Ken Schles
Steidl Verlag
2014
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For a decade, Ken Schles watched the passing of time from his Lower East Side neighborhood. His camera fixed the instances of his observations, and these moments became the foundation of his “invisible city.” Friends and architecture come under the scrutiny of his lens and, when sorted and viewed in the pages of this book, a remarkable achievement of personal vision emerges. Twenty-five years later, Invisible City still has the ability to transfix the viewer. A penetrating and intimate portrayal of a world few had entrance to — or means of egress from — Invisible City stands alongside Brassai’s Paris de Nuit and van der Elsken’s Love On The Left Bank as one of the twentieth century’s great depictions of nocturnal bohemian experience. Documenting his life in New York City’s East Village during its heyday in the tumultuous 1980s, Schles captured its look and attitude in delirious and dark honesty. Long out of print, this “missing link” in the history of the photo book is now once again made available. Using scans from the original negatives and Steidl’s quadratone technique to bring out nuance and detail never seen before, this new edition transcends the original of this underground cult classic.
Twenty-five years after his seminal 1988 book, Invisible City, Ken Schles revisits his archive and fashions a narrative of lost youth: a delirious, peripatetic walk in the evening air of an irretrievable Downtown New York as he saw and experienced it. Night Walk is a substantive and intimate chronicle of New York’s last pre-Internet bohemian outpost, a stream-ofconsciousness portrayal that peels back layers of petulance and squalor to expose the frisson and striving of a life lived amongst the rubble. Here Schles embodies the flâneur as Susan Sontag defines it, as a “connoisseur of empathy … cruising the urban inferno, the voyeuristic stroller who discovers the city as a landscape of voluptuous extremes.” We see in Night Walk a new and revelatory Ulysses for the twenty-first century: a searching tale of wonder and desire, life and love in the dying hulk of a ruined American city.
This book of Berkeley-based photographer Ken Light's (born 1951) earliest photos from 1969 to 1974 documents the social, cultural and political landscapes of America as they roiled with upheaval, and marks his transformation from a student activist to a concerned social documentary photographer. Light's frontline photos show people across race, class and political lines, and counteract the truncated memory of the 1960s that has often been promoted by the media.Light's journey through America begins with teenagers at the beach with their transistor radio. Here is the quiet before the storm: high-school students with their Eisenhower textbook, retirees playing cards and cafeteria workers quietly striking. And then, suddenly, the new, alternative worldview bursts forth: the Vietnam Moratorium, the Republican Convention, riots, POWs returning home, Nixon's resignation. What's Going On? reveals how politically divided the United States was as a progressive, more egalitarian world order evolved. It stirs long-forgotten memories for those who were present, creates a cultural and historical legacy for the youth of today and argues that much of our current turmoil is the result of cataclysmic changes in the 1960s we have not yet absorbed.Ken Light (born 1951) is a social documentary photographer with a particular focus on America. His nine books include To the Promised Land (1988), Texas Death Row (1997) and Valley of Shadows and Dreams (2012). Light has exhibited internationally, including solo shows at the International Center of Photography in New York, the Oakland Museum of California and the Visual Studies Workshop in Rochester. Among his awards are two National Endowment for the Arts fellowships and the Dorothea Lange Fellowship. Light is the Reva and David Logan Professor of Photojournalism at the University of California, Berkeley.
Ken Narula: Iris & Lens
STEIDL PUBLISHERS
2024
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Through the prewar period, the wartime, after the war, the days of reconstruction, to the years of rapid growth, Japan changed quickly and remarkably. Through those times, Ken Domon kept taking pictures of Japanese people and the reality of the society with intense passion and persistence. He also took pictures with a large-size camera of traditional culture and old temples which inspired him, and he sought, with his peculiar sense, to capture the Japanese mind which had been inherited in an unbroken line. This complete collection contains 369 photographs including "Appearances," "Bunraku," "HIROSHIMA," "Children in Chikuho," "Muro-ji," "Pilgrimage to Ancient Temples," "Visiting Old Kilns," and other masterpieces. Through black-and-white works, you will be able to retrace the eyes of DOMON, which always demanded the truth on any theme, and sought for taking pictures of Japanese people and mind.
A graded reader for learners of English (EFL). Level 1 - A1/A2 Starter (1) Word count: 4,614 Ken is a businessman. He is 34 years old. He lives and works in Tokyo. He has many friends and is popular. He wants to get married, but there is one problem. He cannot find a girlfriend. Saho and Yumiko, Ken's co-workers, decide to help him find a girlfriend. They give him a lot of advice. After a while, something surprising happens, and Ken finds a girlfriend. He is so happy But a few days later, Ken's boss gives him some bad news. Is this the end for Ken and his girlfriend?
A graded reader for learners of English (EFL). Level 1 - A1/A2 Starter (1) Word count: 5,566 This is part 2 of Ken's Story. The story starts in part 1. Ken starts a new life in a different area of Japan. His new co-workers are very friendly. One of them is a young woman called Saki. She is very friendly. She likes Ken a lot. They spend a lot of time together. Ken is happy to have a new friend, but Ken's girlfriend is not happy when she sees photographs of Ken and Saki together on Facebook. She thinks Ken and Saki like each other. Then, Ken's boss tells him and Saki to go on a business trip to Korea. Ken doesn't tell his girlfriend. Maybe this is a mistake...
Ken: City Transformation
Arquine
2026
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Characterized by simple and standardized yet expressive geometries, KEN's projects offer a functional approach to infrastructure such as avenues, public facilities and stationsLed by Mat as Mart nez, the Mexico City-based architecture studio KEN reflects the aesthetic techniques of its mentors, including Carlos Mijares Bracho (1930-2015) and Humberto Ricalde Gonz lez (1942-2013). Its diverse output ranges from residential buildings to traffic interchanges, sports facilities and public transport stations.
Het boek is niet gericht op de mensen met een specialisatie, maar is voor amateurs die van lezen houden. Het boek werd verzameld en gereviseerd en werd in de vorm van een boek gerangschikt om dit eenvoudige werk te produceren dat de Almachtige God in staat is te doen.Uiteindelijk wil de auteur van de beginnende lezer het inzicht in het boek schrijven en evalueren, zodat creativiteit in de toekomst ons doel is en we verder kunnen schrijven met behulp van de Almachtige.
Ken uw HIV-epidemie en ken uw reactiesynthese
Ahmed Tahir; Biniyam Bogale Lakew; Abdulahi Haji Abas
Uitgeverij Onze Kennis
2020
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Photographs is a collection of 140 of Ken Van Sickle favorite black and white photographs taken in various places around the world from 1952 to the present. Van Sickle evanescent photographs fulfill the time-traveling brief of all great photography, granting onlookers intimate, keyhole access to Paris in fifties, the New York Beat scene, Andy Warhol’s Factory. You can almost smell the cigarette smoke in that Greenwich village club. You can feel the sunlight on that sleeping cat’s back. Echoing the light of Irving Penn pictures and the compositions of images of Henri Cartier- Bresson, Van Sickle’s street photographs make their first appearance in his first and exhaustive monograph, nearly seventy years after their production.