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1000 tulosta hakusanalla Maria Mitchell

Konstnärlig pedagogik & praktik: metoder, dialoger, reflektioner

Konstnärlig pedagogik & praktik: metoder, dialoger, reflektioner

Miriam von Schantz; Jens Schildt; Anneli Renborg; Elsa Chartin; Agnieszka Knap; Katarina Elvén; Mara Lee Gerdén; Jenny Althoff; Michell Zethson

Konstfack Collection
2025
nidottu
Hur ser undervisning ut på en konstnärlig högskola i ateljéer, verkstäder och experimentella rum? I denna brokiga och utforskande skrift delar lärare på Konstfack med sig av konkreta metoder, reflektioner och frågor om lärande, feedback och pedagogik. Se den som en inbjudan till vidare samtal om undervisningens möjligheter och utmaningar. HÖGSKOLEPEDAGOGIK är en samling högskolepedagogiska texter i ett litet format och i modern typografisk utstyrsel som publiceras via Konstfack Collection.
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The Studio Reader – On the Space of Artists

The Studio Reader – On the Space of Artists

Mary Jane Jacob; Glenn Adamson; Svetlana Alpers; John Badlessari; Alice Bellony–rewold; Mary Bergstein; Walead Beshty; Andrea Bowers; Daniel Buren; Rochelle Feinstein; David J Getsy; Michelle Grabner; Rodney Graham; Amy Granat; Karl Haendel; Rachel Harrison; Caroline A Jones; Suzanne Lacy; Thomas Lawson; Lynn Lester Hershman; Shana Lutker; Annika Marie; Courtney Martin; Carrie Moyer; Bruce Nauman; Michael Peppiatt; David Reed; Lane Relyea; David Robbins; Judith Rodenbeck; Joe Scanlan; Brenda Schmahmann; Carolee Schneemann

University of Chicago Press
2010
nidottu
The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines. A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.
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Maria

Maria

Stefano Centrone

Lulu.com
2019
nidottu
"Maria", e uno dei primi racconti di Stefano Centrone. Autore emergente che vuole dire anche lui la sua attraverso i suoi racconti. Scrittore e poeta tra i piu giovani, entrato da poco nel mondo della letteratura, ha tanto da condividere attraverso i suoi pensieri. Ma qui lo troviamo in veste di scrittore. Attraverso questa veste vuole raccontare le sue storie, i suoi racconti: alcuni inventati, altri con una nota di realta.Il racconto "Maria", e uno di quest'ultimi: un misto di realta e fantasia, dove i personaggi e i luoghi fanno e hanno fatto parte della vita dell'autore.Infatti, il protagonista maschile Stefano non a caso porta il suo nome; mentre il personaggio femminile Maria e tratto dalla sua fantasia.In questo racconto, il terzo protagonista e l'amore, l'amore sotto ogni forma di positivita. Un amore che pero' viene interrotto in modo drammatico e che finira con la morte di uno dei due personaggi della storia.
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Maria

Maria

Mary Wollstonecraft

WW Norton Co
1994
nidottu
Her story of a woman incarcerated in a madhouse by her abusive husband dramatizes the effect of the English marriage laws, which made women virtually the property of their husbands.
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Maria

Maria

Alice Marriott

University of Oklahoma Press
1987
nidottu
María: The Potter of San Ildefonso is the story of María Martínez and her husband, Julián, who revived the ancient Pueblo craft of pottery-making and stimulated interest in Southwestern Pueblo pottery among both white people and Indians.María Montoya Martínez, or Marie, as she sometimes signs her pottery, is a woman who has become in her own lifetime a legend. She lives in the pueblo of San Ildefonso, near Santa Fé, New Mexico, and although her life has been, as closely as she could make it, the normal life of a woman of her culture, her unusual qualities have set her apart and gained her fame throughout the world.Through her mastery of pottery-making, María brought economic gain to her family and her village. However, distressing problems accompanied success and fame. Liquor ultimately wrecked Julían. There was dissension within the pueblo. And there was the succession of admiring white people who invaded her home and interrupted her work. Not least, in María view, was the departure of her own children from many Pueblo customs.Inextricably woven into the story of María is the story of the pottery of the Southwestern Pueblos, a native craft that has become a national art interest, including the development of the unique black-on-black ware by Julián, the first of which is reproduced among the illustrations.Margaret Lefranc's many accurate drawings of actual pieces of pottery provide an almost complete documentary history of the craft and show some of the finest examples of María's art. Her skilled pen has also interpreted faithfully the spirit of María, the Pueblo Indians, and the pottery.
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Maria

Maria

Mary Wollstonecraft

Gale Ecco, Print Editions
2018
sidottu
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Delve into what it was like to live during the eighteenth century by reading the first-hand accounts of everyday people, including city dwellers and farmers, businessmen and bankers, artisans and merchants, artists and their patrons, politicians and their constituents. Original texts make the American, French, and Industrial revolutions vividly contemporary.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++Library of CongressW026040Half-title: Maria: or, The wrongs of woman. Preface signed: W. Godwin. Error in paging: p. 203 misnumbered 165.Philadelphia: Printed by James Carey, no. 16, Chesnut-Street, 1799. xii, 1],14-232p.; 12
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